Rhea Hawke’s Ultimate Weapon: the MEC

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Rhea and her MEC

Rhea Hawke and weapons seem inexorably linked. As a Galactic Guardian Enforcer in a large galaxy of alien technology, Rhea Hawke knows her weapons. She’s used and been shot at by many. During her pre-Enforcer days, when she slummed with gangster Zec Zebalion on Ogium 9, Rhea made a dubious living as an arms dealer. She even designed some (like the Pocket and the MEC). Now, as ex-Enforcer, she finds her designs in high demand…

The Q-gun

The Q-gun is a shapeshifter’s preferred weapon; the handgun discharges dark energy quintle particles that resonate with matter to dematerialize it. In the first scene of Outer Diverse, Rhea is held at Q-gunpoint by the dust smuggler, V’mer on the rainy planet of Mar Delena. Later in Book 1, Rhea visits her old gangster “friend” Zec in Splendid City on Ogium 9, hoping for some information:

I met his gaze head on, then glanced down with a smirk to where his tight pants bulged and decided to make the first move. Tongue brushing my upper lip in mock seductiveness, I sneered: “Is that a Q-gun in your pocket or are you just happy to see me?”

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Rhea Hawke (Vali Gurgu)

The Q-bomb

Q-bombs are genetic-specific explosives with nano-bots that can be programmed for a specific frequency wave or genetic signature such as DNA. The Q-bomb (or its cousin Q-gel) is used often by various people, including Rhea, throughout the trilogy. In Inner Diverse, Rhea’s bookseller friend Serge Bastion (outer diverse twin to inner diverse V’ser) is supposedly killed by a Q-bomb, rigged into a book by a Vos terrorist, who had booby-trapped it with a DNA-sensing device linked to an inverse Q-bomb.  Later in Inner Diverse, Rhea embarks on an ambitious mission to blow up a Nihilist weapons facility using a set of Q-bombs. But to do that, she must visit her slimy “friend” Zec:

He glared at me with new respect and some fear. “What do you want, Hawke? I know you didn’t bring me my payment.”

“For what?” I challenged him, sauntering closer to him with my MEC still levelled at his crotch. “You’re half right, though. I do have payment. But for a Q-bomb, fifth quintle level with a five hundred charge. And I need it now.”

He threw his head back and laughed. “Whose ship are you blowing up this time?”

I smiled wryly. “Do you want the credits or not?”

I’d never known Zec to say no to a potential deal to make money. “Five thousand,” he said with a sneer.

“Up front.”

“That’s…” I began in a flustered tone, feigning affront.

“Particle-stream robbery?” He grinned. “That’s the deal.”

I looked directly at him with a hard gaze. “I pay only on delivery. And only if it’s within the hour. That’s the deal.”

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Rhea Hawke (Vali Gurgu)

Q-gel

Q-gel was used by the Nihilists in Metaverse to kill Rhea Hawke and Serge Bastion at the Beleus City Med Facility. Like the bomb, the intelligent blue-green slime is driven by nano-bots, and can be programmed to detonate with a specified distance from a specific object.

Then I saw it: a blue-green slime, seeping under the door…

We had seconds. I leapt onto Bastion, seizing him as he yelped, and rolled us off the bed toward the window. We thudded to the floor and I winced at his cry of pain. Calling forth an invisible burst of Badowin strength, I heaved the bed onto its side in front of us and pushed Bastion gruffly down just as the gel ignited with a loud ear-splitting bang.

The blast threw the bed against us and together we collided into the far wall as the windows shattered. Shards of tiny glass rained on us. Bastion squeaked then whimpered.

“You okay?” I asked once I’d gotten my breath back. My voice sounded like I was underwater and my ears were ringing.

He nodded, grimacing tightly with wide eyes. I saw blood trickle out of both his ears and felt a warm flow down my left one. The blast had probably burst our eardrums. We were lucky, I thought, that it hadn’t done more.

“Come on,” I said, pushing the bed off us and scrambling to my feet. “This is our exit call.” I lowered my hand to help him up. He just stared. All around us, embedded in the walls and the far side of the bed were thousands of knife-like spicules. Dozens would have impaled us had we not been shielded behind the bed.

Bastion shivered.

The Kappa rifle

The Kappa rifle with its metre-long barrel acts like a chemical weapon discharging kappa particles that slowly eat away flesh. Kappa particles are also used by Fauche shipbuilders as a fuel system for their ships. In Outer Diverse, Rhea first runs across a kappa rifle pointed at her by the bounty hunter Pentas in the Tangent Shipping hanger in Pyramid City on Horus:

Pulse racing, I turned and beheld two large purple Eosians standing at the entranceway. The larger one was in a Great Coat, snarling, and pointing a pocket pistol at me. The other wore a faded ranger and pointed his Kappa rifle with its meter-long barrel at me. I stared at the Kappa rifle. It was a cruel weapon, killing slowly. Mistakenly classified as a Class C weapon, [the Kappa rifle] was released as regulation issue to civilians like this bounty hunter. Guardians and bounty hunters often worked in pairs to find their quarry, usually splitting the reward. I’d done the same on a few occasions.

In Inner Diverse, on the planet Kraal, the terrorist A’ler shoots her brother Serge with a Kappa rifle:

Serge gave his sister a confident smile. “You wouldn’t shoot your own brother—”

The loud report of the kappa rifle made me flinch. Serge’s eyes widened in shocked disbelief then he looked down at the small wound in his chest.

Feeling a sympathetic stab of pain in my tight chest, I stifled a shriek and helplessly watched Serge fall to his knees then lose consciousness and flop over into a heap on the ground.

“NO!” I rushed to Serge’s limp body and knelt over him. I opened his shirt and gaped at the very small but deep wound. It leaked a small bit of blood mixed with kappa-induced fluid. The wound didn’t look like much now but already the flesh surrounding the small hole was reacting. It raged like an angry red boil. Serge’s face was grey with shock. Kappa particles didn’t usually kill right away but they were relentlessly deadly as they ate away the flesh of any creature they entered. It was a painful, long, but usually inevitable death.

“Enough blenoid crap!” A’ler shrilled. “He’ll die for sure if you don’t tell me where you put the bomb. Right now!”

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Kraal

The Concussion rifle

The Concussion rifle, used mostly by Guardians, first makes its appearance in Outer Diverse in the ship hanger in Pyramid City on Horus when two Eosian Guardians emerge from a falcon ship to neutralize Rhea as she attempts to steal a viper. The concussion rifle operates mostly like an old 20th century ballistic firearm.

Flicking my gaze in rapid fire between the console I was trying to un-encrypt and the falcon ship, I eventually caught sight of two Eosians emerging from the falcon, bearing concussion rifles. They were heading in my general direction.

I continued to fiddle with the ID key pad, feeling panic edge in as the Eosians approached. For the love of Creos! I’d opened hundreds of these before. They’d been the easiest ships to steal during my dubious career as arms dealer. And I’d practically taught the vehicle BNE lessons in Stealth 101 at the Guardian academy—

They’d spotted me and were running toward me!

The engine sputtered into a reluctant idling whine. I seized the controls and the viper lurched into the air just as they opened fire.

Chaos! My heart slammed as a few shots pinged across the vehicle’s hull. I carved a tight turn and whipped over my two pursuers, forcing them to instinctively duck, and soared out of the hangar into the sunset.

The Sling rifle

The Sling rifle is a harpoon-like weapon used by hunters, primarily blenoid hunters and meat traders on Upsilon 3—many of whom are smugglers and thieves. The rifle is essentially a harpoon with narcotic discharged with a sling line. in Inner Diverse, Rhea meets up with a gang of nasty meat-traders, who capture her and A’ler:

Lars laughed loudly and spit again, brown spittle landing on A’ler this time. “I do smell myself a barbeque.” Without a second thought, he aimed his sling rifle and shot. The rifle cracked, followed by the whiz of the harpooned sling line. The blenoid yelped then slumped, instantly knocked out by the strong narcotic. I flinched. He’d shot the leader of the pack and I knew what would happen next as the foreman released his sling. The blenoids fell upon their unconscious leader, flaying her alive to shreds…The men shouted with excitement, waving their sling rifles in the air.

The sling rifles discharged, cracking the air like whips, followed by their singing lines. As each blenoid tumbled under the deep penetrating harpoon hook, the men reeled them up as the remaining blenoids charged and dragged down their unconscious mates. It was a cruel game of cat and mouse and the sling rifle was luridly suited to it. A primitive weapon, the sling’s sharp harpooned projectile seldom killed. Killing wasn’t its objective; maiming, injuring and demobilizing was the intent. The sling was popular with hunters and gamers looking to satisfy their brutal sport of tormenting lesser beings. And torment they did. I watched in sick disgust as the men screamed with malicious amusement and reeled in the harpooned blenoids like fish in a writhing sea.

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the dunes of Upsilon-3

The Stun stick

The Stun stick is a high-energy weapon that resembles a staff. It is used by the Orichalkon, an Eosian elite guard of Mon Seigneur Martinez assigned to guard his Gnostic order in their various outposts in the universe. The weapon is wielded like a staff in Tai Chi movements and discharges an energy wave that stuns all in it contacts. In Inner Diverse, Rhea is rescued by them when she is thrown by the traders into the blenoid pit to die:

The blenoids never reached me. They yelped and wailed and flew in all directions. Two large Eosians, garbed in jet black had dropped from the crane arm to the pit. They wielded stun sticks in swift fluid motion like acrobats, flinging stunned blenoids away from the platform. The Eosians’ choreographed dance reminded me of my Tai Chi form as they knocked every blenoid unconscious.

The Nokerig Pistol 

In Metaverse, Nokerig pistols were deployed by Nihilists in an attempt to immobilize Rhea during her rescue of Serge Bastion from the Beleus Med Facility.

The guard at the exit was expecting me but not my MEC. I burst out shooting and caught him as he raised his weapon. He fell with a thud. I raced down the hall to the exit on the far end and bolted down the stairs to the third floor, hearing my pursuers clattering behind me. More shots zinged past me from the stairwell and I felt a sharp sting on my left arm.

I hissed out a curse and threw open a door into a narrow corridor with my good arm. I looked down at my bleeding arm. They were using Class D nokerig pistols, ancient ballistic weapons with projectiles that festered in your body wherever they embedded. Although it hurt like chaos and bled copiously, the bullet had only grazed my arm, I noticed with relief.

The Pocket

Rhea designed her own weapons with great success. One currently used exclusively by the Guardians is the Pocket (PulsOniC Kinetic Energy Tracker)—a small lightweight pulse pistol that can track a target once the gun has identified their signature.

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Rhea Hawke (Vali Gurgu)

Rhea’s MEC (Magnetic-Electro Concussion) Pistol

Before she joined the Guardians, Rhea had hung out with the gangster Zec on Ogium 9, dealing illegal drugs and weapons.  But Rhea’s claim to fame in the galaxy of criminals and enforcers is her MEC, a coveted weapon of her own design and, in some ways, the ultimate weapon.

“I’ve got you, creon,” I whispered smugly, slowing to a walk and raising my MEC pistol.

Unfortunately, everyone and their tappin wants her MEC and its design. In the opening scene to Outer Diverse, Rhea is ambushed by the dust smuggler and shapeshifter V’mer:

He dropped the Q-gun and scooped up my MEC then squatted gleefully down beside me, keeping my arms pinned.

“Ah, the MEC.” He ran the thick gun barrel through my wet hair and leaned closer. “Operates like a sophisticated Q-gun.”

He couldn’t have been more wrong. The Magnetic-Electro Concussion pistol was the best—and worst—thing I’d ever made. The image of Officer Asphalios’s face melting in front of me came back to haunt me. Out of hubristic genius, I’d tailored the MEC to behave uniquely by species, based on their DNA structure. I could sweep my MEC in a crowded room and melt all the shapeshifters, only knock out Eosians and leave humans totally unscathed. But Asphalios hadn’t been what I’d thought he was. He wasn’t what anyone thought he was. And I was still paying for that.

After Rhea is fired from the Precinct for her last blunder (killing the only lead to a spiritual sect massacre), she meets the attractive stranger Serge, who asks her rather unusual questions:

He broke the silence with a question: “So, this MEC of yours … did you design it all by yourself?”

I raised my head and eyed him warily. “Why do you ask?”

“I just thought it was an interesting sideline for a Guardian Enforcer, that’s all. So, are they complicated and do you do it in your head or on some holo design program?”

My eyes narrowed with distrust. “Everything’s up here.” I tapped my head with my finger. “I make it a point not to keep records.”

Later in Outer Diverse, Rhea makes a daring gambit to flush out where the fugitive Serge has gone from his terrorist sister A’ler by disguising herself as an arms dealer for the MEC design and travelling to the Ulysses, an Eclipse space station:

I held up my MEC. “You were after this, weren’t you?” Among other things. I let my smile turn into a smirk. “Well, here it is. But you’re going to have to pay for it, fair and square, like anyone else.” I had the satisfaction of seeing A’ler’s eyes light up with self-absorbed interest. “It’s called a MEC, which stands for Magnetic-Electro Concussion pistol,” I continued, making my pitch. “It uses electro-magnetic wave energy to focus subatomic quintle particles to resonate with specific DNA, rather than randomly concentrating energy on tissue like your Q-gun does.”

“Ah, very clever,” A’ler said, eying the weapon. She held out her hand to inspect it. I hesitated, then reluctantly handed it over and watched, tight-lipped and fidgeting, as A’ler casually played with the controls.

“It’s lighter than I’d thought,” she shared.

“The MEC has three possible settings, based on three unique DNA signatures,” I explained, nervously watching A’ler play with it as though it was a toy. “The first is to kill by essentially melting the tissue that its electromagnetic wave resonates with. The second setting acts as a concussion wave and knocks out the target with matching DNA. The third setting does nothing except scan. One can, of course, choose any combination of the three settings. For instance you could choose to scan three different species or kill three different species.”

“So, it can have these three settings on three different DNA types at the same time?”

I nodded. “With one single sweep of the MEC in a crowd, you could kill all of one genetic type, knock out another, and leave the third intact but scanned and targeted. I’ve catalogued over 200 DNA types.”

“Impressive,” A’ler said, nodding. “Does it have a universal setting?”

“Of course,” I said, a little impatient. “You can choose to scan every DNA type on the MEC’s database—”

“Or kill every DNA type?”

I frowned and curled up my lip in a snarl of confused disgust. “That defeats the purpose of the MEC. You could just as soon use a Q-gun for that,” I said. “The MEC’s advantage lies in its ability to discriminate.”

A’ler stunned me with her next question: “Can you set the MEC to recognize and alert you of a specific DNA type?”

It was a question no one had ever thought to ask and a feature I tended to keep to myself. “Yes,” I admitted with some discomfort at revealing this ultimate property of the MEC. “But only from a limited proximity.”

“How close?” A’ler seemed hardly able to contain a glowing smile of glee.

“The subject has to be within five meters of the MEC.”

“Really!” Her eyes flashed. “And?” she prompted.

“It alerts you by vibrating against your body with a silent Beta frequency.”

A’ler nodded, forcing on a pensive frown. “A Beta frequency, eh?” She looked like she was pretending to know what I was talking about but didn’t. “So, how do you do that?” She turned the MEC over in her hand several times.

“You have to set it on permanent scan.”

“Show me,” she said…

Rhea discovers too late why A’ler asked her to demonstrate these MEC qualities. When she meets the remaining Schiss priest, a Gness named Rashomon, to warn him of his planned assassination by terrorists, it is her own weapon that kills him. When A’ler had briefly handled her MEC, she had surreptitiously set it to recognize the presence of a Gness. Rashomon—known for his obsession with weaponry—had expectedly wanted to handle her unique weapon. A’ler had set the bomb and Rhea had delivered it right into his hands.

I recognized the effects of a Q-bomb. What a fool I’d been. Tricked into playing the role of a weapon again. I’d set out to save this alien and ended up killing him instead. A’ler had obviously planted a Beta-frequency detonator on the MEC. She’d planted the tiny but lethal Q-bomb after she’d tricked me into setting the MEC to scan and alert me with a Beta-frequency in the presence of a Gness.  Then all A’ler needed to do was lead me to Rashomon, by cleverly providing me with the one thing I so obviously desired: Serge.

Throughout the trilogy, Rhea must finally come to terms with one of the largest blunders of her ill-fated career as an Enforcer: her slaughter of seventy-seven Rills on Omicron-12.

The Rill possessed two very different arms. His right arm was particularly large and clawed and resembled a weapon. It was tailored no doubt for digging in the bogs of Omicron 12. It had been my undoing, that weapon-like arm.

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Rhea Hawke (Vali Gurgu)

Just before she’s fired by her boss, Ennos in Outer Diverse, he lets her know what he thinks of her mass-execution:

“I say monitor a native uprising on Omicron 12 and you exterminate a whole insurgent army singlehandedly with that genocidal weapon of yours.”

Not even Ennos believed me about mistakenly setting my MEC to kill instead of stun those Rills; my reputation for anti-alienism had preceded me. Despite repeatedly telling myself that they were just vulgar Rills and murdering terrorists, I suffered guilty nightmares of the incident and had secretly wondered why the Guardians hadn’t thrown me into Sekmet for it. Finally, I’d rightfully come to the conclusion that the insane cruelty of the incident had not bothered Ennos, so long as I hadn’t embarrassed him in front of the Legess with whom the Guardians had a relationship; Ennos didn’t care about the Rills anymore than the rest of the Galaxy did.

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Swamp-bog of Sekmet

In Inner Diverse, Ka challenges Rhea to the core of her prejudiced mind:

Isn’t that really why you made the MEC? To rid the galaxy of those unsavoury races? Isn’t that what you were doing on Omicron 12?”

I swallowed convulsively and tightened my hold on the MEC. It was slipping in my clammy hands. “I’m not a fascist.”

“Aren’t you?” Ka challenged. “Admit it, Rhea, you mercilessly killed all those Rills without the slightest remorse—”

“It was a mistake. My MEC was—I wasn’t used to its settings and—”

“There are no mistakes, Rhea,” Ka cut in. “There is only duende. And for every action a reason, and a consequence, even if unclear to the doer.” Then he leaned forward. “You’ve long harboured anti-alien sentiments. And you particularly despise baldies.”

Even in Hades on Sekmet, the prison planet, the mevlani (prisoner in charge) Barbariccia berates Rhea for her treachery:

“When you were an Enforcer you self-righteously and viciously dispensed your version of law and order,” he said in a voice of open contempt. “Death was your calling card and your answer for everything. Over a standard galactic year ago, on Omicron 12, you went way beyond your mandate with the Legess and intruded on a revolutionary meeting of key insurgents. You crushed a whole race with ruthless precision, killing seventy-seven unarmed Rills with that menacing weapon of yours.”

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Swamp-bog of Omicron 12

I bit back a retort and felt saliva collect in my mouth. I’d convinced myself that they were armed, but they weren’t. It was a lot easier to justify why I kept shooting even after I realized that my MEC was spitting out fatal waves rather than debilitating ones. My tormented mind had repeatedly gone over that lurid scene, trying to sort out what had triggered my tragic blunder of insanity. I couldn’t help my panicked reflex of misguided self-defence; it was the rationale that I’d fed myself later that shamed me now. They were only Rills, I’d thought. Only Rills…. I had wondered briefly at the time why Ennos hadn’t sent me to Sekmet for my overly ambitious deed. The non-native Legess were clearly the aggressors, enslaving the obsequious Rill, and for decades had exploited their labour for keen profit…with the full support of the Guardians—perhaps the real reason I hadn’t been sent to Sekmet for my act of treachery. Although it looked bad, I’d done exactly what both the Legess and the Guardians quietly wanted: I’d crushed their revolution.

As the trilogy progresses, Rhea’s MEC design plays a pivotal role in the war brewing in the galaxy. Her MEC technology is coveted by Guardians, Eclipse criminals and Vos Nihilist terrorists alike as a weapon of genocide. Rhea finally realizes that she cannot distinguish ally from foe in the chess game to seize her weapon of destruction. Once she trades the MEC design to a Nihilist for the life of a colleague—setting in motion a treacherous escalation toward galactic war—Rhea must fight to save the galaxy and ultimately reconcile what she started with the Rill uprising on Omicron-12.

In Metaverse, the third and last book of The Splintered Universe Trilogy, Detective Rhea Hawke travels back to Earth, hoping to convince an eccentric mystic to help her defend humanity from an impending Vos attack—only to find herself trapped in a deception that promises to change her and her two worlds forever.

You can listen to a sample recording of Outer Diverse, Inner Diverse, and Metaverse through Audible. Read The Splintered Universe reviews on Goodreads.

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

The Splintered Universe, Book 3: “Metaverse” Audiobook

Metaverse-FRONT-web copyIn Metaverse, the third and last book of The Splintered Universe Trilogy, Detective Rhea Hawke travels back to Earth, hoping to convince an eccentric mystic to help her defend humanity from an impending Vos attack—only to find herself trapped in a deception that promises to change her and her two worlds forever.

Lilly’s Book World summarizes the audiobook:

Oh, Yes! An explosive ending indeed! This was such a great series, with such great world development and great characters, full of action and with an amazing narration! I am sorry it’s over! (but I still have the books!)

“Metaverse” concludes so many open points from the previous books.  Some may say the blurb is evasive, but with so much going on, it’s great we have no spoilers in there. However, I can tell you that our main character Rhea is in for a treat! The same goes to her amazing companions.

Rhea develops even more; she manages to discover so much about her heritage and her role in this war that has enveloped the universe. Her story transcends planets and she becomes so much more than a simple presence. I like her and I admire her power.  I’m sorry, I’m being cryptic here. But if you have read or listened to books 1 and 2, you are compelled to see how it all ends. And you already know how great the story is.

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Rhea Hawke (Vali Gurgu)

The narration is as amazing as in the other two books. Dawn Harvey has done an amazing job giving life to Rhea, making all this action real and palpable. At times, I was listening to her breathlessly. Everything was enhanced due to the narration!

I have little else to add, except that maybe one day I will see this series in our Romanian libraries, so that my fellow countrymen can enjoy Nina Munteanu’s writing. 5 stars!

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This episode of the space trilogy is everything I wanted and more… Rhea and her helpers are running out of time to save the outer verse from war. There is so much happening in this book it keeps you listening far into the night—Book Addict

Dawn Harvey continues to bring a great performance to this series. Her narration is so well done. She’s got the perfect voice for Rhea Hawke. I love how she manages all the different alien voices. Truly, I don’t know how she pulled some of them off, and with such consistency across all three books. 5/5 stars—Dab of Darkness

The trilogy consists of Outer Diverse, Inner Diverse, and Metaverse. and is available in ALL THREE FORMATS: print, ebook, and audiobook. You can listen to a sample recording of all three audiobooks through Audible.

audible listen

Microsoft Word - trilogy-poster03.docx

nina-2014aaa

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

Love At First Sight…

EXCERPT from Inner Diverse, Book 2 of The Splintered Universe Trilogy; Galactic Guardian Detective Rhea Hawke is travelling in her AI ship Benny in search of the “assassin” Serge to return him to the precinct for questioning:

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Rhea Hawke (Vali Gurgu)

…I slouched in my pilot’s chair, cosy in Serge’s old crewneck sweater, the one he’d worn—and taken off—when I’d last seen him. I hugged myself and tucked my nose into my elbow, breathing in the delicious fragrance of old wool and Serge’s faint but intoxicating scent—

Benny signalled me: “Scimitar class ship ahead, Rhea. I believe it’s Serge.”

I jerked up, feeling an irrational thrill surge through me. I let a predator’s smile slide across my face as I sat back and pulled out a wad of soyka gum, threw it casually in my mouth, and chewed lazily with an open mouth. “Well, let’s catch ourselves a little prey, Benny.” I blew out a bubble, popped it, then carved out a ferocious smile. “I’m hungry.”

I seized the controls and banked hard toward the stolen ship. “Lock on the scimitar, Benny. On my mark…Now!” I watched the ship shudder in the violent concussion wave.

“The scimitar is disabled, Rhea. We are being hailed.”

The holo-com lit up with Serge’s distraught face and I felt my own heat. He looked stunning in a grey crewneck sweater and black trousers. The sweater was identical to the one he’d worn when I’d last seen him—the one I was now wearing. As soon as he saw me, Serge’s face relaxed and he gave me a rakish smile. I noticed his fleeting glance down at what I was wearing and felt an awkward moment of recognition pass between us as our eyes locked. My face blazed with embarrassment.

“I should have guessed it was you, Rhea,” he said casually. “That your way of saying hello?”

“It is with you,” I bit back, casually chewing and throwing the gum around with my tongue, despite the warmth surging up my face. “We’ve disabled your ship and intend to dock and take you aboard. Don’t give me any trouble, Serge, and I won’t have to kill you.”….

*****

…I kneeled down and gruffly pulled at the restraints to check their strength then rose and paused. I locked eyes with his, lips smirking, and played the gum in my mouth with my tongue.  “Feels familiar, doesn’t it? Only in reverse.”

Serge took in a long breath, eyes roaming my body, then met my gaze head-on. “Go ahead.” His fragrance of musk and strawberries flared. “I know you want to kiss me.”

I jerked back, face flushing with anger. “You’re so full of shit, Serge. So hubristic about your powers of seduction―”

“Not hubristic, Rhea. I just know,” he said calmly, inching toward me even as I recoiled. “Haven’t you ever wondered about love at first sight?”

“Hormones,” I said flatly and blew out a bubble.

“Karma,” he returned.

I abruptly popped the bubble with my tongue and sucked my gum back into my mouth.

“You were wearing my sweater,” he said.

“I was cold.”

Inner-diverse-front-cover-WEBInner Diverse is the second book of The Splintered Universe Trilogy:

When Galactic Guardian Rhea Hawke investigates the genocide of an entire spiritual sect, she collides not only with dark intrigue but with her own tarnished past. Her quest for justice catapults Rhea into the heart of a universal struggle across alien landscapes of cruel beauty and toward an unbearable truth she’s hidden from herself since she murdered an innocent man.

Get the complete Splintered Universe Trilogy. Available in ALL THREE FORMATS: print, ebook, and audiobook. You can listen to a sample recording of all three audiobooks through Audible.

Read the Splintered Universe reviews on Goodreads.

audible listen

Microsoft Word - trilogy-poster03.docx

nina-2014aaa

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

The Splintered Universe, Book 2: “Inner Diverse” Audiobook

Inner-diverse-front-cover-WEBIn Inner Diverse, the second book of The Splintered Universe Trilogy, Detective Rhea Hawke continues her quest for truth and justice in a world that is not what it seems. Rhea’s search takes her to the far reaches of the known universe from the Weeping Mountains of Horus to the blistering deserts of Upsilon 3. Amidst the turmoil of an imminent extra-galactic war, Rhea holds the key even as those she trusts betray her. No one is what they seem…

Lilly’s Book World summarizes the audiobook:

A great follow up to Book 1 of this series; we see Rhea more and more involved in the politics of the world. Again, I liked how much she developed from Book 1 and her search for the truth leads her to unexpected discoveries.

What I mostly enjoyed about “Inner Diverse” was seeing our main character face the true personalities of the people she thought she could trust. Her reactions were very believable and her character is shaped by them in more ways than one. The plot intensifies and the war is even more complex than what we thought initially. Faced with protecting humans from extinction, is Rhea capable of using her abilities to the fullest?

The narration was exceptional. We have incredible voice acting and even if this was expected, since Book 1 was narrated by the same person, I loved discovering Dawn Harvey’s new voices. She managed to bring sound and life into a story that was already great. She transformed it into an amazing audiobook.

To quickly summarize, I loved Book 2 even more than Book 1. “Inner Diverse” is exactly as the title says – a deeper and deeper immersion into a universe so complicated and complex. The ending left me yearning for Book 3, so excuse me while I do some more reading, or listening!

SplinteredUniverseTrilogy-Amazon

iota-hor-rhea_edited-1 copyThere’s so much I have enjoyed about this series so far. Rhea is a fascinating character from the start and she continues to grow throughout the tale. There’s her AI ship, Benny, her sentient great coat, her special made gun, and her own hidden shapeshifting abilities. Then there’s a cast of interesting characters, good guys and bad guys. I love that I don’t know how things will turn out; the plot keeps me guessing—Dab of Darkness

A great amount of action to keep me interested the whole time—Book Addict

The trilogy consists of Outer Diverse, Inner Diverse, and Metaverse. and is available in ALL THREE FORMATS: print, ebook, and audiobook. You can listen to a sample recording of all three audiobooks through Audible. Read the Splintered Universe reviews on Goodreads.

audible listen

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

Review of “Outer Diverse” Audiobook by Martha’s Bookshelf

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Review by Martha’s Bookshelf:

Rhea Hawke is some tough cookie… well – I guess you wouldn’t call a Galactic Guardian Enforcer, a “cookie”. Rhea has a strong sense of justice and is prepared to kill in the line of duty. The problem is that she killed an innocent man by accident when she was just a child and that still haunts her.  That event has shaped her life, leading her to become the only human law enforcement officer on the Eosian force. Now it is the reason she is on leave from her job and has enemies hunting her out of fear and for revenge.

Rhea has kickin’ weapons, including a Guardian Great Coat that is a shield, weapon cache and healing cover. But her most significant weapon is the ‘MEC” (Magnetic-Electro Concussion) pistol that she designed herself. The gun is technically outlawed but it is being sought by many because it is so powerful. She has created it so it can’t be dismantled and copied and the only design schematics are in her head.

Rhea is frustrated that her Eosian boss doesn’t believe her arguments that the Vos, a brutal alien race that attacked Earth, pose a real terrorist threat to the galaxy. She continues the investigation on her own and with the help of another Guardian, Basileus, she steals Benny, her beloved little ship, (saving him from the junk heap) and heads off to face more danger.

Whew- this one takes some concentration. I had a little confusion getting the characters, races, friends – well mostly foes – sorted out.  There is wonderful world building with fascinating aliens and planets, along with detailed weapons, missions, errors, and blunders. I was a bit frustrated about a third into the book when Rhea falls in lust with a stranger and begins a heavy romantic relationship. Although Serge seems loving and caring it puzzled me that Rhea totally failed to use her police smarts in getting involved with this handsome guy.  Is he safe or not; lover or the worst sort of enemy?

Rhea faces one perilous situation after another. Some she is led into and others she plunges head long into. There are ideological twists and parallel world theories at the root of the terrorist threat that Rhea seeks to thwart. As her investigation proceeds the issues become even more complex. This isn’t a light read but it sure kept my attention as I listened to see who was really a foe or a friend and what Rhea’s ultimate fate might be.  This is the first book of the Splintered Universe Trilogy. I hope the next book will be available soon so I can continue to follow Rhea and Bennie on their dangerous adventures.

Audio Notes:
Ms. Harvey did a superb job with the narration. She manages to enthuse the personality of the characters into each voice. The wise, gentle Ka has a soft, strong sound that reminds you of a wise old bird. Shlsh Shle She, a slippery, slimy creature has a slurry, garbled voice like a mouthful of mushy, wet food.  Dawn’s reading conveys the loneliness in Rhea, the sexiness of Serge, the frustrated, friendliness of Bas, and the faithful, coziness of Benny. She is able to bring emphasis to the action or romance, weariness or fear elements of the story. The narration never takes over the story but rather enhances it.

Thought words jotted while listening:   Harsh, lonely, intense, complex, naive, betrayal, secrets.  Some sexual content.

Listen to an excerpt of Outer Diverse:

Get the complete Splintered Universe Trilogy. Available in ALL THREE FORMATS: print, ebook, and audiobook. Listen to a sample from the three audiobooks below on Audible. Read the Splintered Universe reviews on Goodreads.

audible listen

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

Rhea Hawke Interviewed by Galaxy News

I recently accessed a rare interview by Laura Dob of Galaxy News with Galactic Guardian Detective Rhea Hawke conducted in Neon City on Iota Hor-b sometime in 215 SGT:

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Rhea Hawke (Vali Gurgu)

Laura: Welcome to the studio, Rhea. We’re so pleased that you could take time out of your busy schedule to talk to us.

Rhea: Thank you. Well, my boss told me I had to come and then cleared my schedule.

Laura: Well, that was nice of him.

Rhea: (hardly audible) Not really…

Laura: (clears throat). You’re an enforcer for the Iota Hor-2 Precinct. Is Neon City where you live—when you’re not out chasing the bad guys in your sentient ship, that is?

Rhea: Yes. I live in the eastside in a flat with my tappin, Jasper. I moved there when I started working for the Galactic Guardians. I’m originally from Earth: Vancouver, Canada.

Laura: How does it feel to be the only human in an entirely Eosian Guardian force?

Rhea: Small. Their average height is seven and a half feet. I’m tall for a human female at 6 feet, but I’m still a midget compared to them. Humans generally are small in the galaxy. If you discount the Delenians, Rills and Creons—which most do anyway—we’re pretty much the smallest sentient species in the galaxy.

Laura: (laughs uneasily) How did you become the only human Guardian Enforcer?

Rhea: Plain dumb luck, I guess…

Laura: (shuffles papers uneasily). You must be one of their youngest Enforcers at just twenty-three years old. Most are in their forties by the time they earn an Enforcer badge. With so much training involved how did you accomplish that feat?

Rhea: I started out young.

Laura: So, tell us about your sentient ship. It’s different from the regulation Guardian ships, isn’t it? Why did you choose it—

Rhea: I didn’t choose Benny. But I’m very happy with him. Benny is a ray class ship, a hybrid of old organic nano-technology that uses brainwaves and new technology that uses kappa particles collected through fuel scoops from gas giants. My ship was built by Tangent Shipping, owned and operated by Fauche ship-builders. As far as I’m concerned, the Fauche are the best ship builders in the galaxy.

Laura: Tell us a little about the equipment you use in your work? Like that savory coat. You call it a Great Coat, don’t you? Is it standard Galactic Guardian issue?

Rhea: The coat is intelligent, made with thixotropic material, which protects me, alerts me and provides some enhancing features that help me maneuver out of challenging situations.

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Rhea and her MEC

Laura: The standard weapon of the Galactic Guardian is the pocket pistol. But you use something different; I hear that you designed your own non-regulated weapon. Is that it, holstered on your hip? I’ve heard it called a MEC…

Rhea: (pulls out the hand gun). It stands for Magnetic-Electro-Concussion pistol. It’s a wave-generating weapon that’s programmable to specific vibrations and wavelengths unique to the DNA of animate and inanimate things. I can program it to do different things to different things in one sweep. This essentially makes the MEC a discerning weapon with distinguishable endpoints from rendering someone unconscious to a swift kill.

Laura: As a Galactic Enforcer, you’re known as a loner who drives a non-regulation ship and uses unconventional ways to complete your missions. Some have criticised your methods as unreliable, shoddy—even dangerous. One Galactic Enforcer told me that no one wants to work with you because—

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Rhea Hawke (Vali Gurgu)

Rhea: I didn’t join the force to make friends. I became a Guardian to help make things right. I get the job done. There’s no nice way of getting rid of scum, murderers, and terrorists. People have to decide if they want a safe galaxy or if they want to be politically correct in an unsafe one.

Laura: Does that include the Rill rebellion on Omicron 12 where you murdered over a hundred insurgent Rills with that very MEC you’re holding?

Rhea: ‘Talking without thinking is like shooting without aiming’—Old Chinese proverb… It was seventy-seven terrorists I killed.

Laura: (after tense pause in which interviewer notes that Rhea has not put away her MEC) Ok… Well… I heard a story from your mother—

Rhea: You spoke to my mother?

Laura: —that you wanted to be an artist when you were young…

Rhea: ‘Dress the monkey in silk and it is still a monkey.’ Argentinian proverb.

Laura: Eh… right… So, what’s your favourite holiday place when you take time off?

Rhea: I don’t take time off. Except for interviews my boss tells me I need to do, that is…

Laura: Eh… right… So, what’s your favourite drink—or drug— and favourite place to get it?

Rhea: (finally smiling) Well, I am rather partial to Plock Nectar but my favourite drink is soyka and one of the best places to get it is right here in Neon City. It’s a funky Italian-Scandi café on Elgin Street in The Hive, called The Muddy Pit.

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Rhea Hawke (Vali Gurgu)

Laura: Thank you, Rhea, for talking to us. I wish you well in your journeys.

Rhea: Thank you, Laura. You too.

When Galactic Guardian Rhea Hawke investigates the genocide of an entire spiritual sect, she collides not only with dark intrigue but with her own tarnished past. Her quest for justice catapults Rhea into the heart of a universal struggle across alien landscapes of cruel beauty and toward an unbearable truth she’s hidden from herself since she murdered an innocent man.

Get the complete Splintered Universe Trilogy. Available in ALL THREE FORMATS: print, ebook, and audiobook. Listen to a sample from all three audiobooks on Audible. Read the Splintered Universe reviews on Goodreads.

audible listen

Microsoft Word - trilogy-poster03.docx

nina-2014aaa

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

What Kind of Hero is Rhea Hawke?

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Rhea Hawke on the cover of Outer Diverse

“Rhea Hawke…I want to be her when I grow up.”—Amazon Review

Something is changing for women—and for men too. I’m talking about storytelling—and what makes a hero. Only a few years ago, no one would have predicted the success of Wonder Woman, which portrays a well-rounded female hero as both “badass” warrior (strong, determined and violent) and kind (compassionate, nurturing, empathetic and inclusive).

The male hero stereotype of western neoliberal-corporate culture—and science fiction particularly—has often been characterized by strength, courage, honor, intelligence, and assertive single-mindedness. He is the altruist warrior, often acting alone against an unfair society: all traits honored, respected and esteemed in men. In a woman, these Boadicean qualities often taint her as “bitch”, “bossy”, “cold” or even heartless. She may be considered unwomanly, unlady-like, intimidating, and untouchable (as in lesbian).

In the patriarchal model, a woman “hero” must shed her feminine nurturing qualities of kindness, tenderness, and inclusion, to express those hero-defining qualities that are typically considered male. I have seen too many 2-dimensional female characters limited by their own stereotype in the science fiction genre—particularly in the adventure/thriller sub-genre. If they aren’t untouchable goddesses or “witches”, they are often delegated to enabling the “real hero” on his journey through their belief in him: as Trinity enables Neo; Hermione enables Harry; and Lois enables Superman. In so many of these storylines, the female—no matter how complex, interesting and tough she starts out being—demures to the male lead to support his hero’s journey—without considering her own. And this often means serving as the prize for his chivalry. There’s even a name for it: the Trinity Syndrome.

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Rita Vratasky (Emily Blunt) in Edge of Tomorrow

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Avasarala (Shohreh Aghdashloo) in The Expanse

A different kind of hero is gaining momentum in science fiction and action-thrillers in which the heroic gifts of altruism, compassion, faith, courage, passion, and endurance drive the female lead. We see her in movies and TV shows like Edge of Tomorrow, Hunger Games, Divergence, Orphan Black, Farscape, Battlestar Galactica and The Expanse. Even Game of Thrones.

She fights the dragons of prejudice, ignorance, cruelty, greed and intolerance–either in partnership with her male counterpart or alone.

****

Enter Rhea Hawke, Galactic Guardian: wounded hero with a massive grudge. She’s the only human in a galactic police force of giant alien Eosians (who she despises). In the early scenes of Outer Diverse, Rhea is a “badass”; but she’s also far from heroic—displaying cynicism, open racism and even cruelty to her own colleagues. And yet, in her stubborn resolve to solve the massacre of a spiritual sect—even after she’s fired for killing her suspect—and to solve the mystery of the alien spectre of the Vos (who destroyed her home planet Earth), Rhea betrays a humane need to right all wrongs, including her own.

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Rhea Hawke (Vali Gurgu)

Rhea’s journey is large—epic, even. It’s a journey of transformation, both literally and figuratively. Her journey of self-discovery will take her across the galaxy, only to find that compassion and forgiveness were with her all along. She just needed to uncover them to find her whole self. Her sometimes foil and love-interest, Serge, continually bates her, challenges her and even betrays her. By turns a foil and an ally, Serge is Rhea’s perfect counterpart; not weaker or stronger, he is an equal to her. A true partner. And their banter is some of the most rewarding writing I’ve done in my career.

When Galactic Guardian Rhea Hawke investigates the genocide of an entire spiritual sect, she collides not only with dark intrigue but with her own tarnished past. Her quest for justice catapults Rhea into the heart of a universal struggle across alien landscapes of cruel beauty and toward an unbearable truth she’s hidden from herself since she murdered an innocent man.

Get the complete Splintered Universe Trilogy. Available in ALL THREE FORMATS: print, ebook, and audiobook. Read the Splintered Universe reviews on Goodreads.

audible listen

Microsoft Word - trilogy-poster03.docx

nina-2014aaa

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

The Splintered Universe, Book 1: “Outer Diverse” Audiobook

OuterDiverse-front coverOuter Diverse is the first book of the Splintered Universe Trilogy, set in and around the Milky Way Galaxy. The first book begins as Galactic Guardian Detective Rhea Hawke investigates the massacre of an entire religious sect, catapulting her into a treacherous storm of politics, conspiracy and self-discovery. Her quest for justice leads her into the heart of a universal struggle and toward an unbearable truth she’s hidden from herself since she murdered an innocent man.

Dab of Darkness summarizes the audiobook:

I had the pleasure to listen to this book 5 or 6 years ago, and I really enjoyed it then. I’m very pleased to say that this book has stood up well over the years. Rhea Hawke is still the bad ass I want to be when I grow up. I love her dress sense (boots, weapons, sentient great coat), her sorta pet tappin (kinda a cat with 3 tails), and her best friend Benny, who is the AI on her little work-issued spaceship. Alas, she messed up big time at work (the Galactic Guardians, which is way more bureaucratic than it sounds), and she lost all but her boot and her sorta cat.

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Rhea Hawke (Vali Gurgu)

While wallowing in her self-pity, wondering what to do with her life now, she joins a gym where she meets Serge. He’s way more sexy than his name hints at. Pretty soon, she’s spending nearly all her time at his place. She’s held back from snooping into his past, as she would have done in a heart beat when she worked for the Guardians. That’s going to come back to bite her in the butt.

I especially enjoyed the tangled relationship she has with her mom. She loves her (maybe) but hates her too (and definitely hates that she sleeps around so much!). But her mom has kept some really big secrets from her and that had to sting, so I see her point most of the time.

So many aliens! I love this aspect to the story because humans aren’t the focus. In fact, they are basically an endangered species. Barely tolerated in most civilized places, Rhea has had to work twice as hard to prove herself worthy. She’d rather do that than take the path her mom did (free love).

Then there’s the evil Vos. Cue evil laughter. So many rumors about what they can do, what atrocities they have done. I know it’s quite silly, but I love this because that’s my last name, minus and S, pronounced the same way. Hahaha! If I lived in Rhea’s universe, I’d have to change my last name or risk being shot on sight…

Dawn Harvey does a great job with all the different alien voices. She really went the extra mile, making them sound as described in the text of the story. I don’t know how she made some of those voices, but they really worked!…The pacing is perfect. Her voice for Rhea is spot on – a hero that is sometimes vulnerable.

SplinteredUniverseTrilogy-Amazon

The trilogy consists of Outer Diverse, Inner Diverse, and Metaverse. and is available in ALL THREE FORMATS: print, ebook, and audiobook. You can listen to a sample recording of all three audiobooks through Audible. Read the Splintered Universe reviews on Goodreads.

audible listen

Nina Munteanu’s story is full of surprises, full of action and twists and I liked it so much!—Lilly’s Book World

An addictive start to the trilogy!—Book Addict

A feast for the senses; glorious worlds with complex inhabitants hurtle towards our unprepared ears—QuirkyMezzo23

I want to grow up to be Rhea Hawke—DabOfDarkness

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

Nina Munteanu Talks About Writing and Audiobooks

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In a recent interview with Jess at Audiobookworm Promotions, I talked about the process of turning The Splintered Universe Trilogy into three audiobooks and the process of writing in general:

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Nina Munteanu

Tell us about the process of turning your book into an audiobook.

The process was magical for me. It was professional and proceeded at a pace that felt productive. All of this was mainly because of the professional relationship I had with the narrator. From audition to each step of quality assurance in ensuring character voice, pronunciations, mood, tempo, etc. the narrator and I were in good communication. The final product shows. I can’t recall how long it took for each audiobook to be created, but it didn’t feel long.

How did you select your narrator?

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Dawn Harvey

Dawn Harvey auditioned for my first book along with two other narrators through the audiobook publisher, Iambik. I picked Dawn because her voice resonated with my idea of my main character, Rhea Hawke, a cynical badass detective on a mission to save the world–a world she doesn’t understand. Dawn’s voice carried attitude and sarcasm as well as compassion and kindness. It was exactly what I was looking for in my paradoxical character. Given that the book is told in the first person, the main character voice was critical. Dawn just nailed it. When the second and third books came out, I just HAD to have Dawn do them too—not just for consistency, but because in my mind, Dawn WAS Rhea.

How closely did you work with your narrator before and during the recording process? Did you give them any pronunciation tips or special insight into the characters?

We worked closely and well. Dawn took the driver’s seat in it. She was very professional. She sent me sections of audio to check for tone, voice, etc. She created a list of voices (I had at least twenty different alien species she needed to create unique voices for—one with multiple mouths! And another was a kind of “amoeba”—her voices were splendid!) and a list of terms with her pronunciations for me to vet. She had also asked for more information on the characters, which I was able to provide, given I keep a character dossier on all characters I create.

You can listen to samples of her narration of the three audiobooks below:

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Are you an audiobook listener? What about the audiobook format appeals to you?

OuterDiverse-web-1 copyI like to listen to audiobooks in the car, especially when I’m on a long trip. I find it a wonderful way to enjoy a book. It’s very relaxing. When my best friend and I used to do road trips down to California from Vancouver, we took turns reading a novel or nonfiction book out loud as the other drove. It was lots of fun. With audiobooks I can do the same even when I’m the only one in the car!

What gets you out of a writing slump? What about a reading slump?

EcologyOfStoryIf I’m in a slump, it’s usually because I can’t figure something out—usually some plot point or character quirk or backstory. What helps me is to put the book I’m working on away and do something else. I know that what I need will come; I just have to let it come on its own terms. The break could even be writing something else, so long as it isn’t my book. Or I could do something else on the book such as edit a certain section or research some element. Other ways I coax my muse back are walks in Nature, reading a good book, visiting the library or a bookstore and cycling. These work really well to take me out of the book and into the muse. When I take my mind out of the direct involvement with the book, I’m letting things outside of me impact me with insight. Invariably that is what happens. I’ll see something or experience something that provides me with a clue or even an epiphany.

What advice would you give to aspiring authors?

InnerDiverse-web copyLearn your “voice” and how it’s unique from anyone else. Write from the heart, write something that means something to you, and keep writing. Success in writing results from a passion to share. If you infuse your writing with passion, everything else comes with it: the patience and determination to learn craft, marketing, and the persistence in your pursuit.

Do you have any tips for authors going through the process of turning their books into audiobooks?

Know what you’re looking for to represent the “voice” of your book. Know the narrative voice you want for your book and don’t compromise on it. Work respectfully with your narrator: if they are good, they will turn your cherished book into something more than it was. Let it surprise you and delight you. Together, you and your narrator will become more than the sum of the parts. Enjoy the process and don’t rush it.

What’s next for you?

MetaverseAUDIO-FINAL2-webI recently finished my latest novel, A Diary in the Age of Water, which was picked up by Inanna Publications in Toronto and will be out in 2020. I recently launched the third book in my “Alien Guidebook” series of writing guides. This one is called The Ecology of Story: World as Character and I’ve had lots of fun with it!

I’m currently at the idea-premise phase of a feature short story commissioned by a magazine in Vancouver. The story, which may involve a branch of ecology called soundscape ecology, explores a world we hope to live in and how we might get there.

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

Reflections: The Meaning of Water (a talk for the Lewis Creek Association)

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Nina Munteanu with Louis DuPont and Merridy Cox with Lewis Creek behind

A short time ago, I was invited to give a talk on water to the Lewis Creek Association during their annual meeting for 2019 to help celebrate their recent accomplishments. Here is their write up:

Join our special guest, Canadian ecologist and author Nina Munteanu, who will discuss the many dimensions of water. She describes personally the curiosity and emotional connection with nature that compels us to caretake our environment with love versus a sense of duty. Her book “Water Is…The Meaning of Water” is an ode to and discourse about water, the indispensable and mysterious element that is the foundation of life here on our blue planet. The book is a fascinating catalogue of the many amazing and anomalous qualities of water, and has become a favorite of several Board members. She trained in limnology, the study of lakes, and has consulted in the aquatic sciences for many years. The author of over a dozen fiction and non-fiction books, she currently teaches writing at the University of Toronto and George Brown College in Toronto, Canada. We are delighted to have Nina join us and share her insights and concerns about this substance we have been concerned with over the last 30 or so years.

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At Cafe Barrio in Burlington, Vermont, Nina checks the map for directions…and finds her way…

I chose to drive to Vermont from Toronto with good friend and editor Merridy Cox. We crossed into USA near Cornwall and drove through New York state to Rousse’s Point, then into Vermont over the Vermont Bridge over Lake Champlain. We took the scenic route along the islands to the village of Charlotte, where we met with some of the Lewis Creek Board members and enjoyed a wonderful home-cooked supper at executive director Marty Illick’s country home along with Board president Andrea Morgante, board member Louis DuPont, and several other guests.

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Merridy Cox photographing Lake Champlain just east of the Vermont Bridge

The event took place in the large converted barn of Philo Ridge Farm, a 400-acre historic dairy farm now also running as an educational institution of sustainable practices and store and restaurant. The barn is now a state-of-the-art sustainably built facility with a combination of rustic and sophisticated in its design of rich wood walls, large windows and beams with high vaulted ceiling; ideal for a presentation.

I spoke about my roots in the Eastern Townships of Quebec…and where they led me:

I was born in a small town in the Eastern Townships of Quebec, a gently rolling and verdant farming community, where water—l’eau—bubbles and gurgles in at least two languages.

I spent a lot of my childhood days close to the ground, observing, poking, catching, prodding, destroying and creating. Perhaps it was this early induction to the organic fragrances of soil, rotting leaves and moss that set my path in later life as a limnologist, environmental consultant and writer of eco-fiction.

Nina EasternTownships

I followed my older brother and sister to the nearby forest and local stream. We stirred soil, flower petals and other interesting things with water to fuel “magic potions” that we inflicted on some poor insect. Yes, I was a bit destructive as a child—and I took a lot for granted. Like water. There was so much of it, after all. It was clean and easily accessed, fresh from the tap.

When I gave birth to my son, Kevin, I felt a miracle pass through me. Kevin became my doorway back to wonder. His curiosity was boundless and lured me into a special world of transformation.

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Nina Munteanu and her son hiking in B.C.

I took time off work to spend with Kevin when he was young. We went on great trips, from the local mall, where we had a hot chocolate and played with Lego, to the local beach on the Fraser River, where we explored the rocks. When he was no more than three, I took him on endless adventures in the city and its surroundings. We didn’t have to go far. The mud puddles of a new subdivision after a rain were enough to keep our attention for dozens of minutes. We became connoisseurs of mud. The best kind was “chocolate mud,” with a consistency and viscosity that created the best crater when a rock was thrown into it.

Kevin and I often explored the little woodland near our house. We made “magic potions” out of nightshade flowers, fir needles, loam and moss; we fueled our concoctions with the elixir of water from a stagnant pool. This time the little insects weren’t molested.

Travelling the world has helped me realize that I was blessed with an abundance of water. I lived my entire life in a country of plentiful and healthy water. And for most of that time I didn’t even realize it. Canada holds one fifth of the world’s fresh water in lakes, rivers, and wetlands, as well as in our underground aquifers and glaciers. Canada’s wetlands, which cover more than 1.2 million square kilometres, makes Canada the largest wetland area in the world.*

The folks who attended my presentation were wonderfully receptive, gracious and kind. They bought all my books too! I felt so welcomed by this community concerned about the land and their water. I was also impressed with the dedication, organization and knowledge of this non-profit conservation initiative.

Presentation venue

Venue

Lewis Creek Association

The Lewis Creek Association (LCA) started in 1990, when a group of concerned citizens and the Hinesburg Land Trust came together to conserve a critical stretch of wetland habitat bordering Lewis Creek in Hinesburg, Vermont. Lewis Creek is one of Vermont’s most ecologically diverse streams and suffers from increasing habitat degradation due to river encroachment by development and roads, land use change, and more extreme weather events.

LCA’s mission is to protect, maintain and restore ecological health while promoting social values that support sustainable community development in the Lewis Creek and LaPlatte watershed regions and Vermont generally. Through education and action, LCA works to:

  • Restore water quality, stream stability, and native wildlife habitat
  • Protect and restore important and diverse natural areas
  • Conserve productive and scenic lands that contribute to rural character and economy
  • Support growth compatible with important natural systems and working landscapes
  • Strengthen and support local conservation initiatives and opportunities
  • Model active participation and respect for differences

With a hard-working volunteer board and a part-time paid consultant, LCA facilitates educational, planning, and field work programs involving dozens of volunteers. This work assists town planning and facilitates the restoration and conservation of important Champlain Valley natural areas of high public value.

LCA Annual Party 2019

Their track record has been impressive. Since forming their organization, the LCA has spearheaded and conducted numerous initiatives. Highlights include: annual water quality sampling in six streams and rivers; biodiversity studies of stream corridors, conservation and restoration work in watershed towns; invasive aquatic plant control in local areas; helped educate citizens on ecological improvements; actively participated in implementing VT’s Water Quality Law, Act 64; generated Water Quality Scorecard Maps to track pollution problems; and designed the “Ahead of the Storm” education program used throughout the watershed region.

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In the Moment-anthology copy*A version of this talk is available in an article I wrote called “Coming Home to Water,” which first appeared in the 2016 anthology In the Moment (A Hopeful Sign) edited by Gary Doi. It was reprinted in 2018 The Earth We Love (Mississauga Writers) edited by Elizabeth Banfalvi; and again in 2019 in The Literary Connection IV: Then and Now (IOWI) edited by Cheryl Antao Xavier.

 

 

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Lake Champlain, looking west from Vermont to New York at Vermont Bridge (right) (photo by Nina Munteanu)

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.