
International Writers’ Festival & Retreat with Flavia Cosma, Val David
In the middle of June 2019, I drove to Val David, Quebec, with poet-songstress and friend Honey Novick. We had been invited to participate in Les Mots du Monde, the nineteenth international writers’ and artists’ festival of readings, songs, and discussions. The location was the residence of international poet Flavia Cosma. Cosma has been hosting the writer’s event for close to a decade in her large house in the forest just outside the resort town of Val David in the Laurentians.
The program spanned two days of lecture, readings, performance and art by artists and writers from Argentina, Romania, Mexico, USA, Laval, Montreal, and Toronto.

International Festival among the trees
Poets, writers, musicians and artists included Honey Novick, Hélène Dorion, Tito Alvarado, Dinorah Gutiérrez Andana, Flavia Cosma, Gerette Buglion, Yvan-Denis Dupuis,
Jeremiah Wall, Nina Munteanu, Nancy R. Lange, Nicole Davidson, Carmen Doreal, MarieAnnie Soleil, Luis Raúl Calvo, Louis-Philippe Hébert, Melania Rusu Caragioiu, Anna-Louise Fontaine.
I talked about my experience and process of writing my upcoming speculative novel “A Diary in the Age of Water”, coming out in 2020 with Inanna Publications. The novel chronicles four generations of women and their relationship with water during a time of extreme change.
I also shared examples of my recently launched writing guidebook “The Ecology of Story: World as Character” (Pixl Press). The 3rd guidebook in my Alien Guidebook Series, “Ecology of Story” focuses on place and environment and how these form the heart of a good story.
Throughout the festival, we were treated to magnificent ethnic food and refreshments. Interesting discussions on the international literary scene over wine and desert followed.

Lunch at Flavia’s
I shared good conversation with fellow poet and water advocate Nancy R. Lange. She had given a compelling presentation on her recent book “Les Cantiques de l’eau” (Marcel Broquet) and knew about my book “Water Is: The Meaning of Water” (Pixl Press). Of course, the best thing to do was exchange books—which we did. Nancy is the literary ambassador for the Eau Secours organization and has promoted responsible water stewardship through her writing and presentations for many years.

“It is not the cliff that shapes the ocean. It is the ocean that shapes the cliff. Fluidity is always the greater force than rigidity.”—Nancy R. Lange
On the final day, the writers and artists put on a public performance at the Val David Centre d’Exposition.

C’est la Vie Cafe, Val David
Val David
Val David is a small resort town located in the Laurentian Mountains about 80 kilometers from Montreal, Quebec. The village is known for its food scene and its artistic character. When I was there, I sampled the local cafes and experienced the street market, which offered a diversity of locally made and sourced produce and crafts.

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.
In Summer of 2016, I attended a talk given by Maude Barlow on water justice. The radical talk was based on her recent book “Boiling Point”, a comprehensive exploration of Canada’s water crisis—a crisis that most Canadians weren’t—and still aren’t—aware. Canada is steward to a fifth of the world’s fresh water, after all. It is a water-rich country. Of the dozen largest inland lakes in the world, Canada holds eight of them. So, why water crisis? Well, Maude explains. And you should read “Boiling Point.” It will open your eyes to the politics of water and how multinational corporations—like Nestlé—are already grabbing and funneling water away from Canadians and into the global profit machine.
I named the story “
The story first appeared in 2015 in
After the success of this short story, I realized that I needed to tell the larger story—how did the world—Canada—get to where Hilda was? Her mysterious mother, the limnologist Lynna who was taken away by the RCMP in 2063, clamored for more attention. I remembered that four-year old girl and her mother in the gallery at Maude Barlow’s talk on water politics. And I thought of my characters: young Lynna and her mother Una. How does a daughter of an activist mother behave and think? How best to express her voice?
I had earlier written a short story that was a mix of correspondence (emails) and third person narrative (“The Arc of Time” in
I had a lot of material; I had already been researching water issues and climate change in my activism as a science reporter. I had recently published
Like water itself, A Diary in the Age of Water expresses through many vessels and in many perspectives, spanning hundreds of years—and four generations of women—with a context wider than human life. Through its characters, A Diary in the Age of Water explores the big question of humanity’s deadlock with planetary wellness and whether one is worth saving at the expense of the other. One of the characters asks Lynna the hard question: “If you had the chance to save the planet [stop the mass extinctions, deforestation and pollution ravaging the planet], but it was at the expense of humanity, would you do it?”

Saryn and Nina discuss some of water’s controversial properties and the claims about water and how geopolitics plays a role in this. She brings in her own career as a limnologist and how she broke away from her traditional role of scientist to create a biography of water that anyone can understand—at the risk of being ostracized by her own scientific community (just as Carl Sagan and David Suzuki were in the past).
Nina responded with, “The why of things and hence the subtitle: the Meaning of Water. What does it mean to you… That’s what’s missing a lot of the time. We are bombarded with information, knowledge and prescriptions but the subliminal argument underneath—the why—why should it matter to me—is often missing. That becomes the sub-text. And it’s nice when it comes to the surface.”
Nina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit
Nina Munteanu’s “The Way of Water” and the anthology in which it appears was recently praised by Emilie Moorhouse in Prism International Magazine, in a review entitled
“The Way of Water” (La natura dell’acqua) was translated by Fiorella Smoscatello for Mincione Edizioni. Simone Casavecchia of SoloLibri.net, describes “The Way of Water” in her review of the Italian version:
“The Way of Water” will also appear alongside a collection of international works (including authors from Greece, Nigeria, China, India, Russia, Mexico, USA, UK, Italy, Canada (yours truly), Cuba, and Zimbabwe) in Bill Campbell and Francesco Verso’s
Nina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit 
I started the talk by explaining that I’m a limnologist—someone who studies freshwater—and that water is still a mysterious substance, even for those who make it their profession to study. After informing them of water’s ubiquity in the universe—it’s virtually everywhere from quasars to planets in our solar system—I reminded them that the water that dinosaurs drank during the Paleozoic Era is the same water that you and I are drinking.




You can read so much more about water in my book
In December 2017, “Water”, the first of Reality Skimming Press’s Optimistic Sci-Fi Series was released in Vancouver, BC. I was invited to be one of the editors for the anthology, given my passion for and experience with water.

In the years that followed, Reality Skimming Press published several works, including the “Megan Survival” Anthology for which I wrote a short story, “


“Water, Abundance, Scarcity, and Security in the Age of Humanity” (NYU Press) by Jeremy Schmidt is an intellectual history of America’s water management philosophy. Debates over how human impacts on the planet, writes
“A River Captured: The Columbia River Treaty and Catastrophic Change” (RMB Books) By Eileen Delehanty Pearkes reviews key historical events that preceded the Treaty, including the Depression-era construction of Grand Coulee Dam in central Washington, a project that resulted in the extirpation of prolific runs of chinook, coho and sockeye into B.C. Prompted by concerns over the 1948 flood, American and Canadian political leaders began to focus their policy energy on governing the flow of the snow-charged Columbia to suit agricultural and industrial interests.
“Border Flows: A Century of the Canadian-American Water Relationship” (University of Calgary Press), Lynne Heasley and Daniel Macfarlane, editors, explore and discuss Canada-U.S. governance.
“New York 2140” (Orbit) by Kim Stanley Robinson is a novel set in New York City following major sea level rises due to climate change.
“The Death and Life of the Great Lakes” (WW Norton & Company Inc. Press) by Dan Egan is a frank discussion of the threat under which the five Great Lakes currently suffer. This book, writes
“Downstream: reimagining water” (Wilfred Laurier University Press) by Dorothy Christian & Rita Wong “brings together artists, writers, scientists, scholars, environmentalists, and activists who understand that our shared human need for clean water is crucial to building peace and good relationships with one another and the planet. This book explores the key roles that culture, arts, and the humanities play in supporting healthy water-based ecology and provides local, global, and Indigenous perspectives on water that help to guide our societies in a time of global warming. The contributions range from practical to visionary, and each of the four sections closes with a poem to encourage personal freedom along with collective care,” writes
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Water Canada