Audiobook Blog Tour of The Splintered Universe Trilogy: Book 2 “Inner Diverse”

We continue our Audiobook series blog tour with Book 2Inner Diverse” of Nina Munteanu’s “The Splintered Universe Trilogy,” a science fiction detective adventure, starring the indomitable Galactic Guardian, Rhea Hawke.

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“Dawn Harvey breathed incredible life into the lead character, Rhea Hawke–both sarcastic and vulnerable at the same time; a detective with a cynical edge, and sultry voice tinged with wiry sarcasm. The story unfolded through Rhea’s narrative like an old film noir as she unraveled mysteries that led to the greatest one: her own.”–Amazon Review

Book 1, Outer Diverse: January 8-14
Book 2, Inner Diverse: January 15-21
Book 3, Metaverse: January 21-28

The tour with blog sites includes spotlights, reviews, audio excerpts, guest posts, interviews of author, narrator (and character Rhea Hawke!)

Join the second part of the audiobook tour with “Inner Diverse“, Book 2 of the trilogy.

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Rhea on Iota Hor -2

In Inner Diverse (Book Two) of this metaphysical space thriller trilogy, detective Rhea Hawke continues her quest for truth and justice in a world that is not what it seems. Rhea’s search takes her to the far reaches of the known universe from the Weeping Mountains of Horus to the blistering deserts of Upsilon 3. Amidst the turmoil of an imminent extra-galactic war, Rhea holds the key even as those she trusts betray her. No one is what they seem…

 

“An action packed adventure! I really enjoyed the narration by Harvey for this second book. She has a large cast of characters to portray and she did them all excellently! I felt like each was easily distinguishable and had their own quirks. The story … had a great amount of action to keep me interested the whole time. I feel like I truly understand more about this crazy and exciting world. I can’t wait to see how this all ends up, but I’m now 100% invested in Reah and her companions! ”–The Book Addict 

TOUR SCHEDULE for INNER DIVERSE

Follow the itinerary for “Inner Diverse“, Book 2 of the trilogy (Jan 15-21):

Jan. 15th:
Assorted Nonsense (Narrator Interview)

Jan. 16th:
Lilly’s Book World (Review, Spotlight + Audio Excerpt)

Jan. 17th:
Jazzy Book Reviews (Spotlight + Audio Excerpt, Rhea’s Proverbs, Giveaway)

Jan. 18th:
Dab of Darkness Book Reviews (Review, Narrator Interview & testimonial, Rhea’s Proverbs)

Jan. 19th:
The Book Addict’s Reviews (Review, Audio Excerpt, Narrator Interview & testimonial, Rhea’s Proverbs)

Jan. 20th:
Book Addict (Review, Spotlight + Audio Excerpt, Narrator Interview, Giveaway)

Jan. 21st:
Chapter Break (Spotlight + Audio Excerpt, Narrator Interview, Guest Post)

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Rhea on the hunt

 

“A master of metaphor, Munteanu turns an adventure story into a wonderland of alien rabbit holes… a fascinating and enthralling read.” (Craig Bowlsby, author of Commander’s Log)

“A rollicking science fiction plot with all the trappings…Hawke is a maverick in the wild west tradition…a genetic mystery with lethal powers.” (Lynda Williams, author of Okal Rel series)

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Remaining tour continues with Book 3 (“Metaverse“) Jan 22-28. Come join us and share your thoughts.

“Natural Selection”: Fascinating Dramas Set in a World Too Close to Our Own

NaturalSelection-front-web“I write SF about a near future ‘Gaian’ world too, and at times felt I was reading a prequel to my own novels, but that’s not why I rated this collection so highly. I did so for two reasons. First, because the science was so interesting, combining visionary metaphysical speculation with AI corporate tech in scenarios that often seemed chillingly possible. Second, because of the author’s focus on the effects of these developments on human beings with complex pasts and desires. Jealousy, lust, loneliness, grief and love are all drivers of these taut and fascinating narratives…”–Amazon Review

 

 

Author’s Introduction to Natural Selection

leaves02croppedEvolution is the language of destiny. What is destiny, after all, but self-actualization and synchronicity? If evolution is the language of destiny, then choice and selection are the words of evolution and “fractal ecology” is its plot.

How do we define today a concept that Darwin originated 200 years ago in a time without bio-engineering, nano-technology, chaos theory, quantum mechanics and the Internet? We live in an exciting era of complicated change, where science based on the limitation of traditional biology is being challenged and stretched by pioneers into areas some scientists might call heretical. Endosymbiosis, synchronicity, autopoiesis & self-organization, morphic resonance, Gaia Hypothesis and planetary intelligence. Some of these might more aptly be described through the language of meta-physics. But should they be so confined? It comes down to language and how we communicate.

Is it possible for an individual to evolve in one’s own lifetime? To become more than oneself? And then pass on one’s personal experience irrevocably to others—laterally and vertically?

leaf-sketchOn the vertical argument, the French naturalist Jean-Baptiste Lamark developed a theory of biological evolution in the early 19th century considered so ridiculous that it spawned a name: Lamarkism. His notion—that acquired traits could be passed along to offspring—was ridiculed for over two hundred years. Until he was proven right. Evolutionary biologists at Tel Aviv University in Israel showed that all sorts of cellular machinery—an intelligence of sorts—played a vital role in how DNA sequences were inherited. When researchers inserted foreign genes into the DNA of lab animals and plants, something strange happened. The genes worked at first; then they were “silenced”. Generation after generation. The host cells had tagged the foreign genes with an “off switch” that made the gene inoperable. And although the new gene was passed onto offspring, so was the off switch. It was Larmarkism in action: the parent’s experience had influenced its offspring’s inheritance. Evolutionists gave it a new name. They called it soft inheritance.

As for passing on one’s experience and acquisitions to others laterally, education in all its facets surely provides a mechanism. This may run the gamut from wise mentors, spiritual leaders, storytellers, courageous heroes to our kindergarten teacher.  Who’s to say that these too are not irrevocable? This relies, after all, on how we learn, and how we “remember”.

Evolution is choice. It is a choice made on many levels, from the intuitive mind to the intelligent cell. The controversial British botanist Rupert Sheldrake proposed that the physical forms we take on are not necessarily contained inside our genes, which he suggested may be more analogous to transistors tuned in to the proper frequencies for translating invisible information into visible form. According to Sheldrake’s morphic resonance, any form always looks alike because it ‘remembers’ its form through repetition and that any new form having similar characteristics will use the pattern of already existing forms as a guide for its appearance.  This notion is conveyed through other phenomena, which truly lie in the realm of metaphysics and lateral evolution; concepts like bilocation, psychic telegraphing, telekinesis and manifestation. Critics condemn these as crazy notions. Or is it just limited vision again? Our future cannot be foretold in our present language; that has yet to be written. Shakespeare knew this…

There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy—Shakespeare

The nine stories contained herein touch on many of these concepts, spanning a 20-year writing period starting in the 1980s from “Arc of Time”, first published by The Armchair Aesthete in 2002, to “Julia’s Gift”, written in 2007, a year that marks a significant nexus in my personal evolution. That’s when I met someone who changed my life and defined my life path, my evolution, and ultimately, I suspect, my destiny.

Each story reflects a perspective on what it means to be human and evolve in a world that is rapidly changing technologically and environmentally. How we relate to our rapidly changing fractal environments—from our cells to our ecosystems, our planet and ultimately our universe—will determine our path and our destiny and those we touch in some way. My friend Heidi Lampietti, publisher of Redjack Books, expressed it eloquently, “For me, one of the most important themes that came through in the collection is the incredible difficulty, complexity, and importance of making conscious choices—and how these choices, large and small, impact our survival, either as individual humans, as a community, a species, or a world.”

Each story touches on a focal point, a nexus in someone’s personal evolution, where a decision—or an indecision—will define one’s entire later path in life. Several stories (e.g., “Butterfly in Peking”, “Frames” and “Julia’s Gift” all set in the same universe as my “Darwin’s Paradox” duology) explore this through war: a paradoxical struggle between those who follow the technological path and those who embrace nature’s intelligence. War is itself a paradox. It is both tragedy and opportunity. The very action of being at war seems to galvanize us and polarize us. War heightens contrast, increases pitch, and resonates through us in ways we have no inkling. It brings out the very worst but also the very best in us; for, as some of us sink into despair and self-serving debauchery, others heroically rise in altruistic service and humble sacrifice to help others. War defines us, perhaps like no other phenomenon.

Several stories are quirky adapted excerpts from my two books, “Darwin’s Paradox” (2007 by Dragon Moon Press) and its prequel “Angel of Chaos” (2010 by Dragon Moon Press). You will find some of the same characters there, though names have been changed to protect the innocent. You will also find the sprawling semi-underground AI-run city of Icaria (a post-industrial plague Toronto) and a character itself. Several of the characters portray “gifted” and troubled misfits—outcasts, anti-heroes, artists not in sync with the rest of the population. Yet how that person’s choices—and how s/he is treated by their community—would influence an entire species or world (“Mark of a Genius”, “Neither Here Nor There”, “Angel’s Promises”, and “Natural Selection”).

Lastly, I explore how humanity evolves, communicates and relates through forces larger than itself, either produced through its own making via technology (in “Virtually Yours”) or through timeless universal intervention (in “Arc of Time”). The last story (in fact the first written) provides a very different interpretation of an old biblical myth about new beginnings and our cyclical destiny of “creative destruction”.

I hope you enjoy reading them all. I enjoyed writing them.

“The Arc of Time” was first published in the Summer/Fall 2002 issue of The Armchair Aesthete. It was reprinted in Imagikon (2003) then scheduled for the premiere issue of Ultra! A charity issue dedicated to cystic fibrosis (Aardwolf Publications), Fall/Winter, 2004. Sadly, Lari Davidson, the editor and visionary behind the project passed away suddenly and the issue never came to fruition.

“Virtually Yours” first appeared in Issue 15 (December 2002) of Hadrosaur Tales.  It was reprinted in Neo-Opsis Science Fiction Magazine (Issue 3, Spring 2004) then translated into Polish and reprinted in the January 2006 issue of Nowa Fantastika (Poland). It was translated into Hebrew and reprinted in Bli-Panika (Israel) in 2006. “Virtually Yours” was selected for the 2006 “The Best of Neo-Opsis Science Fiction Magazine” anthology (Bundoran Press) and was nominated for the Canadian Aurora Prix and the Speculative Literature Foundation Fountain Award.

“Angel’s Promises” was published in Issue #30 (March, 2003) of Dreams & Visions then selected for the anthology “Skysongs II: Spiritual SF” (2005). It was nominated for the SLF Fountain Award.

“A Butterfly in Peking” was first published in Issue #17 (2003) of Chiaroscuro. It was translated into Polish and reprinted in the Summer 2005 issue of Nowa Fantastika (Poland) then translated and reprinted in The Dramaturges of Yann (Greece) in 2006.

“Mark of a Genius” first appeared in Scifidimensions (August 2004 issue) and “Neither Here Nor There” first appeared in Another Realm (September 2005).  “Frames”, “Julia’s Gift” and “Natural Selection” make their first appearance here.

Amazon description of Natural SelectionNaturalSelection-front-web

A man uses cyber-eavedropping to make love. A technocratic government uses gifted people as tools to recast humanity. The ruins of a city serve as battleground between pro-technologists and pro-naturalists. From time-space guardians to cybersex, GMO, and biotech implants, this short story collection by science fiction novelist Nina Munteanu promises a journey of great scope, imagination and vision.

 

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Nina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.

 

 

 

 

 

 

 

 

 

 

 

Fingal’s Cave by Nina Munteanu

FingalsCave-MeganSurvivalAfter she and fellow colonists crash land on the hostile jungle planet of Mega, rebel-scientist Izumi, widower and hermit, boldly sets out against orders on a hunch that may ultimately save her fellow survivors—but may also risk all. As the other colonists take stock, Izumi—obsessed with discovery and the need to save lives—plunges into the dangerous forest, which harbors answers, not only to their freshwater problem, but ultimately to the nature of the universe itself. Mega was a goldilocks planet—it had saltwater and supported life—but the planet also possessed magnetic-electro-gravitational anomalies and a gravitational field that didn’t match its size and mass. The synchronous dance of its global electromagnetic field suggested self-organization to Izumi, who slowly pieced together Mega’s secrets: from its “honeycomb” pools to the six-legged uber-predators and jungle infrasounds—somehow all connected to the water. Still haunted by the meaningless death of her family back on Mars, Izumi’s intrepid search for life becomes a metaphoric and existential journey of the heart that explores how we connect and communicate—with one another and the universe—a journey intimately connected with water.

Megan coverFingal’s Cave by Nina Munteanu is the first story in the Megan Survival Anthology by Reality Skimming Press. The story is available as an ebook here. The print anthology is available here.

Nina was interviewed by Ellen Mitchell of Reality Skimming Press on writing Fingal’s Cave.

On the connection between ecology and science fiction, Nina says:

The science of ecology studies relationships. It looks at how things relate to one another. Ecology is the study of communities and ecosystems and how these interact—often in a global setting. Science fiction writing explores the interaction of humanity with some larger phenomenon involving science. Robert J. Sawyer calls it the fiction of the large. Large ideas, large circumstance, large impact. Both ecology and science fiction explore consequence in a big way. Ecology—like “setting” and “world”—manifests and integrates in story theme more than some of the hard sciences, which may contribute more to a story’s premise or plot. This is because, while most sciences study the nature and behaviour of “phenomena”, ecology examines the consequences of the relationship of these phenomena and the impact of their behaviours on each other and the rest of the world. It is in this arena that science fiction becomes great: when it explores relationship and consequence.

On the significance and importance of optimism in science fiction, Nina says:

Optimistic SF is the antithesis of pointless SF. The reason I define it that way is because I believe many would box the term too tightly, equating it to “happy ending” or the equivalent of “and they all lived happily ever after.” Others may even include a certain requisite language and tone, and subject matter that must be excluded to make it optimistic.

For me, it is enough that the story resolves and has a point to it; that the reader is able—even if the hero isn’t—to see a way out into the light. The story itself need not be “optimistic”; but the reader is fulfilled somehow. I suppose one could elucidate Optimistic SF through the “Hero’s Journey Myth”, a plot approach that describes the metaphoric journey of a character or set of characters toward some destiny that involves change and learning. Ultimately, for a story to be worthwhile, it must have a point to it. Otherwise, it’s just “reality TV”.

You can read the entire interview with Nina Munteanu by Ellen Mitchell of Reality Skimming Press here.

fingalsCaveFingal’s Cave is a sea cave on the uninhabited island of Staffa in the Inner Hebrides of Scotland. The cave is formed entirely from hexagonally jointed basalt columns in a Paleocene lava flow (similar to the Giant’s Causeway in Northern Ireland). Its entrance is a large archway filled by the sea. The eerie sounds made by the echoes of waves in the cave, give it the atmosphere of a natural cathedral. Known for its natural acoustics, the cave is named after the hero of an epic poem by 18th century Scots poet-historian James Macpherson. Fingal means “white stranger”.

 

Nina MunteanuNina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.

 

“Water” a Speculative Fiction Anthology by Reality Skimming Press

WaterAnthology-RealitySkimmingPressIn December 2017, “Water”, the first of Reality Skimming Press’s Optimistic Sci-Fi Series was released in Vancouver, BC. I was invited to be one of the editors for the anthology, given my passion for and experience with water.

This is how Reality Skimming Press introduces the series:

Reality Skimming Press strives to see the light in the dark world we live in, so we bring to you the optimistic science fiction anthology series. Water is the first book in the series, and is edited by author and scientist Nina Munteanu. Six authors thought optimistically about what Earth will be like in terms of water in the near future and provide us with stories on that theme. Step into the light and muse with us about the world of water.

Editing “Water” was a remarkable experience, best described in my Foreword to the anthology:

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Lynda Williams

This anthology started for me in Summer of 2015, when Lynda Williams (publisher of RSP) and I were sitting on the patio of Sharky’s Restaurant in Ladner, BC, overlooking the mouth of the Fraser River. As we drank Schofferhoffers over salmon burgers, Lynda lamented that while the speculative / science fiction genre has gained a literary presence, this has been at some expense. Much of the current zeitgeist of this genre in Canada tends toward depressing, “self-interested cynicism and extended analogies to drug addiction as a means of coping with reality,” Lynda remarked.

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lunch at Sharky’s

Where was the optimism and associated hope for a future? I brought up the “hero’s journey” and its role in meaningful story. One of the reasons this ancient plot approach, based on the hero journey myth, is so popular is that its proper use ensures meaning in story. This is not to say that tragedy is not a powerful and useful story trope; so long as hope for someone—even if just the reader—is generated. Lynda and I concluded that the science fiction genre could use more optimism. Reality Skimming Press is the result of that need and I am glad of it.

Megan coverIn the years that followed, Reality Skimming Press published several works, including the “Megan Survival” Anthology for which I wrote a short story, “Fingal’s Cave”. It would be one of several works that I produced on the topic of water.

As a limnologist (freshwater scientist), I am fascinated by water’s anomalous and life-giving properties and how this still little understood substance underlies our lives in so many ways. We—like the planet—are over 70% water. Water dominates the chemical composition of all organisms and is considered by many to be the most important substance in the world. The water cycle drives every process on Earth from the movement of cells to climate change. Water is a curious gestalt of magic and paradox, cutting recursive patterns of creative destruction through the landscape. It changes, yet stays the same, shifting its face with the climate. It wanders the earth like a gypsy, stealing from where it is needed and giving whimsically where it isn’t wanted; aggressive yet yielding. Life-giving yet dangerous. Water is a force of global change, ultimately testing our compassion and wisdom as participants on a grand journey.

When Reality Skimming invited me to be editor of their first anthology in their hard science optimistic series, and that it would be about water, I was delighted and excited.

WATER Anthology-interior-image

Illustration by Digbejoy Gosh for Bruce Meyer’s “The River Tax”

The six short stories captured here flow through exotic landscapes, at once eerie and beautiful. Each story uniquely explores water and our relationship with its profound and magical properties:  melting glaciers in Canada’s north; water’s computing properties and weather control; water as fury and the metaphoric deluge of flood; mining space ice from a nearby comet; water as shapeshifter and echoes of “polywater”. From climate fiction to literary speculative fiction; from the fantastic to the purest of science fiction and a hint of horror—these stories explore individual choices and the triumph of human imagination in the presence of adversity.

I invite you to wade in and experience the surging spirit of humanity toward hopeful shores.

Nina Munteanu, M. Sc., R.P.Bio.
Author of Water Is…
October, 2017
Toronto, Canada

WaterBooks2

My desk with copies of “Water” among my current books to read…

The anthology features the art work of Digbejoy Ghosh (both cover and interior for each story) and stories by:

Holly Schofield
Michelle Goddard
Bruce Meyer
Robert Dawson
A.A. Jankiewicz
Costi Gurgu

You can buy a copy on Amazon.ca or through the publisher.

nina-2014aaaNina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.

 

 

 

 

 

Everything Change Climate Fiction Contest–2018

climate fiction contestArizona State University’s Imagination and Climate Futures Initiative is again hosting a Climate Fiction Short Story Contest. In years past they invited writers from around the world to submit speculative fiction stories that explore climate change to narrate a world in flux. Previous contests received submissions from 67 different countries and 12 finalists were published in a digital anthology “Everything Change”.

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The 2018 Climate Fiction Short Story Contest invites submissions in all genres, including speculative, realistic, literary, experimental, hybrid forms, and more.

The context will again be judged by science fiction writer Kim Stanley Robinson, award-winning author of many foundational works in climate fiction, including New York 2140.

The winning story will receive a $1,000 prize. Nine finalists will receive $50 each. The winner and finalists will be published in an online anthology, which will be free to download, read, and share.

The deadline for submission is February 28, 2018, with the finalists announced in summer 2018. All submissions must be received through their online submissions manager at https://everythingchange.submittable.com.

For more details on submission guidelines and eligibility go to the climate imagination site.

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Don’t be shy.  Write your best and submit.

 

Publishers Weekly Praises Cli-Fi: Canadian Tales of Climate Change & “The Way of Water”

Publishers Weekly writes:

cli-fi-exile anthology2017“In his introduction to this all-original set of (at times barely) futuristic tales, Meyer warns readers, “[The] imaginings of today could well become the cold, hard facts of tomorrow.” Meyer (Testing the Elements) has gathered an eclectic variety of eco-fictions from some of Canada’s top genre writers, each of which, he writes, reminds readers that “the world is speaking to us and that it is our duty, if not a covenant, to listen to what it has to say.” In these pages, scientists work desperately against human ignorance, pockets of civilization fight to balance morality and survival, and corporations cruelly control access to basic needs such as water. The most affecting tale, Wendy Bone’s “Abdul,” is also the least futuristic, an emotional story that touchingly contrasts Western guilt against the life of a captive orangutan. The anthology may be inescapably dark, but it is a necessary read, a clarion call to take action rather than, as a character in Seán Virgo’s “My Atlantis” describes it, “waiting unknowingly for the plague, the hive collapse, the entropic thunderbolt.” Luckily, it’s also vastly entertaining. It appears there’s nothing like catastrophe to bring the best out in authors in describing the worst of humankind.”

My story The Way of Water is one of 17 stories in Exile’s anthology, published in May 2017. It was originally published in English and Italian [La natura dell’acqua] by Mincione Edizioni [print] and Future Fiction [ebook] in Rome in early 2016. The Way of Water is a near-future vision that explores the nuances of corporate and government corruption and deceit together with resource warfare. An ecologist and technologist, Nina Munteanu uses both fiction and non-fiction to examine our humanity in the face of climate change and our changing relationship with technology and Nature … through water.

la natura dell'acquaShe imagines its coolness gliding down her throat. Wet with a lingering aftertaste of fish and mud. She imagines its deep voice resonating through her in primal notes; echoes from when the dinosaurs quenched their throats in the Triassic swamps.

Water is a shape shifter.

It changes yet stays the same, shifting its face with the climate. It wanders the earth like a gypsy, stealing from where it is needed and giving whimsically where it isn’t wanted.

Dizzy and shivering in the blistering heat, Hilda shuffles forward with the snaking line of people in the dusty square in front of University College where her mother used to teach. The sun beats down, crawling on her skin like an insect. She’s been standing for an hour in the queue for the public water tap.

The Way of Water takes place in Toronto, Ontario in Canada, mostly on or near the campus of the University of Toronto.

In The Way of Water, Nina Munteanu pens her love letter to water, exulting it as a liquid that has semi-magical properties. Munteanu recognizes the chimerical quality of water, its unique ability to shift and change, to purify and taint, and the incredible way that it makes up most of our body mass and therefore shapes us as well.

nina-TV-nov2015A limnologist (lake ecosystem biologist) by trade, Munteanu recognizes the incredible way that water shapes life and brings attention to the fact that water connects us to each other just as water connects with other water, forming bonds. She evokes in the reader a sense of reverence for water and an awareness that the same water that flows through our bodies have flowed through the bodies of our ancestors, cycling through life since the first life forms coalesced.

In recognizing the preciousness of water, she also recognizes its precarity and the danger that capitalist systems pose when they lay claim to water and seek to own it. “The Way of Water” evokes a sense of awareness about issues of access to water and about the dangers of imbalances in that access.”—Derek Newman-Stille, Speculating Canada

 

book-patio2 copy“Water covers every aspect of this science fiction story that pits the vulnerable citizen against the evil multinational corporation in a dystopian Canada sometime in our future. Water is presented in its multiplicity of facets: in the science behind its composition, in its history, in it’s symbolic nature and different physical states; water is a giver and taker of life, and is the form in which the friendship of protagonists Hilda and Hanna functions. Water is also magic and the ultimate righter of wrongs committed to it and to a humanity it gives life to. Within this framework, Munteanu spins a thought-provoking tale that projects where our headlong pursuit of profit may one day lead us to, and how nature will ultimately, with a little human coaxing, be the only one to correct the balance.”—Shane Joseph, Canadian author of Fringe Dwellers

“Nina Munteanu with The Way of Water suggests that this element is also a form of laNaturaDell'Acqua-coverlove; a story to read, not only to deal with the possible but, above all, to understand that the time still available for “love” might be less than what you believe.”—Simone Casavecchia, SoloLibri.net (read the original Italian review here)

The Way of Water is a story of the kind you hope is science fiction but you fear is not.”—Massimo Luciani, NetMassimo (read the original Italian review here)

 

 

nina-2014aaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.

 

Call for Submissions: Water Anthology

Reality Skimming Press is looking for submissions to their first anthology in their hard science optimistic series. This first anthology is a Water Anthology, obviously based on the theme of water. The project coordinator is Ellen Michelle. The water anthology will be edited by scientist and author Nina Munteanu.

Story requirements:

Stories must use real or realistic science based on the theme of water in the near future (50-100 years from 2017). Your story must be considered optimistic—this does not mean that bad things can’t happen in your story, but there has to be an optimistic twist and an optimistic ending (a happy ending or hope for a happy ending). For example, your main character can die at the end as long as their death brings hope for others. Any stories that are not deemed optimistic will not be considered.

How to submit:

Stories can be submitted to realityskimmingpress@outlook.com with Water Submission in the subject. Any emails without this subject heading will be ignored by the system.

Submission requirements:

  • Stories must not exceed 5,000 words
  • Stories must be accompanied by a short cover letter in the body of the submissions email explaining your past publications or other accreditation including any science education or background you may have. *Note that we do often publish first time authors, so having no previous publications is not detrimental to your submission.
  • Submit your story as an attachment to the email in Word document format only (.doc or .docx).
  • Authors must be Canadian, permanent residents of Canada, or otherwise have a Canadian connection. If you are not Canadian by birth please explain your Canadian connection in the cover letter.
  • Authors may submit only one story to the anthology.
  • Previously published stories are accepted as long as you have the rights toocean rainbow republish it.
  • If you have submitted your story for consideration elsewhere, or plan to do so, please state that in your cover letter.
  • Authors will be paid $30 for their stories if accepted into the anthology.
  • Submission deadline is midnight July 22nd (extended for some groups).

See Submission guidelines here.

 

Nina MunteanuNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.