Snow covered farmer’s field at sunset, ON (photo and rendition by Nina Munteanu)
Ice clad prisms, snow covered fields of glittering fire… Winter days, the wondrous glow: ultramarine lights and turning shades The magic song: ice and gently underflow of meandering streams Singing waters on the tortuous pathway below… Clangor, bell sounds: the moving harmonies on icy slopes…
Jackson Creek in winter, ON (photo and rendition by Nina Munteanu)
Ice ‘islands’ touched by sunset light in Jackson Creek, ON (photo and rendition by Nina Munteanu)
Ice block in Jackson Creek, ON (photo and rendition by Nina Munteanu)
Farmer’s field in Kawarthas, ON (photo and rendition by Nina Munteanu)
A bronze feathered hawk sails high above Into the bright sunlit skies, Hawk, swiftly carried in its flight above bended fir and aspen forests, A wild, fierce, freewheeling majesty…
Icy bay and shed in the trees, ON (photo and rendition by Nina Munteanu)
Small cabin in a meadow, ON (photo and rendition by Nina Munteanu)
Trees by fence in farmer’s field, ON (photo and rendition by Nina Munteanu)
Snow from a cedar tree showers down glitter-dust in a light breeze in Jackson Creek Park, ON (photo by Nina Munteanu)
The many pristine snow reflected lights, glittering fires Above a snow clad world in a time of darkness: Nature’s magic universe everywhere extant: We are overwhelmed, confounded by the wonder of it all.
Skier checks his path on a slope at sunset, BC (photo by Lindsay)
Snow glistening in the sunset on a very cold day, ON (photo and rendition by Nina Munteanu)
Reflections in Thompson Creek outlet after a new snowfall, ON (photo and rendition by Nina Munteanu)
Otonabee River glittering in the sun, ON (photo and rendition by Nina Munteanu)
Bev Gorbet is a Toronto poet. She has published several poems with the Retired Teachers Organization and most recently in “Literary Connection IV: Then and Now” (In Our Words Inc., 2019), edited by Cheryl Antao Xavier.
Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.
Farmer’s field at sunset in early winter, ON (photo and rendition by Nina Munteanu)
Oh! to wander the fields wild and free, To commune with wild nature, Her beauty everywhere extant.
Small country road in Ontario (photo and rendition by Nina Munteanu)
Path through meadow of goldenrod in fall, ON (photo and rendition by Nina Munteanu)
Tender lullabye and song in forested glade, A still peace this sacred moment: The profound silence: holy echo of dream, every hope; Melodies of heart and soul; Rhythms, memory and wonder in a windrift calm, Tree and bough, moment of a joyous uplift
Field in early spring fog in Ontario (photo and rendition by Nina Munteanu)
Meadow in fall in Peterborough, ON (photo and rendition by Nina Munteanu)
Forested cathedrals, great songs of heart and mind, All the majesty: a windstorm day in fierce call and cry Whisper and sigh midst far tossed leaf and bough… Promise and a grace filled endurance All the beauty flame interior universes: A captive soul set free.
Path through meadow alvar, ON (photo and rendition by Nina Munteanu)
Path through farm country, ON (photo and rendition by Nina Munteanu)
Fields in the Kawarthas, ON (photo and rendition by Nina Munteanu)
NINA MUNTEANU is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.
Jackson Creek just before sunset, ON (photo by Nina Munteanu)
It was early evening in late summer, when the sunlight was gentle and rich with the promise of golden light. I was walking in one of my favourite forests—the pine-cedar woodland that smelled of needles, bark and loam. This was Jackson Creek forest. Where some time ago I’d glimpsed a blue forest sprite…
The water in the creek was low, in places exposing its bones—boulders and cobbles that emerged out of the stream into the dry light. I walked along the creek bank, beside tranquil glades and chortling riffles. The creek trickled with the most delicious sounds, like chatty water sprites having tea, watercress sandwiches and fresh scones with jam …
Sunlit water cascades over rocks of Jackson Creek, ON (photo by Nina Munteanu)
I set up my camera on the rocks to capture the silky green and gold reflections of the overhanging trees in the water. Oak, beech, and ironwood along with shrubs and grasses crowded the banks of the creek in a parade of leaves and flowers. Long arms of the cedar tree bent low over the creek as if reaching out to touch water’s skin.
Cedar tree overhangs Jackson Creek, ON (photo by Nina Munteanu)
In the gladed pools, the water swirled as if in slow motion in a fluid mosaic that mirrored the riparian forest. Each tree gave the water its unique shade in a diurnal dance that heralded the coming dusk and nightfall.
I walked the ythlaf, that remnant stretch of half-dried river bed, revealed by ebbing water. A place in-between land and water. I teetered on rocks and cobbles covered in dried periphyton, and angled the camera for long exposures up to f32. I crouched, squatted, crawled and kneeled on the cobbles, boulders and snags to position the camera just right. At times I danced to keep from falling in knee-deep water and laughed with thoughts of how the sprites were watching from below and taking bets on my possible spill into the water. I imagined their chortling giggles of anticipation.
Water cascading over rocks in Jackson Creek, ON (photo by Nina Munteanu)
Then, with the patience of a heron, I captured the various faces of the creek during its golden hours. The water’s silken threads sparkled in the raking sunlight and hugged the rocks in swirling clouds.
Water swirls around rocks of Jackson Creek, ON (photo by Nina Munteanu)
We were nearing that in-between time, when all nature hushes for a life-breath as time descends for the briefest moment into a deep stillness. We lurked like thieves in that intermediate place of becoming, a diurnal ecotone poised on the threshold between night and day. The gloaming verge of a forest where dark and light danced with uncertain intent.
Glade of Jackson Creek, ON (photo by Nina Munteanu)
Immersed in the cheerful melody of the creek, I imagined the water sprites again, playing in the watercress forest, among the spinners, caddises and stonefly nymphs. I imagined them, plump gilled water-babies or slender creatures with winking faces, diaphanous wings sparkling in the slanting sunlight as they stirred up algae and organic detritus.
Were they dancing?
NINA MUNTEANU is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.
Flooding creek in Trent Nature Sanctuary during a rain, ON (photo and rendition by Nina Munteanu)
One morning, in late spring, I went walking in the rain through the Trent Nature Sanctuary forest. Looking for magic…
Moisture covered everything. It coaxed out vivid colours and textures in a tangle of stable chaos. I felt like I’d entered a Tom Thomson painting…
Moss-covered cedar trees after a soft rain in Trent Nature Sanctuary, ON (photo by Nina Munteanu)
The rain intensified the forest’s mosaic of unique scents from pungent, heavy and sharp to floral, fresh and sweet. The gossamer morning light favoured photography with a gentleness that softened and deepened everything, and invited intimacy. Mist hung low and rose like steam from the damp earth, slowing time. It felt as though I was walking through a cloud. The forest emerged ghost-like in glimpses of tree, shrub and grass. The brilliant red of the osier dogwood. The vivid greens of mosses and leaves. A tangle of blue-green lichens and bright red cedar roots. I was witness to a chaotic tapestry of Nature’s art. Infinite shades of green, brown, grey and yellow created a fluid landscape that water painted into a vibrant watercolour scene.
I moved through it, boots squelching along the spongy loam path, as though wrapped in a moving artwork.
Dew drops on hawksweed, lichen fruiting bodies in background, ON (photo by Nina Munteanu)
Moss with spore capsules in the rain, Trent Nature Sanctuary, ON (photo by Nina Munteanu)
Cedar roots and ferns in the heavy mist of a morning rain, Trent Nature Sanctuary, ON (photo by Nina Munteanu)
Cedar root and moss during a mild rain, Trent Nature Sanctuary, ON (photo by Nina Munteanu)
Cedar root and moss shortly after a rain, Trent Nature Sanctuary, ON (photo by Nina Munteanu)
The moisture carried the warbles and fluting chirps of lively bird song amid the hush of raindrops on vegetation. Each surface had a unique voice. And the rainfall—from light drizzle to hard pour—carried its own tune, rhythm and percussion. A symphony of diverse frequency from rich infrasound to beyond.
Nina’s Canon EOS Rebel camera on its tripod, ready to take photos, Trent Nature Sanctuary, ON (photo by Nina Munteanu)
I kept my camera, attached to its tripod, tucked under several water-proof bags and walked with deliberate steps through wet duff, decayed leaves and mud. I had a hood but couldn’t stand to keep it up—I needed to hear and feel all of it: the rain sizzling through the vegetation, the red-winged blackbird’s conk-a-lee! The robin’s cheerily-cheer-up-cheerily-cheer up! The crow’s caw and rattle. The primordial shriek of a blue jay or kingbird. All were out, though not visible, as I navigated the huge puddles and slippery mud-leaf mix. Hair dripping, face in a grin.
Rain falling on the marsh to the Otonabee River, ON (photo by Nina Munteanu)
Pond lilies in the rain, ON (photo by Nina Munteanu)
Rain falls on the Otonabee River, ON (photo by Nina Munteanu)
I felt elation in Nature’s celebration of life.
I was the only person in the park and thoroughly basked in that feeling of humbleness that comes with a kind of knowing: of being part of something far greater than oneself and yet in some way being that greater ‘self.’ Like I belonged there. Hard to explain. But it felt truly awesome and eternal.
Nina Munteanu
Boardwalk over the forest swamp, Trent Nature Sanctuary, ON (photo by Nina Munteanu)
Fence post with marsh in the background during a steady rainfall, ON (photo by Nina Munteanu)
Country road in the rain, ON (photo and rendition by Nina Munteanu)
I could have stayed there, wet in the rain, for hours. But I felt sorry for my camera and headed home, thinking of a warm cup of tea…
NINA MUNTEANU is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.
Stream runs through cedar poplar forest in the rain, Trent Nature Sanctuary, ON (photo and dry brush rendition by Nina Munteanu)
Oh! great mysterium: Great forested sanctuary into the heart of being Oh! to walk pensive, in solitude into the center Of a cedar forest, worlds all russet and green, Branch and bough, rain swept landscapes The high treetops, far whisper and echo… The great winds in high flight high above… Songs to pierce the sullen skies, Melodies of joy and of a deepest longing…
Cedars and poplars in a morning mist, Trent Nature Sanctuary, ON (photo by Nina Munteanu)
Songs of immortality, worlds full aflame, Mystic cathedrals and dawn memory, Haze and gray day, silver sky, silver cloud Rain downfall and mist… Leaf, branch and bough, the wind and the rain The bending and wind tossed land
Mist hangs over Trent Canal, Trent Forest Sanctuary, ON (photo by Nina Munteanu)
The spring scents, spring grasses and nearby stream; Rivulet and rhapsodic song, The holy silences, the rain, fall, hiss and far echo… Cedar forest cathedrals, branches overspread, Red winged blackbird, soaring alone high above, High into the receiving dome of haze and sky Free swoop and whispering forest airs
White birch in Trent Nature Sanctuary, ON (photo and dry brush rendition by Nina Munteanu)
The far meditation: Sacred journey into a holy wilderness: Forested worlds beyond time…
Cedar root among ferns and moss in a light mist, Trent Nature Sanctuary (photo by Nina Munteanu)
Forested worlds of an existential beauty, Great moss silences, tree root and bough… Great worlds of hope and the tenebrous shadow Of a rain swept day… Holy encounters: the great mysterium Sacred worlds beyond still time…
BEV GORBET
Moss and lichen cover an old cedar log, Trent Nature Sanctuary, ON (photo by Nina Munteanu)
Tinder polypore fungus on white birch, Trent Nature Sanctuary, ON (photo and dry brush rendition by Nina Munteanu)
Moss on a log in Trent Nature Sanctuary, ON (photo by Nina Munteanu)
Cedar boardwalk in a misty rain, Trent Nature Sanctuary, ON (photo by Nina Munteanu)
Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.
Cedar roots dusted in winter snow, Jackson Creek Park, ON (photo by Nina Munteanu)
It’s late December in the old-growth riparian forest of Jackson Creek, Peterborough. A light snow is falling on the cedars. When I walk by the creek through this deep forest, my senses reach out like tendrils, touching the mysteries of Nature’s complexity. To my right, the river’s multi-timbral chorus gurgles and chortles in chaotic symphony. Occasionally, I hear the percussion of ice cracking and booming like a designer rearranging furniture. The cedar pine forest sloping up to my left hisses and giggles as the snow falls and melts. My footfalls crunch over a frozen sponge of litter and loam. Nature’s sounds and aromas coarse through me like sweet nectar and my soul rejoices. I quiet my mind and become one with all of it. Serene in discovery. In sensing. Feeling. Embedding. I’m awestruck with the simple beauty of complex form, pattern and purpose: from the tiniest moss covering a boulder erratic to the largest cedar trees creaking and swaying above me in the whisper of a brisk winter wind.
Today is different.
I see something unexpected. A skull.
Red fox skull embedded in frozen shore of Jackson Creek, ON (photo by Nina Munteanu)
I’ve been following the icing of Jackson Creek. Huge ice “islands” have formed over boulders, creating new channels for the freezing water to coarse around. I stop near a small tributary of the river to study the formation of ice “pearls” on either side of an ice-formed channel. I venture out onto an ice shelf and set up my small tripod to take slow shots of water magic. The sun paints the water a brilliant turquoise hue.
Jackson Creek with ice formation on shore, ON (photo by Nina Munteanu)
Breathing hard from my efforts and satisfied with the shots I’ve taken, I stand up and step back from the shore. It’s then, as I look down to where I’ve placed my feet, that I see it. A small white “rock”—No! A skull! Embedded in the frozen leaf litter and ground, not more than several centimetres from the frozen shore of the river, lies an animal skull the size of my hand with a long snout. How have I managed not to step on it and crush it with all my tramping there? I must have stepped past it several times to get to my photo op. I bend low to get a better look. What is it doing there? Who—or what—had brought it there, depositing it on the creek shore?
I returned the next day, eager to show my discovery to friend and naturalist Merridy; she suggested it was a red fox. Excited, I returned the following day with a ruler to measure it and a trowel and some hot water to help me extricate it for better examination. A light snow had fallen the night before but the top of the skull was still visible. I removed the snow and the skull came out of the ground rather easily, revealing several back teeth still embedded in it. While the skull was mostly intact, the lower jaw was missing and a loose tooth lay on the ground below it. I removed my prize and brought it home. After cleaning it with some bleach, I examined it further.
Red fox skull, left to right: front, back, ventral aspects (photos by Nina Munteanu)
The skull showed no signs of trauma or injuries to the head. I guessed that while this fox was an adult, it was young; the teeth that were there were in excellent condition. The skull measured 133 mm from end of snout to external occipital protuberance (inion). The average skull length of an adult male measures 129 to 167 mm and vixens 128-159 mm. Steve Harris in BBC’s Discover Wildlife tells us that dog foxes also tend to have broader and more domed skulls than vixens; my skull was rather sleek, I thought. From this I guessed that the skull belonged to a young adult female, a vixen. Statistics for fox deaths also favoured a young fox (see below).
Measurement
Value
Skull Length
Inion to prosthion
133 mm
Skull width
Widest interzygomatic distance
70 mm
Facial length
Nasion to prosthion
63 mm
Facial width
Widest interzygomatic distance
45 mm
Cranial length
Inion to nasion
79 mm
Cranial width
Widest interparietal distance
47 mm
Cranial height
Middle of external acoustic meatus to bregma
43 mm
Red fox skull, lateral aspect (photo by Nina Munteanu)
I couldn’t help wondering about this fox which had appeared as if by magic at my feet. What was Vera Vixen’s story? (Somewhere between bringing her home and cleaning her, I decided to name her). How did Vera meet her demise and where was the rest of her? Had the skull recently washed onshore or was it recently brought to the shore by a scavenging racoon, badger(they’re more common in this area than most people think) or another fox? Or had the skull been there longer and the winter ice and water just washed away the litter to reveal the embedded skull? Was it a death of misadventure? Had Vixen drowned when Jackson Creek flooded? Or was she hit by a car at the edge of the park, torn up by scavengers and her skull brought here to eat? Jake McGown-Lowe of BBC’s The One Showshares that “Fox bones are hard to find.” He had found his specimens at the edge of a wood. “In the countryside the main predator of foxes are farmers and gamekeepers, especially around lambing time, and the gamekeepers usually take the bodies away to dispose of… Be careful with the canine teeth because they easily fall out.” Jackson Creek is an urban park. Thirty percent of its perimeter is surrounded by urban and suburban streets of Peterborough; sixty percent of the park is surrounded by farmland and some marsh at its upstream end. A Bristol University study on cub survival determined that major sources of mortality included hypothermia, attack by domestic dogs, attack by badgers, and death of the mother.
Red fox skull, dorsal side (photo by Nina Munteanu)
Various hunters have indicated that in a temperate climate it takes several weeks to several years for decomposers (insects, fungi and bacteria) to clean a skull left in the elements of nature. Temperature, humidity, presence of insects and water play key roles in the process of skeletonization. The skull at my feet could have died as recently as the fall of 2020 and as long ago as spring of 2019 during lambing season. Had Vera been shot or poisoned (including indirectly through scavenging) as she hunted for her kits?
Bristol University estimated that two thirds of the fox population die each year by predators (including humans), disease and vehicles with the single largest cause of fox mortality being through road collisions.An Oxford study corroborated this with observations that 60% of the fox population were run-over by vehicles. Apparently most of the fox deaths are the young.In their 2004 review of the red fox, David Macdonald and Jonathan Reynolds at Oxford noted that “roughly 75% of the fox population die in their first year.” Studies in Europe have also shown that three to seven-month old foxes are most susceptible to traffic collisions—associated with the cub’s increase in ranging behaviour around the den and their lack of experience—and larger propensity for misadventure.
BBC Wildlife Magazine tells us that “spring is a good time to look for mammal skulls. The end of winter is a peak period of mortality for many species, and skulls can be found virtually anywhere.”
Red fox pups in refuge park in Delaware (photo by Jennifer Cross, USFWS)
The red fox (Vulpes vulpes) is one of Canada’s most widespread mammals, living in a wide range of habitats including forests, grasslands, meadows and farmland. Known for their ability to adapt quickly to new environments, foxes have adapted well to urban settings and ecotones between city and wilderness; in fact, they prefer mixed vegetation communities such as edge habitats and mixed scrub and woodland. They are highly athletic, agile and incredibly fast (they can run up to 30 mph); foxes are known for pouncing on mice and other small rodents, burrowing in the snow using the earth’s magnetic field to help them hunt. Foxes have good visual acuity, capable of seeing small movements from far away and for navigating dense forests as they sprint after prey; but their most useful sense is their ultrasonic hearing. Treehugger reported on a 2014 study by the University of Duisburg-Essen and Czech University of Life Sciences who discovered that “red foxes have the best known maximal absolute hearing sensitivity of any mammal. They can hear a mouse squeak from 100 feet away.”This along with their ability to move swiftly and quietly through most terrain makes them effective crepuscular (dawn and dusk) predators in open country and nocturnal hunters in areas of concentrated human habitation. Foxes generally live an average of 3-7 years in the wild.
Foxes are monogamous. They live in family units in which both parents take equal part in raising their young. Older siblings also care for the young pups. The young kits remain with their parents at least until the fall of the year they were born in and sometimes longer, especially females. Pups are typically born from February-April. They are born blind, deaf and toothless, with dark brown fluffy fur. Mom fox stays close to guard the kits and nurse them for several weeks and the father or barren vixens feed the mothers. The kits leave the den a month after and are fully weaned by 8-10 weeks. The mother and her pups remain together until the autumn after the birth. After the pups are weaned and begin to play about the den’s entrance, Dad fox helps watch them while Mom fox gets in some hunting. If the mother dies, the father takes over caring for the pups. Kits reach adult form by seven months and some vixens reach sexual maturity by ten months—enabling them to bear their first litter at one year of age.
Red foxes help balance ecosystems by controlling population of prey animals such as rodents and rabbits. They also disperse seeds by eating fruit. Steve Hall of Adirondack Almanack reminds us that red foxes play an important ecological role:
“Now and then, vulnerable farm animals such as chickens, ducks and lamb will be taken. While farmers used to routinely trap foxes, many now realize that the fox brings far more benefit in its constant predation on crop-destroying rodents and insects, than the harm they cause in taking the occasional barnyard animal; secure enclosures for hens and [use of] guard dogs to keep the fox in the field but out of the barnyard, are the key to discouraging unwanted fox predation.”
James Fair of BBC Discover Wildlife noted that a single fox during its lifetime may be worth £150-190 to a farmer through rabbit predation. Most farmers in Wiltshire consider the fox a helpmate in reducing the pest of rabbits. Hall adds that while, “Deer are significant carriers of the tick, Lyme disease starts with rodents… [the red fox] eats huge quantities of rodents. If for no other reason, fox hunting and trapping should be banned.”
Cedar-pine-hemlock forest after first snow, Jackson Creek Park, ON (photo by Nina Munteanu)
Foxes take shelter in thickets and heavy bushes in the autumn until March of the next year. They are omnivores with a varied diet of small mammals such as voles, mice, squirrels and rabbits, and a variety of plants, berries, other fruit and nuts. Foxes have good eyesight but very keen hearing and sense of smell; this along with their ability to move swiftly and quietly through most terrain makes them effective crepuscular (dawn and dusk) predators in open country and nocturnal hunters in areas of concentrated human habitation. Foxes generally live an average of 3-7 years in the wild.
The red fox communicates through a wide range of body language and vocalizations. Foxes use scent glands and urination to communicate their individuality through their skunk-like smell. They use scent to mark territory and show status. The smell increases during mating season. The fox vocal range spans across five octaves with at least 28 different sounds that include those for “contact” and those for “interaction.” Individual voices can be distinguished. One contact sound between two foxes approaching one another resembles the territorial call of a tawny owl. When foxes draw close together, they use a greeting warble similar to the clucking of chickens. Adults greet their kits with gruff huffing sounds.
Red foxes feature prominently in the folklore and mythology of human cultures with which they are sympatric. In Greek mythology, the Teumessian fox or Cadmean vixen, was a gigantic fox that was destined never to be caught. The fox was one of the children of Echidna. In Japanese mythology,the kitsune are fox-like spirits that possess magical abilities which increase with age and wisdom. This includes the ability to assume human form. Some folktales suggest that kitsune use this ability to trick others; others portray them as faithful guardians, friends and love. In the Cotswolds, witches were thought to take the shape of foxes to steal butter from their neighbours. In later European folklore, Reynard the Fox symbolizes trickery and deceit. In the actual world, this translates to resourcefulness, a quick study, and swift and decisive action. And perhaps that is the true meaning of Vixen.
Image of fox and crow from Aesop’s Fables
Fox teaches us that gender equality helps to create a strong family, says Chris Lüttichau, author of Animal Spirit Guides. Fox’s medicine is family, survival and voice. Fox embodies resourcefulness and daring in her quest to feed herself and her young. “Fox survives and flourishes because she is clever and adaptable; she is now found living in cities. Fox teaches us to be flexible rather than to resist change.” According to Lüttichau, Fox’s medicine is “swiftness, surefootedness and a quick mind that always knows what to do.” Foxes have a wide vocal capacity and range, from screams and calls to low barks—something for each case as the fox calls and listens and calls back. We can learn from Fox’s varied voice to transcend traditions and prejudices through healing council and stories.
With thoughts returning to my Vera Vixen, I think that perhaps she is not a young unlucky fox who met with misadventure after all; rather, she’s a smart old vixen who’s birthed and nurtured several litters of four to six kits each spring. Her natural death after four to seven years of a rich life in the old growth forest and marsh of Jackson Creek would have led her to a quiet place to lay herself to rest; there her corpse was ultimately found by a badger, racoon or other fox and parts of her scattered throughout the forest to decompose and feed the ecosystem. Ever the mother, Vera now feeds the forest that nurtured her and her family’s existence.
Jackson Creek during first heavy snow, ON (photo by Nina Munteanu)
The Story of Fleet, the Fox of Surrey: In January 2014 it was reported that “Fleet”, a relatively tame urban red fox tracked as part of a wider study by the University of Brighton in partnership with the BBC’s TV series Winterwatch, had unexpectedly traveled 195 miles in 21 days from his neighbourhood in Hove, at the western edge of East Sussex, across rural countryside as far as Rye, at the eastern edge of the county. He was still continuing his journey when the GPS collar stopped transmitting due to suspected water damage. Along with setting a record for the longest journey undertaken by a tracked red fox in the United Kingdom, his travels have highlighted the fluidity of movement between rural and urban red fox populations.
Fox Prayer for 2021:
I call on Fox. Shapeshifter and trickster. Edge-walker and messenger. Help me blend with my surroundings and adapt to the changing landscapes. Show me the hidden paths between the worlds. Teach me the ways of invisibility and camouflage. Gift me your keen senses that i might see more of what is around me and use it to accomplish my goals. I call on you, Fox, to bring magic and discernment into my life. Lead me at your steady gait to those places where I might do the greatest good. Let us walk the borders between day and night and follow the scent of divine mischief. Fox, I call on you.
TRAVIS BOWMAN
Jackson Creek ices up in December, ON (photo by Nina Munteanu)
Map of Jackson Creek Park and surrounding area, ON
Jackson Creek Old-Growth Forest:
Jackson Creek Old-Growth Forest (OGF) is a 4.5 hectare urban forest located on a glacial spillway slope littered with granite erratic boulders. The OGF lieswithin the Jackson Creek Riparian Forest, a 92-ha valleyland forest which extends into a major wetland of importance. Dominant conifers in the OGF include white cedar (Thuja occidentalis), white pine (Pinus strobus), and eastern hemlock (Tsuga Canadensis). Sugar maple, American beech, yellow birch, white ash and white oak contribute to the mixed riparian forest. Trees are commonly over 150 years old with some reaching over 250 years. Largest trees—which tend to be the pines and cedars—reach diameters of 97 cm dbh and heights of 35 metres.
Cedar-pine-hemlock forest in Jackson Creek Park, ON (photo by Nina Munteanu)
The Jackson Creek valley was formed by the torrent of glacial meltwater that flowed from the ancient Lakes Algonquin and Jackson through the overlying till to create a glacial spillway some 12,000 years ago (Adams and Taylor 2009); the outflow of glacial Lake Algonquin was channeled to the former glacial Lake Iroquois—a body of water larger than the current Lake Ontario but in the same general area (Ecclestone and Cogley 2009).
The Jackson Creek OGF is a good example of a mature White Cedar—White Pine—Eastern Hemlock stand on a glacial spillway slope in Ecodistrict 6E-8. This eco-district extends in a band from south of Lake Simcoe eastward to the Bay of Quinte, north of the Oak Ridges Moraine, and is characterized by rolling till plains with drumlins, eskers, and intervening wide river valleys (Hanna 1984).
Red fox skull found embedded on iced shore of Jackson Creek, ON (photo by Nina Munteanu)
References:
Adams, P. and C. Taylor. 2009. Peterborough and the Kawarthas (Third Edition). Geography Department, Trent University, Peterborough, Ontario. 252 pp.
Ecclestone, M. and G. Cogley. 2009. “The Physical Landscape of Peterborough and the Kawarthas.” In: Peterborough and the Kawarthas, Third Edition, ed. by P. Adams and C. Taylor, pp. 19-40. Geography Department, Trent University, Peterborough, Ontario.
Hanna, R. 1984. “Life Science Areas of Natural and Scientific Interest in Site District 6-8.” Parks and Recreational Areas Section, Central Region, Ontario Ministry of Natural Resources, Richmond Hill, Ontario. 71 pp. & map.
MacDonald, D. and J. Reynolds. 2005. “Red fox (Vulpes vulpes)” IUCN Canid Specialist Group. Online
Malkemper, E. Pascal, Vaclav Topinka, and Hynek Burda. 2015. “A behavioral audiogram of the red fox (Vulpes vulpes). Hearing Research Vol. 320: 30-37: Online
Monaghan, Patricia. 2004. “The Encyclopedia of Celtic Mythology and Folklore”. Infobase Publishing. pp. 199–200. ISBN978-0-8160-4524-2.
The Nature Conservancy: Nature.org. “Wetlands Mammals: Red Fox.” PDF Online
“Relatives are the worst friends, said the fox as the dogs took after him.” – Danish
Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.
In late May, I was invited to read from my short story “The Way of Water” and my recent book “Water Is…” at the Oakville Literary Café, held at the Joshua Creek Art Centre.
The Way of Water
“The Way of Water” has appeared in several collections and anthologies in Europe and North America and received praise from around the world, including: The National Observer, Prism International Magazine, Speculating Canada, SoloLibri in Italy, and most recently in Orson Scott Card’s The Intergalactic Medicine Show.
Joshua Creek Art Centre (photo by Nina Munteanu)
“The Chinese multinationals have exchanged the public debt of other states with their water reserves with which, now, they can control the climate, deciding when and where it will rain.Who understands this dirty game has been silenced, like Hilda’s mother, a limnologist, inexplicably arrested and never returned; like the daughter of two water vendors, mysteriously disappeared, after having decided not to bow to economic powers: Hanna, who now prefers secure virtual identities to evanescent real appearances. Water. The two, like the covalent bond of a complex molecule, develop a relationship of attraction and repulsion that will first make them meet and then, little by little, will change into a tormented love but, at the same time, so pure as to cause Hilda at great risk, to make an extreme decision that will allow Hanna to realize the strange prophecy that the internal voice, perhaps the consciousness of water, had resonated in the two women for a long time.” —Simone Casavecchia, SoloLibri.net
She imagines its coolness gliding down her throat. Wet with a lingering aftertaste of fish and mud. She imagines its deep voice resonating through her in primal notes; echoes from when the dinosaurs quenched their throats in the Triassic swamps.
Water is a shape shifter.
It changes yet stays the same, shifting its face with the climate. It wanders the earth like a gypsy, stealing from where it is needed and giving whimsically where it isn’t wanted.
Dizzy and shivering in the blistering heat, Hilda shuffles forward with the snaking line of people in the dusty square in front of University College where her mother used to teach. The sun beats down, crawling on her skin like an insect. She’s been standing for an hour in the queue for the public water tap.
Emilie Moorhouse of Prism International wrote: “Soon after I finished reading the book, Cape Town—known in precolonial times as “the place where clouds gather”—announced that it was only a few months away from what it called “Day Zero,” the day the city would officially run out of water, making the similarities between fiction and reality more than unsettling. Munteanu’s story is set in a futuristic Canada that has been mined of all its water by thirsty corporations who have taken over control of the resource. Rain has not fallen on Canadian soil in years due to advances in geoengineering and weather manipulation preventing rain clouds from going anywhere north of the Canada-US border.”
“In ‘The Way of Water’, Nina Munteanu pens her love letter to water, exulting it as a liquid that has semi-magical properties…’The Way of Water’ evokes a sense of awareness about issues of access to water and about the dangers of imbalances in that access.”—Derek Newman-Stille, Speculating Canada
“…In an interesting scarcity future in which we follow the fate of a character abandoned by her mother, water itself becomes a character. In the second paragraph we’re told that “Water is a shape shifter,” and in the next page we encounter the following description: “Water was paradox. Aggressive yet yielding. Life-giving yet dangerous. Floods. Droughts. Mudslides. Tsunamis. Water cut recursive patterns of creative destruction through the landscape, an ouroboros remembering.” These descriptive musings cleverly turn out to be more than metaphors and tie in directly to the tale’s surprising ending.”—Alvaro Zinos-Amaro, IntergalacticMedicineShow.com
Water Is… The Meaning of Water
I also read from my non-fiction book “Water Is… The Meaning of Water.” I read several quotes from “Water Is…”. The water quotes had earlier been displayed at a photographic art exhibition in the Great Hall of the Mississauga Civic Centre. The art exhibition celebrated the Waterfront Connection wetland construction, a realized vision of the late Jim Tovey.
Photo Art in the Great Hall of the Mississauga Civic Centre
Quote from Nina Munteanu’s “Water Is…” displayed alongside photo art
Quote from “Water Is…” displayed at the Civic Centre in Mississauga
Joshua Creek Heritage Art Centre
Back patio of Joshua Creek Art Centre (photo by Nina Munteanu)
Envisioned by Sybil Rampen as a place to meet, collaborate and cultivate relationships, the Joshua Creek Heritage Art Centre was established at the 1827 heritage house on Rampen’s family farm on Burnhamthorpe Road in Oakville. The art centre serves the community as a gathering place—creative media workshops, films, musical events, lectures and weddings. The facility promotes local heritage and accessibility. Ecological integrity remains central to its activities.
Joshua Creek
Joshua Creek (photo by Nina Munteanu)
Joshua Creek originates near the art centre north of Burnhamthorpe Road and flows about 6 km south through the farm then mostly forest, eventually emptying into Lake Ontario. I was told that the creek has good water quality, apparently the best in the county. Oakvillegreen.org provides some history on Joshua Creek:
“Joshua Creek exists as a patchwork of past glories and present changes on a very dynamic and human-controlled landscape… many of its lands were cleared and altered beyond recognition, with only certain key areas left mostly to nature. In spite of these influences, Joshua Creek is home to 3 small Environmentally Sensitive Areas (ESAs), although two of these – Joshua Creek Valley and Wildflower Woods – have declined since they were highlighted in the 1970’s, and while still valuable, may no longer qualify as ESAs in the future. In only a handful of decades, development has quickly covered most of the lower two thirds of the creek’s land base, including important parts of its ESAs. In several areas, Joshua’s natural winding “meander” has been artificially straightened in order to efficiently use the land on either side. And in many places, foreign species have invaded the natural areas of the creek, changing the ecosystem in a big way.
But Joshua is a spirited creek – in spite of all it has been through, Joshua Creek is among the top two urban creeks for healthy water quality, and is still inhabited by a variety of aquatic animals like small fish and insects. Joshua Creek is home to forests, wetlands and thickets with around 150 plant species, and provides an important natural habitat corridor for the movement of birds and other animals, including migratory species. Rather than exclusively shrinking, there are also areas of Joshua Creek that are actually in the middle of regrowing their forests, and in spite of everything, Joshua still retains some beautiful gems of natural areas.”
Nina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.