Bastille Day & The Battle of Grunwald…

Today is Bastille Day, France’s national day that commemorates the 1789 storming of the Bastille prison by an angry revolutionary mob. The event was a major flashpoint that ignited the French Revolution that eventually ended the oppressive Bourbon monarchy.

This day is also significant in my historical fantasy The Last Summoner. July 14, 1410, is the birthday of main character Vivianne Schoen, the Baroness von Grunwald, who has just turned fourteen and is promised in marriage to a cruel foreigner. It is the eve of the Battle of Grunwald. Fought on July 15, 1410, this conflict was one of the largest and most decisive battles in medieval European history, where the Kingdom of Poland and the Grand Duchy of Lithuania gathered a ragtag allied army of peasant warriors to defeat the powerful knights of the Teutonic Order in what is now northeastern Poland. Their surprising victory crippled the Teutonic Knights’ dominance in the Baltic region and shifted the balance of power in Central and Eastern Europe.

In an early scene, Vivianne contemplates her fate:

“It’s my birthday today, Fritz,” she announced to her cat. July 14, 1410. She was fourteen years old. Her father and now deceased mother had pledged her since her birth to a stranger from a foreign land on her fourteenth birthday. Today—if the rumor was true, that is. Though she’d overheard the entire von Grunwald Ordensburgen gossip of it for years, her father had never mentioned it to her. Surely, he would have told her of such an important thing in her life if he’d meant it in earnest. Vivianne sighed and stroked Fritz. Then again, perhaps not, she reflected, summoning the stern image of her taciturn father. He never told her anything. If her mother was alive it might have been different….

The young baroness soon makes the startling discovery that she can alter history – but not before she is branded a witch and must flee through a time-space tear, landing in Paris on July 14, 2010, Bastille Day. Now in an alternate France ruled by Teutonic Black Knights, she must decide how to remake history.

Below is an excerpt from The Last Summoner, a scene in that alternate Nazi-ruled Paris on that fateful day:


Paris, France, 2010

FRANÇOIS thrust his way through the thick crowd in Place de la Bastille. He craned to see the parade of greycoats and several blackcoats goose-stepping down the Boulevard de la Bastille and Rue Saint Antoine to converge at la Place. They were followed by heavy artillery that had begun its trek all the way from the Arc de Triumph and Avenue des Champs-Élysées. It was a great show of military power for the Nazis. Today was July the fourteenth, 2010: Bastille Day. In earlier times, the Porte St. Antoine was defended by a drawbridge and the Bastille. All that remained was a gilded statue of liberté in the center of the square to commemorate the culmination of France’s long struggle to establish democracy with its final ‘liberation’ by the Nazis in the mid 1800s.

A clammy wind stirred up tiny dust tornadoes in the square and people flung up their hands to protect their faces from the flying grit. François watched them, like the pocket thief he was. There would be a few easily taken today.

He caught the eye of Philip, one of his neighbours on Rue des Rosiers and the best pick-pocket François knew. The lanky boy nodded to him with a look of surprised delight; he hadn’t expected François to come. There were several dozen kids like he and Philip, scattered throughout la Place, poised to wreak havoc on the crowd at just the right moment. They were only a diversion for the real crime. François glanced briefly at the Banque de France on the corner of Rue St. Antoine, then checked his watch. It was ten minutes to the hour. At 1800 the artillery would give its booming show; and at precisely that moment, masked under the cacophony of the blasting artillery, his anarchist friends inside the bank would blow the safe. They would make their getaway once chaos set in as people realized that they’d been robbed. T’is a godlike thing to lend; to owe is a heroic virtue, he thought with a smirk.

François’s role in all this was very profitable though actually quite dangerous; he and Philip and the other pick pockets were placing themselves in the direct line of attention—and fire of the flics. Their safety lay in their scattered numbers, in their nimble feet, and their ability to negotiate the crowd and blend in when they wanted to. They were all kids, like him; mostly ten to sixteen year olds. They’d all lost their parents and other adult relatives to the Nazis.

Many of the middle class workers had lost their jobs and the will to live when the Nazis introduced efficient city bots and turfed people out of their rich homes. Left behind by dead, imprisoned, or conscripted mothers and fathers or simply abandoned by overworked uncaring parents, most children lived on their own in the streets of Paris with whole district slums devoted to the ‘street brats’. François’s parents had been killed in the Latin Quarter uprising of 2007. There were at least half a million “homeless” children, fending for themselves in the city, according to his uncle; all finding shelter in derelict huts and bivouacs. They were the discarded refuse of a series of purges by the fascist government.

Purges were not new to the empire. They’d begun hundreds of years ago with the Jews, who were pretty well extinct now, François considered. During the early development of the empire, Jews were massacred by the Teutonic Knights, who later became the strong arm of the new Reich as the feared Black Knights. But the purges weren’t enough. Like an old building, the empire was crumbling from within through its own debauchery, and from the outside pressure of war and rebellion. The empire was at war with the Chinese and rebelling Muslims to the east and dealing with the unruly British and upstart North Americans to the north and west. The two English-speaking countries had allied in rebellion against the Reich and were causing Fuhrer Hitler III no end of grief. It was eroding his empire, sucking it of funds, men, arms and resources. And bleeding it of morale as well as the pitifully little humor the Germans might have had in the first place. François saw its effect in the uncalled for cruelty meted out by the Black Knights and greycoats to his fellow Parisians.

Grand Marshal von Eisenreich seemed to call a purge almost weekly. First it was the restless students of the Sorbonne, then it was complaining workers in Nanterre. Then the school teachers of Lyon. Or transit workers in the Mont Parnasse area. No group or person was immune to their indiscriminate wrath. One day you were scorned for dressing in black; the next day for dressing in white. Something drastic would have to happen for it to right itself, his uncle kept saying. Luckily for some, von Eisenreich talked in his sleep and his light-sleeping wife, Lizette, listened. She, in turn, gossiped to François during their pillow talk and François then warned those intended victims through his uncle of the coming purge.

But all that was largely Antoine’s concern and those in the Résistance, like Philip and André and most of the other children assembled here and poised to do mischief. They had a right to be skeptical of François’s presence here. He did what he could, but only if it suited him. His motives weren’t with the liberation of France. His motive was with the liberation of François.

Each for himself, he figured. I come first. That was the rule by which the government operated, he reasoned. Why should I be any different? Now take Sylvie, for instance, he thought, mind recollecting the thirteen-year old girl from the 12ème Arrondissement he’d left only moments ago; she gladly spread her legs for him anytime, anywhere for a cigarette or an apple.

He was a regular Valentino, François figured, and felt something stirring below. He grabbed his crotch and scratched his unruly penis with a leering smile. “Down, boy,” he whispered with a grin. Lizette cooed over François like he was a doll and called him her sweet putainBaisses moi, mon putainTu as un beau cul….He was her little darling peasant to dress…and undress. He didn’t care; he could eat, and live half-comfortably on Rue des Rosiers because of her and other patrons like her. He had a running Pal with naughty vids of all his clients that he rented out to his street friends. And the girls on the street, like Sylvie, thought he was hot.

He jammed his hand in his jeans pocket and smirked at the silver Pal in his palm before re-pocketing it and pulling out a small innocuous-looking black package of rapture. They also called it the black rabbit because of the package and where it took you: through a fantastic black “rabbit” hole.

When his Oncle Antoine finally found him, he tried to get François away from all that. But Antoine was no better off, having been recently chased out of his own house by Black Knights who accused him of helping the anarchists. Antoine wasn’t helping them…he was one, François thought with scathing humor. Antoine was always trying to recruit François to join the Résistance by berating him: “Why do you keep whoring? You’re worth more than that. You’re selling yourself, François. And for what? Half the time you don’t even get money; just that stinking rapture…”

François rubbed the small black package of rapture between his fingers and felt his nose flare with desire. Stinking rapture, indeed. You wouldn’t think it was stinking if you tried it, l’Oncle! He ripped the package open and threw his head back to pour the slightly acrid white powder in his mouth, then flung the wrapper onto the street. Within an instant, the street burst into sharper contrast and he knew his eyes dilated. A grin split his face open and he laughed, feeling invincible. Everything was all right now. Even those stinking Nazis with their swastikas, high-stepping black boots and batons…and whoring wives….

“You’re the Nazi’s putain. They’ve turned you into an addict and they’ve got you on a leash, François,” his uncle had gone on. “Honestly, you should stop all that whoring.”

“Why? And for what?” François had retorted, thinking he made a pretty good living by it; better than his destitute uncle. “Besides, I like it!” he’d ended maliciously. Antoine had lost all that he owned and now had less cash than François. “If I stop, what do I gain?”

“Something you’ve lost, François. Your dignity.”

“My parents lost it for me when they joined la Societé Secrêt and got themselves killed for some lost cause,” François said bitterly. To which his uncle had nothing to say. François knew it was cruel to say that; Antoine loved his brother, Marcel, and his wife, Angeline. Heck, Antoine had even dated François’s mother before François’s dad stole her heart. It had been Angeline, in fact, who’d brought the two brothers into the Résistance in the first place. She was the original anarchist. She’d apparently been one of the founding members of the SSLF. Until joining the SSLF, Antoine had just been an unruly student, one of millions in France. Antoine never married and, judging from the pictures he’d seen, François thought that he’d shriveled up like a prune when Marcel married the only girl that Antoine had courted.

Gunshots exploded inside the bank. François caught Collete’s stricken expression and Alain’s confusion in the crowd. That wasn’t supposed to happen. They were early—it wasn’t time yet! Then the doors of Banque de France burst open and two of their colleagues spilled out, followed by flic who opened fire on them. They fell and the crowd scattered like flies. More flics emerged, aiming their weapons into the crowd.  

François bolted.  

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. For the lates on her books, visit www.ninamunteanu.ca. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020. You can read her just released eco-fiction thriller Gaia’s Revolution by Dragon Moon Press.

Interview with Author Simon Rose on The Stone of the Seer

The Stone of the Seer Trilogy by Simon Rose

My guest today is author Simon Rose, who has published twenty-one novels for children and young adults, eight guides for writers, more than a hundred nonfiction books, and many articles on a wide variety of topics. Today, we’re looking at his historical fantasy series, The Stone of the Seer.

Nina: What’s the series all about?

Simon: The Stone of the Seer is an exciting historical fantasy series of adventure novels for young adults, primarily set in the turbulent period of the English Civil War.

The Stone of the Seer, book one in the series, features the Vikings, Leonardo da Vinci, and the political turmoil of the 1640s. At Habingdon House, Lady Elizabeth Usborne, Kate, and Tom encounter a magical black stone, mysterious ancient manuscripts, and the incredible time viewing device known as the tempus inpectoris, all while under constant threat from the murderous witchfinder, Daniel Tombes.

In Royal Blood, book two in the series, Lady Elizabeth, Kate, and Tom, along with the tempus inspectoris and the mysterious black Viking stone, are in the heart of London in early 1649, as King Charles prepares to face his accusers at his trial in Westminster Hall, while Elizabeth, Kate, and Tom desperately attempt to evade capture by Daniel Tombes, the witchfinder.

Much of the story in Revenge of the Witchfinder, book three in the series, takes place in the present day, featuring weird dreams, disturbing visions, parallel lives, and a bewildering identity crisis, as Thomas and Katie discover to their horror that not even the passage of centuries can prevent a bloodthirsty witchfinder from the 1640s from seeking his deadly revenge.

Nina: What’s the story behind the story?

Simon: The story, main characters, and some of the settings in the series are fictional but are based on true events and the story features real historical characters, such as King Charles I. The English Civil War was a series of conflicts in England, Scotland, and Ireland in the 1640s and early 1650s. The war originated in the struggle between Charles I and Parliament regarding how the country should be governed.

The king’s defeat in the civil war led to his trial and execution in January 1649. The monarchy was abolished and replaced first by the Commonwealth of England and then the Protectorate, before the monarchy was restored in 1660. However, the defeat of Charles I confirmed that an English monarch could not rule the country without the consent of Parliament, although this wasn’t legally established until the Glorious Revolution in 1688.

Nina: You must have done quite a lot of historical research for this series.

Simon: I did. These are links on my website at www.simon-rose.com to online sources where you can learn more about the historical events, settings, and leading characters from the English Civil War, some of the leading characters during the conflict, historical locations that are mentioned in the text, life in the seventeenth century, and details from other historical periods that are featured in the stories.

Nina: What are you currently working on?

Simon: I always have a few current projects and right now I’m working more books in the same genre as my previously published paranormal Flashback series, as well as a fantasy series, and a historical fiction novel. I also continue to work on the adaptations of my Shadowzone series into screenplays for movies and TV shows, some other scripts, as well as teaching writing courses at the University of Calgary.

Anyone interested in keeping up to date with the projects that I’m working on is always welcome to subscribe to my monthly newsletter, which you can do at www.simon-rose.com.

Nina: You work with other authors as well as on a variety of projects related to writing and publishing, don’t you?

Simon: Yes, I offer coaching, editing, consulting, and mentoring services for writers of novels, short stories, fiction, nonfiction, biographies, and in many other genres, plus do work with writers of scripts and screenplays. I’m also a writing instructor and mentor at the University of Calgary and served as the Writer-in-Residence with the Canadian Authors Association. You can find details of some of the projects I’ve worked on with other authors, along with some references and recommendations, at www.simon-rose.com.

Nina: Where can people buy The Stone of the Seer series?

Simon: The books can be purchased at most of the usual places and there are details on my website at  www.simon-rose.com

Thanks Simon, for being my guest here today and the very best of luck with The Stone of the Seer series.

You can learn more about Simon and his work on his website at www.simon-rose.com, where you can also link to him on social media and at other locations online.

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit  www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Interview with Simon Rose on his Latest Book: “An Untimely Death”

My guest today is author Simon Rose, who has published nineteen novels for children and young adults, eight guides for writers, more than a hundred nonfiction books, and many articles on a wide variety of topics. Today, we’re looking at his latest novel for young adults, An Untimely Death:

Nina: So, what’s the book all about?

Simon: An Untimely Death is an exciting science fiction and historical fantasy adventure for young adults. When Peter’s great-grandfather, Ted, passes away, Peter is looking through his belongings in the attic. Peter knows about Ted’s experiences with the Canadian Army in World War II and absentmindedly flips a coin. To his astonishment, Peter finds himself in the heat of battle in 1944, where he embarks on a highly dangerous mission to ensure that history is placed back on track.

Nina: What’s the story behind the story?

Simon: In the present day, Peter is fourteen and lives in Calgary, Alberta, Canada. He’s long known about the stories concerning the experiences of his great-grandfather during World War II. Peter knows that Ted participated in the invasion of Normandy in 1944, then in the Allied advance across Europe and into the Netherlands and Germany following D-Day.

When Ted passes away, Peter is looking through his great-grandfather’s belongings. Peter looks at some of Ted’s campaign medals, although Ted’s friend, Frank, had received the Military Medal, after saving the life of a young Dutch girl. The medal was awarded posthumously since Frank had been killed in action shortly after his heroic act. Peter also examines an old coin, which he knows Ted had found in a ruined house during the fighting in the Netherlands. The coin depicts the head of Queen Wilhelmina of the Netherlands, and Peter is aware that Princess Juliana, who later became the Queen, lived in Ottawa during the war, establishing strong links between Canada and the Netherlands.

When Peter flips the coin, the attic around him vanishes. To his astonishment, Peter finds himself in the Battle of the Scheldt in the Southern Netherlands in 1944. He encounters the younger versions of Ted and Frank, as well as the Dutch girl, but Peter’s presence in the past has disastrous consequences for the world he knows when he returns to his own era. Suspecting that he may have very limited opportunities to make a difference, Peter embarks on a highly dangerous mission to ensure that history is placed back on track, before it’s too late.

Nina: You must have done quite a lot of historical research for this novel.

Simon: Yes, the story, main characters, and some of the settings in this novel are fictional but are based on true events that took place in World War II. I did lots of research into the latter stages of the conflict, the Canadian soldiers and their battles to liberate the Netherlands, the connections between the Dutch Royal Family and Canada, the beginnings of the Canadian Tulip Festival after the war, and the links between Canada and the Netherlands that still exist today.

Following the story, the glossary has links to online sources where readers can learn more about the historical events, military campaigns, settings, and leading characters from World War II that are featured in the story. On my website, there’s a page dedicated to the book, along with links to separate pages featuring information regarding the book’s historical background and links to many online sources.

Nina: What are you currently working on?

Simon: I always have a few current projects and right now I’m working on another historical fantasy novel series, this time set in the early years of World War II. I’m also working on more books in the same genre as my previously published paranormal Flashback series, a fantasy series, and a historical fiction novel. I also continue to work on the adaptations of my Shadowzone series into screenplays for movies and TV shows, some other scripts, as well as teaching writing courses at the University of Calgary.

Anyone interested in keeping up to date with the projects that I’m working on is always welcome to subscribe to my monthly newsletter, which you can do at www.simon-rose.com.

Nina: You work with other authors, as well as on a variety of projects related to writing and publishing, don’t you?

Simon: Yes, I offer coaching, editing, consulting, and mentoring services for writers of novels, short stories, fiction, nonfiction, biographies, and in many other genres, plus do work with writers of scripts and screenplays. I’m also a writing instructor and mentor at the University of Calgary and served as the Writer-in-Residence with the Canadian Authors Association. You can find details of some of the projects I’ve worked on with other authors, along with some references and recommendations, at www.simon-rose.com.

Nina: Where can people buy An Untimely Death?

Simon: The book can be purchased at most of the usual places, as follows:

Ebook: Amazon Canada, Amazon USAKoboiBooks, Barnes and NobleScribd, Amazon UK, Amazon GermanyAmazon FranceAmazon JapanSmashwords

Paperback: Amazon Canada, Amazon USA, Amazon UK

Nina: Thanks Simon, for being my guest here today and the very best of luck with the AnUntimely Death. I hope that the book sells thousands and thousands of copies in the coming months.

You can learn more about Simon and his work on his website at www.simon-rose.com, where you can also link to him on social media and at other locations online.

When The Last Summoner Meets Nikola Tesla

The knight in Vivianne’s dream (illustration by Tomislav Tikulin)

If you want to find the secrets of the universe, think in terms of energy, frequency and vibration

Nikola Tesla

In my historical fantasy The Last Summoner, Vivianne Schön, the Baroness Von Grunwald, travels through time from the 1400s to 1905 to meet Nikola Tesla and make a deal with the eccentric scientist in a bid to make the world a better place:

The Story (excerpt of The Last Summoner)

New York, 1905

VIVIANNE straightened when she glimpsed the elegantly dressed Serbian as he entered Bryant Park. From her bench in the shade of a sycamore tree, she watched him saunter to his favourite bench then sit down and cross his legs. He emitted a somber sigh, pulled out a small notebook from his jacket pocket and began to write. Vivianne studied his long face, straight nose and well groomed mustache. It was an intense face, though worn with reserve. He quelled the fire that burned inside him beneath a shell of enigmatic reflection. He brushed a hand over his thick hair, then set his mouth in a thin line of determined concentration as he hastily sketched something inside the notebook. He didn’t look terribly heartbroken for a man who had just lost his dream, she reflected. But she did recognize disappointment on his furrowed brow. He was used to that, she decided, reviewing his personal history, which had been plagued by rivalry and betrayal for nearly all his life. A visionary of his genius quality was easy fodder for bullying, whether it was schoolmates or the scientific community.

After adjusting her brimmed hat and flowing blue lace gown, Vivianne rose and approached the forty-eight year old Serbian visionary, musing how he would later be called the “Father of the 20th Century”.

She was barely a metre away from him before he looked up, ready to express annoyance at being interrupted. She took pleasure in seeing his expression change from a glower to a startled look of curiosity. She knew she was beautiful, but it was rather delightful to see that she could divert this intense scientist.

“Hello, Mister Tesla,” Vivianne greeted him with a curtsy. “I am the Comptesse d’Anjou at your service. May I join you and sit down?”

He frowned at first then nodded politely with not quite a smile. He was not known for his smiles, she recalled. Tesla rose to his feet and bowed to her but did not offer his hand. She did not press him, knowing of his particular compulsion for avoiding human contact. “Of course you may,” he said with a mild accent and nodded to her in invitation. They both sat down in unison and he added, “To what do I owe this pleasure, Comptesse? Do I know you?”

“No, Mister Tesla.” She smiled with irony. “We have never met—not in person, anyway. But I believe you may be interested in what I have to say.” She paused to take in his curiosity and continued, “Pardon me for what I am about to reveal of your affairs, but I represent the interests of La Banque Internationale du Monde in Geneva, Switzerland—perhaps you know of us—and the law offices of Frankl & Frankl. We are one of the five largest investment banks in the world, dating back to the late 1400s with offices in Amsterdam and Hamburg. We are a private bank who screen for altruistic and environmentally conscious investors. In short, we help finance only those projects that will help make the world a better world.” She paused.

Tesla studied her inquisitively but said nothing.

She smiled internally at his puzzled expression then continued, “We are very interested in your Wardenclyffe Tower in Shoreham, Long Island, and associated global wireless power transmission.”

Tesla slid his notebook back into his jacket pocket and now gave her his full attention. She knew that he’d been trying for years to gain backing for his enigmatic projects with little to no success.

She continued, “You theorized that electrical energy can be transmitted through the earth and the atmosphere…without power lines.”

“Yes, I can light lamps at moderate distances and can detect the transmitted energy at much greater distances. The Wardenclyffe Tower uses a rapidly alternating electrostatic field and was a proof-of-concept for global wireless power trans-mission.”

“Yes, I know.”

He frowned. “But my funding—“

“Yes, I know. Your backers don’t like the idea of unmetered power consumption.”

His face hardened with dark thoughts. “Free electricity isn’t profitable.”

“Least of all to greedy bankers with no vision or faith like J.P. Morgan or John Jacob Astor,” she added. “I know you’ve been in financial trouble with high construction costs since Morgan pulled out last year and encouraged other investors to do the same.”

Her last remark made him stiffen. She was hitting a painful nerve.

“I know about your expired patents and the resulting lack of royalty payments,” she continued. “Within another five to ten years your projects will all be defunk and you will be totally broke. And no one will listen to the ideas that come to you fully formed through visions and dreams.”

He straightened and looked her directly in the eyes. “What do you want of me, Comptesse? Who are you?”

“An ally,” she answered. “I am well aware of your humanitarian pursuits and altruistic nature. I know that you wish simply to make the world a better world. That is my wish also. Energy is and will continue to be one of the most important forces on this earth. Like water, it should be free and available to each and everyone of us. I think you can provide us with that gift and would be happy to as well. Mister Tesla, I want to offer you financial backing at zero percent interest.”

He let loose a humourless laugh. He had finally learned to be cynical about bankers, she thought.

“Make no mistake, Mister Tesla; I expect to become one of the wealthiest people on this planet because of you. But I will gain that wealth only as you gain yours, through a partnership, and not at the expense of others; rather, for the benefit of others. Your wireless technology will help in areas you have yet to imagine: instant global communications and the personal computer; clean energy for homes and industry; laser medicine; robotics; interstellar travel; instant matter transference; even time travel and so much more.”

He was staring at her now. “Who are you, really?”

An angel, she thought to herself. “I’m part of the future, Mister Tesla. A future of your making.” Then without thinking, she held out her hand. “You can call me Vivianne.”

To her delighted surprise, he smiled for the first time. He took her hand then lightly kissed it, as was the custom of most eastern Europeans. “And you can call me Nikola.”  

The Man

Nikola Tesla and his experiments with electricity

Nikola Tesla intuited that energy waves in the earth and the atmosphere could be used to transmit power to any point on the globe. He understood that the surface of the Earth, the ionosphere and the atmosphere together form one gigantic electrical circuit—an electrified Gaia, so to speak—and this formed the basis for his work on wireless energy transmission. Tesla was able to transmit power and energy wirelessly over long distances (via transverse waves and longitudinal waves). He transmitted extremely low frequencies (ELF) through the ground and between the Earth’s surface and the Kennelly-Heaviside layer of the ionosphere. Tesla patented wireless transceivers that developed standing waves and it was he who discovered that the resonant frequency of the Earth was about 8 Hz and in the range of the Schumann Resonance or Cavity.

Tesla in his Colorado Springs lab

Modern technology appears to be threatening humanity’s connection with earth’s fundamental frequency and the natural vibrations of Schumann Resonance. Threats include artificial man-made EMF radiation, wireless technology, and high frequency heating microwaves pulsed at 2.45 GHz. Whether we co-evolved with Earth’s natural electromagnetic environment or were created with Divine Intelligence to live in harmony with it, many experts believe that artificial man-made EMF radiation masks the natural beneficial frequency of the Earth and may create an environment that is literally `out of tune’ with Nature itself.

The Book

The Last Summoner by Nina Munteanu is a fresh twist on chaos theory and observer-induced collapse of quantum entanglement. It’s June 14th, 1410, on the eve of the Battle of Grunwald when history records that a ragtag peasant army will slaughter the arrogant monk knights of the imperialistic Teutonic Order … or will they? Because of an impetuous choice, 14-year old Vivianne Schoen, Baroness von Grunwald, makes the startling discovery that she can alter history—but not before she’s branded a witch and must flee through a time-space tear. Now in an alternate present-day France ruled by fascist Black Knights of the ancient Teutonic Order, she must decide how to remake history.

Detail of ‘The Battle of Grunwald’ (painting by Jan Matejko)

For those in love with science fiction at its best, The Last Summoner is a complex story of ignored responsibilities and their dire consequences, of love and betrayal that span centuries and multiple worlds. Time travel, multiverse travel, immortality, alternate history in which the Nazis have won, not in the twentieth century but way earlier, in the Teutonic age. Angels and mutants, utopias and dystopias, even a Tesla occurrence— everything a science fiction reader could ever desire in a book. A masterfully told story with great characters. Nina Munteanu moves flawlessly from a medieval story to a modern one and everything in between.”

Costi Gurgu, author of RecipeArium

Find other articles on The Last Summoner here:

Defining Moments and The Last Summoner

The Witch’s Hat and Other Fungi Tales

Delos Ditigal Publishes Nina Munteanu’s “l’Ultima Evocatrice”

The Battle of Grunwald and the Fate of the Teutonic Knights

Summoning the Slow Train to Find the Last Summoner

The Art and Magic of Storytelling: Part 1, Sparking the Premise

Depiction of fierce Teutonic Knights crusading in the Baltic north during the 13th Century (illustration by Mariusz Kozik)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Interview with Author Simon Rose

My guest today is Calgary author Simon Rose, who has published eighteen novels for children and young adults, eight guides for writers, more than a hundred nonfiction books, and numerous articles on a wide range of topics.

Nina: Your most recently published books were those in The Stone of the Seer series. Remind us again of what it’s all about.

Simon: The Stone of the Seer is young adult historical fantasy series, featuring The Stone of the Seer, Royal Blood, and Revenge of the Witchfinder. The exciting story is mostly set in the mid-seventeenth century during the English Civil War. In The Stone of the Seer, Lady Elizabeth Usborne, Kate, and Tom encounter a magical stone, mysterious parchments and manuscripts, and an incredible time viewing device. In Royal Blood, Lady Elizabeth, Kate, and Tom are in London, witnessing the political turmoil at the time of the Civil War, including the king’s trial and execution. Revenge of the Witchfinder takes place in multiple time periods. The story features weird dreams, disturbing visions, parallel lives, and a bewildering identity crisis, as the lead characters discover to their horror that not even the passage of centuries can prevent a bloodthirsty witchfinder from the 1640s from seeking his deadly revenge.

Nina: Do you have any current projects?

Simon: Right now, I’m working on another historical fantasy novel series, this time set in the early years of World War II, that I’m hoping to publish next year. I’ve recently finished another story that takes place in the later stages of World War II and am putting the finishing touches to that one as well, potentially for publication the following year. Yet another series is currently in development in the same paranormal genre as my previously published Flashback series, which can learn more about on my website.

I’ve also been working on the script for a film project and continue to work on the adaptations of my Shadowzone series into screenplays for movies and TV shows. You can learn more about my work writing screenplays for clients and creating adaptations of my own work here on my website

Anyone interested in keeping up to date with the projects that I’m working on is always welcome to subscribe to my monthly newsletter, which you can do on my website.

Nina: You certainly seem to be very busy. You also do other work related to writing and publishing, right?

Simon: Yes, I offer coaching, editing, consulting, and mentoring services for writers of novels, short stories, fiction, nonfiction, biographies, and in many other genres, plus work with writers of scripts and screenplays.

I’m also a writing instructor and mentor at the University of Calgary and have some courses coming up in the fall, including Writing for Children and Youth. My own online courses, including Writing Historical Fiction and Writing for Children and Young Adults, are also always available.

I’ve just wrapped up work on a study guide for a fellow author’s historical fiction novel, set in World War I and World War II. You can learn more about my various coaching, editing, and consulting services, for all age groups and genres, on my website, as well as my services for business writing projects

Nina: So where can people buy your books?

Simon: People can buy The Stone of the Seer, Royal Blood, and Revenge of the Witchfinder, as well as all my other books, at Amazon and all the other usual places online, which you can link to on my website at www.simon-rose.com I’ll also be making some personal appearances at local events in the fall, where people can buy autographed copies of all the books in the series, as well as all my other novels.

Nina: Thanks Simon, for being my guest here today.

Simon: My pleasure, Nina.

You can learn more about Simon and his work on his website at www.simon-rose.com where you can also link to him on social media and at other locations online.

‘Revenge of the Witchfinder’ Interview with Simon Rose

My guest today is Calgary author Simon Rose and we’re looking at his latest release, Revenge of the Witchfinder, the third novel in the Stone of the Seer series. Simon has published eighteen novels for children and young adults, eight guides for writers, more than a hundred nonfiction books, and numerous articles on a wide range of topics.

Although this is the final part of the Stone of the Seer series, remind us of what the series is all about?

The Stone of the Seer is young adult historical fantasy series. It’s mostly set in the mid-seventeenth century during the English Civil War. In The Stone of the Seer, the first book in the series. Lady Elizabeth Usborne, Kate, and Tom encounter a magical stone, mysterious parchments and manuscripts, and an incredible time viewing device. In part two, Royal Blood, Lady Elizabeth, Kate, and Tom are in London, witnessing the political turmoil at the time of the Civil War, including the king’s trial and execution. In both novels, the main characters are threatened by the witchfinder, Daniel Tombes. There are numerous twists and turns, until the story’s cliffhanger ending, but all is resolved in the final installment.

Sounds amazing. How much can you tell us about the story’s conclusion?

Well, without giving too much away, Revenge of the Witchfinder takes place in multiple time periods. The story features weird dreams, disturbing visions, parallel lives, and a bewildering identity crisis, as the lead characters discover to their horror that not even the passage of centuries can prevent a bloodthirsty witchfinder from the 1640s from seeking his deadly revenge. Readers will consistently be engaged and unable to put the book down until they reach the dramatic conclusion.And of course, people will now be able to buy all three books in the series.

And there’s quite a story behind the story, isn’t there?

The story and main characters in the series may be fictional, but they’re based on real events and characters. In the 1640s, Charles I and Parliament went to war over how the country should be governed. The English Civil War led to the king’s defeat, trial, and execution in 1649. There was no monarchy for eleven years, but then Charles II, son of the former king, was restored to the throne in 1660. However, things were never the same again and it had been established that an English king or queen had to have the consent of Parliament to rule the country.

As with the first two books in the series, did you engage in a great deal of historical research for this one?

I did lots of research into the English Civil War, Charles I, the trial of the king and so on, as well as into the other time periods that are a part of the overall story, such as the Viking era, for The Stone of the Seer and Royal Blood. For the third installment, I researched things such as archaeology and excavations, how London has changed from how it looked during the Civil War compared to today, how some areas were damaged or in some places totally destroyed during the Blitz in World War II, all of which was vital to ensure that the story was as perfect as possible.

As I did in The Stone of the Seer and Royal Blood, I’ve included a glossary at the end of Revenge of the Witchfinder. Readers can learn more about the historical events, settings, and characters that feature throughout the story. On my website, there’s a page dedicated to each book in the series, along with links to separate pages featuring information regarding each book’s historical background and links to many online sources. All of this should be even more fascinating for readers, now that the entire series is available for them to enjoy.

Do you have any current projects?

Right now, I’m working on another historical fantasy novel series, this time set in the early years of World War II. I’m also working on another story that takes place in the later stages of World War II, as well as more books in the same genre as my previously published paranormal Flashback series. You can learn more about those books at www.simon-rose.com. I also continue to work on the adaptations of my Shadowzone series into screenplays for movies and TV shows, as well as teaching writing courses at the University of Calgary.

Anyone interested in keeping up to date with the projects that I’m working on is always welcome to subscribe to my monthly newsletter, which you can do at www.simon-rose.com.

You still do other work related to writing and publishing, right?

Yes, I offer coaching, editing, consulting, and mentoring services for writers of novels, short stories, fiction, nonfiction, biographies, and in many other genres, plus work with writers of scripts and screenplays. I’m also a writing instructor and mentor at the University of Calgary and served as the Writer-in-Residence with the Canadian Authors Association. You can find details of some of the projects I’ve worked on with other authors, along with some references, at www.simon-rose.com.

Where can people buy Revenge of the Witchfinder, Royal Blood, and The Stone of the Seer?

I’ll be making some personal appearances at local events in the fall, where people can buy autographed copies of all the books in the series, as well as all the other novels. The latest series can also be purchased at most of the usual places, as follows:

Revenge of the Witchfinder

Ebook: Amazon CanadaAmazon USA, KoboiBooksBarnes and Noble, Smashwords

Paperback: Amazon Canada, Amazon USA

Royal Blood

Ebook: Amazon CanadaAmazon USA, Kobo, iBooks, Barnes and NobleSmashwords

Paperback: Amazon Canada, Amazon USA

The Stone of the Seer

Ebook: Amazon CanadaAmazon USAKoboiBooksBarnes and NobleSmashwords 

Paperback: Amazon Canada, Amazon USA

Thanks Simon, for being my guest here today and the very best of luck with Revenge of the Witchfinder, and indeed with the entire Stone of the Seer series. I hope that all the books sell thousands and thousands of copies in the coming months.

You can learn more about Simon and his work on his website at www.simon-rose.com, where you can also link to him on social media and at other locations online.

Later stage of hallucinogenic Witch’s Hat mushroom (Hygrocybe conica), as the ‘hat’ blackens (photo by Nina Munteanu)

Interview with Author Simon Rose About His Latest Book “Royal Blood”

My guest today is Calgary author Simon Rose, who has published eighteen novels for children and young adults, eight guides for writers, more than a hundred nonfiction books, and many articles on a wide variety of topics. Today, we’re looking at his latest release, Royal Blood, the second novel in the Stone of the Seer series.

Remind us about the Stone of the Seer series. What’s it all about?

The Stone of the Seer is an exciting historical fantasy series for young adults, primarily set during the English Civil War in the mid-seventeenth century. The Stone of the Seer, is the first book in the series. At Habingdon House, Lady Elizabeth Usborne, Kate, and Tom discover a magical black stone, mysterious ancient manuscripts, and the tempus inpectoris, an incredible time viewing device. They are also in grave danger from Daniel Tombes, who has a fearsome reputation as a witchfinder.

And without giving too much away, what can readers look forward to in the second novel?

In Royal Blood, Lady Elizabeth, Kate, and Tom move to London in the middle of the Civil War, experiencing the great political changes taking place at the time, including the

trial and execution of Charles I. They are also still under threat from Tombes, who is also in the city. The story has many twists and turns, and I doubt if any of the readers will expect the novel’s cliffhanger ending.

And then they’ll have to wait for the third book?

Yes, they certainly will. I’m hoping that Revenge of the Witchfinder, the final novel and the conclusion of the story,will be published later this year. After that, people will be able to buy all three books in the series.

And what’s the story behind the story?

The story, main characters, and some of the settings in Royal Blood are fictional, but like in The Stone of the Seer, they’re based on real events and historical characters, such as King Charles I, appear in the story. The English Civil War broke out as a result of the struggle between Charles I and Parliament, regarding how the country should be governed. The king’s defeat in the war was followed by his trial and execution in January 1649. The monarchy was abolished and replaced first by the Commonwealth of England and then the Protectorate. However, although the monarchy was restored in 1660, in the person of Charles II, his father’s defeat confirmed that an English monarch couldn’t rule the country without the consent of Parliament. This was eventually legally established in 1688 after the Glorious Revolution.

Did you conduct extensive historical research for this book, as you did with the first one?

Although the English Civil War is a time period I’ve always been interested in, I still engaged in lots of research. I needed to study what life was like in seventeenth century London, the political and religious beliefs that were around at the time, the influence of real witchfinders such as Matthew Hopkins and others like him, and of course the trial and execution of Charles I. The trial itself was very well recorded and I was able to ensure that the words spoken by both the king and his accusers were accurate. There were also many witnesses to the execution, so I was able to include established facts about that aspect as well.

As I did in The Stone of the Seer, I’ve included a glossary at the end of Royal Blood, where readers can learn more about the events, settings, and leading characters from the era, locations that are mentioned in the text, life in the seventeenth century, and about other historical periods that are featured in the story. On my website, there’s also a page with details about the historical background behind the books, with links to online sources about the time period.

Do you have any current projects?

Right now I’m working on another historical fantasy novel series, this time set in the early years of World War II. I’m also working on another series of paranormal novels, in the same genre as my previously published series that includes Flashback, Twisted Fate, and Parallel Destiny. You can learn more about those books at www.simon-rose.com. In addition, I’m in the early stages of another couple of historical projects, and am also working on some screenplays, including adaptations of my Shadowzone series, and on several other topics.

Do you still work with other authors as well?

Yes, I offer coaching, editing, consulting, and mentoring services for writers of novels, short stories, fiction, nonfiction, biographies, inspirational books, and in many other genres, plus work with writers of scripts and screenplays. I’m also a writing instructor at the University of Calgary and served as the Writer-in-Residence with the Canadian Authors Association. You can find details of some of the projects I’ve worked on with other authors, along with references and recommendations, at www.simon-rose.com.

Where can people buy Royal Blood and The Stone of the Seer?

The novel can be purchased at most of the usual places, as follows:

Royal Blood

Ebook: Amazon CanadaAmazon USA, Kobo, iBooks, Barnes and NobleSmashwords

Paperback: Amazon Canada, Amazon USA

The Stone of the Seer

Ebook: Amazon CanadaAmazon USAKoboiBooksBarnes and NobleSmashwords 

Paperback: Amazon Canada, Amazon USA

Thanks Simon, for being my guest here today and the very best of luck with Royal Blood and the Stone of the Seer series. I hope the books sell thousands and thousands of copies in the coming weeks and months.

You can learn more about Simon and his work on his website at www.simon-rose.com, where you can also link to his social media sites and other locations online.

Tangle of roots of an old yellow birch tree, ON (photo and rendition by Nina Munteanu)

The Witch’s Hat and Other Fungi Tales

Witch’s Hat (Hygrocybe conica) by cedar tree, ON (photo by Nina Munteanu)

In my recent wanderings in the small cedar forest by the river near my house, I chanced upon a community of emerging reddish-orange fungi. They sat among the cedars in a crowded aggregation. Some pushed their way up through the duff like little buds, barely visible; others rose up with pointed steep caps; and others had opened further into tiny ‘witch’s hats’ and blackened.

Several stages of Witch’s Hat, including blackening stage, cedar forest, ON (photo by Nina Munteanu)

According to Frank Dugan, fungus plays a key role in many folktales and fairy tales. “They appear as foods, poisons, diseases, decorations, dyes or tinder, and even in insults, compliments, graffiti and video games,” says the author of Fungi, Folkways and Fairy Tales: Mushrooms & Mildews in Stories, Remedies & Rituals, from Oberon to the Internet.

Fungi figure in wonderfully with stories of and about witches. “Witches have long used fungi in their potions in Europe,” Fungal Folklore tells us. Even ferry rings are called “Hexen Rings” in Germany; Hexe means witch and this refers to “the dancing of witches on Walpurgis night (the eve of May Day) when the old pagan witches were thought to hold high revelry,” writes Dugan.

Baba Yaga (Wikipedia Commons)

Baba Yaga

In the Slavic folktale, Baba Yaga is an ancient swamp witch; she’s a cruel ogress who steals, cooks and eats her victims, usually children; OR offers them help. It’s complicated; she’s either a maternal helper or a cannibalistic villain; or both. Certainly a trickster.  Baba Yaga is guardian of the fountains of the water of life and lives in a forest hut perched on bird’s legs, surrounded by pine trees and glowing skulls. She can manipulate earth and wood, and can mesmerise. Baba Yaga has lately become something of an icon for feminism and the power of the feminine.

Says Marissa Clifford in Vice: “Like other witches, deistic Baba is agent of transformation, who, according to Kitaiskaia, exists ‘kind of outside of the things which constrain human society, like time and morality.’ She may well be so compelling for women today because of her rejection of social standards, and the power that comes from that. She’s an outlier with power that isn’t derived from her beauty, or her relationships with others. Instead, it comes from within her—earth, hut, and firey stove.”

Baba Yaga (illustration by Tatyana Chepkasova)

Witches, Fungi & Potions

“Witches have long used fungi in their potions in Europe,” The Fungus Among Us tells us. According to Dugan, the dung-loving Panaeolus papilionaceus (Petticoat Mottlegill) was used in witch’s concoctions in Portugal. The entheogen Amanita muscaria (Fly Agaric)—the elixir of ancient alchemists—is known as Hexenpils (‘Witches’ mushroom’) in Austria.  Among German tribes, it is associated with Woton/Odin, god of ecstasy, war and shamanic knowledge.  Puffballs were reportedly used in potions by witches in the Basque country. Witch’s butter (Exidia spp.) also figures in folklore. “Stabbing, burning or otherwise destroying these fungi were believed to harm the witch herself,” writes Owen. The Witch’s Hat (Hygrocybe conica) is aptly named for its blackening witch-style ‘hat’ that starts bright red-orange and turns coal black.

Many country folk through the sixteenth and nineteenth centuries performed rituals to protect their crops from the devastation wrought by witches and spirits. Thiselton-Dyer discusses the malignant Roggenwolf (‘rye wolf’ of Germanic folklore) who stole children and fed on them and the various rituals peasants used to appease these Feldgeister (field spirits), such as leaving a sheaf of rye in the fields over the winter. The Roggenwolf is, of course, the personification of ergot, the fungus Claviceps purpurea, which caused convulsions, burning, “massive-appetite”, and “the sense of becoming an animal.” People who contracted ergot poisoning from the contaminated rye were accused of being witches and brutally killed.

Young Witch’s Hats push up through the cedar forest floor, ON (photo by Nina Munteanu)

Ergot and The Last Summoner

In my historical fantasy “The Last Summoner,” young Vivianne Schoen, Baroness of Grunwald—accused of being a witch—is chased by her father’s guard to be burnt at the stake. Blamed for the sudden stupor of her father and the chaplain who both love their rye bread, it didn’t help that Vivianne possesses unnatural powers in metal manipulation, has weird markings or blemishes on her back or that suspicions of her preternatural mother being a witch precede her. Then odd things start to happen; cattle stop producing milk and other farm animals behave strangely. At a feast to celebrate her own coming nuptial to a foreign stranger and just after she is falsely accused of adultery, people suddenly succumb to fits of convulsions, facial distortions, hallucinations and paralysis. Targeted as the obvious candidate to blame, she must flee her home or be burnt alive at the stake:

…With a final unintelligible gasp that wet her cheek with flying spittle, he convulsed violently and pitched to the floor, shaking and vomiting his dinner.

Vivianne stared at her father, rolling and twitching in a seizure on the floor and crying out gibberish. She turned to the castle community, who were now pointing and shouting at her. Their faces had twisted from transfixed revulsion into fear and anger. Somehow they blamed her for both the stranger’s accident and her father’s sudden paroxysm. Perhaps for losing them a battle in the bargain too. Even Père Daniel’s face looked stricken with confused accusation. Until now Vivianne hadn’t realized how much his opinion of her meant to her. She felt his faltering faith drive like a blade into her heart and would have burst into tears had the crowd not suddenly grown very surly, which demanded her sudden attention.

Gertrude, the new dairymaid she’d assisted earlier, flung the first accusation: “She’s a witch!”

“Witch!” another echoed. “You heard her father call her one!”

Another servant swiftly followed with, “Just like her mother! She’s bewitched the baron! Put a spell on him with her wicked look!”

The crowd ignited to a raucous mob and a spate of accusations gushed out like a dam breaking: “My butter failed to churn because of her!”

“Look at the witchling’s eyes! They blaze with the devil’s own fire!”

“She appeared in Weikhard’s dream and now he’s ill!”

“She touched my cow and afterwards it couldn’t stand!”

“I saw the nursemaid bringing her a daily potion of nettle, mustard and mint with wine to make her lustful!”

Oh, no! They were implicating Uta along with her!

“I smelled basil and cloves in her bed chamber!”

Vivianne had used both to mask the rank odor of Uta’s anti-plague potions, completely innocent of their aphrodisiac properties. Vivianne stared in anguished despair as Père Daniel stood by, mutely sanctioning their actions. She’d thought him her champion once. But obviously this was too much for him to bear. He’d lost his trust in her. As their eyes met briefly, he suddenly gasped out strange words of gibberish. A violent shudder convulsed through him. It threw him forward, as if the devil itself were animating him, then felled him to the ground where he vomited alongside her retching father.

“She’s taken the priest!” someone shouted. “He’s doing the Viper’s dance!” Another screamed in a panic, “Watch out for her eyes!”

Vivianne turned back to the crowd. Whomever her gaze alighted upon shrank back and averted their face in terrified alarm. They were convinced that she could strike them down with a glance. To her horror a few of the castle servants jerked out of their seats with startled cries of gibberish then fell writhing to the ground; some began to vomit. Vivianne recognized the true onslaught of an epidemic. The same illness that had inflicted her father and the chaplain was attacking the staff. And again, the timing was impeccable, thought Vivianne with wry cynicism. As though God was plotting against her.

Gertrude pointed to her. “Seize her! Burn the witch! Before she kills us all!”

“Someone find her demon cat too!” Vivianne heard the doctor shout.

Several of the baron’s knights surged forward, swords drawn. As if suddenly awoken from a stupor, the Teutonic Knights at the high table leapt into action and drew their swords.

NO! Vivianne backed away in alarm. She envisioned their swords suddenly pointing back toward themselves. To her amazement, their swords flung back and the knights dropped them in shocked fright.  

In that surreal moment, as the world staggered into slow motion, Vivianne saw the entire castle household draw in a long breath. Still on the floor, Père Daniel’s shakes abated long enough for him to fix lucid eyes upon her and silently mouth, “Cours, ma petite! Cours! Sauves toi!”

After a last glance at her convulsing father, Vivianne took the Père’s advice and ducked through one of the curtained archways behind the table to the kitchen stairwell, and pelted down the stairs.

“After her!” she heard the booming voice of Doctor Grien. “The witch is getting away!”

*****

Vivianne later discovers what caused the sudden ‘bewitchment’ of members of her community: all the people who became ill had eaten the rye bread. She learns about ergot poisoning of rye by the fungus Claviceps purpurea. Conditions had been ideal for ergot to thrive: damp and rainy cool weather.

Young Witch’s Hat with peaked cone-shaped pileus, amid cedar duff, ON (photo by Nina Munteanu)

The Witch’s Hat

Witch’s Hats are a small agaric (cap from 1-4 cm across) that start out bright red to orange, sometimes almost yellow as they thrust up through the cedar duff, looking like buds.

The conical pileus is often curved steeply with a fairly sharp top and sometimes with edges that curve slightly inward. The stem (stipe) is often white at the base blending to yellow and will stain black with age.

Witch’s Hat mushroom showing inward curve of cap, with key to show size, cedar tree, ON (photo by Nina Munteanu)

As the waxcap mushroom develops, the cap spreads out with a discernable brim while maintaining the hat peak of a witch’s hat. As it ages, it turns a deeper red-orange that blackens, often from the edges inward.

Three stages of Witch’s Hat, from early conical to spreading and blackening hat, cedar tree, ON (photo by Nina Munteanu)

This tendency to blacken from bruising or with age is a good diagnostic for this mushroom. Very few others show this trait. Its gills “have the consistency of soft wax when rubbed between the fingers,” Fungus Fact Friday tells us. The gills start white to yellowish and gradually yellow and stain black.

Stages of Witch’s Hat from budding to opening cap to blackening cap and gills, cedar forest, ON (photo by Nina Munteanu)
Blackened and blackening Witches Hat caps and stems, ON (photo by Nina Munteanu)
Hygrocybe conica well-represents its common name Witch’s Hat as it keeps its peak and turns totally black, cedar in Ontario forest (photo by Nina Munteanu)

The Witch’s Hat (Hygrocybe conica), also known as Blackening Waxcap (for the obvious reason), shows a diversity of habitat preference and high variability. It tends to grow on the ground under hardwood and conifer trees. The community I stumbled upon fanned out from a few cedar trees in a small mixed cedar forest. The Witch’s Hat also likes mossy areas, where I found several near the river. The saprobic Hygrocybe conica is also a mycorrhizal fungus, sending tendrils from tree to tree.

Mycorrhizae are symbiotic relationships that form between fungi and plants. The fungi colonize the root system of a host plant—in this case some cedar trees—providing increased water and nutrient absorption capabilities while the plant provides the fungus with carbohydrates through photosynthesis.

Mycorrhizal network (illustration by Charlotte Roy, Wikipedia)

References:

Dugan. 2008. “Fungi, folkways & fairy tales.” North American Fungi 3(7): 23-72.

Morgan, A. 1995. “Toads and Toadstools: The Natural History, Folklore, and Cultural Oddities of a Strange Association.” Celestial Arts. Berkeley, California.

Munteanu, Nina. 2012. “The Last Summoner.” Starfire World Syndicate. Louisville, KY.

Owen, E. 2003. “Welsh Folk-Lore: A Collection of the Folk-Tales and Legends of North Wales. Kessinger Publishing. Whitefish, Montana.

Thiselton-Dyer, T.F. 1898. “Folk-Lore of Plants.” D. Appleton and Co., New York.

Young emerging Witch’s Hats through cedar duff, ON (photo by Nina Munteanu)
Witch’s Hat in cedar forest, ON (photo by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Delos Digital Publishes Nina Munteanu’s “l’Ultima Evocatrice”

I was recently commissioned by Andrea Franco at Delos Digitalin Milan to write a novelette for their Fantasy Tales Series. The resulting story was Summoning the Future’s Past a short adaptation of my alternative history novel The Last Summoner published by Starfire in 2012.

The novelette was translated by Chiara Beltrami then released by Delos Digital as the ebook l’Ultima Evocatrice, (Fantasy Tales 66), on April 13, 2021. 

Here is what Andrea Franco said about l’Ultima Evocatrice:

“Recentemente in Fantasy Tales-Delos Digital abbiamo pubblicato il primo testo ‘internatiozionale’, della bravissima scrittrice Canadese Nina Munteanu, tradotta per noi in modo eccellente da Chiara Beltrami. Un bellissimo racconto lungo che gli appassionati di fantasy non dovrebbero farsi scappare. Lo avete letto?”

As with The Last Summonerl’Ultima Evocatrice(Summoning the Future’s Past) is a fresh twist on chaos theory and observer-induced collapse of quantum entanglement. It’s June 14th, 1410, on the eve of the Battle of Grunwald, when history records that a ragtag peasant army will slaughter the arrogant monk knights of the imperialistic Teutonic Order … or will they? Because of an impetuous choice, 14-year old Vivianne Schoen, Baroness von Grunwald, makes the startling discovery that her mother is from the future and Vivianne herself can alter history—but not before she’s branded a witch and must make the most difficult choice of her life …

 “l’Ultima Evocatrice”was recently featured in Fantasy Magazine

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto.  Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

The Last Summoner & “The History with Magic” Book Bundle

The History with Magic Book Bundle

“The Last Summoner”by Nina Munteanu is now available as part of “The History with Magic”Book Bundle, curated by Athena Andreadis. The Bundle includes eleven books, each described here. Here’s what Athena writes:

The History with Magic bundle offers eleven riveting works that occupy a vital nexus in the dense, labyrinthine metropolis that is fantasy: the crossroads of alternate history and secondary world fiction. Both are venerable subgenres in speculative fiction. Alternate history has been with us at least since Titus Livius, better known as Livy, contemplated a world in which Alexander the Great survived to turn his energies westward; and humans have invented secondary universes ever since they wove and spun stories around their gatherer-hunter campfires.

As the astrogator and lead editor of acclaimed small indie press Candlemark & Gleam, I’ve had the honor and pleasure of helping to create and release some of the best new works in this mode. And now I get to share such fusions of history with magic in this spectacular bundle, whose every entry deserves to become a visual spectacle as atmospheric and studded with larger-than-life events and charismatic characters as the serialization of Bernard Cornwell’s Last Kingdom or Philip K. Dick’s Man in the High Castle… Full of rousing, sweeping derring-do and jeopardies, risky missions and fraught choices, intricate alliances and jarring betrayals, it’s all here—with the layers of real history, and its very concrete consequences, glimmering like fata morganas through the gauze of fiction.”

This bundle is available for a limited time only (from October 28 through November 19) via http://www.storybundle.com. The bundle allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub, .mobi) for all books.

The Last Summoner by Nina Munteanu is a fresh twist on chaos theory and observer-induced collapse of quantum entanglement. It’s June 14th, 1410, on the eve of the Battle of Grunwald when history records that a ragtag peasant army will slaughter the arrogant monk knights of the imperialistic Teutonic Order…or will they? Because of an impetuous choice, 14-year old Vivianne Schoen, Baroness von Grunwald, makes the startling discovery that she can alter history—but not before she’s branded a witch and must flee through a time-space tear. Now in an alternate present-day France ruled by fascist Black Knights of the ancient Teutonic Order, she must decide how to remake history.

For those in love with science fiction at its best, The Last Summoner is a complex story of ignored responsibilities and their dire consequences, of love and betrayal that span centuries and multiple worlds. Time travel, multiverse travel, immortality, alternate history in which the Nazis have won, not in the twentieth century but way earlier, in the Teutonic age. Angels and mutants, utopias and dystopias, even a Tesla occurrence— everything a science fiction reader could ever desire in a book. A masterfully told story with great characters. Nina Munteanu moves flawlessly from a medieval story to a modern one and everything in between.”—COSTI GURGU, author of RecipeArium

“A good, clever read and I think that history buffs would really enjoy it…You should read this book if you love fantasy, history or a combination  of the two, you’re a fan of time travel and its many twists and turns, the concept of influencing historical events to create a better world intrigues you.”—THE COCONUT CHRONICLES

“A hard book to put down. Loved the historical references of gear, place and events. The characters involved you in their lives. Fast-paced”
— AMAZON REVIEW

Exquisite! … A wonderful and skillful historical time traveler full to the brim of colourful characters intertwined with chicanery and loved, loved, loved the metaphors.  A page -turner.”— AMAZON REVIEW

For more on the writing of this book, go to:

“The Art and Magic of Storytelling: Part 1, Sparking the Premise”

“Defining Moments and the Last Summoner”

“The Battle of Grunwald and the Fate of the Teutonic Knights”

“Cymatics: How Frequency Changes the Very Nature of Matter and Energy”

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.