Some years ago now, when the Dalai Lama was attending the 2009 Vancouver Peace Summit, he was quoted as saying, “The world will be saved by the western woman.”
This set the media buzzing on what His Holiness meant and—perhaps more importantly—how his statement resonates with us, and how his “call” affects the western woman.
Marianne Hughes, executive director of the Interaction Institute for Social Change (IISC), pondered the idea of the aging woman as hag (originally a representation of feminine power) and how it relates to the Dalai Lama’s statement on her blog. “I’m not entirely sure what [the Dalai Lama] meant,” said Hughes, “But I am wondering if when he travels across the globe and sees so many of our sisters impoverished and repressed he sees western women of all ages in a position to speak out for justice and to take on the responsibilities of “the hag”… to take loving care of the planet and its people.”
The original meaning of the word “hag” in Gaelic originally referred to a saint with great powers who was responsible for the land, the waters and the people. The term has since been distorted through patriarchal propaganda into something far less flattering and powerful. The “Hag” is currently being redefined as a strong, beautiful and ageless woman and has its similarities with “the Crone”, the third stage of a woman’s life and evolution from maiden to mother to crone. Postmenopausal women currently comprise the largest demographic group in America. With our increased lifespan, the ancient tripartite divisions of Maiden, Mother, and Crone are more meaningful in women’s lives as the Crone stage occupies one third of our lifespan. Moreover, our current Crone generation (those born in the forties and fifties) is the first in the history of humankind that can claim (and has already claimed) economic autonomy and power.
According to Dr. Linda E. Savage (author of “Reclaiming Goddess Sexuality”) “Each stage of a woman’s life is organized around what Goddess Cultures called the blood mysteries: menarche, (the first monthly flow of blood); childbirth, which is accompanied by blood from birthing; and menopause, when a woman’s “wise blood” remains inside her to give her wisdom. These are still powerful landmarks, which profoundly influence women’s lives. They function as psychological gateways to the change in consciousness required by each new stage.”
Savage describes the Crone as a powerful shamanic figure in society: “The developmental task of the Crone Stage is sharing wisdom. In Neolithic times, Crone women were the tribal matriarchs. Their heightened awareness of human nature yielded great insight and they were the source of wise counsel for important decisions. Spiritually, this is the Mastery phase. The Wise Woman teaches knowledge gained from her skills and life experience. It is a time of reaching into her spiritual depths, utilizing her powers of intuition, and finding meaning in her visions from the dream world. Some Crone women are masters of healing at the highest level. The Crone Stage of life, more than any other, is a time of giving back to society the cumulative wisdom of the years. Many women have an urge to speak out, to organize others, to take action. They have the energy to get more involved in the world-at-large. It is often Crone energy that leads to changes being made in society. As the Crone woman moves further into her life path she feels the urge to teach others and to cultivate her passions. It can be the most productive time in womens’ lives.”
Crone energy isn’t necessarily limited to Crones. It is an energy that may be carried by anyone at any age. Ariane de Bonvoisin, writing for the Huffington Post, made the following observation:
“Most people I meet have a new fear—the fear of not being relevant, the fear of not making a difference, the fear of working on things that don’t really matter in the important times of transition we live in. We’re hungry to be part of making things better. We want to create, we want to do what we love again and find our voice. We sense intuitively that we have a critical role to play in shaping the future of our world. And yet, so many of us give in to excuses of not being good enough, young enough, smart enough, wealthy enough, creative enough. We still play small, still give in to the ‘victim’ archetype. We still buy into what society’s beliefs are and put them right above our own. But we don’t really have time for these fears. If I could create a vaccine, instead of the flu one, I’d create one against fear. It’s what holds us back, every one of us, in every area of our life. And, while we’re holding back, time just moves on faster than ever. We are at a critical time in the evolution of our planet, a time where each one of us is waking up. We feel it.
Our intuition is growing more acute. Our inner microphone, as I like to call it, is getting harder and harder to turn off, so that we can’t just go along with our normal day. There’s a rise in consciousness where we feel more connected to others, a part of something bigger going on, where we each have a role to play. The most important thing isn’t to get the promotion, or stay in the marriage, or lose those 10 pounds. The most important thing is for us to remember who we are—why we are here—to do the inner work and find what are our ‘spiritual’ reasons for being on the planet. Yes we do have something great to accomplish. Now. At any age. Wherever we are.”
I found yet another revealing comment on her blog post that reminded me of another statement by His Holiness: that the next Dalai Lama might be a woman. The commentator told the story of the Buddhist Goddess Tara, who is highly revered in Tibet and was a most promising student of Buddhism. The monks told her she should come back as a man so that she could reincarnate and finish her spiritual journey and become a Buddha. She responded that male/female has no meaning since spiritual beings have perfectly balance aspects of both and in reality can incarnate as either gender. She made a resolution to always come back as a woman. I see this proclamation as a metaphor for choosing “feminine wisdom” or “Goddess Wisdom”, represented by the depth of forgiveness, kindness, tenderness, openness, vulnerability, tolerance, honor, integrity, sacred courage, humility, trust and faith.
So, why “the Western Woman”? We are not particularly known on the globe for these traits, nor does the western philosophy we espouse typically embrace these ideal traits. The western woman has more often been stereotyped (and vilified) with the following characteristics: vanity, pride, shallowness, self-centeredness, self-serving ambition, competitiveness, and pettiness.
While we can, in fact, accept these as our stereotypic weaknesses (it is part of our shallow consumer culture and capitalist model, after all), it is for this very reason that the western woman represents the salvation of the world. Not only do we have the means, as Marianne Hughes pointed out, but we are in the best position to convince.
It is our destiny. We too are on a hero’s journey…
We are the necessary paradox that spawns evolution. The darkness that sparks light. The chaos that creates stability. The inertia that initiates change.
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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.
Craig Russell begins his eco-thriller Fragment with a TV interview of glaciologist Kate Sexsmith in Scott Base Antarctica. The interview is interrupted by what turns out to be four runaway glaciers that have avalanched into the back of the Ross Ice Shelf and a fragment the size of Switzerland surges out into the open sea. Hence the title: Fragment.
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They came because they were afraid or unafraid, happy or unhappy. There was a reason for each man. They were coming to find something or get something, or to dig up something or bury something. They were coming with small dreams or big dreams or none at all.
In Emmi Itäranta’s Memory of Water—about a post-climate change world of sea level rise—water is a powerful archetype, whose secret tea masters guard with their lives:
Water, with its life-giving properties and other strange qualities, has been used as a powerful metaphor and archetype in many stories: from vast oceans of mystery, beauty and danger—to the relentless flow of an inland stream. Margaret Atwood’s The Penelopiad is just one example:
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