Giving In to the Beauty of the Moment…

Marsh in the Kawarthas of Ontario in the fall (photo and dry brush rendition by Nina Munteanu)

“Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts.”—Rachel Carson

In a recent seminar called “Cultivating a Sense of Place” (Programs in Earth Literacies) Douglas Christie introduced me to the works of Philip Levine. In particular, he discussed a work entitled “Dust” which appeared In Levine’s 2004 collection Breath:

Dust

My wife tells me that when she was six
she came home from school to an empty house,
put down her lunch box, sat on a hassock
by her father’s chair, and simply waited.
Someone known would return home soon, she was sure.
The house was still, silent, holding its breath,
the late afternoon sunlight streamed in
the unshaded windows and turned the dust
into in golden planets floating
before her. Sixty-four years later
she declares, “It was beautiful,” and goes
on to describe the sense of awe and peace
before this vision of the universe
that descended from nowhere or perhaps
rose from within. North-central Iowa,
1933, her grandmother’s house.
Nothing else remains of the day. She gazes
into space seeing again those whirling
worlds more perfectly than the room she’s in,
her smile open, her glazed eyes radiant.

–Philip Levine

Philip Levine

Such utter stillness in the moment described! As though it still existed. Which it did, which it does. Intact and unaffected by time’s erosion.

What we see as beautiful, touches us in our heart-minds and we cherish it.

Because that moment was beautiful, Levine’s wife cherished it; because she cherished it, it was beautiful. This was so only because her child-self gave herself over to the moment and allowed herself to experience the awe and wonder of that moment. It helped that she was a child, alone in an empty house that was usually filled.

Old shed of farmstead with goldenrods in foreground, fall in Ontario (photo and rendition by Nina Munteanu)

When we grow up, why is it that we lose the tendency, even the ability, to simply be in the moment, in the silence of ourselves, to discover beauty? I suppose we make excuses; it isn’t efficient or productive to “do nothing.” Compelled to feed into the ever-burgeoning capitalist machine, we must keep “doing.” Do we learn to ignore those moments to be efficient machines ourselves? Surely, in refusing to live these moments, we are also silencing the many voices of beauty that could touch our hearts.

To appreciate beauty is to open your heart to wonder and silently witness. Beauty is found through beholding. Beauty is slow. To notice beauty, we must slow our mind and sense with our soul. We may “see” beauty all around us, but we do not “feel” it until we open to it, let it touch us and let it stroke our inner soul.

Pine cedar forest in Jackson Creek Park, ON (photo and rendition by Nina Munteanu)

The Beauty Instinct

Researchers have confirmed what the poets have long known: that we need to experience beauty in our lives. According to biologist Richard Prum, all creatures possess an aesthetic instinct—an instinct and a need for beauty. “The taste for the beautiful is as distinctive [and meaningful] as the need to survive,” writes Brenner. “One of the attributes of the beauty instinct is an inbuilt sense of respect for others.”

Encouraging yourself to recognize and appreciate beauty in Nature may be one of the most important aspects of your well-being.

Reflections on the Otonabee River, ON (photo and dry brush rendition by Nina Munteanu)

But what is beauty and how does one experience it? I devote an entire chapter to this topic in my book “Water Is…”.

There is beauty, writes 18th century aesthetic realist Francis Hutcheson, “in the knowledge of some great principles, or universal forces, from which innumerable effects do flow, such as gravitation, in Sir Isaac Newton’s scheme.” Neither beauty of form nor beauty of idea sufficiently applies to its definition, because beauty is, as we all know, “in the eyes of the beholder.” 

Beauty—like love—is not so much a quality as a relationship

Lane to farm off country road in Ontario (photo and dry brush rendition by Nina Munteanu)

In 1942, philosopher of aesthetics Jared Moore described complete beauty as three varieties of harmony combined: (1) objective harmony (i.e., harmony among the elements that make up the “beautiful object” through form, idea and its expression); (2) objective–subjective (i.e., harmony between the beautiful object and the contemplative mind through spiritual and psychophysical [empathetic] means); and (3) psychological (i.e., its meaning). Moore writes that complete aesthetic harmony—expressed by psychological or purely subjective harmony—is achieved only when the first two harmonies are attained. He describes this complete sense of harmony as “a sense of pleasure” which not merely adds itself to the sense of beauty, but “enters into and becomes a part of it.” This “inner harmony” brings the personality into a state of “unity and self-completeness.” A unity of the subjective, not only with the object, but with itself. 

We recognize beauty, and, in feeling it, are beautiful.

Stand of poplar trees in the fall, ON (photo and dry brush rendition by Nina Munteanu)

British artist and educator John Lane, author of Timeless Beauty, describes beauty this way: 

“Although the complexities of both nature and beauty have a subtle mathematical basis, reason by itself cannot tell us why beauty exists nor what is beautiful … There is often something spontaneous, even ‘illogical’ about these emotions; like love, they can never be predetermined, let alone dictated. But neither can the otherwise and splendid things which are most significant in human life, to which the greatest of the human race have contributed most, and in which our real refreshment consists—the love of truth, the sources of inspiration and the production of great works of art.”

“These, like beauty,” says Lane, “ultimately pertain to the unconscious, the heart and the soul. They pertain to the heart because it is love which discerns the mystery inherent in those things we see as beautiful; love which abandons arrogance and stands in awe before the mystery of life. It is love that sees beauty which, in turn, is always loved.”

Jackson Creek in the fall, ON (photo and dry brush rendition by Nina Munteanu)

The Beauty of Place

I grew up in the Eastern Townships, a gently rolling agricultural region in Quebec, Canada. I followed my older brother and sister to the nearby maple-beech forest and local stream. The forest was our playground and gateway to our imaginative play. We stirred soil, flower petals and other interesting things with water to fuel “magic potions” that we inflicted on some poor insect. Yes, I was a bit destructive as a child—and I took a lot for granted.

Country road in Kawarthas in fall, ON (photo and dry brush rendition by Nina Munteanu)

Much later in life, when I gave birth to my son, Kevin, in Vancouver, BC, I felt a miracle pass through me. Kevin became my doorway back to wonder. His curiosity was boundless and lured me into a special world of transformation. Kevin and I often explored the little woodland near our house. We made “magic potions” out of nightshade flowers, fir needles, loam and moss; we fueled our concoctions with the elixir of water from a stagnant pool. This time the little insects weren’t molested.

Red oak acorns line up against a tree root, Jackson Creek, ON (photo and rendition by Nina Munteanu)

Being with my young son slowed my world and returned to me a great sense of wonder. A walk to the little store with young Kevin was an expedition. He’d amble, explore, poke, then suddenly squat and study something on the pavement that I’d missed. 

He brought me back to the ground, to the extra-ordinary mundane—to the quiet details and the fragrant light. Acting like a macro lens, he pointed me to the little things, Nature’s nuanced designs that I’d forgotten in the larger paradigms of my hurried life. 

Poplar leaf amid the litter of a cedar forest floor (photo and rendition by Nina Munteanu)

He brought me back to the immediate, to Nature’s elegant silence and beauty. He showed me the fractal wonders of tree branches, exploding seeds, glorious reflections in puddles, strange mud waves and odd moss-covered rocks. We crouched in halted silence to watch a bee feast from a flower’s nectar then launch itself—a dirigible laden with pollen—into the sky. We followed the brilliant Fibonacci spiral of a sunflower or the circular gossamer web of a spider, both mimicking the greater spiral of our own Milky Way Galaxy. We stuck our tongues out to taste the snow as it cascaded down in heaps or caught hexagonal snowflakes on our sleeves and sadly watched them melt. We stomped in road puddles or threw rocks and watched the circles of waves feed outward, changing the colour and texture of everything. We collected flotsam in nebulous forest pools and made magical potions. We wrote stories in the ocean sand, then leapt from dry rock to dry rock until the sea trapped us in its rushing embrace.

Group of young boys explore the river bank, ON (photo and rendition by Nina Munteanu)

My adult son still carries that sense of wonder for the natural world. He lives in British Columbia where he skis the mountains and frequently hikes the mountain foothills and old-growth forests of that beautiful province.

He’s soul-bathing. 

My son Kevin skiing in British Columbia (photo by Lindsay; rendition by Nina Munteanu)

In her 2003 foreword to John Lane’s book Timeless Beauty, Kathleen Raine writes, “Of Plato’s three verities, the Good, the True and the Beautiful, none can be understood in terms of the materialist values of modern Western civilization, and beauty least of all.” She adds, “Keats saw [beauty] as the highest value—because its reality can be known only to the soul … If beauty is the highest of Plato’s verities this is because it is in accordance with our nature: Plato did not invent that need. And did not Dostoevsky in The Idiot affirm his believe that the world can be saved only by beauty? We disregard and undervalue the beautiful at our peril.” 

“That the universe is alive, a living entity, there can, it seems, be less and less doubt, and that it is beautiful there can be none at all.”

—John Lane, Timeless Beauty
Mossy rocks in Jackson Creek, ON (photo and rendition by Nina Munteanu)

Parts of this article are excerpted from “Water Is…The Meaning of Water.”

References:

Aristotle. 350 BCE (1984). “The Poetics” and “Metaphysics.” In: “The Complete Works: The Revised Oxford Translation, Vol. 1. Bollingen/ Princeton University Press, N.J. 2512 pp.

Birkhoff, George David. 1933. “Aesthetic Measure.” Harvard University Press. 225 pp. 

Hutcheson, Francis. 1725 (2004). “An Inquiry into the Original of Our Ideas of Beauty and Virtue.” In: Wolfgang Leidhold (ed) Indianapois: Liberty Fund. 

Lane, John. 2003 “Timeless Beauty: In the Arts and Everyday Life.” UIT Cambridge Ltd, , UK. 192 pp. 

Livio, Mario. 2005. “The Equation that Couldn’t Be Solved.” Simon & Schuster. 368 pp. 

Moore, Jared S. 1942. “Beauty as Harmony.” The Journal of Aesthetics and Art Criticism 2(7): 40–50. 

Munteanu, Nina. 2016. “Water Is…The Meaning of Water.” Pixl Press, Vancouver. 586pp.

Newton, Eric. 1950. “The Meaning of Beauty.” Whittlesey House. 207 pp. 

Puffer, Ethel. 1905. “Psychology of Beauty.” Houghton, Mifflin & Co., NY. 156 pp. 

Marsh with cattails and flock of geese, near Millbrook, ON (photo and rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

“The Forested Sanctuary” by Bev Gorbet

Stream runs through cedar poplar forest in the rain, Trent Nature Sanctuary, ON (photo and dry brush rendition by Nina Munteanu)

Oh! great mysterium:
Great forested sanctuary into the heart of being
Oh! to walk pensive, in solitude into the center
Of a cedar forest, worlds all russet and green,
Branch and bough, rain swept landscapes
The high treetops, far whisper and echo…
The great winds in high flight high above…
Songs to pierce the sullen skies,
Melodies of joy and of a deepest longing…

Cedars and poplars in a morning mist, Trent Nature Sanctuary, ON (photo by Nina Munteanu)

Songs of immortality, worlds full aflame,
Mystic cathedrals and dawn memory,
Haze and gray day, silver sky, silver cloud
Rain downfall and mist…
Leaf, branch and bough, the wind and the rain
The bending and wind tossed land

Mist hangs over Trent Canal, Trent Forest Sanctuary, ON (photo by Nina Munteanu)

The spring scents, spring grasses and nearby stream;
Rivulet and rhapsodic song,
The holy silences, the rain, fall, hiss and far echo…
Cedar forest cathedrals, branches overspread,
Red winged blackbird, soaring alone high above,
High into the receiving dome of haze and sky
Free swoop and whispering forest airs

White birch in Trent Nature Sanctuary, ON (photo and dry brush rendition by Nina Munteanu)

The far meditation:
Sacred journey into a holy wilderness:
Forested worlds beyond time…

Cedar root among ferns and moss in a light mist, Trent Nature Sanctuary (photo by Nina Munteanu)

Forested worlds of an existential beauty,
Great moss silences, tree root and bough…
Great worlds of hope and the tenebrous shadow
Of a rain swept day…
Holy encounters: the great mysterium
Sacred worlds beyond still time…

BEV GORBET
Moss and lichen cover an old cedar log, Trent Nature Sanctuary, ON (photo by Nina Munteanu)
Tinder polypore fungus on white birch, Trent Nature Sanctuary, ON (photo and dry brush rendition by Nina Munteanu)
Moss on a log in Trent Nature Sanctuary, ON (photo by Nina Munteanu)
Cedar boardwalk in a misty rain, Trent Nature Sanctuary, ON (photo by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

“Sacred River” by Bev Gorbet

Jackson Creek ices up in December (photo by Nina Munteanu)

Like the purest of sounds,
Like the rhapsodic tinkling, windblown days,
Of glass wind chime and bell,
The call, the pure rhythm, the lyrical song
River of crystal waters pouring down under ice

Jackson Creek flows like liquid sunshine around terraced ice islands in morning light, ON (photo by Nina Munteanu)

Holy nature’s melody, all the grace, the sacred beauty
Of the wild outdoors…
The magical distortions of light under ice,
Luminescence and glow, bright sunlight
On a cold winter’s day…

Ice shoals of Jackson Creek, ON (photo by Nina Munteanu)

The lightening glitter in moving prisms of light…
Majesty, deep within water and ice,
Carousels of prismatic light moving elegantly across
The stony river bed below…
And above, a magnificent solemnity:
Backlit snow drift, detritus of crystal flake:
Azure and lavender lights

Ice shelves forming on quiet shore of Jackson Creek, ON (photo by Nina Munteanu)

Everywhere a reverential light reflected upwards
To catch the delighted eye…
Radiant reflections of warmth and comfort:
The sound of the dancing winds high above,

Jackson Creek and forest after first snow (photo by Nina Munteanu)
Snow-covered cedars in Trent Sanctuary forest, ON (photo by Nina Munteanu)


And icey patches, snowdrift on treetop and cold bough,
Gently melting drops, rainbow lights
Softly falling down to touch a lyric memory:
The pure song, wind chime echo and dream,
Sacred memory: sacred river, deepest reflection…

–Bev Gorbet, December, 2020

Clouds of ice pearls in Jackson Creek, ON (photo by Nina Munteanu)
Ice pearls form over rocks in Jackson Creek, ON (photo by Nina Munteanu)
Ice shore beside flowing Jackson Creek, ON (photo by Nina Munteanu)
Ice beads form islands in froth of Jackson Creek water, ON (photo by Nina Munteanu)
Ice beads form off ice columns over Jackson Creek, ON (photo by Nina Munteanu)
Ice platforms and ice-covered twigs peer over flowing Jackson Creek, ON (photo by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Smell the Earth and Breathe in the Beauty of this Day

Willows on shore of Otonabee River, ON (photo and rendition by Nina Munteanu)

If COVID-19 has taught us anything I hope it is to live with less and rejoice in it. To be grateful for what we have. To take joy in acts of kindness to others. To live with less is to give more and live lightly and sustainably for this dear planet of ours. Our sustenance. Our friend.

NINA MUNTEANU

Why is it, then, that we have ceased to converse with Her? We no longer communicate with Nature and Gaia. We’ve isolated ourselves with hubris and greed and the pursuit of wealth and power.  And what are these? Do they make us happy? Do they bring joy?

Poplars on a country road in fall, ON (photo and rendition by Nina Munteanu)

We’ve become unruly self-centred bullies who think somehow that Homo sapiens alone was ordained by God to rule this planet. But there is no ruling Her. Why do we still cling to the ancient human-centred philosophies that have created “the other”? Descartes expounded that no other life or being other than “man” had a soul. Or feelings, for that matter. This preposterous notion has carried on for over six hundred years into today’s abhorrent racism, the creation of homo sacer, creation of property, subjugation of women by men, patriarchy, androcracy, cruelty to animals, deforestation and so much more that ails us and the world. 

Moss on log in Cedar swamp forest, ON (photo and rendition by Nina Munteanu)

All indigenous peoples on the planet incorporate Nature in their beliefs, philosophies and way of life. They conduct themselves with humility and the utmost respect for the natural world they are part of. They do not separate themselves from the sacredness of creation and the evolving world of matter and energy. All matter is living and has a soul, connected to the “oneness”. European settlers dismissed their wisdom as primitive and simple. How wrong the settlers were. How simple the settlers were. This is the wisdom of quantum physics. Have we—their descendants—changed?

White / red pine forest, ON (photo and rendition by Nina Munteanu)

COVID-19 is but one iteration of a conversation Nature is trying to have with us. She is talking to us in words of climate change, storms, disease and pandemic. She is telling us something and we aren’t listening. Her message is clear: live in partnership. Live in humility and joy. Live the galanic life of cooperation, respect, and kindness to ALL THINGS in a world with no “others.” If we don’t start listening, we will find ourselves more than alone…

Poplar forest in northern Ontario in the fall (photo and rendition by Nina Munteanu)

All in Nature is a gift.

In her book “Gathering Moss” Robin Wall Kimmerer shares this wisdom:

“In indigenous ways of knowing…every being is endowed with certain gifts, its own intelligence, its own spirit, its own story. Our stories tell us that the Creator gave us these stories as original instructions. The foundation of education is to discover that gift within us and learn to use it well.”

ROBIN WALL KIMMERER

Kimmerer shares that the sage “draws its up water to its leaves for the rabbits, to shelter the baby quail…Mosses clothe the rocks, purify the water, and soften the nests of birds.” The tree provides a whole ecosystem that shelters, feeds and nurtures so many organisms and its environment. Every part of a tree is involved; trunk, bark and leaf to cambium, xylem and phloem. And this from when a squirrel first embeds into the ground the nut poised to germinate to a fallen tree in full decay and returning to the soil.

Moss-covered Eastern cedar tree grows on decaying prone cedar in swamp forest (photo and rendition by Nina Munteanu)

What is our gift?

Go out into Nature. Touch a tree. Tell it that it is beautiful. Thank it for its shade. Feel its corky bark. Feel the miracle of creation sing through you. Touch a leaf, feel its supple texture and filigree of intricate markings. Imagine the chloroplasts swimming inside, capturing the gift of energy from the sun in the dance of quantum life. Imagine that energy surging through tissue, cell, interstitial water. Then in a deep sigh hear it release its Great Breath of Life in the most beautiful song. Its gift to the world. 

Smell the earth and breathe in the beauty of this day.

Ancient red cedar in Lighthouse Park, West Vancouver (photo and rendition by Nina Munteanu)
Maple swamp in Trent Nature Sanctuary, ON (photo and rendition by Nina Munteanu)
Marsh stream off a country road in fall, ON (photo and rendition by Nina Munteanu)
Swamp forest, Trent Nature Sanctuary, ON (photo and rendition by Nina Munteanu)
Decaying beech and ash leaves, Little Rouge River, ON (photo and rendition by Nina Munteanu)
Thompson Creek marsh, ON (photo and rendition by Nina Munteanu)
Willows at mouth of Thompson Creek, ON (photo and rendition by Nina Munteanu)

Reference:

Kimmerer, Robin Wall. 2003. “Gathering Moss.” Oregon State University Press, Corvalis. 168pp.

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

To the Mystic Forest by Bev Gorbet–an Ekphrastic Poem

Path birch PPP

Trail through mixed birch-pine forest at Petroglyph Park, ON (photo by Nina Munteanu)

Since moving temporarily to Peterborough during COVID-19, I have been on an adventure with Nature in the Kawartha region, north of Toronto. The region contains a chain of lakes that form the upper watershed of the Trent River; the lakes are situated on the boundary between the Paleozoic limestone region of the Golden Horseshoe and the Precambrian granite Canadian Shield of northern and central Ontario.

I’ve explored several local parks and lakes with wonderful swamp cedar on the Otonabee River and Jackson Creek and uphill beech-maple forest in the Trent Nature Sanctuary.

Farther afield, I wandered through the pine forests of Petroglyph Park, north of Peterborough, with its intriguing meromictic McGinnis Lake.

When I shared some of my Petroglyph Park photos with Toronto poet and friend Bev Gorbet, she was inspired to write this poem. I am overjoyed to share her ekphrastic poem with you here:

 

Path pine forest wide PPP

Trail through pine forest, Petroglyph Park, ON (photo by Nina Munteanu)

To the Mystic Forest: Reflections on Natural Beauty

Forests of the mind, wild forests of the heart…
The ethereal sounds: windstorm and echo
On a spring day…
The wind’s fierce flight through bended bough,
Through swaying treetop

High high above, the windswept call, the cry,
All the beauty in a wilderness forest…
The whispering grasses, below,
Song all bend, all flow in a cathedral clearing…

Trillium aging white

Aging white trillium, Petroglyph Park, ON (photo by Nina Munteanu)

Radiant beams, sunlight and shadow peppering
The moving boughs overhead…
Azure and lavender, sky-swept cloud
And mystic glow…

Oh! great forests of the mind,
Great forest of the heart…
A deepest beauty along an existential meridian:
The heart passionately centred, deeply into reflection:
Haunted days and alone

Wind call and cry, whisper and sigh
Great wilderness lands, wide forested plains
All the wondrous beauty, all the holy mystery:
Windswept, wind-tossed skies, the great forests
Mystery glorious, mystic days beyond time.

Bev Gorbet, June 2020

 

BevGorbetBev Gorbet is a Toronto poet and retired school teacher. She has published several poems with the Retired Teachers Organization and most recently in “Literary Connection IV: Then and Now” (In Our Words Inc., 2019), edited by Cheryl Antao Xavier.

 

 

 

 

 

Path Pine forest drybrush PPP

Petroglyph Park pine forest trail (artwork by Nina Munteanu)

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Waterwas released by Inanna Publications (Toronto) in June 2020.