Age Of Water Podcast: Nina Reads from “The Overstory”

AoW Logo-smallWe are now living in the Age of Water. Water is the new “gold”, with individuals, corporations and countries positioning themselves around this precious resource. Water is changing everything. The Age of Water Podcast covers anything of interest from breaking environmental news to evergreen material. This also includes human interest stories, readings of eco-literature, discussion of film and other media productions of interest.

In this episode of Age of Water, Nina reads from the eco-fiction book “Overstory” by Richard Powers, an exploration of the relationship of trees and humanity…

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At the heart of Richard Powers’s The Overstory are the pivotal lives of two women, botanist Patricia Westerford and college student Olivia Vandergriff. Both will inspire a movement against the destruction of forests.

theoverstoryPatricia Westerford—whose work resembles that of Diana Beresford-Kroeger (author of The Global Forest) and UBC’s Suzanne Simard—is a shy introvert who discovers that trees communicate, learn, trade goods and services, and have intelligence. When she shares her discovery, she is ridiculed by her peers and loses her position.  But, just as with Lynn Margulis and her theory of endosymbiosis, Westerford is finally validated. She is the archetypal ‘mother tree’, the metaphoric Tachigali versicolor, who ultimately brings the tangle of narratives together through meaning. Westerford writes in her book The Secret Forest:

“There are no individuals in a forest, no separable events. The bird and the branch it sits on are a joint thing. A third or more of the food a big tree makes may go to feed other organisms. Even different kinds of trees form partnerships. Cut down a birch, and a nearby Douglas fir may suffer…Fungi mine stone to supply their trees with minerals. They hunt springtails, which they feed to their hosts. Trees, for their part, store extra sugar in their fungi’s synapses, to dole out to the sick and shaded and wounded. A forest takes care of itself, even as it builds the local climate it needs to survive…A tree is a wondrous thing that shelters, feeds, and protects all living things. It even offers shade to the axmen who destroy it.”

Olivia Vandergriff miraculously survives an electrocution to become an ecowarrior after she begins to hear the voices of the trees. She rallies others to embrace the urgency of activism in fighting the destruction of California’s redwoods and even camps in the canopy of one of the trees to deter the logging. When the ancient tree she has unsuccessfully protected is felled, the sound is “like an artillery shell hitting a cathedral.” Vandergriff weeps for this magnificent thousand-year old tree. So do I. Perhaps the real heroes of this novel are the ancient trees.

EcologyOfStoryIn his review of Overstory in The Guardian, Banjamin Markovits wrote, “ There is something exhilarating…in reading a novel whose context is wider than human life. Like Moby-DickThe Overstory leaves you with a slightly adjusted frame of reference… And I found, while reading, that some of what was happening to his characters passed into my conscience, like alcohol into the bloodstream, and left a feeling behind of grief or guilt, even after I put it down.”

I further explore the use of metaphor and other storytelling devices used by Richard Powers in his strongly symbolic novel in my writing guidebook “Ecology of Story: World as Character.”

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Waterwas released by Inanna Publications (Toronto) in June 2020.

Talking with Author Lucia Monica Gorea about “Yukon, the Polar Bear”

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I met my fellow Romanian author friend Lucia Monica Gorea several years ago at a writer’s function in Vancouver and our (Romanian) passion for writing and storytelling made us fast friends. At the time Lucia was teaching writing at UBC and was co-hosting a radio show on Vancouver Coop Radio. She interviewed me several times about my science fiction publications, about water, my limnology and my eco-fiction.

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Co-host Lucia with Nina and Coop Radio team, Vancouver, BC

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Nina Munteanu and Lucia Monica Gorea at Gaudeamus Book Fair, Bucharest, Romania

We also together attended the launch of our books with Romanian publisher Editura Paralela 45 in Bucharest Romania at the Gaudeamus Book Fair. I was launching my translated book on fiction writing, “Manual de Scriere Creativa” (The Fiction Writer: Get Published, Write Now!) and Lucia was launching her English / Romanian translation of Petre Ispirescu’s fairy tale “The Morning Star and the Evening Star.”

I’ve since moved to Ontario and teach writing at the University of Toronto and Lucia moved to Nanaimo, BC, where she teaches at Vancouver Island University.

I recently interviewed Lucia, who just reissued her most recent children’s book “Yukon,” a wonderfully illustrated story about a young polar bear who loses his mother and goes on a perilous adventure:

  1. You recently republished your children’s climate fiction book “Yukon” through Bestsellers Publishing Academy. Tell us about the book.

Yukon, the Polar Bear is a story that brings awareness about global warming and climate change and teaches children how important our planet is. The reader is not only drawn into the story, but he or she learns how climate change affects polar bear habitat, and how polar bears will eventually become extinct if we don’t take action now.

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Yukon and his mom 

Since younger children can’t easily grasp concepts such as, glaciers and sea ice melting, or ocean acidification, they can better understand the issues our planet faces at the moment, through stories that are age appropriate.

 

  1. What inspired you to write “Yukon”?

I have always been fascinated by polar bears. I believe that they are so cool.

Seeing that their habitat is in huge danger, I wanted to bring my small apport to educate children, by letting them know how important our planet is through this children’s book.

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Yukon alone on a melting ice float after losing his mother 

  1. Who do you hope will read “Yukon”?

“Yukon” is intended for grade school children, ages 7+, for parents, and teachers alike. The topic of climate change can initiate interesting discussions and debates at school or home, during circle time, book clubs, or science classes. Teachers can assign research topics and invite children to further explore polar bear habitat, and learn how the Arctic animals are being affected by global warming.

 

  1. What does the polar bear represent in our awareness and fight against climate change?

Polar bears represent a “healthy planet.” As climate change forces polar bears to spend longer time offshore, they come in contact with Arctic coastal communities. Unfortunately, these interactions sometimes end badly for both humans and bears.  At the same time, the melting of the ice is resulting in more polar bears spending longer periods on land.

The expansion of offshore petroleum installations and operations in the Arctic are expected to increase in number. This expansion would affect polar bears and their habitat in many negative ways. As oil tankers and cargo ships in Arctic waters increase, so do the risks of polar bear disturbance. It is our responsibility to protect these iconic creatures.  It is no wonder that the polar bear is of great cultural significance to the Canadian people. For the Inuit and many northern communities, polar bears are especially significant culturally, spiritually, and economically.

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Jasper teaches Yukon how to survive on terra firma 

  1. In your book, Yukon meets a brown bear named Jasper and Jasper’s family teaches Yukon how to feed and take care of himself in his new environment. How close do you think this matches what is already happening in our northern regions as melting sea ice is forcing polar bears onto dry land into northern communities and the Inuvialuit Game Council reports that more and more grizzly bears are moving into Canada’s High ArcticIs this heralding a future written by climate change?

Experts say that interbreeding is happening more frequently now due to climate change.

With climate change, grizzly bears are moving further north, so there is more overlap between grizzly bears and polar bears in terms of their range. A hybrid bear is unofficially called a grolar bear if the sire is a grizzly bear, and a pizzly bear if the sire is a polar bear. A third potential name is nanurlak — a word combining the Inuit-language words for polar bear and grizzly, nanuk and aklak.

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Grizzly bear + Polar bear = Pizzly or Grolar (depending on who the mother bear is)

Grizzly bears in Alaska and Canada are moving north as their environment warms, bringing them into contact with polar bears located on the coastline

“…predicting that far into the future is a challenge and it really depends on what we do about global warming as a whole,” says Andrew Derocher, bear biologist.

 

  1. Will you do an educational tour with the book?

Yukon_eBook-CoverAbsolutely! As soon as COVID- 19 will not pose a threat to BC schools, and to schools around the country, and when the students are safe to return to class, I plan a reading and educational tour on Vancouver Island, then I will visit various schools within the province.

 

  1. Where can individuals and schools purchase “Yukon”?

“Yukon” can be purchased in both paperback and electronic format on Amazon, Draft to Digital, Smashwords, Ingram, and Barnes and Noble.

 

  1. What projects are you working on next?

I have already started working on two projects. One is a How-to book titled, “Write! Publish! Sell!” – and the second book is a collection of supernatural short stories that take place in my native Transylvania, “The Hills of Magherani.”

On the podcast “Age of Water”, co-host Claudiu Murgan and I interviewed Lucia about her book, about young readers and climate change, and about writing in general. The podcast episode with Lucia will air in December, 2020.

 

More about Lucia Monica Gorea 

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Lucia Monica Gorea

Lucia Monica Gorea, is a Canadian poet and award-winning author of fifteen books spanning multiple genres including poetry, short stories, a historical novel, ESL texts, children’s books, fairy tales, and translations.

The Transylvanian province of Romania, which filled Lucia with literary passion inspired her to write at a young age. She graduated from the University of Bucharest with degrees in English, French and Linguistics then earned her PhD in English and Education in the USA.

Her interest in history inspired The Impaler, her debut novel, which tells the captivating and intriguing story of Vlad the Impaler. She has also written Journey Through My Soul—a collection of love and mystical poems, Welcome to America! ESL Games and Classroom Activities, and Speak English for Success. Lucia also wrote several children’s stories that were inspired by her son, Alex: How Alex Saved Christmas, The Crow That Swallowed a Pearl, Halloween in Transylvania, and Yukon, the Polar Bear.

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Lucia with young girl, reading her translated book at Gaudeamus

Lucia translated several fairy tales and poetry books from Romanian into English: The Enchanted Turtle, Aleodor the Emperor, The Morning Star and the Evening Star, and The Enchanted Pig, fairy tales authored by Petre Ispirescu. 

Lucia was the keynote speaker at the 8th International Symposium on Translation, Interpretation, and Terminology in Havana (2013). Lucia currently teaches English courses at Vancouver Island University in British Columbia, and graduate studies at Atlantic International University in the United States.

Lucia founded BestSellers Publishing Academy – Your Story Must Be Told in 2019. She also founded Poetry Around the World, Monica’s Writers’ Café and Poets and Writers’ Café, online groups. She hosted radio (World Poetry Café Radio Show) and television poetry shows (Poetry Around the World) in Portland, Oregon, Vancouver, and Nanaimo, BC.

 

 

More about the Polar Bear

Temperatures in the Arctic are rising at least twice as fast as the global average and sea ice cover is diminishing by nearly four per cent per decade.

The primary habitat of the polar bear is sea ice, which they use to hunt seals. Polar bears live in the Arctic regions of Canada, Greenland/Denmark, Norway, Russia and the United States. The primary habitat of the polar bear is sea ice, which they use to hunt seals. Polar bears feed on ringed seals that live at the ice edge; the bears get two thirds of the energy they need for the entire year in late spring and early summer. Sea ice loss due to climate change poses the single largest threat to polar bear numbers according to a recent comprehensive review. As the ice retreats earlier in spring and forms later in winter, the bears have less time to hunt prey. Consequences mean that the bears average weight declines and fewer cubs survive; the ones that do are smaller. Warming has also caused bear dens to collapse, trapping a female’s young.

Scientists’ best estimate is that there’s a 70% chance the global population of polar bears will fall by more than a third within the next three generations.

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Polar bear cubs in their den

 

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Waterwas released by Inanna Publications (Toronto) in June 2020.

 

 

The Legacy of Trees: Purposefully Wandering Vancouver’s Stanley Park

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Winter on the sea wall (Heritage House)

“In the gorgeously colourful fall of 2017, I had a sudden thought: “I live next to Stanley Park, one of the world’s most beloved and best parks. How have I not noticed? Of course I had noticed, but I hadn’t taken that awareness inside. I barely knew the park. I have lived beside this park for twenty-five years. I first saw the crescent beach of English Bay and the storytelling totems in the park in 1961, fifty-nine years ago. Have I been asleep? Can I wake up? Is it time?

If I am going to get to know this park—this Stanley Park—and call it “my park,” I will have to wander it purposefully, path by path, plaque by plaque, monument by monument, rock by rock, tree by tree, blossom by flowering blossom, through every season, and allow its layers of history to seep into me as though it were a living, breathing being.

Actually, it is.

Legacy of Trees Nina Shoroplova

This is how Nina Shoroplova begins her book “The Legacy of Trees” by Heritage House, 2020, a book all about “Purposeful Wandering in Vancouver’s Stanley Park.”

The beautifully laid out 288-page book with colour photos is a feast for the mind and the heart. Although the book provides an excellent human and natural history of the park—from its pre-colonial existence, and logging history, to its creation and uses and description—at its root is an expression of wonder for this natural gem in the middle of a bustling city and a true love of trees.

Shoroplova approaches the forest with the heart of a poet. Her passion for nature—and trees, particularly—lights each page with joyful discovery. Shoroplova brings this passion to Stanley Park, one of Canada’s iconic parks, and one worth both visiting and knowing through many aspects from history to ecology and from forest ecosystem to legacy tree.

Each year, Stanley Park welcomes more than eight million visitors from around the world. In the summer of 2013, Travel & Leisure magazine ranked Stanley Park second among the world’s twenty-eight most beautiful city parks in the world. In 2014, TripAdvisor named Stanley Park the best park in the world. The park features 400-hectares of natural coastal temperate rainforest with 27 km of trails and scenic views of water, mountains, and truly majestic trees. The rainforest holds an old-growth forest of +400-year old Douglas-firs and some of the largest grand firs in the world. The park also features an 8.8 km seawall, totem poles and six beautiful gardens.

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Map of Stanley Park, Vancouver

Early in the book, Shoroplova describes a particular experience with a weeping beech in Shakespeare Garden with something close to reverence:

“When I first walked under its canopy of falling dark green drapery, tears came to my eyes. Somehow, the generosity of that tree, offering its shade and comfort to all who stand, walk, and drive underneath its south-facing leaves, opened my heart.” She then added, “As a friend says, ‘trees are divine beings.’”

Shoroplova shares why she feels calmed, centred, and connected in a forest, particularly in Stanley Park:

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Hemlock growing on cedar stump (Heritage House)

Maybe it’s because the change in a forest is constant yet unobservable, unobtrusive. Maybe it’s because I, as a human being, am so insignificant in size compared with the giants around me. Or because I, as a human being, have lived for such a short time compared with the ancient living beings around me. Or the green and the tree pheromones are so calming…

I used to feel this way when I skied downhill and when I breastfed my babies. I feel this way when I stand in the ocean and await the next wave and the next. I feel this way with my grandchildren. That’s what being in the forest does for us…It brings us to the present moment. That’s the gift.”

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Woman wanders among the Seven Sisters giants, 1901 (Heritage House)

There is an abiding quality about trees and a living forest that is reassuring. “Trees are supportive, yet ambitious,” writes Shoropova. They are “quiet yet communicative, flexible yet strong, adaptive yet true to type.” They connect us to a larger world in a way that is both awe-inspiring and familiar.

“Learning the histories of the legacy trees in Stanley Park deepens our knowledge of the people of Vancouver—our history, our origins, our values,” Shoroplova explains in her opening chapter. These stories also show how Vancouver is maturing and evolving alongside its park forests and gardens. “We are shaking off the colonial identity that the park exhibited for so many decades and embracing the values of reconciliation with the first inhabitants of this land, the Squamish, Musqueam, and Tsleil-Waututh. We are also reclaiming what we can of the original nature of this land while honouring our communal history.”

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Loggers using springboards to chop down a Douglas-fir giant, Stanley Park, 1890s (Heritage House)

Shoroplova arranged her tree stories into three parts: Part 1: The Trees Were Always There—trees that were already growing on the peninsula headland that became the federal reserve and then Stanley Park; Part 2: The First Trees Are Planted—those that were planted during the colonial and imperial years of the park (up to 1960); Part 3: The Park Grows Up—the years of growing independence.

Complete with old photos and original maps, Shoroplova offers several well-described and mapped routes to learn about and appreciate the beauty of the park. Her accurate science and historical accounts are dispensed in easily-digested and understood parcels through the language of conversation. The narrative is both charming and intriguing from the sad tale of the sentinel big Douglas-fir at the entrance to Stanley Park in 1894 to the princess-poet Pauline Johnson’s naming of Lost Lagoon and stories of historic events.

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Georgia Street entrance to Stanley Park in 1894 (Heritage House)

In a particularly engaging chapter of the book (Chapter 8), Shoroplova compares humans to trees and, through some interesting observations on tree physiology and behaviour, she draws some interesting conclusions. One example is her description of a tree’s heartbeat: how trunk and branches use a very slow pulse of contraction and expansion to send water up and out to every branchlet and leaf. Or how trees essentially breathe in more oxygen during the day (during active photosynthesis) and breathe out more carbon dioxide at night (during respiration without photosynthesis). Shoroplova likens it to “one slow breath for every twenty-four hours.” Shoroplova extends this fractal idea to the “suggestion that the northern hemisphere of Earth breathes in every summer and breathes out every winter. One slow planetary breath for every twelve months.”

Shoroplova also discusses two theories that explain the phenomenon of crown shyness, only seen in deciduous trees: “One is that trees of the same species avoid both being shaded by and shading each other. They take up space that is not already filled, allowing each other space to grow and breathe and capture the sun’s rays. The opposing theory is that stormy weather breaks off branches that are very close to each other. I suspect a mixture of both theories is at work.”

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Decaying log provides nutrients and substrate for other life (Heritage House)

Shoroplova continues her comparison in describing the life and death of a tree. “The death of a tree is a very drawn-out affair, taking years and even decades, as the tree changes from being healthy to having its health impinged on in some way, to losing more of its branches … to becoming a standing snag, and finally to falling to the forest floor. The decomposition—the composting—of one tree provides the soil for the birth and regeneration of many others. When a tree falls in the forest, its fallen form—minerals, fibre, and glucose—nourishes all the other life forms in its environment…Fallen trees become nurse logs for seedling trees, especially for western hemlocks.” In Chapter 9, Shoroplova shares how the forest—like the ocean—releases negative ions that help in general feelings of wellness as these ions “neutralize all the free radicals that result from our natural body processes or that exist as environmental toxins.”

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Western red cedar with burl, remaining Seven Sister in Stanley Park (Heritage House)

In Chapter 12, Shoroplova describes the cathedral-like grandeur of the Seven Sisters grove of western redcedars and Douglas-firs as witnessed by Mohawk poet E. Pauline Johnson in 1911 and the sad narrative that followed. The fame of this stately grove of giants became their undoing—in the early 1950s the Park Board cut them down, citing safety reasons. The seven stately trees became seven sad stumps—with just one western redcedar with a large burl of the originals remaining. In 1988 the Park Board planted seven young Douglas-fir trees to replace the Seven Sisters. It will take time but eventually they may rival the Seven Sisters in majestic height. The single original sister still stands, prompting Shoroplova to “return to feel the history embedded in this single sibling.”

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E. Pauline Johnson

“But in all the world there is no cathedral whose marble or onyx columns can vie with those straight, clean, brown tree-boles that team with the sap and blood of life. There is no fresco that can rival the delicacy of lace-work they have festooned between you and the far skies. No tiles, no mosaic or inlaid marbles are as fascinating as the bare, russet, fragrant floor outspreading about their feet. They are the acme of Nature’s architecture, and in building them she has outrivalled all her erstwhile conceptions. She will never originate a more faultless design, never erect a more perfect edifice. But the divinely moulded trees and the man-made cathedral have one exquisite characteristic in common. It is the atmosphere of holiness.”—E. Pauline Johnson, Legends of Vancouver, 1911.

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Prospect Point, Stanley Park, 1891 (Heritage House)

Subsequent chapters are devoted to singular trees and charming stories throughout the various gardens and paths of Stanley Park. Shoroplova brings them all to life with an animated history that weaves through the park to the present day.

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Nina Munteanu looks up at giant Douglas-fir in Lighthouse Park, BC (photo by M. Ross)

She ends on a high note for me by invoking the wisdom of UBC ecologist and forester Suzanne Simard, who parses out four simple solutions to forest managers. They include: 1) know the local region and ecology and act accordingly; 2) stop or at least curtail most logging of the old-growth forests; 3) save the legacies, the mother trees and networks so they can pass their wisdom onto the next generation of trees; 4) help regenerate the biodiversity of forest ecosystems by planting and allowing natural regeneration. “Forests aren’t just a bunch of trees competing with each other; they’re super-cooperators,” says Simard in a TED talk in June 2016. From Simard’s message I travelled to Ira Sutherland’s TEDx talk in October 2019, about the giant trees in Vancouver, which include Stanley Park; his message was also direct: 1) this is our story; and 2) Nature proves resilient.

I give Shoroplova a top score for ending her wonderful exposé on Stanley Park trees with action. Once we have connected with a forest and with a particular tree, we have walked through a door into awareness and ultimately responsibility. The wisdom and actionable message is clear. It isn’t enough to be a bystander. Just as E. Pauline Johnson raised the flag of awareness a hundred years ago for indigenous peoples and Nature by association, we must do the same. Or it will disappear. Sutherland points out that many of the sites where he has documented giant mother trees are not protected.

Bill Stephen, superintendent of urban forestry (retired), in his foreword to the book, wisely suggests how to use the book:

Read it first in a leisurely manner at home, and internalize the park’s history since its dedication in 1888. Then tuck it into your backpack and take it with you as a companion on your park wanderings. Take it on your smartphone or tablet as an ebook. Follow the maps, and use a maps app to enter the latitude/longitude coordinates of your place of interest for the day. Re-read its tales in the presence of the very trees about which it speaks, time travel with them, and return to the city with a richer sense of the connections between the trees of this great park and its human and animal actors. Then repeat…”

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North side of Sea Wall with view of north shore and Lion’s Gate Bridge, Stanley Park, BC (photo by Nina Munteanu)

References:

Johnson, E. Pauline 1911. “Legends of Vancouver.” Library of Alexandria. 196pp. E. Pauline Johnson (Takehionwake) was a daughter of a Mohawk Chief and a white mother.  She was one of Canada’s most famous performers, poet, feminist and indigenous activist of the Victorian era. Pauline Johnson documented legends, told to her by her great friend, Squamish Chief Joe Capilano, in the Vancouver newspaper, The Daily Province, and then a book, ‘Legends of Vancouver’, in print now for over 100 years.

Nombre, Antonio Donato. 2010. “The Magic of the Amazon: A river that flows invisibly all around us.” TEDx Talk, 21:27 min. November, 2010. The Amazon River is like a heart, pumping water from the seas through it, and up into the atmosphere through 600 billion trees, which act like lungs. Clouds form, rain falls and the forest thrives. In a lyrical talk, Antonio Donato Nobre talks us through the interconnected systems of this region, and how they provide environmental services to the entire world. A parable for the extraordinary symphony that is nature.

Simard, Suzanne. 2016. “How Trees Talk to Each Other.” TED Talk, 18:20 min. June, 2016. “A forest is much more than what you see,” says ecologist Suzanne Simard. Her 30 years of research in Canadian forests have led to an astounding discovery — trees talk, often and over vast distances. Learn more about the harmonious yet complicated social lives of trees and prepare to see the natural world with new eyes.

Shoroplova, Nina. 2020. “Legacy of Trees: Purposeful Wandering in Vancouver’s Stanley Park.” Heritage House Publishing Co.Ltd., Vancouver. 288pp.

Sutherland, Ira. 2019. “The Great Vancouver Forest: A Story of Place.” TEDx Talk, 21:04 min. Oct. 2019. Growing up among the tall forests near UBC, Ira Sutherland developed an appreciation and curiosity for forests early on. This talk invites his audience to explore Vancouver’s extensive forests and to hopefully see trees in a new light (for more information, see http://www.vancouversbigtrees.com)

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Waterwas released by Inanna Publications (Toronto) in June 2020.

Age of Water Podcast: Nina Reads from “Barkskins”

AoW Logo-smallWe are now living in the Age of Water. Water is the new “gold”, with individuals, corporations and countries positioning themselves around this precious resource. Water is changing everything. The Age of Water Podcastcovers anything of interest from breaking environmental news to evergreen material. This also includes human interest stories, readings of eco-literature, discussion of film and other media productions of interest.

In this episode of Age of Water, Nina reads from the novel “Barkskins” by Annie Proulx a poignant exploration of the forest industry in Canada and North America.

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Annie Proulx’s Barkskins chronicles two immigrants who arrive in Canada in 1693 (Rene Sel and Charles Duquet) and their descendants over 300 years of deforestation of North America starting with the arrival of the Europeans to contemporary global warming. “Barkskins” (woodcutters) are, in fact indentured servants who were brought from the Paris slums to the wilds of New France “to clear the land, to subdue this evil wilderness,” says their seigneur. Sel is forced to marry a native woman and their descendants live trapped between two cultures; Duquet runs away to become a fur trader and build a timber empire.

Barkskins AnnieProulxProulx immerses the reader in rich sensory detail of a place and time, equally comfortable describing a white pine stand in Michigan and logging camp in Upper Gatineau to a Mi’kmaq village on the Nova Scotia coast or the stately Boston home of Charles Duquet. The foreshadowing of doom for the magnificent forests is cast by the shadow of how settlers treat the Mi’kmaq people. The fate of the forests and the Mi’kmaq are inextricably linked through settler disrespect and a fierce hunger for “more.”

The novel rolls out events in a relentless stream of life and death; no character is safe from the ravages of nature or the notions of that time period. While most of the book flows like a great amoral river—filled with feckless, unheroic and at times miserable characters—there are moments of emotional shoring. They act like exclamation marks for their rarity.

EcologyOfStory“The reader comes to realize that the novel isn’t really about the human characters so much as it is about the forests,” Gus Powell of The National Postconcludes of Barkskins. “As [the forests] disappear, the narrative seems to recede in importance, revealing a crucial interdependence between the human and the natural world previously handled almost entirely as subtext. This is especially true in the novel’s closing, where the anger and despair that have characterized the novel shift into an outspoken environmental advocacy.”

I further explore the use of metaphor and other storytelling devices used by Annie Proulx in this strongly symbolic novel in my writing guidebook “Ecology of Story: World as Character.”

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Waterwas released by Inanna Publications (Toronto) in June 2020.

Launch of “A Diary in the Age of Water” by Nina Munteanu

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Diary Water cover finalOn June 18th, Toronto book publishing house Inanna Publications launched its second spring series and A Diary in the Age of Water, my near-future/far-future speculative fiction book was among them.

A Diary in the Age of Water follows the climate-induced journey of Earth and humanity through four generations of women, each with a unique relationship to water.

Evoking Ursula LeGuin’s unflinching humane and moral authority, Nina Munteanu takes us into the lives of four generations of women and their battles against a global giant that controls and manipulates Earth’s water. In a diary that entwines acute scientific observation with poignant personal reflection, Lynna’s story unfolds incrementally, like climate change itself. Particularly harrowing are the neighbourhood water betrayals, along with Lynna’s deliberately dehydrated appearance meant to deflect attention from her own clandestine water collection. Her estrangement from her beloved daughter, her “dark cascade” who embarks upon a deadly path of her own, is heartwrenching. Munteanu elegantly transports us between Lynna’s exuberant youth and her tormented present, between microcosm and macrocosm, linking her story and struggles – and those of her mother, daughter and granddaughter – to the life force manifest in water itself. In language both gritty and hauntingly poetic, Munteanu delivers an uncompromising warning of our future.

—Lynn Hutchinson Lee

 

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Renee Knapp and Nina Munteanu toast Inanna and all participants at the launch

A Diary in the Age of Water starts with young Kyo in the dying boreal forest of what used to be northern Canada. Kyo yearns inordinately for the Age of Water, a turbulent time of great change, before the “Water Twins” destroyed humanity. Looking for answers and plagued by vivid dreams of this holocaust, Kyo discovers the diary of Lynna, a limnologist from a time just prior to the destruction.

At the book launch, I read from Lynna’s first diary entry—in 2045. I then answered questions from audience members who came from Canada’s coast to coast:

 

What inspired you to write this book?

The Way of Water-COVERWho really… My publisher in Rome (Mincione Edizioni) had asked me for a short story on water and politics. I wanted to write about Canada and I wanted something ironic… so I chose water scarcity in Canada, a nation rich in water. “The Way of Water” (“La natura dell’acqua”) resulted, which has been reprinted in several magazines and anthologies, including Cli-Fi: Canadian Tales of Climate Change (Exile Editions), Future Fiction: New Dimensions in International Science Fiction (Future Fiction/Rosarium Publishing), Little Blue Marble Magazine, and Climate Crisis Anthology (Little Blue Marble). The story was about young Hilde—the daughter of the diarist—dying of thirst in Toronto… It begged for more … so the novel came from it…

 

Why did you choose to write your novel as a diary?

I was writing about both the far and the near future and much of it was based—like Margaret Atwood and her books—on real events and even real people. I wanted personal relevance to what’s going on, particularly with climate change.  I also wanted to achieve a gritty realism of the mundane and a diary felt right. The diarist—Lynna—is also a reclusive inexpressive character, so I thought a personal diary would help bring out her thoughts and feelings. There’s nothing like eves-dropping to make the mundane exciting.

 

If the oceans are rising because the ice caps are melting, is the ocean actually getting less salty?

The short answer is “yes.” As glaciers melt and introduce fresh water to the ocean—contributing to the rise in sea level—salinity is reduced in the surrounding sea. This has far-reaching consequences that lie beyond just rising sea levels and promise to affect all ocean life. Because freshwater is less dense than seawater—hence the saltwater wedge we experience on the lower Fraser River in Vancouver—freshwater increase in seawater will interfere with the pattern, mixing, and movement of ocean currents; this could be devastating to ocean life. The overall movement of ocean currents throughout the planet is called the Great Ocean Conveyor—or Atlantic Meridional Overturning Circulation (AMOC)—which circulates ocean water very much like in a lake, with dense water sinking beneath warmer, less salty water. As my diarist in the book writes, dumping in more and more freshwater into the ocean has slowed the sinking (and mixing) and the whole machine is slowing down. Freshwater is jamming the conveyor. If it stalls, this would unbalance the heat flux of the planet with more climate devastation.

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Sketch of Atlantic Meridional Overturning Circulation (AMOC) from “A Diary in the Age of Water” Inanna Publications (sketch by Nina Munteanu)

The main protagonist is a limnologist; so are you; is there any resemblance?

Oh yes! Well, apart from the obvious—we both chose the same scientific discipline, we have similar views on the environment and humanity’s place in it. I might even have some of her foibles…hopefully not ALL of them… But, I’d say that all good characters have a piece of ourselves in them. Some dark and some light. The resemblance is heightened because she is depicted through her diary, which adds a gritty realism and a highly personal aspect to the fiction. In truth there’s a piece of me in each of the four women depicted in the story.

 

What is happening to the water in Ontario?

Water quality in Ontario waterways has not improved in the last decade and this can be placed squarely on the shoulders of local, regional and provincial governments and their failure to legislate and act. Inaction varies from lack of regulations and policing of industry to lack of city infrastructure and lack of ecological foresight.

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Cladophora alga in Lake Ontario

Lake Ontario itself receives pollution from Chicago, Sarnia, Detroit, Cleveland, Buffalo, Hamilton and Toronto. Pollution includes agricultural runoff (such as excess nutrients and cancer-causing pesticides and herbicides), disease-carrying sewage, and hormone-disrupting storm water runoff. Nine million people rely on the lake for drinking water. Greatest threats to the lake’s health come from urban development, electricity generation, sewage, and storm water contamination. In cities with large amounts of impervious surfaces, storm water runs over pavement and parking lots, picking up oil and other pollutants before flowing into a nearby river or stream. Flash floods are often accompanied by sewage overflow, which carries numerous pathogens. In addition, storm water picks up toxic heavy metals, endocrine disrupting chemicals and pharmaceuticals. All with devastating consequences to humans, never mind aquatic life and other wildlife.

Every five years the Conservation Authority Watershed Report Cards provide an assessment of ground and surface water quality in various watersheds of Ontario. The latest one by the TRCA (Toronto and Region Conservation Authority) in 2018 gave an overall grade of “D” (unchanged from 2013). They cited storm water runoff and lack of its management improvement as the chief reason for the poor grade. Increasing chloride concentrations in the Toronto region (mostly from liberal use of road salt) poses a real problem to aquatic life.

 

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Forest swamp in Deas Park, BC (photo by Nina Munteanu)

You mentioned that each of the four generations of women have a singular relationship with water. What role does water play in the book?

Well, in some important way, water is the fifth character. You could say even the main character. Water is the theme that carries each woman on her personal journey with climate change and the devastation that occurs—through water, I might add. Climate change is a water phenomenon, after all… So, water—like place and setting—plays a subtle yet powerful role in the story, influencing each character in her own way and bringing them together in the overall journey of humanity during a time of great and catastrophic change.

 

Are there other ages/epochs?

Yes. The story begins in the far future with young Kyo during the Age of Trees, after the end of the Age of Water. It is, in fact, the end of that age as well and that is why she prepares for the Exodus to “humanity’s” new home.

All Inanna titles are 30% off with coupon code: summer20. Please also consider purchasing “A Diary in the Age of Water” from an independent bookstore this summer. Find your local bookstore: http://open-book.ca/News/Your-Community-Your-Bookstore. And here is the current map of independent bookstores that are doing curbside pick up and delivery across Canada.

 

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Surf on Hirtle Beach, NS (photo and illustration by Nina Munteanu)

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Waterwas released by Inanna Publications (Toronto) in June 2020.

 

 

 

Looking for Great Science Fiction Reading?

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Bundoran Buddies Story Bundle

While you’re self-isolating during the COVID-19 pandemic, pick up some great ebooks in this story bundle offered by Bundoran Buddies Book Bundle for the next three weeks (through to the third week in April). Then read, read, read away the pandemic. Curated by Hayden Trenholm of Bundoran Press, you can get twelve books for as little as $15USD.

Here’s what Hayden says:

OuterDiverse-front coverScience fiction is our conversation with the future. That’s the philosophy of Bundoran Press Publishing House. But how can you have a conversation without friends? Even though in the days of COVID-19, most of those conversations take place on-line or by phone, there’s never been a better time to think and talk about the future.

That’s why I’m curating this twelve-book science fiction bundle for https://storybundle.com/scifi, made up of ten novels and two short story collections from established greats and rising stars. Half of the books were published by the Press and the other six come from some fabulous authors who have been our friends and supporters for years. As always, at Story Bundle, you decide what the books are worth and a portion of the proceeds go to charity.

The Bundoran Buddies Book Bundle includes Lazarus Risen, an international collection of stories focused on longevity and immortality, including Hugo nominated author, Sean McMullen.

Award winners and nominees abound in this bundle. Hugo and Nebula award-winning author Robert J. Sawyer offers up Space: Stories, a collection of his short stories, all of them set off-world, including a Hugo finalist and two Aurora Award winners.  Aurora Award winning Edward Willett gives us a Lost in Translation that explores the necessity of understanding the other in a taut tale of interstellar negotiations.

If your taste runs to near-future, BAFTA nominee, Fiona Moore, brings us Driving Ambition, where the murder of an intelligent car launches the protagonist, a mediator between humans and artificial intelligences, on a dangerous trajectory. Or you might prefer, Madelaine Ashby’s iD, the second volume of her Machine World series which “explores the uncomfortable possibilities and limitations of love within slavery and free will under constraint (Globe and Mail).”

At the other end of the temporal spectrum, we have The Better Part of Valor, the second of the Confederation of Valor series from multi-award-winning author Tanya Huff – still producing best sellers after over two decades in the field. Duatero from Brad C. Anderson, with his first novel from from Bundoran Press, is set on a lost outpost of humanity where moral dilemmas compete with fast paced action on a plague planet.  Jennifer Rahn’s Dark Corridor gives us a fun romp in a hard science thriller that includes cyborgs, drug lords and space Vikings.

But wait, there’s more. Ryan McFadden’s hilarious and exciting The Venusian Job pits thief, Emily Van Lars, a.k.a. The Engineer, and her motley crew of mercenaries against aliens, crime lords and a deadly AI. Gerald Brandt’s The Courier, the first volume of a trilogy, is an action-packed thriller in a dystopian future, Los Angeles. Charmingly written Brendan’s Way by Matthew Bin is set entirely aboard a colony ship heading off world in a novel dubbed “Heinlein meets Marx.”

Get Rhea-HawkeGOODLast but certainly not least, Nina Munteanu’s Outer Diverse, the first volume of the Splintered Universe series, introduces Galactic Guardian Rhea Hawk, who investigates the massacre of an entire spiritual sect, catapulting her into a treacherous storm of politics, conspiracy and self-discovery.

“… a master of metaphor, Munteanu turns an adventure story into a wonderland of alien rabbit holes.”
— CRAIG H. BOWLSBY, author and creator of Commander’s Log

“An addictive start to the trilogy!”— BOOK ADDICT

“Rhea Hawke is a Galactic Guardian, and I love to say her name. Her name alone let’s you know that there is a bad ass super hero of a woman on site. I can picture her boots, her great coat, and her side arms. I want to be her when I grow up. ” — DAB OF DARKNESS

For $5USD (or more if you are feeling generous) you get four of the twelve ebooks – MOBI or ePub – and for $15 or more you unlock the remaining eight.

The initial titles in the bundle (yours for a minimum of $5) include:

  • iD by Madeline Ashby
  • Outer Diverse by Nina Munteanu
  • The Venusian Job by Ryan C. McFadden
  • Lazarus Risen edited by Hayden Trenholm and Michael Rimar

If you pay more than the bonus price of just $15, you get the remaining eight books, including:

  • Duatero by Brad C. Anderson
  • Lost in Translation by Edward Willett
  • Space: Stories by Robert J. Sawyer
  • The Courier by Gerald Brandt
  • Dark Corridor by Jennifer Rahn
  • The Better Part of Valor by Tanya Huff
  • Brendan’s Way by Matthew Bin
  • Driving Ambition by Fiona Moore

What better time to cuddle up with a dozen great books and explore the brave new worlds they present? Self-isolation will never seem so much fun.

The bundle is available for a very limited time only, via https://storybundle.com/scifi. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books, but after the three weeks are over, the bundle is gone forever!

It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

Now, go get some books and read…

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Waterwill be released by Inanna Publications (Toronto) in June 2020.

Age of Water Podcast: Nina Reads from “Water Is…”

AoW Logo-smallWe are now living in the Age of Water. Water is the new “gold”, with individuals, corporations and countries positioning themselves around this precious resource. Water is changing everything. The Age of Water Podcast covers anything of interest from breaking environmental news to evergreen material. This also includes human interest stories, readings of eco-literature, discussion of film and other media productions of interest.

In this episode of Age of Water, Nina reads from her book “Water Is…The Meaning of Water”, a celebration of the varied faces of water and what they mean to us.

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Water is emerging as one of the single most important resources of Planet Earth. Already scarce in some areas, it has become the new “gold” to be bought, traded, coveted, cherished, hoarded, and abused worldwide. It is currently traded on the Stock Exchange…

Water Is-COVER-webNina Munteanu’s Water Is…”represents the culmination of over twenty-five years of dedication as limnologist and aquatic ecologist in the study of water. As a research scientist and environmental consultant, Nina studied water’s role in energizing and maintaining the biomes, ecosystems, and communities of our precious planet.

During her consulting career for industry and government, Nina discovered a great disparity between humanity’s use, appreciation and understanding of water. This set in motion a quest to further explore our most incredible yet largely misunderstood and undervalued substance. Part history, part science and part philosophy and spirituality, Water Is…” combines personal journey with scientific discovery that explores water’s many “identities” and ultimately our own.

 

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Nina Munteanu kayaks in Desolation Sound off coast of British Columbia (photo by H. Klassen)

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Waterwill be released by Inanna Publications (Toronto) in June 2020.