On Being a Canadian in The Age of Water

Do I contradict myself? Very well, then I contradict myself; I am large, I contain multitudes.”—Walt Whitman

nina-child01I was born on this day, some sixty+ years ago, in the small town of Granby in the Eastern Townships to German-Romanian parents. Besides its zoo—which my brother, sister and I used to visit to collect bottles for a finder’s fee at the local treat shop—the town had no particular features. It typified French-Canada of that era.

So did I.

I went to school in Quebec then migrated across to the west coast to practice and teach limnology. Given that Canada holds a fifth of the Earth’s freshwater, that also made sense.

 

muskeg-northern Quebec

muskeg in northern Quebec

Canada is a vast country with a climate and environment that spans from the boreal forests of the Canadian Shield, muskegs of northern BC, and tundras of the Arctic Circle to the grasslands of the Prairies and southern woodlands of Ontario and Quebec. Canada’s environment is vast and diverse. Like its people.

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Nina and son Kevin explore Nature

In December of 2017 I participated in a discussion on the subject and role of water in literature in Toronto. I came to the event as a limnologist/ecologist, mother and environmentalist prepared to share how water—its meaning and our relationship with it—is used in my writing and how writing about water can help nurture a future of awareness and action.

But, as the discussion slid into the slippery subject of colonialism, I made the apparent mistake of sharing that—as a Canadian—I was proud of Canada. I was later schooled that “celebrating the nation” was considered anathema to an audience with strong anti-colonialist sentiments and a hatred for neoliberalist corporate Canada (something I share but do not obsess over); I’d obviously crossed some invisible line and I made a mental note to better assess my audience in future).

I also got to thinking about what it means for me to be a Canadian and what my pride in Canada really means. Was I being a “white-toast” nationalist in sharing a pride in my country?

Ecologist vs Nationalist

Ecology is the study of “home” (oikos means ‘home’ in Greek). Ecology studies the relationships that make one’s home functional. It is, in my opinion, the most holistic and natural way to assess where we live. My home is currently Toronto, Ontario, Canada and ultimately the planet Earth.

Country_road_Stephane_Lemire

country road in Eastern Townships of Quebec

Growing up in the Eastern Townships of Quebec, I’d always felt an abiding sense of belonging and I resonated with Canada’s national symbols—mostly based on Nature and found on our currency, our flag, and various sovereign images: the loon, the beaver, the maple tree, our mountains and lakes and boreal forests. Why not? Over 80% of Canada lies in the boreal zone with much of that boreal forest and wilderness (that’s some 552 million hectares). Canadians are custodians of a quarter of the world’s wetlands, longest river systems and most expansive lakes. Most of us recognize this; many of us live, play and work in or near these natural environments.

I have long considered myself a global citizen with no political ties. I saw my country through the lens of an ecologist—I assessed my community and my surroundings in terms of ecosystems that supported all life, not just humanity. Was a community looking after its trees? Was my family recycling? Was a corporation using ‘green’ technology? Was a municipality daylighting its streams and recognizing important riparian zones? I joined environmental movements when I was a teenager. I shifted my studies from art to science because I wanted to make a difference in how we treated our environment. After university, I joined an environmental consulting firm, hoping to educate corporations and individuals as environmental stewards. I brought that philosophy into a teaching career and began writing eco-fiction, science fiction and essays to help promote an awareness and a connection with our natural world. My hope was to illuminate how important Nature and water is to our planet and to our own well-being through an understanding of ecology and how everything is interconnected.

US-tour and Desolation Sound 260 copy

Nina kayaking in Desolation Sound, British Columbia

Merriam-Webster defines “nationalism” as: “loyalty and devotion to a nation, especially a sense of national consciousness.” This is not the same as patriotism. Nor does it describe what many think of the word, which is an extreme form of nationalism, in which one nation is exalted above all others (I can think of one nation that is overtly doing that now) and placing primary emphasis on promoting its culture and interests over others—often through isolationism, xenophobia, chauvinism and jingoism. When I think of Canada, I think of my “home”, where I live; my community and my environment. I have traveled the world and I feel a strong sense of “home” and belonging every time I return. Canada is my home. I was born and grew up in Quebec. I lived in British Columbia, Ontario, and Nova Scotia; each of these places engendered a feeling of “home”. If a strong sense of “home” and belonging is nationalistic, then that is what I am.

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The Dory Shop in Lunenburg, Nova Scotia

Or am I something else? Perhaps, we need to redefine our sense of belonging (and pride) in a country that is not tied to some core political identity or melting-pot mainstream. Historian and writer Charlotte Gray wrote:

“we live in a country that has a weak national culture and strong regional identities …Two brands of psychological glue bind Canada together: political culture and love of landscape…[in] a loose federation perched on a magnificent and inhospitable landscape—[we are] a nation that sees survival as a collective enterprise.”—Charlotte Gray

Canada as Postnational State

Trudeau-RollingStone

Justin Trudeau on the cover of “Rolling Stone”

In October 2015, Canada’s Prime Minister Justin Trudeau told the New York Times that Canada may be the “first postnational state,” adding that “there is no core identity, no mainstream in Canada.” This is largely because Canadians, writes Charles Forman in the Guardian, are “philosophically predisposed to an openness that others find bewildering, even reckless.”

To anyone but a Canadian, Trudeau’s remark would rankle, particularly in a time when many western countries are fearfully and angrily turning against immigration through nativism and exclusionary narratives. A time when the United States elected an authoritarian intent on making “America great again” by building walls. A time when populist right-wing political parties hostile to diversity are gaining momentum in other parts of the world. “Canada’s almost cheerful commitment to inclusion might at first appear almost naive,” writes Forman. It isn’t, he adds. There are practical reasons for keeping our doors open.

We are who we are because of what we are: a vast country the size of Europe. A country dominated by boreal forest, a vital and diverse wilderness that helps maintain the well-being of our entire planet. A land that encompasses over a fifth of the freshwater in the world, and a quarter of the world’s wetlands. Canadians are ultimately the world’s Natural stewards. That is who and what we are.

According to Forman, postnationalism frames how “to understand our ongoing experiment in filling a vast yet unified geographic space with the diversity of the world” and a “half-century old intellectual project, born of the country’s awakening from colonial slumber.” As the first Europeans arrived in North America, the Indigenous people welcomed them, taught them how to survive and thrive amid multiple identities and allegiances, writes Forman. “That welcome was often betrayed, particularly in the 19th and 20th centuries, when settlers did profound harm to Indigenous people.” But, says Forman, if the imbalance remains, so does the influence: a model of another way of belonging. One I think many Canadians are embracing. We are learning from the natural wisdom of our Indigenous peoples. Even our fiction reflects how we value our environment and embrace diversity. “Diversity fuels, not undermines, prosperity,” writes Forman.

naturalselectionAs efforts are made to reconcile the previous wrongs to Indigenous peoples within Canada and as empowering stories about environment are created and shared, Canada carries on the open and welcoming nature of our Indigenous peoples in encouraging immigration. In 2016, the same year the American government announced a ban on refugees, Canada took in 300,000 immigrants, which included 48,000 refuges. Canada encourages citizenship and around 85% of permanent residents typically become citizens. Greater Toronto is currently the most diverse city in the world; half of its residents were born outside the country. Vancouver, Calgary, Ottawa and Montreal are not far behind.

Canadian author and visionary Marshal McLuhan wrote in 1963 that, “Canada is the only country in the world that knows how to live without an identity.” This is an incredible accomplishment, particularly given our own colonial history and the current jingoistic influence of the behemoth south of us.

The Way of Water-COVERWriter and essayist Ralston Saul suggests that Canada has taken to heart the Indigenous concept of ‘welcome’ to provide, “Space for multiple identities and multiple loyalties…[based on] an idea of belonging which is comfortable with contradictions.” Of this Forman writes:

“According to poet and scholar BW Powe, McLuhan saw in Canada the raw materials for a dynamic new conception of nationhood, one unshackled from the state’s ‘demarcated borderlines and walls, its connection to blood and soil,’ its obsession with ‘cohesion based on a melting pot, on nativist fervor, the idea of the promised land’. Instead, the weakness of the established Canadian identity encouraged a plurality of them—not to mention a healthy flexibility and receptivity to change. Once Canada moved away from privileging denizens of the former empire to practicing multiculturalism, it could become a place where ‘many faiths and histories and visions would co-exist.”

Water Is-COVER-webAnd that’s exactly what is happening. We are not a “melting pot” stew of mashed up cultures absorbed into a greater homogeneity of nationalism, no longer recognizable for their unique qualities. Canada isn’t trying to “make Canada great again.” Canada is a true multi-cultural nation that celebrates its diversity: the wholes that make up the wholes.

Confident and comfortable with our ‘incomplete identity’—recognizing it for what it is—is  according to Forman, “a positive, a spur to move forward without spilling blood, to keep thinking and evolving—perhaps, in the end, simply to respond to newness without fear.”

This resonates with me as an ecologist. What I envision is a Canada transcending the political to embrace the environment that both defines us and provides us with our very lives; a view that knows no boundaries, and recognizes the importance of diversity, relationship and inclusion, interaction, movement, and discovery.

 

PolarBearMum-pupsSo, am I still proud of Canada? Definitely. We have much to be proud of. We live in one of the wealthiest countries in the world and the 8th highest ranking in the Human Development Index. Canada ranks among the highest in international measurements of government transparency, civil liberties, quality of life, economic freedom, and education. It stands among the world’s most educated countries—ranking first worldwide in the number of adults having tertiary education with 51% of adults holding at least an undergraduate college or university degree. With two official languages, Canada practices an open cultural pluralism toward creating a cultural mosaic of racial, religious and cultural practices. Canada’s symbols are influenced by natural, historical and Aboriginal sources. Prominent symbols include the maple leaf, the beaver, Canada Goose, Common Loon, the Royal Canadian Mounted Police, the polar bear, the totem pole, and Inuksuk.

WaterAnthology-RealitySkimmingPressWe are a northern country with a healthy awareness of our environment—our weather, climate and natural world. This awareness—particularly of climate change—is more and more being reflected in our literature—from Margaret Atwood’s “Maddaddam” trilogy and Kim Stanley Robinson’s “New York 2140” to my own book “Water Is…”. Canadians are writing more eco-fiction, climate fiction, and fiction in which environment somehow plays a key role. Water has become one of those key players: I recently was editor of the Reality Skimming Press anthology “Water”, a collection of six speculative Canadian stories that explore near-future scenarios with water as principle agent.

In a recent interview with Mary Woodbury on Eco-Fiction, I reflected on a trend over the years that I noticed in the science fiction writing course I teach at George Brown College: “It’s a workshop-style course I teach and students are encouraged to bring in their current work in progress. More and more students are bringing in a WIP with strong ecological overtones. I’d say the percentage now is over 70%. This is definitely coming from the students—it’s before I even open my mouth about ecology and eco-fiction—and what it suggests to me is that the welfare of our planet and our ecosystems is on many people’s minds and this is coming through in our most metaphoric writing: science fiction.”

It is healthy to celebrate our accomplishments while remembering where we came from and what we still need to accomplish. This provides direction and motivation.

 

References:

Dechene, Paul. 2015. “Sci-Fi Writers Discuss Climate Catastrophe: Nina Munteanu, Author of Darwin’s Paradox.” Prairie Dog, December 11, 2015.

Forman, Charles. 2017. “The Canada Experiment: Is this the World’s First Postnational Country?” The Guardian, January 4, 2017.

Gray, Charlotte. 2017. “Heroes and Symbols” The Globe and Mail.

Moorhouse, Emilie. 2018. “New ‘cli-fi’ anthology brings Canadian visions of future climate crisis.” National Observer, March 9, 2018.

forest path neat lightMunteanu, Nina. 2016. “Crossing into the Ecotone to Write Meaningful Eco-Fiction.” In: NinaMunteanu.me, December 18, 2016.

Newman-Stille, Derek. 2017. “The Climate Around Eco-Fiction.” In: Speculating Canada, May 24, 2017.

Woodbury, Mary. 2016. “Part XV. Women Working in Nature and the Arts: Interview with Nina Munteanu, Ecologist and Author.” Eco-Fiction.com, October 31, 2016.

 

nina-2014aaaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s recent book is the bilingual “La natura dell’acqua / The Way of Water” (Mincione Edizioni, Rome). Her latest “Water Is…” is currently an Amazon Bestseller and NY Times ‘year in reading’ choice of Margaret Atwood.

Nina Munteanu Interviewed on Splintered Universe Trilogy

I was recently interviewed by writer Simon Rose on my space detective thriller trilogy Splintered Universe, now available in all three formats: print, ebook, and audiobook. 

 

Below is the interview:

My guest today is Nina Munteanu, author of science fiction and fantasy novels, non-fiction books and essays on writing and science. Her latest in a series of prolific works is the recent completion of the audiobook of her science fiction space-thriller trilogy, Splintered Universe.

Can you tell us a little about the Splintered Universe Trilogy?

OuterDiverse-cover-web copy

Book 1 of Splintered Universe

The Splintered Universe Trilogy is a detective mystery-thriller that explores metaphysical and existential questions through a high-test space adventure. The three books include Outer Diverse, Inner Diverse and Metaverse.

The main character Rhea Hawke is a Galactic Guardian and the only human in an otherwise alien race of 7-foot tall purple-skinned Eosians—who she actually despises (for reasons you find out later). She’s a loner and a misfit in an elite police force tasked with keeping order in the galaxy; Rhea’s unruly tactics grate on them—particularly her boss. In Outer Diverse, Rhea investigates the genocide of an entire spiritual sect; but instead she kills her only lead.

Following the scent of Glitter Dust, Rhea connects the massacre to the murders of several prominent galactic citizens and finally to the deadly Vos, who invaded our galaxy, then disappeared. She realizes that the Vos have quietly returned, infiltrating every aspect of the civilized world—with dark menace in mind. But no one believes her—particularly her boss, who fires her instead for incompetence: badge, Great Coat and MEC weapon confiscated and her sentient ship Benny put in storage. Compelled by an urgency she herself doesn’t understand, she goes rogue and enlists the aid of surprising allies to save the galaxy.

You mention that Splintered Universe explores issues of existentialism and metaphysics. Can you speak to them?

 

Inner-diverse-front-cover-WEB copy

Book 2 of Splintered Universe

The Splintered Universe Trilogy explores the fractal fabric of paradox, where the flow of particle, energy, wave and intention embrace: black holes, quasars, neutrinos, intuition, déjà vu, clairvoyance, altruism, faith…

The prediction by Gnostic priest Raphael Martinez (The coming of the Suntelia Aeon will be signified by the joining of twin souls) weaves many disparate threads of existence to Atlantis and the Eosian alien race (who resemble the Bible’s Nephilim), the sacred vishna tree (part of L’Ordre de l’Arbre Sacré in Quebec) and the precious mythical metal Orichalcum used by the Eosians. The prediction ties to an ancient knowledge that describes our very existence through déjà vu, synchronicity, sacred geometry, phi and the golden mean and the notion that “diverses” are mirror universes linked through dreams. The key is Rhea herself—who discovers that she is not who or what she thinks.

You’re a bit known for your world building. Tell us a little about that in this trilogy.

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Book 3 of Splintered Universe

I’m an ecologist, so world building with realistic ecosystems is more than fun for me. I enjoy doing the research to create realistic and meaningful worlds. I consulted authorities in the areas of space exploration and habitable zones, AI, biotechnology, sleep biology, neuroscience, and ecology to design alien worlds and systems, populated with extremophiles.

In her pursuit of justice, Rhea travels to all parts of the galaxy and encounters some very strange worlds. In Book 1, Rhea pursues dust trafficker V’mer to the sulphurous AI-run water planet (Mar Delena), located inside the hole of the gaseous “donut” of Fomalhaut; it’s always raining acid. That’s where Book 1 starts: acid rain painfully spattering Rhea’s face as she lies injured and waiting to be dusted (with a lethal dose) by V’mer, surrounded by the oily fur-covered rodent-like Delenians—all dust addicts.

Rhea almost drowns in a high-speed skipboat chase of the murderer of a spiritual sect on the icy moon, Uma 1, (orbiting 47 Uma b of 47 Ursae Majoris b). The moon is mostly ocean beneath a thick layer of ice with thermal vents that provide the inhabitants—a spiritual sect called the Schiss—a home.

NinaMunteanuHalfPage-AD-Astra47 Uma a (also called Horus) was colonized in ancient times by the Khonsus, a raptor-like biped race with mind-probing capability. It is also the home of the ancient migrating trees, ammuts (giant flying insects), and the weeping mountains with their narcotic boiling seas used by the giant apophus to attack and set its millions of babies to devour Rhea in Book 1.

Virgil 9 is a tidally locked moon that orbits the gas giant 70 Virginis b; day and night last for weeks while water swings the extreme from deluge flood to desert conditions. In Virgil City, Rhea does commerce with information broker Shlsh Shle She, a moody amoeba-like photosynthetic Ngu who is just a pseudopod of a larger hive-entity.

Sekmet is a bog planet, where the raw materials of dust are harvested by the Rill, bulbous short smelly bog creatures with tube eyes, webbed limbs and large sexual organs; and who Rhea pretty much wipes out with her MEC weapon. Sekmet is also the location of a galactic penal colony (Hades) where Rhea is sent in Book 2. When she tries to escape, she must contend with other native creatures of Sekmet such as the giant crocodile-like sobeks and the terrifying kepry—giant flying crustaceans.

In Book 3, Rhea returns to Earth, transformed by Eosian settlers from its former polluted state dominated by urban concrete cities to an entirely natural world, now unpolluted and featuring the ancient purple vishna tree and a crystal symbiotic organic technology.

 

Rhea on Iota Hor

Rhea on Iota Hor b

Worlds always have cool bling associated with them. What technologies or devices are featured in Splintered Universe?

I created an entire fleet of ships, all run on various technologies, from crystals, to wave-energy to dreams. That was fun to create. Two main ship builders include: Zeta Corp from Earth and Tangent Shipping run by the Fauche from Sigma Draconis. Rhea’s own ship, Benny, is an old ray class Fauche-built corvette, a two-man hybrid organic/nano-tech vehicle with folding wings and fuel scoops (so it can mine energy fuel from gas giants). Benny is a sentient ship that jacks the particle-stream and with whom Rhea has an interesting relationship. The ship serves essentially as butler, administrator, companion, and rescuer.

I also created a wide range of weapons, based on which alien race created them and for what purpose. Rhea gained some notoriety with her own created weapon, the MEC (short for Magnetic-Electro Concussion) pistol, a versatile wave-weapon that can target DNA signatures and do almost anything you want with a single sweep. Her proprietary MEC design is coveted by many groups—from shady crime syndicates such as Eclipse to her own Guardians.

I hear that the last audiobook (the third book) in the trilogy is finally out this January. That means that all three books of the Splintered Universe are now available in print, ebook and audiobook format. How does it feel to have a trilogy available in three complete formats?

It feels great! I’m so excited that readers can now obtain my trilogy in those different ways. It speaks to our different ways of consuming story. Some prefer to settle back by the fire or our favourite place to read with a “real” book; others like a mobile ebook so we can read while we travel and play; and then some like to lean back in the car and listen to a great story.

What was your experience with the narrator of the three books?

Dawn-Harvey

Dawn Harvey of “Dawn of Voice”

The experience was truly cosmic. When Iambik took on the books as audiobooks, they provided me with three voice artists to audition. I chose Dawn Harvey because I could visualize my main character through her voice, and given that the entire trilogy is told in the first person, the narrator’s voice had to be just right. Dawn’s voice is dark and sultry like coffee. It is sexy and irreverent with a hidden vulnerability and sensitivity that perfectly captured the main character Rhea Hawke. What I didn’t realize then was how well Harvey would represent the 30-odd other characters, mostly aliens—one who spoke through several mouths.

OuterDiverse-audiobook-Iambik

Audiobook of Outer Diverse

Working with Dawn was a pleasure. Dawn is a dedicated professional; she created unique and consistent voices for the book’s thirty-odd mostly alien characters. She ensured that each character had the appropriate vernacular, tone, accent and cadence. Then she did proofs and confirmed them with me. She also tackled the “alien” vocabulary; Rhea’s universe is full of strange and foreign terms (I have a comprehensive glossary at the back of each book). Dawn sent me a list to make sure she was pronouncing everything correctly—mostly made-up words. Dawn is a professional dedicated to her craft and her art. She literally breathed life into Rhea Hawke and all the other characters. The result is three audiobooks that will blow your socks off. I mean it. If you like audiobooks, get the first one and tell me different. When I first listened to Outer Diverse in the car on my way to Nova Scotia, I lost myself in her storytelling and forgot that I’d written it.

Where can people find the Splintered Universe Trilogy?

The best place, of course is Amazon (Amazon.ca or Amazon.com). All three formats are available through Amazon. The Audiobooks are currently available for free through Audible on Amazon. The books are also available through Barnes & Noble, Chapters/Indigo, Kobo, and many other book selling sites and brick and mortar stores.

When you’re not writing what do you do?

These days I’m mostly on the University of Toronto campus, teaching health science and engineering students how to write. When the students find out that I write science fiction, they get all excited. It’s a lot of fun. I also teach a science fiction writing coarse at George Brown College. When I’m not teaching or writing, I’m doing something in Nature, usually by the water. I’ve always had an interest in water. I studied and researched freshwater ecology as a limnologist for three decades. I’m a bit of an environmentalist these days, hoping to raise awareness and action for water. My latest novel—hopefully coming out next year—arose from my nature walks and my research in water. The story chronicles the lives of four generations of women and their relationship with water.

TALKING-AUDIOBOOKS2 copyYou can also listen to the Podcast interview of Dawn Harvey and Nina Munteanu by Casey Trowbridge of Talking Audiobooks on the process of their collaboration. Learn more about the process between writer and voice artist narrator:

The trilogy has received a fair bit of acclaim from reviewers and readers:

Martha’s Bookshelf
Speculating Canada
Dab of Darkness
Goodreads
Amazon
Amazon Canada

“Rhea Hawke is a Galactic Guardian, and I love to say her name. Her name alone let’s you know that there is a bad ass super hero of a woman on site. I can picture her boots, her great coat, and her side arms. I want to be her when I grow up. Obviously, you can tell I developed some hero worship for her by the end of this book. I really got wrapped up in this novel.”–Goodreads Review of Outer Diverse

 

“Ms. Harvey manages to enthuse the personality of the characters into each voice. The wise, gentle Ka has a soft, strong sound that reminds you of a wise old bird. Shlsh She She, a slippery, slimy creature has a slurry, garbled voice like a mouthful of mushy, wet food. Dawn’s reading conveys the loneliness in Rhea, the sexiness of Serge, the frustrated friendliness of Bas, and the faithful coziness of Benny. She is able to bring emphasis to the action or romance, weariness or fear elements of the story. The narration never takes over the story; but rather enhances it.”–Martha’s Bookshelf on Outer Diverse Audiobook

The excellent cover art for all three books is done by Toronto graphic artist and SF author Costi Gurgu (author of RecipeArium). People keep asking me who the model for the covers is; you’ll have to corner Costi at the next spec fiction con and ask him yourself.

nina-2014aaaNina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.

 

 

 

Fingal’s Cave by Nina Munteanu

FingalsCave-MeganSurvivalAfter she and fellow colonists crash land on the hostile jungle planet of Mega, rebel-scientist Izumi, widower and hermit, boldly sets out against orders on a hunch that may ultimately save her fellow survivors—but may also risk all. As the other colonists take stock, Izumi—obsessed with discovery and the need to save lives—plunges into the dangerous forest, which harbors answers, not only to their freshwater problem, but ultimately to the nature of the universe itself. Mega was a goldilocks planet—it had saltwater and supported life—but the planet also possessed magnetic-electro-gravitational anomalies and a gravitational field that didn’t match its size and mass. The synchronous dance of its global electromagnetic field suggested self-organization to Izumi, who slowly pieced together Mega’s secrets: from its “honeycomb” pools to the six-legged uber-predators and jungle infrasounds—somehow all connected to the water. Still haunted by the meaningless death of her family back on Mars, Izumi’s intrepid search for life becomes a metaphoric and existential journey of the heart that explores how we connect and communicate—with one another and the universe—a journey intimately connected with water.

Megan coverFingal’s Cave by Nina Munteanu is the first story in the Megan Survival Anthology by Reality Skimming Press. The story is available as an ebook here. The print anthology is available here.

Nina was interviewed by Ellen Mitchell of Reality Skimming Press on writing Fingal’s Cave.

On the connection between ecology and science fiction, Nina says:

The science of ecology studies relationships. It looks at how things relate to one another. Ecology is the study of communities and ecosystems and how these interact—often in a global setting. Science fiction writing explores the interaction of humanity with some larger phenomenon involving science. Robert J. Sawyer calls it the fiction of the large. Large ideas, large circumstance, large impact. Both ecology and science fiction explore consequence in a big way. Ecology—like “setting” and “world”—manifests and integrates in story theme more than some of the hard sciences, which may contribute more to a story’s premise or plot. This is because, while most sciences study the nature and behaviour of “phenomena”, ecology examines the consequences of the relationship of these phenomena and the impact of their behaviours on each other and the rest of the world. It is in this arena that science fiction becomes great: when it explores relationship and consequence.

On the significance and importance of optimism in science fiction, Nina says:

Optimistic SF is the antithesis of pointless SF. The reason I define it that way is because I believe many would box the term too tightly, equating it to “happy ending” or the equivalent of “and they all lived happily ever after.” Others may even include a certain requisite language and tone, and subject matter that must be excluded to make it optimistic.

For me, it is enough that the story resolves and has a point to it; that the reader is able—even if the hero isn’t—to see a way out into the light. The story itself need not be “optimistic”; but the reader is fulfilled somehow. I suppose one could elucidate Optimistic SF through the “Hero’s Journey Myth”, a plot approach that describes the metaphoric journey of a character or set of characters toward some destiny that involves change and learning. Ultimately, for a story to be worthwhile, it must have a point to it. Otherwise, it’s just “reality TV”.

You can read the entire interview with Nina Munteanu by Ellen Mitchell of Reality Skimming Press here.

fingalsCaveFingal’s Cave is a sea cave on the uninhabited island of Staffa in the Inner Hebrides of Scotland. The cave is formed entirely from hexagonally jointed basalt columns in a Paleocene lava flow (similar to the Giant’s Causeway in Northern Ireland). Its entrance is a large archway filled by the sea. The eerie sounds made by the echoes of waves in the cave, give it the atmosphere of a natural cathedral. Known for its natural acoustics, the cave is named after the hero of an epic poem by 18th century Scots poet-historian James Macpherson. Fingal means “white stranger”.

 

Nina MunteanuNina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.

 

“Water” a Speculative Fiction Anthology by Reality Skimming Press

WaterAnthology-RealitySkimmingPressIn December 2017, “Water”, the first of Reality Skimming Press’s Optimistic Sci-Fi Series was released in Vancouver, BC. I was invited to be one of the editors for the anthology, given my passion for and experience with water.

This is how Reality Skimming Press introduces the series:

Reality Skimming Press strives to see the light in the dark world we live in, so we bring to you the optimistic science fiction anthology series. Water is the first book in the series, and is edited by author and scientist Nina Munteanu. Six authors thought optimistically about what Earth will be like in terms of water in the near future and provide us with stories on that theme. Step into the light and muse with us about the world of water.

Editing “Water” was a remarkable experience, best described in my Foreword to the anthology:

LyndaWilliams

Lynda Williams

This anthology started for me in Summer of 2015, when Lynda Williams (publisher of RSP) and I were sitting on the patio of Sharky’s Restaurant in Ladner, BC, overlooking the mouth of the Fraser River. As we drank Schofferhoffers over salmon burgers, Lynda lamented that while the speculative / science fiction genre has gained a literary presence, this has been at some expense. Much of the current zeitgeist of this genre in Canada tends toward depressing, “self-interested cynicism and extended analogies to drug addiction as a means of coping with reality,” Lynda remarked.

Nina-Sharkys

lunch at Sharky’s

Where was the optimism and associated hope for a future? I brought up the “hero’s journey” and its role in meaningful story. One of the reasons this ancient plot approach, based on the hero journey myth, is so popular is that its proper use ensures meaning in story. This is not to say that tragedy is not a powerful and useful story trope; so long as hope for someone—even if just the reader—is generated. Lynda and I concluded that the science fiction genre could use more optimism. Reality Skimming Press is the result of that need and I am glad of it.

Megan coverIn the years that followed, Reality Skimming Press published several works, including the “Megan Survival” Anthology for which I wrote a short story, “Fingal’s Cave”. It would be one of several works that I produced on the topic of water.

As a limnologist (freshwater scientist), I am fascinated by water’s anomalous and life-giving properties and how this still little understood substance underlies our lives in so many ways. We—like the planet—are over 70% water. Water dominates the chemical composition of all organisms and is considered by many to be the most important substance in the world. The water cycle drives every process on Earth from the movement of cells to climate change. Water is a curious gestalt of magic and paradox, cutting recursive patterns of creative destruction through the landscape. It changes, yet stays the same, shifting its face with the climate. It wanders the earth like a gypsy, stealing from where it is needed and giving whimsically where it isn’t wanted; aggressive yet yielding. Life-giving yet dangerous. Water is a force of global change, ultimately testing our compassion and wisdom as participants on a grand journey.

When Reality Skimming invited me to be editor of their first anthology in their hard science optimistic series, and that it would be about water, I was delighted and excited.

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Illustration by Digbejoy Gosh for Bruce Meyer’s “The River Tax”

The six short stories captured here flow through exotic landscapes, at once eerie and beautiful. Each story uniquely explores water and our relationship with its profound and magical properties:  melting glaciers in Canada’s north; water’s computing properties and weather control; water as fury and the metaphoric deluge of flood; mining space ice from a nearby comet; water as shapeshifter and echoes of “polywater”. From climate fiction to literary speculative fiction; from the fantastic to the purest of science fiction and a hint of horror—these stories explore individual choices and the triumph of human imagination in the presence of adversity.

I invite you to wade in and experience the surging spirit of humanity toward hopeful shores.

Nina Munteanu, M. Sc., R.P.Bio.
Author of Water Is…
October, 2017
Toronto, Canada

WaterBooks2

My desk with copies of “Water” among my current books to read…

The anthology features the art work of Digbejoy Ghosh (both cover and interior for each story) and stories by:

Holly Schofield
Michelle Goddard
Bruce Meyer
Robert Dawson
A.A. Jankiewicz
Costi Gurgu

You can buy a copy on Amazon.ca or through the publisher.

nina-2014aaaNina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.

 

 

 

 

 

Publishers Weekly Praises Cli-Fi: Canadian Tales of Climate Change & “The Way of Water”

Publishers Weekly writes:

cli-fi-exile anthology2017“In his introduction to this all-original set of (at times barely) futuristic tales, Meyer warns readers, “[The] imaginings of today could well become the cold, hard facts of tomorrow.” Meyer (Testing the Elements) has gathered an eclectic variety of eco-fictions from some of Canada’s top genre writers, each of which, he writes, reminds readers that “the world is speaking to us and that it is our duty, if not a covenant, to listen to what it has to say.” In these pages, scientists work desperately against human ignorance, pockets of civilization fight to balance morality and survival, and corporations cruelly control access to basic needs such as water. The most affecting tale, Wendy Bone’s “Abdul,” is also the least futuristic, an emotional story that touchingly contrasts Western guilt against the life of a captive orangutan. The anthology may be inescapably dark, but it is a necessary read, a clarion call to take action rather than, as a character in Seán Virgo’s “My Atlantis” describes it, “waiting unknowingly for the plague, the hive collapse, the entropic thunderbolt.” Luckily, it’s also vastly entertaining. It appears there’s nothing like catastrophe to bring the best out in authors in describing the worst of humankind.”

My story The Way of Water is one of 17 stories in Exile’s anthology, published in May 2017. It was originally published in English and Italian [La natura dell’acqua] by Mincione Edizioni [print] and Future Fiction [ebook] in Rome in early 2016. The Way of Water is a near-future vision that explores the nuances of corporate and government corruption and deceit together with resource warfare. An ecologist and technologist, Nina Munteanu uses both fiction and non-fiction to examine our humanity in the face of climate change and our changing relationship with technology and Nature … through water.

la natura dell'acquaShe imagines its coolness gliding down her throat. Wet with a lingering aftertaste of fish and mud. She imagines its deep voice resonating through her in primal notes; echoes from when the dinosaurs quenched their throats in the Triassic swamps.

Water is a shape shifter.

It changes yet stays the same, shifting its face with the climate. It wanders the earth like a gypsy, stealing from where it is needed and giving whimsically where it isn’t wanted.

Dizzy and shivering in the blistering heat, Hilda shuffles forward with the snaking line of people in the dusty square in front of University College where her mother used to teach. The sun beats down, crawling on her skin like an insect. She’s been standing for an hour in the queue for the public water tap.

The Way of Water takes place in Toronto, Ontario in Canada, mostly on or near the campus of the University of Toronto.

In The Way of Water, Nina Munteanu pens her love letter to water, exulting it as a liquid that has semi-magical properties. Munteanu recognizes the chimerical quality of water, its unique ability to shift and change, to purify and taint, and the incredible way that it makes up most of our body mass and therefore shapes us as well.

nina-TV-nov2015A limnologist (lake ecosystem biologist) by trade, Munteanu recognizes the incredible way that water shapes life and brings attention to the fact that water connects us to each other just as water connects with other water, forming bonds. She evokes in the reader a sense of reverence for water and an awareness that the same water that flows through our bodies have flowed through the bodies of our ancestors, cycling through life since the first life forms coalesced.

In recognizing the preciousness of water, she also recognizes its precarity and the danger that capitalist systems pose when they lay claim to water and seek to own it. “The Way of Water” evokes a sense of awareness about issues of access to water and about the dangers of imbalances in that access.”—Derek Newman-Stille, Speculating Canada

 

book-patio2 copy“Water covers every aspect of this science fiction story that pits the vulnerable citizen against the evil multinational corporation in a dystopian Canada sometime in our future. Water is presented in its multiplicity of facets: in the science behind its composition, in its history, in it’s symbolic nature and different physical states; water is a giver and taker of life, and is the form in which the friendship of protagonists Hilda and Hanna functions. Water is also magic and the ultimate righter of wrongs committed to it and to a humanity it gives life to. Within this framework, Munteanu spins a thought-provoking tale that projects where our headlong pursuit of profit may one day lead us to, and how nature will ultimately, with a little human coaxing, be the only one to correct the balance.”—Shane Joseph, Canadian author of Fringe Dwellers

“Nina Munteanu with The Way of Water suggests that this element is also a form of laNaturaDell'Acqua-coverlove; a story to read, not only to deal with the possible but, above all, to understand that the time still available for “love” might be less than what you believe.”—Simone Casavecchia, SoloLibri.net (read the original Italian review here)

The Way of Water is a story of the kind you hope is science fiction but you fear is not.”—Massimo Luciani, NetMassimo (read the original Italian review here)

 

 

nina-2014aaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.

 

The Fifteenth International Writers’ and Artists’ Festival / Le XVe Festival International des écrivains et artistes–Quebec

best best group shotOn Friday, June 9th, I drove with friend, songwriter and poet Honey Novick, to the 15th International Writers’ and Artists’ Festival in Val-David, Quebec (June 10th and 11th, 2017). Celebrated artists, poets, writers and singers with an international heritage that included France, Chile, Argentina, Romania, Canada and the USA would congregate at the festival, set in a large house nestled deep in the Maple Laurentian forest.

The mixed Laurentian forest is called the “eastern forest-boreal transition” and includes a varied tapestry of broadleaf (aspen, oak, paper birch, mountain ash and maple) and conifer (pine, spruce and fir) trees.

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Nina Munteanu

When we reached our destination—a large three-story house surrounded by forest—I took in the aroma of fresh pine and “sweet fern” and spotted Bunchberry (soon to be designated Canada’s national flower), forget-me-nots and lupine carpeting the ground near the house. A young deer, foraging on a shrub’s new leaves beside the house, glanced at us without fear then slipped back into the forest.

I thought the setting ideal for an international festival celebrating the expression of the arts. I was scheduled to talk about my latest book Water Is…”, a personal and scientific journey with water, and to give a lecture on eco-fiction.

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View outside my bedroom

Flavia Cosma, the originator and organizer of the festival for over a decade, greeted us at the door and in true Romanian-fashion immediately sat us down to eat and drink. After a seven-hour drive (we somehow ended up in Charlamagne, Celine Dion’s birthplace), I was hungry and enjoyed some of Flavia’s signature dishes, varză a la Cluj (cabbage a la Cluj) and salată boeuf (beef salad), made with carrots, parsley roots, eggs, potatoes, beef, pickles and peas mixed with mayonnaise. The view outside my bedroom on the third floor peered through tall firs to a mountain valley and the small village of Val-David. I looked forward to meeting poets, writers, musicians and artists the next day…

 

Day 1: Saturday

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Honey Novick

Honey Novick (Toronto, Ontario), poet laureate of the Summer of Love Project 2007 Luminato Festival and winner of the Bobbi Nahwegahbow Memorial Award, opened the festival with an inspirational song.

Composers and singers Brian Campbell (Montréal, Quebec) and Ivan-Denis Dupuis (Sainte Adele, QC) provided additional and stirring song performance.

Louis Hebert

Louis-Philippe Hebert

Quebec author Louis-Philippe Hébert (Saint Sauveur, QC), winner of the Grand Prix Québecor du Festival de Poésie de Trois-Rivières and the Prix du Festival de Poésie de Montréal, read from his novel Un homme discret (Lévesque, 2017). Poet Julie de Belle read several poems, including When the sea subsides, finalist in the Malahat Review. Brian Campbell, finalist in the 2006 CBC Literary Award for Poetry, read from his book Shimmer Report (Ekstasis Editions, 2015).

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Flavia Cosma

Poet and award-winning TV documentarist Flavia Cosma, who received the gold medal as an honorary member by the Casa del Poeta Peruano, Lima, Peru in 2010, nominated for the Pushcart Prize, and whose work has been used in University of Toronto literature courses, read from her collection of poems, The Latin Quarter (MadHat Press, 2015) and Plumas de Angeles (Editorial Dunken, 2008).

Felicia Mihali

Felicia Mihali

Romanian writer Felicia Mihali read from her novel La bien-aimée de Kandahar, nominated for Canada Reads 2013. Romanian author Melania Rusi Caragioiu, member of the Canadian Association of Romanian Writers, read from her book of poems Basm în versuri și poeme pentru copii in Romanian.

Nicole Davidson, the mayor of Val-David, read some of her poetry. Jeanine Pioger, French author of Permanence de l’instant, read a selection of her poetry. Jocelyne Dubois showed her artwork and Romanian artists Carmen Doreal and Eva Halus discussed their artwork and poetry.

water-is-cover-web“Water Is…”: I shared the inspiration and making of my latest book, “Water Is…”, a scientific study and personal journey as limnologist, mother, teacher and environmentalist, which was recently picked by Margaret Atwood in the NY Times as 2016 ‘Year in Reading’ and recommended by Water Canada as ‘Summer Reading’. I discussed how I first conceived the book as a textbook early in my career as a freshwater biologist and how it morphed from one idea into something completely different and why it is my most cherished work to date.

Day 2: Sunday

French poet David Brême gave a workshop on poetry and the cultural hybridization of franco-québécoise (atelier sur la poésie et l’hybridation culturelle franco québécoise), which he had given earlier in Toronto.

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Nane Couzier

Montreal poet from France and Senegal, Nane Couzier, read from her collection Commencements, honorable mention in le Prix de poésie 2016 des Écrivains francophones d’Amerique.

JocelyneDubois

Jocelyne Dubois

Novelist and short story writer Jocelyne Dubois read from her novel World of Glass, finalist for the 2013 QWF Paragraphe Hugh MaLennan Prize for fiction. Laurentian poet John Monette, author of the collection Occupons Montréal (Editions Louise Courteau, 2012) read several poems and Eva Halus, Romanian poet, read from her book Pour tous les Voyages. Chilean poet Tito Alvarado also read his poetry.

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Claudiu Scrieciu of Nasul.TV Canada

Claudiu Scrieciu and Felicia Popa of Nasul.TV CanadaTeleviziunea Libera—the Canadian chapter of Romanian TV in St. Laurent, Quebec, televised aspects of the festival and the closing ceremony. Felicia, who interviewed me for their show, talked with me about “Water Is…”.

naturalselectionEco-Fiction: I discussed how eco-fiction evolved as a genre and its importance, both metaphorically and literally, in the literature of the Anthropocene (with a nod to Margaret Atwood’s 2016 challenge to a college audience in Barrie, Ontario, to write the stories that focus on our current global environmental crisis). I provided examples of ecological metaphor such as Barbara Kingsolver’s Flight Behavior, Michael Ondaadje’s The English Patient, Frank Hebert’s Dune, and Thomas Hardy’s The Return of the Native. Astute questions, initiated by Flavia, led to an animated discussion on our ultimate participation in Nature, co-evolution, cooperation vs competition, soft-inheritance, DNA repair and the role and place of water in virtually all things.

The festival concluded at the Centre d’Exposition (art centre) of Val David with “Les Mots du Monde”, where poets, songwriters and writers performed readings and song to the community. The cultural setting and perfect acoustics provided a true inspiration for Honey Novick’s stirring opening songs—angelic in nature and in voice. I asked colleague Jeanine Pioger to read my essay “Why I Write,” which I had translated into French with help from colleague Betty Ing. The French version appears below.

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Toasting the international festival

After the closing ceremony, Flavia invited participants to a grand dinner party at the festival house featuring authentic Romanian dishes, good wine and stimulating conversation.

The festival was a great success on many levels. Honey Novick astutely thanked Flavia in a Facebook post, “thanks for the wonderful memories, great inspiration, generous hearts and a tremendous weekend.”  I felt a great resonance and synchronicity throughout the weekend. It was as though we all embarked on a dimensional ride together, orchestrated by Flavia, that challenged, fulfilled and enlightened…I spoke English, French and puțin limba română. Foarte puțin… …And the food… OOHLALA!

Mulțumesc, Flavia! A fost minunat!

BrianCambell-ShimmerReportEva Halus-Pour tous les VoyagesLatinQuarter-flavia cosmaun homme discret

 

La raison pour laquelle j’écris

L’écriture est le souffle et la lumière de mon âme et la source de mon essence. Quand j’écris, je vis le moment présent. Je suis dans le moment de la création, connecté au Soi Divin, embrassant la nature et l’ensemble de l’univers fractal.

Je fais quelque chose d’important.

Je me connecte avec vous.

Isaac Asimov a dit : « j’écris pour la même raison que je respire — parce que si je ne le faisais pas, je mourrirais ». C’était aussi vrai quand il était auteur inconnu qu’après qu’il est devenu grand écrivain. Il parlait métaphoriquement, spirituellement et littéralement. Je sais que si je n’écrivais pas, je me priverais mon âme de sa respiration de vie. Il représente plus que la vérité métaphorique ; il est scientifiquement prouvé. L’écriture expressive — que ce soit sous la forme de l’écriture d’un journal, de blogging, de l’écriture de lettres, de mémoires ou de fiction — améliore la santé.

Que vous publiiez ou non, votre écriture est importante et utile. Prenez possession de celle-ci, nourrissez-la et considérez-la comme sacrée. Inspirez le respect des autres et respectez tous les écrivains à leur tour ; ne laissez pas l’ignorance vous intimider et vous faire taire.

L’écriture, comme toute forme de créativité, exige un acte de foi ; tant en nous-mêmes qu’en les autres. Et c’est effrayant. C’est effrayant, parce qu’il faut que nous renoncions au contrôle. Il est d’autant plus préférable d’écrire. La résistance est une forme d’autodestruction, dit Julia Cameron, auteur de The Artist’s Way.

Nous résistons afin de maintenir une vague idée de contrôle, mais au contraire, nous augmentons nos chances de développer la dépression, l’anxiété et la confusion. Booth et al. (1997) ont conclu que la divulgation écrite réduit sensiblement le stress physiologique du corps causé par une inhibition. Nous sommes nés pour créer. Pourquoi hésitons-nous et résistons-nous? Parce que, dit Cameron, « nous avons accepté le message de notre culture… [que] nous sommes censés faire notre devoir et puis mourir. La vérité est que nous sommes censés être prospères et vivre ».

Joseph Campbell a écrit : « suivez votre bonheur et les portes s’ouvriront là où il n’y avait pas de portes avant. » Cameron ajoute : « c’est l’engagement interne pour être fidèle à nous-mêmes et de suivre nos rêves qui déclenche le soutien de l’univers. Alors que nous sommes ambivalents, l’univers nous semblera également être ambivalent et erratique. » Quand j’écris, je vis le moment présent, en harmonie avec le moment divin de la création.

En pleine joie.

nina-2014aaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.

“Water Is…” Recommended Summer Read by Water Canada Magazine

water-is-cover-web“Water Is…” (Pixl Press) by Nina Munteanu was among several books recommended by Water Canada as a good summer read for 2017.

One of Canada’s premiere magazines on issues of water and water management, Water Canada suggested recharging this summer with “the latest selection of winning water management fiction and non-fiction.” The list comprised mostly of 2017 publications, but included a few late arrivals from 2016.

Recommendations included:

schmidt comps.indd“Water, Abundance, Scarcity, and Security in the Age of Humanity” (NYU Press) by Jeremy Schmidt is an intellectual history of America’s water management philosophy. Debates over how human impacts on the planet, writes Water Canada, are connected to a new geological epoch—“the Anthropocene”—tend to focus on either the social causes of environmental crises or scientific assessments of the Earth system. Schmidt shows how, when it comes to water, the two are one and the same. The very way we think about managing water resources validates putting ever more water to use for some human purposes at the expense of others.

 

ARiverCaptured“A River Captured: The Columbia River Treaty and Catastrophic Change” (RMB Books) By Eileen Delehanty Pearkes reviews key historical events that preceded the Treaty, including the Depression-era construction of Grand Coulee Dam in central Washington, a project that resulted in the extirpation of prolific runs of chinook, coho and sockeye into B.C. Prompted by concerns over the 1948 flood, American and Canadian political leaders began to focus their policy energy on governing the flow of the snow-charged Columbia to suit agricultural and industrial interests. Water Canada writes, “Referring to national and provincial politics, First Nations history, and ecology, the narrative weaves from the present day to the past and back again in an engaging and unflinching examination of how and why Canada decided to sell water storage rights to American interests. The resulting Treaty flooded three major river valleys with four dams, all constructed in a single decade.”

 

borderflows“Border Flows: A Century of the Canadian-American Water Relationship” (University of Calgary Press), Lynne Heasley and Daniel Macfarlane, editors, explore and discuss Canada-U.S. governance. Water Canada writes, “Ranging across the continent, from the Great Lakes to the Northwest Passage to the Salish Sea, the histories in Border Flows offer critical insights into the historical struggle to care for these vital waters. From multiple perspectives, the book reveals alternative paradigms in water history, law, and policy at scales from the local to the transnational. Students, concerned citizens, and policymakers alike will benefit from the lessons to be found along this critical international border.”

 

NewYork2140“New York 2140” (Orbit) by Kim Stanley Robinson is a novel set in New York City following major sea level rises due to climate change. Water Canada writes, “The book explores a full eight separate narratives: the market trader, who finds opportunities where others find trouble; the detective, whose work will never disappear, along with the lawyers, of course; an Internet star; a building’s manager; and two boys who don’t live there, but have no other home—and who are more important to its future than anyone might imagine. Lastly there are the coders, temporary residents on the roof, whose disappearance triggers a sequence of events that threatens the existence of all– and even the long-hidden foundations on which the city rests.”

 

Death and Life of Great Lakes_FINAL 1129.indd“The Death and Life of the Great Lakes” (WW Norton & Company Inc. Press) by Dan Egan is a frank discussion of the threat under which the five Great Lakes currently suffer. This book, writes Water Canada is “prize-winning reporter Dan Egan’s compulsively readable portrait of an ecological catastrophe happening right before our eyes, blending the epic story of the lakes with an examination of the perils they face and the ways we can restore and preserve them for generations to come…Egan explores why outbreaks of toxic algae stemming from the over-application of farm fertilizer have left massive biological “dead zones” that threaten the supply of fresh water. He examines fluctuations in the levels of the lakes caused by manmade climate change and overzealous dredging of shipping channels. And he reports on the chronic threats to siphon off Great Lakes water to slake drier regions of America or to be sold abroad.”

 

downstream“Downstream: reimagining water” (Wilfred Laurier University Press) by Dorothy Christian & Rita Wong “brings together artists, writers, scientists, scholars, environmentalists, and activists who understand that our shared human need for clean water is crucial to building peace and good relationships with one another and the planet. This book explores the key roles that culture, arts, and the humanities play in supporting healthy water-based ecology and provides local, global, and Indigenous perspectives on water that help to guide our societies in a time of global warming. The contributions range from practical to visionary, and each of the four sections closes with a poem to encourage personal freedom along with collective care,” writes Water Canada.

 

water-is-cover-webWater Is…The Meaning of Water (Pixl Press) by Nina Munteanu “explores the many dimension of H2O—the practical, the physical, and the magical. Water Is… represents the culmination of over twenty-five years of her study of water. During her consulting career for industry and government, Munteanu discovered a great disparity between humanity’s use, appreciation, and understanding of water. This set in motion a quest to further explore our most incredible yet largely misunderstood and undervalued substance. Part history, part science and part philosophy and spirituality, Water Is… combines personal journey with scientific discovery that explores water’s many “identities” and ultimately our own,” writes Water CanadaWater Is…  was recommended by Margaret Atwood as her premiere choice in the New York Times ‘The Year in Reading‘ for 2016.

 

WaterCanada-LOGO

WaterCanada-coversWater Canada is a Canadian magazine that provides news and feature articles on water and water management. They currently co-host the Canadian Water Summit, a gathering of professionals from the water industry including academia, NGOs, local communities, cleantech, industry associations, manufacturing and government. “Delegates will explore opportunities to collaborate on water technology and infrastructure finance, ‘blue economy’ growth and climate change resilience through progressive policies, smart business and bold investment leadership.” This year’s summit will occur June 22, 2017 at the Sheraton Centre Hotel in Toronto.

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Nina Munteanu kayaking Desolation Sound on the west coast of British Columbia

 

#CanadaReads #Canada150 #WhatIsWATER #TheMeaningOfWater #WaterCanada