Overcoming Climate Change, One Story at a Time: “Stories for Earth” Interviews Nina Munteanu

I was recently interviewed by Forrest Brown on his podcast Stories for Earth, a site in Georgia devoted to entertaining and informing its audience on matters to do with climate change and environment and how literature represents and influences our understanding and behaviour in the current and future issues of planet Earth. The site’s mission statement reads: “Stories for Earth seeks to foster hope and emotional resilience by discussing cultural narratives that contain parallels and takeaways to our current predicament. Cultural narratives provide stories for our past, present, and future, and Stories for Earthcritically engages with these narratives through all mediums.”

This is what Forrest says about how and why he started his podcast:

I founded Stories for Earth in the summer of 2019. As a writer and lifelong lover of stories, I never suspected my two biggest interests might have something to do with fighting climate change. That is, until one day when I came across an article about an interesting class at the University of Washington Bothell.

This class, taught by senior lecturer Dr. Jennifer W. Atkinson, sought to help students struggling with the emotional effects of climate change, specifically with the feelings of hopelessness and despair associated with climate grief. Atkinson is a professor of environmental humanities and American literature, so naturally she chose to do this by examining climate change through what she knows best: literature.

After I read this, something clicked. Of course literature can help us face climate change, I thought. Literature and stories in general have helped humanity overcome countless struggles throughout the course of our history—why can’t they help us overcome climate change too?

Stories for Earth is my personal realization of that idea. I want to read books, watch movies, and engage with stories through any other medium out there that can better prepare me to fight climate change in my own way without losing my mind. This podcast is my way of sharing what I learn with you, the listener, and I hope you’ll follow along. If anything you hear sticks or helps you in some way, consider sharing it with a friend who might also benefit from it. We must take care of each other.

Here’s the blurb on the site for our interview

Nina Munteanu is a prolific and insightful Canadian science fiction writer who has published nine novels, including her most recent novel A Diary in the Age of Water. This novel imagines a Canada in the not-so-distant-future where water is becoming increasingly scarce, partially because water sources are drying up and partially because the US and China are buying up water from all the recently privatized Canadian utilities. As a limnologist–literally a fresh water scientist–it makes sense for Nina to be the one telling this story, and our conversation ranges from water shortages in the present day to Ray Bradbury to the need for a new paradigm for living.

We also discuss the connection between exploitive capitalism/colonialism and climate change, then move onto the new paradigm for living by looking at regenerative cultures, the gift economy used by many indigenous peoples, and the creation of an ecological civilization. 

Here’s the interview:

Here’s part of our interview:

  1. Tell me about yourself. How did you become a writer? Why do you think stories are important in the climate action movement?

I wasn’t much of a reader as a kid. While my older brother and sister devoured The Hardy Boys and Nancy Drew series, I hid myself in the back corner of Williams General store and read comics: Superman, Supergirl, Magnus Robot Fighter. I was obviously enamoured with the fantastic. When I earnestly started to read things other than comics, I came across the SF classics: Huxley, Orwell, LeGuin and Asimov to name a few. Ray Bradbury moved me and his “Martian Chronicles” made me cry. I wanted to write science fiction like him and move readers like he’d done with me. But I’d also discovered the sensual classics like Thomas Hardy. So, like most beginner writers, I started by imitating my favourites. Imagine the genre-confused chimeric stuff I was writing: Thomas Hardy crossed with Ray Bradbury? It wasn’t until I found my unique voice, which blended these with my passion for the environment, that my own voice emerged. The environment and how we treat it (and ourselves by extension) has always been something important to me since I was a kid when littering was a pet peeve—it still is… I think that the stories we tell help us define ourselves and our role on this planet. Climate fiction and eco-literature and solarpunk provide us with important narratives that both entertain and educate: from cautionary tales to constructive visualizations of a potential future.  

  • Your new novel A Diary in the Age of Water is the story of a young girl in the future who discovers a diary from a Canadian woman who wrote about her experiences living in an increasingly water-scarce Canada in the 2040s. What inspired you to write this story?

It started with a short story I was invited to write in 2015 about water and politics in Canada.  I had long been thinking of potential ironies in Canada’s water-rich heritage. The premise I wanted to explore was the irony of people in a water-rich nation experiencing water scarcity: living under a government-imposed daily water quota of 5 litres as water bottling and utility companies took it all. I named the story “The Way of Water.” It was about a young woman (Hilda) in near-future Toronto who has run out of water credits for the public wTap; by this time houses no longer have potable water and their water taps have been cemented shut; the only way to get water is through the public wTaps—at great cost. She’s standing two metres from water—in a line of people waiting to use the tap—and dying of thirst. The short story begged for more and that inspiration came when I attended a talk by Maude Barlow on her book Boiling Pointabout the water crisis in Canada. We were in a church and I noticed a young mother and her little six-year old daughter in the balcony; I wondered what kind of mother would bring her little girl to a political talk about water in Canada? The diarist character, Lynna, and her mother, Una, were born. It went from there with Lynna—the diarist—writing about not just water shortage but water related phenomena such as climate change, habitat destruction, hormone disruption and the alarming increased infertility in humans.

  • Coincidentally, I just interviewed another author, C.C. Berke, about his novel Man, Kind, in which people also become infertile in the future. I’ll be honest, this isn’t a problem I was really aware of until recently, but humans are indeed becoming less fertile with every new generation. Is this something you hoped to raise awareness about with your novel?

The short answer is yes! I hope it helps spark the much needed discussion. Rising infertility is an issue that seems to embarrass us … something we feel we must hide under the rug, so to speak. Like our misbehaving Uncle Zeek. But if we don’t talk about it, we can’t understand the underlying reasons for it, many of which are environmentally induced—things we should be addressing. 

  • Politics and big business play huge roles in your novel, as they do in real life as well. Canada has privatized its water utilities after the Conservative Party comes into power, and a giant company called CanadaCorp removes municipal water connections from people’s homes and imposes strict water rations, all while selling off Canada’s precious water to US states like California that would otherwise be uninhabitable. Given that Canada is home to a huge portion of the world’s freshwater, what role do you see Canada playing in the coming years when many prominent people—including the Vice President of the United States—have predicted that wars will one day be fought over water?

She’s right. But this isn’t just in the future; water wars are occurring right now and have for some time. Perhaps not between our two countries. Certainly in the middle east and Asia. There are tensions between Egypt, and nine upstream countries for control of water in the Nile watershed; the Sudanese and Ethiopians are building dams and Egypt plans to pump water from Lake Nassar into the Sahara. India, Pakistan, Bangladesh, and China are in conflict over control of rivers such as the Indus, Ganges, and particularly the Brahmaputra. India’s River Link Plan impacts Bangladesh. Meantime Pakistan, Kashmir and India fight over more and more water, as the Indus dries up and no longer flows into the ocean.

But let’s move closer to home, to North America and the premise of water conflicts here… Considering what you mentioned about Canada’s huge water storage of freshwater, water conflicts are inevitable. Canada and America border some significant water bodies such as the Great Lakes and various rivers like the Columbia River in the west. We’ve formed joint commissions along with treaties to manage these trans-boundary water bodies. They’ve often been highly electrified politically. The book by Eileen Delhanty Pearkes—“A River Captured”—explores the controversial history of the Columbia River Treaty and the huge dams built on that system that impacted ecosystems, indigenous peoples and local cultures in the Pacific Northwest. That didn’t go very well for Canada and particularly not for some of its indigenous peoples.  Another example that my book features is from the 1960s: the NAWAPA project, a plan by Ralph Parsons Company and the Army Corps of Engineers to make the entire Rocky Mountain Trench into a giant 800-km long reservoir to hydrate the US by inundating a fifth of British Columbia’s prime habitat, several towns and indigenous communities and literally destroy a fishery. But guess what? Congress was seriously looking at it and the plan keeps resurfacing among corporate entrepreneurs, engineers and politicians.

  • Going back to big business, do you think industry and sustainability are compatible? I know some cultural movements like solarpunk emphasize DIY and more small businesses over mass production and giant corporations. Do you have any thoughts on this? This is one of the defining questions of our time, but can we have both capitalism and a livable planet?

Some people—mostly economists—would say definitely yes; we just need to be conservationist in our approach to doing business. But the very basis of capitalism is exploitation, not conservation. The driving force behind capitalism is fear and uncertainty and its main process is exploitation. From an ecologist’s perspective, this makes sense for a community during its early succession and growth stage… when it first colonizes a new area. Ecologists call this approach r-selected (for rate), based on profligate and fast growth. But as we reach a climax community and our carrying capacity—where we are now—this r-selected approach no longer works. We need an economic model that better matches this new paradigm. NOT based on continued growth! A climax global economy, one based on cooperation not competition. Elisabet Sahtouris calls this ecological economy ecosophy. In his book “Designing Regenerative Cultures” Daniel Christian Wahl talks about changing our evolutionary narrative from one based on fear defined by a perception of scarcity, competition, and separation to one based on love defined by a perception of abundance, a sense of belonging, collaboration and inclusion. 

And moving forward we can take a lesson from Robin Wall Kimmerer who talks about a gift economy—an economy of abundance—whose basis lies in recognizing the value of kindness, sharing, and gratitude in an impermanent world. This is what she says: “Climate change is a product of this extractive economy and is forcing us to confront the inevitable outcome of our consumptive lifestyle, genuine scarcity for which the market has no remedy. Indigenous story traditions are full of these cautionary teachings. When the gift is dishonored, the outcome is always material as well as spiritual. Disrespect the water and the springs dry up. Waste the corn and the garden grows barren. Regenerative economies which cherish and reciprocate the gift are the only path forward. To replenish the possibility of mutual flourishing, for birds and berries and people, we need an economy that shares the gifts of the Earth, following the lead of our oldest teachers, the plants.”

  • The diary entries in your novel make frequent reference to the post-truth era we seem to be living in. I feel like we’ve been heading in this direction for a while (it seems as though books like Manufacturing Consentby Noam Chomsky and Edward S. Herman and 1984by George Orwell have documented this), but I think many people feel as though we officially entered the post-truth era when Kellyanne Conway used the term “alternative facts” in a Meet The Pressinterview in 2017. Again, this is another huge question of our time, but how do those of us pushing for climate action make progress when entire political parties like the Republican Party in the US and the Conservative Party of Canada are in blatant denial of reality? (Actually, it seems worse than denial of reality—they use the fascist tactic of disregarding reality and replacing it with their own reality, even though they know what they’re doing.)

I have absolutely no answer for that! LAUGH! ARGH! But seriously, how do you convince someone about an evidence-based truth when they are living by a faith-based or agenda-based truth? As a scientist who has lived most of her life doing research and learning to accept the truth of evidence, I find this belief or stance incomprehensible. So you weren’t asking me a question, were you? Well, I’ve heard some great advice on this actually and that is to appeal to a person’s compassion, their kindness, their links to family and friends and find some common ground through their humanity in the phenomenon—say a local manifestation of climate change—then work from there. Keep it local and practical and nonthreatening. In other words, take the science out of it and the belief out of it and appeal on humane grounds. You can’t convince someone to change their belief, but you might be able to persuade them to accept an aspect of something if it doesn’t threaten their belief. 

  • I’d like to talk about the persistence of colonialism and how it’s tied to the climate crisis. In your novel, enormous swaths of British Columbia have been turned into reservoirs to store water to sell to Americans. Doing this displaces lots of people, especially indigenous and First Nations people. But things like this are happening even now. In Minnesota, the Canadian energy company Enbridge has spent hundreds of thousands of dollars paying local police departments to stop Water Protectors from blocking construction of Line 3, which would desecrate indigenous land and transport tar sands oil to US refineries. Could you talk a little about the importance of protecting indigenous and First Nations people’s rights, especially in the climate action movement?

You cite a great example of capitalist exploitation in the fossil fuel industry, which is occurring everywhere on the globe. As I mentioned already, Local and Traditional Ecological Knowledge lies at the heart of preserving this planet’s health and balanced climate. And Indigenous people around the world are regaining control of their territorial environments to reinvigorate food security, governance, social relations and economies. To quote Steven Nitah of the Dene First Nation, “because of their attachment to, and dependence on the land, Indigenous Peoples have been establishing their own protected areas for millennia.”

Luckily, we’re getting on board with this on a grass roots level and even government level—where it needs to be. An example of this are the Indigenous-led conservation movements like the Indigenous Guardians and the IPCAs (the Indigenous Protected and Conserved Areas) where indigenous governments have the primary role in protecting and conserving ecosystems through indigenous laws, governance and knowledge systems. This is linked to the United Nations Declaration of the Rights of Indigenous Peoples (UNDRIP)—specifically Articles 29 and 32—to govern themselves and their territories and to conserve and protect them. British Columbia in Canada sees many examples of Indigenous-led conservation leadership such with the Tla-o-qui-aht and Haida. 

An example I’m following is the Heiltsuk Nation on the Great Bear Sea who have enacted an Oceans Act to protect their ocean relatives and particularly the Pacific herring—a keystone species. The Heiltsuk-herring relationship have thrived over millennia through a system of traditional ecological knowledge, gwee-ee-las, and sustainable harvesting practices. Under current legislation overseen by DFO, commercial fisheries have pretty much destroyed the herring fishery through unsustainable practices. While the Heiltsuk’s stewardship and governance of this area was recently recognized by Canada’s provincial and federal governments, DFO continued to operate separately through settler law, opening herring seine fishery in violation of Heiltsuk constitutional rights. Then they finally collaborated. We’re working it out. It’s an ongoing conversation. 

  • We live in a time where it is so hard to decipher what is true, what is propaganda, and what is conspiracy theory. Your novel deals with this theme a lot through the character Daniel and his obsession with a social media-like platform called Oracle. Could you talk about writing this character and what inspired his creation?

Daniel is a kind of twisted hipster version of an oracle. Young. Wise. Naïve all at the same time.  I brought him in as a trickster archetype, and a kind of foil to Lynna, the main character in the diary part of the book. He’s her technician and work mate and ends up being her link to the world of gossip and dark truths repressed by the corporations via the traditional internet. He finds these gems in the quagmire of the net to share with her over coffee. He’s really a very bright and astute technologist, but he also seems naïve in some ways. For instance, he’s a researcher who dabbles in conspiracy theory. He’s all about health but he smokes. So, a man of contradictions. So, even though he is Lynna’s coffee companion and amuses her, he also unsettles her. In true trickster fashion, he finds out her secret and pays for it. His character allows me to explore the best and worst of the diarist character Lynna. 

  • I hope I’m not giving too much away with this question (we can skip it if you don’t want spoilers), but I want to talk about one of the central themes of the book: is it possible to save the Earth while saving humanity? The author of the diary, Lynna, writes about her water activist daughter, Hilde, a little over halfway through the book: “Does Hilde realize that she’s an oxymoron? To fight for water and the environment is to fight against humanity. Because at the root of Daniel’s question—would you save the planet at the expense of humanity?—lies the deeper question: can humanity exist without destroying the environment? And has Hilde made her prognosis? I know Una still believed in her heart that we could. I always thought her optimism was naïve.” For a long time, it seems like a narrative of the environmental movement was that humans are a virus. But now, there’s a big pushback against this narrative, with activists pointing to the systemic players who bear the most responsibility for the climate crisis. What do you think? Are humans the root problem?

On the surface, I’d say yes. Of course we are. But that is a far too simple and easy answer. It’s the easy way out. It isn’t so much that we’re human that created the climate crisis. It is that we— most of us—live and subscribe to a worldview and belief system that came from a place of great uncertainty with a perception of scarcity and an existential model based on fear and separation. Ancient peoples and most indigenous people today do not hold themselves as separate from the land; they already live in ecological civilizations. An ecological civilization is both a new and ancient idea. Buddhist, Taoist, and other traditions base their spiritual wisdom on the deep interconnectedness of all things. According to Robin Wall Kimmerer “In indigenous ways of knowing, it is understood that each living being has a particular role to play. Every being is endowed with certain gifts, its own intelligence, its own spirit, its own story…The foundation of education is to discover that gift within us and learn to use it well.” I think we’re starting to do this. Partly through listening to the Traditional Ecological Knowledge of our indigenous peoples.

I do believe that human nature is basically empathic and cooperative over selfish and competitive; I think we are born the former and taught to be the latter. That is what needs to change. How we are taught. 

  1. On a related note, the issue of overpopulation is a highly controversial topic in the environmental movement. This has led to some fear-mongering from Conservative politicians who tell their constituents that climate activists want to make a “one child” law like the draconian one-child policy in China that began in the late 70s as part of a government program to curb population growth. Yet, overpopulation is an enormous problem, with Project Drawdown saying, “Education lays a foundation for vibrant lives for girls and women, their families, and their communities. It also is one of the most powerful levers available for avoiding emissions by curbing population growth. Women with more years of education have fewer and healthier children, and actively manage their reproductive health.” Do you think overpopulation needs to be part of the conversation in the environmental movement? Do you think there are times when pointing to this issue as it relates to climate change is problematic?

It certainly can polarize and spark conflict. Reproduction and the right to reproduce is an innate impulse of all life: to make more of itself. So, we’re in conflict with ourselves already. I agree with Project Drawdown. But how to enter into a rationale and productive discussion on this issue relies on the players, their rationale, perspective, and their personal feelings on the matter. We kind of know there should be fewer of us but how to achieve that is another matter. It comes down to ecological footprints and living lightly on the earth and other philosophical considerations. You and I talked earlier about infertility. It seems a macabre kind of irony going on with habitat degradation caused partially by over-population sparking infertility in humans through endocrine disrupting chemicals in our drinking water…

  1. Change is another big theme in your novel, reminding me of Octavia E. Butler’s masterpiece Parable of the Sower, in which she writes, “God is change.” In your novel, Lynna writes, “Trapped by our preordained notion of change, we no longer see what we’re not prepared to see. And that’s the change that kills us.” The problem with climate change is that everything is happening too fast for biological evolution to keep pace. There’s a lot of buzz about transhumanism right now—do you think we’re approaching a point where humans will have to take evolution into our own hands, so to speak, if we want to survive?

It isn’t our intelligence—our cleverness—that will save us; it is our kindness and compassion that will do that. We don’t need to invent some techy thing or reinvent ourselves or implant some intelligent virus into us. What we simply need to do is accept ourselves with humility, find and express joy. Give in to the beauty of our world and our own part in it. Become a participant. Embrace the feminine. Respect Nature and all that lies in it. Find something there to love, cherish it and protect it. The rest will follow. 

Nina Munteanu and Forrest Brown on “Stories for Earth” Podcast

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Nina Munteanu Talks About ‘Water Is…’ and ‘A Diary in the Age of Water’ with Dr. Steven Miletto

Nina Munteanu appears on “Teaching, Learning, Leading, K-12” Podcast with Dr. Steven Miletto

I was recently interviewed by Dr. Steven Miletto in Georgia on his podcast “Teaching Learning Leading K12”—Episode 401. We talked about my two recent books on water,Water Is…and A Diary in the Age of Water. The 1-hour interview covered a range of topics from why water makes us feel so good, to the study of limnology, and writing both non-fiction and fiction about water. In the latter, I talked about water as a character in story. We also talked about how characters form in a story and how to keep going when the muse or the joy buries itself.

Jackson Creek, ON (photo and dry-brush rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Nina Munteanu Talks about Writing—Passion, Process, and Publication—with Mandy Eve-Barnett

Fantasy / SF writer and interviewer Mandy Eve-Barnett recently interviewed me about my recent eco-novel “A Diary in the Age of Water” and on my writing process and evolution. When did it all begin and what choices did I make along the way? she wanted to know. Here are some of her questions and my answers (embellished here) for your reading pleasure. For the full interview go here:

Mandy: When did you first start writing?

Nina: Not until I was a teenager when I wrote my first complete novel (“Caged-In World”—which later served as a very rough draft for my first and second published novels, Angel of Chaos and “Darwin’s Paradox”). My first published work was a non-fiction article “Environmental Citizenship”, which appeared in Shared Vision Magazinein 1995. I was already a young mother then with a family in Ladner, BC, and working for an environmental consulting firm in Richmond. My first fiction work was a short story entitled Arc of Time, published in a small circulation magazine Armchair Aesthete. That story was later reprinted several times throughout the world, including my short story collection Natural Selection.” Before writing stories, though, I told stories—I shared wild stories of galactic adventure with my older sister; we used to share them late into the night when we were supposed to be sleeping and our parents were snoring in their beds. I also told stories in the form of cartoons. Since I was a small child, I wanted to be a cartoonist and write graphic novels when I grew up. I created and drew several strips with crazy characters on wild adventures, blending my love for drawing with my love for storytelling. I haven’t stopped that form of storytelling and still have a yearning for that form. This is one reason why I’m so delighted with my latest book “A Diary in the Age of Water,” which features some of my limnological sketches, which stand in for the diarist’s sketches:

Pages from “A Diary in the Age of Water” by Nina Munteanu

Mandy: What made you decide on science fiction as a genre?

Nina: That goes back to my love for comics. I wasn’t much of a reader as a kid. While my older brother and sister devoured The Hardy Boys and Nancy Drew series, I secreted myself in the back corner of Williams General store and read Supergirl, Superman and Superboy, Batman, Magnus Robot Fighter and Green Lantern, among others. I was obviously enamored with the fantastic. When I earnestly started to read more than comics, I came across the SF classics: Huxley, Orwell, Heinlein, Clarke, Silverberg and Asimov to name a few. Bradbury sent me over the moon and his “Martian Chronicles” made me cry. I wanted to write like him and move readers like he’d done with me with something that mattered. 

The reason I continue to write in this genre is because of its ability to encompass the creative imagination and application of metaphor to story. Given science fiction’s wide range of possibilities in creating a believable reality of the fantastic, science fiction provides a compelling platform for metaphoric storytelling on a grand scale—the story large. Possibilities for powerful archetypes abound. Where else can you make water an actual character?

My environmental themes and eco-fiction lie in the sub-genre of ‘mundane science fiction.’ This is just another form of speculative fiction. Mundane science fiction focuses on existing technology (no ray guns, warp drives, or time travel). Its premise lies in existing circumstances and events to create a near-future realism. My recent dystopian eco-novel “A Diary in the Age of Water” by Inanna Publicationsfits this description perfectly. Examples by other writers include Margaret Atwood’s “MaddAddam” series, Paolo Bacigalupi’s “The Windup Girl” and Kim Stanley Robinson’s “The Ministry for the Future.”  

Mandy: Was the ecological aspect of your stories a gradual realization or your primary objective?

Nina: My primary objective was always to tell a compelling and meaningful story and hopefully to move readers in some way—like Ray Bradbury and other writers had with me. The ecological aspects slid in unannounced like a shadow character. It made sense: the environment and how we treat it (and ourselves by extension) has always been something important to me since I was a child. Both my parents were connected to Nature. My father took us on camping trips and picnics in the country; my mother was an amateur ecologist and botanist. From quite young I’ve been an environmental activist; chasing after people who littered, promoting recycling, participating in environmental protests. So, while I was writing science fiction, it was also eco-fiction. When the brand became more known, I realized that this was the kind of fiction I was writing most of the time. So, in some ways, I’ve come full circle with my quest as a youth: to tell impactful stories about the environment—whether this is here on Earth or on some planet in the outer systems—which make people think and feel and question. 

Mandy: Can you tell us a little about your newest book “A Diary in the Age of Water”, how you came up with the concept, and your writing process for it?

Nina: The book follows the climate-induced journey of humanity through four generations of women, each with a unique relationship with water during a time of calamitous change. The book starts and ends in the far future in the dying boreal forest with a blue water being, Kyo, who finds the diary of a limnologist, Lynna, from our near-future Toronto. The diary spans a forty-year period and contains a series of entries; each entry begins with an epigraph—quote from the textbook “Limnology” by Robert Wetzel. During the diarist’s lifetime, all things to do with water are overseen and controlled by the international giant water utility CanadaCorp—with powers to arrest and detain anyone. This is a world in which China owns America and America, in turn, owns Canada. The limnologist witnesses and suffers through severe water taxes and imposed restrictions, dark intrigue through neighbourhood betrayals, corporate spying and espionage, and repression of her scientific freedoms. Some people die. Others disappear.

Inspiration for the novel started with a short story I was invited to write by my publisher in Rome in 2015 about water and politics in Canada.  I had long been thinking of potential ironies in Canada’s water-rich heritage. The premise I wanted to explore was the irony of people in a water-rich nation experiencing water scarcity: living under a government-imposed daily water quota of 5 litres as water bottling and utility companies took it all. I named the story “The Way of Water” (“La natura dell’acqua), about a young woman (Hilda) in near-future Toronto who has run out of water credits for the public wTap; by this time houses no longer have potable water and their water taps have been cemented shut; the only way to get water is through the public wTaps—at great cost. She’s standing two metres from water—in a line of people waiting to use the tap—and dying of thirst. “The Way of Watercaptures a vision that explores the nuances of corporate and government corruption and deceit together with global resource warfare. In this near-future, Canada is mined of all its water by thirsty Chinese and US multinationals—leaving nothing for the Canadians. Rain has not fallen on Canadian soil in years due to advances in geoengineering and weather manipulation that prevent rain clouds from going anywhere north of the Canada-US border. If you’re wondering if this is possible, it’s already happening in China and surrounding countries.

I chose to use a diary in the near-future part of the story to achieve a sense of gritty realism of ‘the mundane.’ The diary-aspect of the book characterizes it as ‘mundane science fiction’ by presenting an ‘ordinary’ setting for characters to play out. The tension arises more from insidious cumulative events and circumstances that slowly grow into something incendiary.

Many of the events and circumstances that the diarist reports on are real events and based on real people. That they serve as premise for the fiction effectively blurs the fiction with non-fiction. Readers have told me that they often couldn’t distinguish the two in the book and this achieved a real urgency for the reader, who both hated and loved the book for it and couldn’t stop turning the pages as a result. 

Hardwood forest backlit by sparkling Otonabee River in spring, ON (photo and rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Twelve Books on Climate and Environment for the Holidays

Gift guide: 12 books on climate can environment for the holidays

“For this year’s holiday gift guide,” writes Dr. Michael Svoboda, “Yale Climate Connections has gathered celebrated anthologies, deep-dives into climate-related science and solutions, inspiring books from or about spiritual leaders, and visionary works of climate fiction.”

All were recently published, some within the month, writes Svoboda. These twelve books address decades of writing on climate change, reassess the challenges, offer hope and guidance for action, and envision very different climate-changed futures.

There is, for instance, the anthology The Fragile Earth: Writing from the New Yorker on Climate Change (Harper Collins),which includes Bill McKibben’s seminal essay “The End of Nature.” The anthology All We Can Save(Penguin Random House) edited by Ayana Elizabeth Johnson and Katharine K. Wilkinson is a collection of works dedicated to leadership “more characteristically feminine and more faithfully feminist, rooted in compassion, connection, creativity, and collaboration.”

Hope, guide to action and challenges are provided by Future Sea (University of Chicago Press) by Deborah Rowan Wright, The New Map (Penguin Random House) by Daniel Yergin, Solved:How the World’s Great Cities are Fixing the Climate Crisis (University of Toronto Press) by David Miller, Let Us Dream (Simon & Schuster) by Pope Francis. Tales of Two Planets (Penguin Random House) edited by John Freeman explores inequality and the impact of climate change.

Stand Up! Speak Up! (Penguin Random House) by Andrew Joyner celebrates the inspiration of youth in taking up action through hope, activism and community. Our Only Home: A Climate Appeal to the World (Hanover Square) by the Dalai Lama and Franz Alt is a manifesto that will empower us to take action and save the environment. 

The novel The 2084 Report (Simon & Schuster) by James Lawrence Powell provides an “oral history” through interviews of the devastating effects of the Great Warming, which are both fascinating and frightening. My own novel A Diary in the Age of Water (Inanna Publications) chronicles the journeys of four generations of women, each carrying a unique relationship with water over a time of catastrophic change. Told in the form of a diary by a limnologist, the story explores a Canada mined for its water by United States, which, in turn, is owned by China. The Ministry for the Future (Hachette Book Group—Orbit) a novel by Kim Stanley Robinson uses fictional eyewitness accounts to tell the story of how climate change will affect us all.

Yale Climate Connections:

Edited by veteran journalist and journalism educator Bud Ward, Yale Climate Connections provides content developed by a network of experienced independent freelance science journalists, researchers, and educators across the country.Yale Climate Connections is an initiative of the Yale Center for Environmental Communication (YCEC), directed by Dr. Anthony Leiserowitz of the Yale School of the Environment, Yale University.

Dr. Michael Svoboda, an expert on climate change, is a professor at George Washington University and frequent contributor to Yale Climate Connections.

Jackson Creek in early winter, ON (photo and rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

“A Diary in the Age of Water” Receives Literary Titan Award

Nina Munteanu’s cli-fi eco-novel “A Diary in the Age of Water” was awarded a Silver Literary Titan Award for a book that:

expertly delivers complex characters, intricate worlds, and thought provoking themes. The ease with which the story is told is a reflection of the author’s talent in exercising fluent, powerful, and appropriate language.”–Literary Titan

“A Diary in the Age of Water” received a 4-star review by Literary Titan:

While bringing attention to the current politicization of climate change, the story maintains important underlying themes like family, love, forgiveness, and the complexity of the human soul. The author has gone to great lengths to show that there are different layers to each character, none fully evil nor fully good. A Diary in the Age of Water is an exceptional and thought-provoking dystopian fiction.
—LITERARY TITAN (4-star)

Age of Water Podcast: Nina Reads from “Water Is…”

AoW Logo-smallWe are now living in the Age of Water. Water is the new “gold”, with individuals, corporations and countries positioning themselves around this precious resource. Water is changing everything. The Age of Water Podcast covers anything of interest from breaking environmental news to evergreen material. This also includes human interest stories, readings of eco-literature, discussion of film and other media productions of interest.

In this episode of Age of Water, Nina reads from her book “Water Is…The Meaning of Water”, a celebration of the varied faces of water and what they mean to us.

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Water is emerging as one of the single most important resources of Planet Earth. Already scarce in some areas, it has become the new “gold” to be bought, traded, coveted, cherished, hoarded, and abused worldwide. It is currently traded on the Stock Exchange…

Water Is-COVER-webNina Munteanu’s Water Is…”represents the culmination of over twenty-five years of dedication as limnologist and aquatic ecologist in the study of water. As a research scientist and environmental consultant, Nina studied water’s role in energizing and maintaining the biomes, ecosystems, and communities of our precious planet.

During her consulting career for industry and government, Nina discovered a great disparity between humanity’s use, appreciation and understanding of water. This set in motion a quest to further explore our most incredible yet largely misunderstood and undervalued substance. Part history, part science and part philosophy and spirituality, Water Is…” combines personal journey with scientific discovery that explores water’s many “identities” and ultimately our own.

 

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Nina Munteanu kayaks in Desolation Sound off coast of British Columbia (photo by H. Klassen)

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Waterwill be released by Inanna Publications (Toronto) in June 2020.

Reflections: The Meaning of Water (a talk for the Lewis Creek Association)

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Nina Munteanu with Louis DuPont and Merridy Cox with Lewis Creek behind

A short time ago, I was invited to give a talk on water to the Lewis Creek Association during their annual meeting for 2019 to help celebrate their recent accomplishments. Here is their write up:

Join our special guest, Canadian ecologist and author Nina Munteanu, who will discuss the many dimensions of water. She describes personally the curiosity and emotional connection with nature that compels us to caretake our environment with love versus a sense of duty. Her book “Water Is…The Meaning of Water” is an ode to and discourse about water, the indispensable and mysterious element that is the foundation of life here on our blue planet. The book is a fascinating catalogue of the many amazing and anomalous qualities of water, and has become a favorite of several Board members. She trained in limnology, the study of lakes, and has consulted in the aquatic sciences for many years. The author of over a dozen fiction and non-fiction books, she currently teaches writing at the University of Toronto and George Brown College in Toronto, Canada. We are delighted to have Nina join us and share her insights and concerns about this substance we have been concerned with over the last 30 or so years.

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At Cafe Barrio in Burlington, Vermont, Nina checks the map for directions…and finds her way…

I chose to drive to Vermont from Toronto with good friend and editor Merridy Cox. We crossed into USA near Cornwall and drove through New York state to Rousse’s Point, then into Vermont over the Vermont Bridge over Lake Champlain. We took the scenic route along the islands to the village of Charlotte, where we met with some of the Lewis Creek Board members and enjoyed a wonderful home-cooked supper at executive director Marty Illick’s country home along with Board president Andrea Morgante, board member Louis DuPont, and several other guests.

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Merridy Cox photographing Lake Champlain just east of the Vermont Bridge

The event took place in the large converted barn of Philo Ridge Farm, a 400-acre historic dairy farm now also running as an educational institution of sustainable practices and store and restaurant. The barn is now a state-of-the-art sustainably built facility with a combination of rustic and sophisticated in its design of rich wood walls, large windows and beams with high vaulted ceiling; ideal for a presentation.

I spoke about my roots in the Eastern Townships of Quebec…and where they led me:

I was born in a small town in the Eastern Townships of Quebec, a gently rolling and verdant farming community, where water—l’eau—bubbles and gurgles in at least two languages.

I spent a lot of my childhood days close to the ground, observing, poking, catching, prodding, destroying and creating. Perhaps it was this early induction to the organic fragrances of soil, rotting leaves and moss that set my path in later life as a limnologist, environmental consultant and writer of eco-fiction.

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I followed my older brother and sister to the nearby forest and local stream. We stirred soil, flower petals and other interesting things with water to fuel “magic potions” that we inflicted on some poor insect. Yes, I was a bit destructive as a child—and I took a lot for granted. Like water. There was so much of it, after all. It was clean and easily accessed, fresh from the tap.

When I gave birth to my son, Kevin, I felt a miracle pass through me. Kevin became my doorway back to wonder. His curiosity was boundless and lured me into a special world of transformation.

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Nina Munteanu and her son hiking in B.C.

I took time off work to spend with Kevin when he was young. We went on great trips, from the local mall, where we had a hot chocolate and played with Lego, to the local beach on the Fraser River, where we explored the rocks. When he was no more than three, I took him on endless adventures in the city and its surroundings. We didn’t have to go far. The mud puddles of a new subdivision after a rain were enough to keep our attention for dozens of minutes. We became connoisseurs of mud. The best kind was “chocolate mud,” with a consistency and viscosity that created the best crater when a rock was thrown into it.

Kevin and I often explored the little woodland near our house. We made “magic potions” out of nightshade flowers, fir needles, loam and moss; we fueled our concoctions with the elixir of water from a stagnant pool. This time the little insects weren’t molested.

Travelling the world has helped me realize that I was blessed with an abundance of water. I lived my entire life in a country of plentiful and healthy water. And for most of that time I didn’t even realize it. Canada holds one fifth of the world’s fresh water in lakes, rivers, and wetlands, as well as in our underground aquifers and glaciers. Canada’s wetlands, which cover more than 1.2 million square kilometres, makes Canada the largest wetland area in the world.*

The folks who attended my presentation were wonderfully receptive, gracious and kind. They bought all my books too! I felt so welcomed by this community concerned about the land and their water. I was also impressed with the dedication, organization and knowledge of this non-profit conservation initiative.

Presentation venue

Venue

Lewis Creek Association

The Lewis Creek Association (LCA) started in 1990, when a group of concerned citizens and the Hinesburg Land Trust came together to conserve a critical stretch of wetland habitat bordering Lewis Creek in Hinesburg, Vermont. Lewis Creek is one of Vermont’s most ecologically diverse streams and suffers from increasing habitat degradation due to river encroachment by development and roads, land use change, and more extreme weather events.

LCA’s mission is to protect, maintain and restore ecological health while promoting social values that support sustainable community development in the Lewis Creek and LaPlatte watershed regions and Vermont generally. Through education and action, LCA works to:

  • Restore water quality, stream stability, and native wildlife habitat
  • Protect and restore important and diverse natural areas
  • Conserve productive and scenic lands that contribute to rural character and economy
  • Support growth compatible with important natural systems and working landscapes
  • Strengthen and support local conservation initiatives and opportunities
  • Model active participation and respect for differences

With a hard-working volunteer board and a part-time paid consultant, LCA facilitates educational, planning, and field work programs involving dozens of volunteers. This work assists town planning and facilitates the restoration and conservation of important Champlain Valley natural areas of high public value.

LCA Annual Party 2019

Their track record has been impressive. Since forming their organization, the LCA has spearheaded and conducted numerous initiatives. Highlights include: annual water quality sampling in six streams and rivers; biodiversity studies of stream corridors, conservation and restoration work in watershed towns; invasive aquatic plant control in local areas; helped educate citizens on ecological improvements; actively participated in implementing VT’s Water Quality Law, Act 64; generated Water Quality Scorecard Maps to track pollution problems; and designed the “Ahead of the Storm” education program used throughout the watershed region.

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In the Moment-anthology copy*A version of this talk is available in an article I wrote called “Coming Home to Water,” which first appeared in the 2016 anthology In the Moment (A Hopeful Sign) edited by Gary Doi. It was reprinted in 2018 The Earth We Love (Mississauga Writers) edited by Elizabeth Banfalvi; and again in 2019 in The Literary Connection IV: Then and Now (IOWI) edited by Cheryl Antao Xavier.

 

 

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Lake Champlain, looking west from Vermont to New York at Vermont Bridge (right) (photo by Nina Munteanu)

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

Science Fiction On Water Justice & Climate Change

TheWaterKnife-Paolo BacigalupiThere were stories in sweat. The sweat of a woman bent double in an onion field, working fourteen hours under the hot sun, was different from the sweat of a man as he approached a checkpoint in Mexico, praying to La Santa Muerte that the federales weren’t on the payroll of the enemies he was fleeing…Sweat was a body’s history, compressed into jewels, beaded on the brow, staining shirts with salt. It told you everything about how a person had ended up in the right place at the wrong time, and whether they would survive another day.

So begins Paolo Bacigalupi’s speculative thriller The Water Knife, set in the near-future in the drought-stricken American southwest. Where corrupt state-corporations have supplanted the foundering national government. Where water is the new gold—to barter, steal, and murder for. Corporations have formed militias and shut down borders to climate refugees, fomenting an ecology of poverty and tragedy. Massive resorts—arcadias—constructed across the parched landscape, flaunt their water-wealth in the face of exploited workers and gross ecological disparity. Water is controlled by corrupt gangsters and “water knives” who cleverly navigate the mercurial nature of water rights in a world where “haves” hydrate and “have nots” die of thirst.

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Paolo Bacigalupi is just one of many authors of compelling dystopian eco-thrillers that engage readers in climate change—many with strong water themes: Margaret Atwood, Emmi Itäranta, Jeff VanderMeer, Richard Powers, Barbara Kingsolver, Upton Sinclair, Ursula Le Guin, JoeAnn Hart, Frank Herbert, John Yunker, Kim Stanley Robinson, James Bradley, Nathaniel Rich, David Mitchell, Junot Diaz, Claire Vaye Watkins, J.G. Ballard, Marcel Theroux, Thomas Wharton—just to name a few.

Diary Water cover finalMy upcoming novel by Inanna Publications—A Diary in the Age of Water coming out in 2020—explores the socio-political consequences of corruption in Canada, now owned by China and America as an indentured resource ‘reservoir’; it is a story told through four generations of women and their unique relationship with water during a time of great unheralded change. On February 17, 2046, limnologist Lynna writes in her diary about her mother Una:

Bald, alle das wasser verschwindet,” She said in her quiet voice of certainty. She always spoke in her mother tongue when it came to water. Soon, all the water will be gone. “Und so werden wir.” And so will we. “Es wird das Ende des Zeitalters des Wassers sein.” It will be the end of the Age of Water. 

Una always seemed to follow the thalweg. She seemed to always know what water was doing. Even when it braided and curled in on itself. Even when human-made obstructions got in the way; like the increased water tax, followed by the severe water-use quota. Like water, Una found a way around it.  

I wish I had that skill.

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Adobe Photoshop PDFScience fiction explores our water crisis through premises of extreme water shortage and devastating violence (floods, droughts and storms), water diversion, and hoarding. Premises explore weather manipulation, the consequences of extensive deforestation and the massive extinction of species. As with my own book A Diary in the Age of Water, Claudiu Murgan’s Water Entanglement explores water as a character, as though water has gone rogue, unruly. Perhaps even vengeful…

Today, we control water on a massive scale. Reservoirs around the world hold 10,000 cubic kilometres of water; five times the water of all the rivers on Earth. Most of these great reservoirs lie in the northern hemisphere, and the extra weight has slightly changed how the Earth spins on its axis, speeding its rotation and shortening the day by eight millionths of a second in the last forty years.

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Millennia ago, we adapted and lived by the rhythms of the global water cycle. We have since harnessed the power of water; we captured it and diverted it and changed it in ways to suit our own rhythms. Our unprecedented power over the planet’s water has advanced our civilizations immeasurably. But water remains our Achilles’ heel; it has the potential to limit our ambition like no other resource on Earth.

If climate change is the planet’s response to humanity’s relentless exploitation, water is its archangel.

Three Percent TVshowA tidal wave of TV shows and movies currently explore—or at least acknowledge—the devastation we are forcing on the planet. Every week Netflix puts out a new science fiction show that follows this premise of Earth’s devastation: 3%; The 100The TitanOrbiter 9; even Lost in Space.

Science fiction is suited to this role; it is the literature of consequence that explores large issues faced by humankind and can provide an important vehicle in raising environmental awareness. Literature in general has always served as a cultural reporter on themes important to humanity.  The science fiction genre—and speculative fiction particularly—explores premises based on current scientific and technological paradigms. What if we kept doing this?…What if that went on unchecked?… What if we decided to end this?… These are conveyed through the various predictive visions from cautionary tales (e.g., Atwood’s Year of the Flood) to dystopias (e.g., Itäranta’s The Memory of Water). Science fiction has always been the pre-eminent literature of metaphor and history; it has lately matured in the Anthropocene to incorporate the edgy realism of literary fiction to give us potent environmental relevance. Sub-genres now include eco-fiction, climate fiction, and cli-fi.

MemoryOfWater_Emmi ItarantaEllen Szabo, author of Saving the World One Word at a Time: Writing Cli-Fi suggests that the ability to make environmental issues less political and more personal (through story) permits more engagement by readers and a higher likelihood of action toward justice: we are more likely to take action on the things we love and know. It’s all about connection.

“Science doesn’t tell us what we should do,” Barbara Kingsolver wrote in Flight Behavior “It only tells us what is.” Stories can never be a solution in themselves, but they have the capacity to inspire action, which is perhaps why cli-fi’s appeal among young adult readers holds such promise. As the scientists and leaders of tomorrow, they may be most capable of addressing climate and water issues where previous generations have failed, writes J.K. Ullrich of The Atlantic. As Margaret Atwood wrote in MaddAddam, “People need such stories, because however dark, a darkness with voices in it is better than a silent void.”

We tend to live very much in the here and now, Bacigalupi told an audience at the University of Seattle when describing humanity’s lack of planning for the future.  But, he added, “with science fiction, I can give you a [here and now] experience far into the future,” and allow a reader to truly experience “what it’s like to be a climate refugee” or be someone with no legal access to water. An extrapolated science fiction future provides a visceral opportunity to see our future selves in a way that promotes serious consideration, says Bacigalupi. By putting us there, we have a better chance of making those extrapolations into consequence.

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For centuries we have hubristically and disrespectfully used, discarded and destroyed just about everything on this beautiful planet. According to the World Wildlife Federation, 10,000 species go extinct every year. That’s mostly on us. They are the casualty of our selfish actions. We’ve become estranged from our environment, lacking connection and compassion. That has translated into a lack of consideration—even for each other. In response to mass shootings of children in schools, the U.S. government does nothing to curb gun-related violence through gun-control measures; instead they suggest arming teachers. We light up our cigarettes in front of people who don’t smoke and blow cancer-causing second-hand smoke in each other’s faces. We litter our streets and we refuse to pick up after others even if it helps the environment and provides beauty for self and others. The garbage we thoughtlessly discard pollutes our oceans with plastic and junk, hurting sea creatures and the ocean ecosystem in unimaginable ways. We consume and discard without consideration.

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We do not live lightly on this planet.

We tread with incredibly heavy feet. We behave like bullies and our inclination to self-interest makes us far too prone to suspicion and distrust: when we meet the unknown—the “other” so often portrayed in science fiction—we tend to respond with fear and aggression over curiosity, hope and kindness. Something we need to work on if we are going to survive.

Science fiction—the highest form of metaphoric and visionary art—is telling us something. Are we paying attention?

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Rainforest on southern Vancouver Island, B.C. (Photo by Kevin Klassen)

 

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

On This Day … Water Is…

Today is World Water Day. All around the world, people are celebrating water–without which we would simply not exist. We celebrate this day (and all days) that water has blessed us with its life-giving properties so freely given.

I gladly offer my poem to water…

 

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Sunset off Broughton coast, British Columbia (photo by Kevin Klassen)

Magic surges with power and mystery. Magic hides in clear view; it ripples with intrigue. When you look at magic, you see only your reflection; while its depths veil immeasurable possibility. Magic is water.

Life is sacred and flows with holy expression. Energetic, invigorating, and bracing, life fertilizes all Being to become more than Itself. Life is water.

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Water patterns (photo by Nina Munteanu)

Motion is the demon and angel of change. Motion flows endlessly on a tangent with time, destroying and creating. Motion carves sinuous patterns of stable chaos. In its turbulent wake or gliding caress, motion heralds transcendence. Motion is water.

Communication is the dance of singularity in a sea of Unity. It is the river of connection, uniting and expressing the fractal whole. Communication collides in a waterfall of notion and surprise. Informing. Transforming. Evolving. Communication floods the iconic dam, surging through conformity toward its own imaginings. Communication is water.

Memory streams in a braided and recursive path, meandering Ouroboros-like toward itself. Memory stirs up sediments that have lain for eons; re-suspending, re-examining, as if new. Then cascading toward the abyss of truth and paradox. The collective. The great ocean of thought. Memory is water.

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Fin Creek, Rocky Mountains (photo by Nina Munteanu)

Rhythm undulates—at once turbulent and calm—signaling its fractal presence. Rhythm scours and builds its music with infinite patience and precision. Spiralling. Oscillating in successive rushes, glides, surges and trickles. Self-organizing. Coherent. Viscous. Rhythm is water.

Vibration hides and reveals its entangled energy. Vibration drifts on the tidal tapestry of the soul. Resonating in synchronous tones as it courses down gravity waves, vibration writes its unique sound and story. Vibration is water.

Beauty reflects Nature’s flowing embrace. Deep and quiet, beauty captures divine radiance—refracting, magnifying, rejoicing—and bursts into a sparkling sea of serenity. Light personified. Beauty is water.

Story meanders through varied landscape; cutting jagged rock and stirring fertile soils to release their messages; then joining in the great sea of the plenum. Story springs from the depths, bubbling forth with fresh bracing news of a new land. Story is water.

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Bubbles under ice in Little Rouge River (photo by Nina Munteanu)

Prayer ripples out in circular waves of coherence from its source and back. Gestalt self-actualization. Prayer is a rainbow, revealing the reflected soul. Prayer scours, cleanses, refreshes and renews in a cycle of creation and connection. Prayer is water.

Wisdom does not stand still. Wisdom flows. It doesn’t flow in a straight line. Wisdom winds. Wisdom is wily. It transforms and transcends matter and energy with a subtle and patient hand. It erodes and deposits, from idea to emotion to philosophy. Wisdom tolerates. It forgives. It embraces and encompasses and—in changing—stays the same. Wisdom is water.

 

Ultimately, water will travel through the Universe and transform worlds; it will transcend time and space to share and teach; water will do its job to energize you and give you life, then quietly take its leave; it will move mountains particle by particle with a subtle hand; it will paint the world with beauty, then return to its fold and rejoice.

I am water. I am joy.

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Creek in Nova Scotia (photo by Nina Munteanu)

 

This poem was created using excerpts from “Water Is…The Meaning of Water” (Pixl Press, 2016) by Nina Munteanu.

 

nina-2014aaaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s recent book is the bilingual “La natura dell’acqua / The Way of Water” (Mincione Edizioni, Rome). Her latest “Water Is…” is currently an Amazon Bestseller and NY Times ‘year in reading’ choice of Margaret Atwood.

“Water Is… at Banyen Books & Sound, Vancouver

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Banyen Books and Sound, Vancouver, BC (photo by Nina Munteanu)

When I lived in Vancouver—raising my family, consulting for the environment and teaching limnology—I often visited my favourite bookstore in town: Banyen Books & Sound on 4th Avenue in Kitsilano. It was a bookstore like no other, I thought. Spacious with comfortable chairs to read, the bookstore became a destination and an experience in discovery for me.

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A customer browses “Water Is…” in Banyen Books

In fact, since opening in 1970 Banyen Books has become Canada’s most comprehensive metaphysical bookstore, offering a broad spectrum of resources from humanity’s spiritual, healing, and earth wisdom traditions. Here is how they put it:

Banyen is an oasis, a crossroads, a meeting place… for East and West, the “old ways” and current discoveries and syntheses. Our beat is the “Perennial Philosophy” as well as our evolving learning edges and best practices in a wide variety of fields, from acupuncture to Zen, from childbirth and business to the Hermetic Mysteries, from the compost pile to the celestial spheres. We’re “in the philosophy business,” on “a street in the philosophy district” (as an old cartoon wagged). We welcome and celebrate the love of wisdom, be it in art, science, lifecraft, healing, visioning, religion, psychology, eco-design, gardening… Our service is to offer life-giving nourishment for the body (resilient, vital), the mind (trained, open), and the soul (resonant, connected, in-formed). Think of us as your open source bookstore for the “University of Life”.

I had long harboured romantic notions of one day seeing my own book on one of their shelves. I must have sent a compelling message to the universe, because in Autumn of 2018, this incredible bookstore agreed to carry “Water Is…

Water Is...” now sits joyfully beside William Mark’s “Holy Order of Water” and Masaru Emoto’s books on water and crystals and Wallace J. Nichol’s bestseller “Blue Mind” on water’s healing powers.

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When I mentioned about my book being at Banyens Books, my son Kevin visited the bookstore and soon found “Water Is…” among a variety of other “savoury books”; he admitted a need for strength not to walk out of the bookstore with an armload of books. This has been my experience too.

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Kevin finds “Water Is…” on Banyen’s shelf and makes himself comfortable…

Anne, one of the directors of Pixl Press, visited the bookstore with her friend Jackie from out of town. After browsing the bookstore, they walked across the street to Aphrodites Pies and enjoyed their signature organic peach pie.

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Aphrodites Pies on 4th Avenue (photo by Nina Munteanu)

Banyen Books & Sound:
PeachPie at Aphrodites3608 West 4th Avenue
Vancouver, BC
604-732-7912

HOURS:
Mon-Fri: 10am-9pm
Sat: 10am-8pm
Sun: 11am-7pm

 

 

nina-munteanuNina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.