Eco-Fiction Readings at Little Ghosts Bookstore

Lynn Hutchinson Lee reads from her novel at Little Ghosts Bookstore, overseen by a 12-foot skeleton (photo by Nina Munteanu)

A short time ago, my good friend Lynn Hutchinson Lee was launching her eco-fiction book “Origins of Desire in Orchid Fens” published by Stelliform Press at Little Ghosts Bookstore on Dundas St. W. in Toronto. Also reading from their current eco-fiction were Rebecca Campbell (“The Other Shore”) and Mahaila Smith (“Seed Beetle”).

Launch poster

I drove from Peterborough along country roads to Toronto that morning. When I got there, I parked my car at Lynn’s place and walked without my umbrella in the light drizzle through the urban treed neighbourhood toward Little Ghosts Bookstore—about a forty-minute walk. Of course, it started to seriously rain at some point, but I cheerfully continued, noting how vibrant the vegetation and flowers had become and how progressively more damp I was becoming.

Entrance to Little Ghosts Bookstore (photo by Nina Munteanu)

I entered the bookstore dripping but on time and negotiated the small crowd, greeting some people I knew, as I steered myself toward the small café in the bookstore to order a hot beverage. I found myself admiring the small two-tiered bookstore with lovely Casper ghost motifs. As Lynn began her reading, I noticed a large skeleton peering right back at me through the café window next to her (see top photo).

Author Lynn Hutchinson Lee holds her book at Little Ghosts Bookstore with publisher Selena Middleton (photo by Nina Munteanu)

The Book:

Here’s how the publisher described the book:

A dizzying and beautiful debut, Origins of Desire in Orchid Fens explores life as a Romany woman in Canada, and the flowers that refuse to die.

Orchid Lovell is a young Romany woman haunted by a fear of being found out. Her family has been chased out of town before. After settling in a seemingly idyllic northern mining town that she soon understands as rife with unseen cruelty, Orchid finds solace in a lush orchid fen where she doesn’t fear the town’s judgement. Amid the green beauty of the fen, Orchid meets her beloved Jack, and marries him in a secret blackfly-infested ceremony.

But the town’s waters don’t only harbor life. In the nearby creek, dead girls take revenge on the men who murdered them, luring them into murky waters. Despite the unyielding nature of the water spirits, one man evades their violence. After a devastating attack linked to the expansion of the mine, Orchid’s fate is entwined with the panni raklies’ ruthless justice.

Written in over 100 dreamy mini-chapters, this novella explores the tenuous reality of the Romany diaspora living in troubled times on troubled lands.

“The prose is sensuous and lyrical, saturated with earthy, evocative enchantment … In the powerful and intimate novel Origins of Desire in Orchid Fens, a bold, loving heroine confronts racism, sexism, and classism.”

Foreword Reviews

“Every page seethes, oozes, and drips with the atmosphere of the fertile, foggy wetlands of Eastern Canada.”

Kyle R. Garton, Strange Horizons 
Publisher Selena Middleton with Stelliform books on display at Little Ghosts Bookstore (photo by Nina Munteanu)

The Bookstore:

Despite the dark subject matter, the small bookstore was inviting and well lit inside from large front and back windows, with happy Casper-ghost décor and store keepers with sunny dispositions and friendly manners.  This small indie bookstore with funky fun interior hosts a great selection of indie horror, a café with delicious drinks and a “chill place to hang out” and a 12-foot skeleton in the patio who oversees the café through the window. What more does a reader want?

Little Ghosts Bookstore t-shirt

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. 

Visit  www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Double Book Launch at Free Times Café, Toronto

Free Times Cafe venue at night (photo by Ashish Pillai)

Appropriately, on the eve of Earthday, Exile Editions and Stelliform Press launched two eco-fiction books at one of Toronto’s oldest and established cultural/dining venues, Free Times Café, by Kensington Market. Both books were works of eco-fiction and climate fiction that focused on issues of environmental treatment and destruction. Both works focused on hope.

Top left: Free Times Cafe venue at night (photo by Nick Wons). Top right: Michael Callaghan of Exile Editions, Lynn Hutchinson Lee, Selena Middleton of Stelliform Press, Nina Munteanu. Bottom: Lynne Sargent reads from Portal.

Exile launched their anthology Through the Portal: Tales of a Hopeful Dystopia, edited by Lynn Hutchinson Lee and Nina Munteanu. It was their twentieth in a series; this one focused on hope in a climate-changing world that is progressively becoming more dystopic. Short stories and poems were read by authors.

Top left: Ursula Pflug reads from Portal. Top right: Michael Callaghan introduces the anthology. Bottom: Lynn Hutchinson Lee reads from her novel Origins of Desire in Orchid Fens.

Stelliform launched Origins of Desire in Orchid Fens a novel written by Lynn Hutchinson Lee, who read several excerpts of her novel.

Both works have received much praise.

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Climate Change: How the Moving Treeline Affects Humanity and the Planet

Poplar trees in fall, ON (photo and rendition by Nina Munteanu)

 

I just finished reading Ben Rawlence’s 2022 book The Treeline. It is a book that made me think. It made me cry. It made me despair. It also gave me hope.  

Cattails line a snow-covered marsh with spruce and fir behind, ON (photo and rendition by Nina Munteanu)

I was gripped by this honest and unflinching exploration on the moving treeline with climate change and what it will mean for humanity. Beautifully written and rigorously reported, Rawlence invited me on a journey of all major treelines over the globe from Scotland, Norway and Russia, to Alaska, Canada and Greenland. Throughout his description of a warming world and a vanishing way of life, Rawlence meditates on the many repercussions on how humans live.

Pine-cedar forest in Ontario (photo and rendition by Nina Munteanu)

He aptly describes the forests of the world as the ‘heartbeat of the planet,’ the cycles of breathing and the pulses of life from the spike of oxygen in the spring when trees put out their leaves to the peaks and troughs over day and night that regulate plant photosynthesis and respiration. The peaks and troughs are getting shallower, he writes. With more carbon dioxide in the air the trees work less; they inhale less and exhale less oxygen.

“The planet is a finely tuned system. A few degrees of change in its orbit can usher in an ice age; a few degrees of temperature change can transform the distribution of species, can melt glaciers and create oceans. In the future, when the ice is gone, there may be no such thing as a treeline at all. As the stable currents of air and water associated with the Gulf Stream, the polar front, polar vortex and Beaufort Gyre dissipate or fluctuate, the Arctic Ocean melts completely, and the Rossby waves in the upper atmosphere go haywire, the fine gradations of temperature, altitude and latitude first observed by Alexander von Humboldt will become decoupled and ecological transition zones scrambled. Instead of a majestic sweeping zone of forest around the planet, we might find discontinuous pockets of trees in odd places, refugees from soil and temperatures long gone, and crocodiles once again at the North Pole.”

Ben Rawlence, The Treeline
Snow-covered river shoreline with mixed forest, ON (photo and rendition by Nina Munteanu)

Rawlence brings this all into perspective to our present situation and the role science has played in our hubristic illusion of control:

“An unfortunate side effect of science is the illusion of human mastery: the idea that if we know what is happening then we can control. The irony is that we might have been able to. The tragedy is that it is too late. The chain reaction is under way. The curve only gets steeper from here…five metres of sea level rise is locked in; it’s just a question of how fast the ice melts. Once again, the models seem to underestimate the speed…”

Ben Rawlence, The Treeline
Willow by a river at first snow, ON (photo and rendition by Nina Munteanu)

What is most unfortunate for us, for humanity, is that we have known all this for some time. But we’ve done little. “Industrialist capitalism and its export colonialism” with its exploitive gaze that drives our needs and wants and actions has chosen to ignore the signs. That exploitive gaze ignored that we are not only embedded in but dependent upon the natural world and all the forests to live and flourish.

Tamarack and birch trees in the fall, ON (photo and rendition by Nina Munteanu)

What Rawlence does acknowledge is a way out of our self-created doom and accompanying solastalgia:

“Our present emergency is forcing us to remember what, until recently, we have always known: that there is a web of communication, meaning and significance beyond us, a world of life forms constantly chattering, shouting and flirting and hunting each other, indifferent to human affairs. And there is solace in such a vision. The way out of the depression and grief and guilt of the carbon cul-de-sac we have driven down is to contemplate the world without us. To know the earth, that life, will continue its evolutionary journey in all its mystery and wonder. To widen our idea of time, and of ourselves. If we see ourselves as part of a larger whole, then it is the complete picture that is beautiful, worthy of meaning and respect, worth perhaps dying for, safe in the knowledge that life is not the opposite of death but a circle, as the forest teaches us, a continuum.”

Ben Rawlence, The Treeline
Poplar trees line a road in the Ontario country (photo and rendition by Nina Munteanu)

The planet will be alright. Species will go and others will come. Earth has experienced five extinction events (we are currently experiencing the sixth extinction event now) and after each, life flourished again, albeit different life.

Is there still hope for humanity? Perhaps—if we set our hubris aside and embrace humility and kindness. And, if in that humility, we can adapt our way through the succession we’ve triggered. There might be hope for us still…

Rawlence devotes his epilogue called “Thinking Like a Forest” to the wisdom of the indigenous people who have for millennia co-existed sustainably with the natural ecosystems of the Earth. “The Koyukon, the Sámi, the Nganasan, the Anishinaabe are just a few of the countless indigenous peoples whose world view attests to our foundational reliance on the forest.”

Time to learn from them.

Trees at sunset in winter, ON (photo and rendition by Nina Munteanu)

Nina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s recent book is the bilingual “La natura dell’acqua / The Way of Water” (Mincione Edizioni, Rome). Her latest “Water Is…” is currently an Amazon Bestseller and NY Times ‘year in reading’ choice of Margaret Atwood.

“The Best Books I Have Read This Year—2020

Author and reviewer Lee Hall recently compiled their list of the twenty best books they read in 2020. Says Lee:

It’s hard to believe that we’ve got to this point but we have. For all the words you could use to describe the dumpster fire that is and was 2020 I am going to use the word grateful. 

Grateful for the authors who have provided me with not only an escape through their wonderful works but grateful to them for providing a vital centre pillar of content for this blog – reviews. Some of these creators have become friends and important connections in the world of online authoring for me. This post is dedicated to them and the best books I have read this year. 

While the criteria of ‘best books’ is derived mainly from my own personal taste it is also influenced by how many views the review got on here along with my admiration for the author. These works are an extension of some wonderful personalities who make up an incredible community.

A Diary in the Age of Water was among the books Lee chose for 2020 reading:

‘A Diary in the Age of Water’ by Nina Munteanu

A truly important once in a generation read that flows like a wild river right through your imagination and heart– Quote from my review

I’m being 100% serious when I say ‘A Diary in the Age of Water’ is one of the most powerful books I’ve ever read. For what it stands for is truly a statement towards our own damning of this beautiful planet and our most precious resource – water. Canadian Author Nina Munteanu has put together a masterful look at where we could possibly end up if we don’t act. This one was another Reedsy Discovery find and thus totally justified my joining of the platform well and truly!

LEE HALL

Country road in winter, ON (photo and rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Age of Water Podcast: Nina Reads from “Barkskins”

AoW Logo-smallWe are now living in the Age of Water. Water is the new “gold”, with individuals, corporations and countries positioning themselves around this precious resource. Water is changing everything. The Age of Water Podcast covers anything of interest from breaking environmental news to evergreen material. This also includes human interest stories, readings of eco-literature, discussion of film and other media productions of interest.

In this episode of Age of Water, Nina reads from the novel “Barkskins” by Annie Proulx a poignant exploration of the forest industry in Canada and North America.

 

Annie Proulx’s Barkskins chronicles two immigrants who arrive in Canada in 1693 (Rene Sel and Charles Duquet) and their descendants over 300 years of deforestation of North America starting with the arrival of the Europeans to contemporary global warming. “Barkskins” (woodcutters) are, in fact indentured servants who were brought from the Paris slums to the wilds of New France “to clear the land, to subdue this evil wilderness,” says their seigneur. Sel is forced to marry a native woman and their descendants live trapped between two cultures; Duquet runs away to become a fur trader and build a timber empire.

Barkskins AnnieProulxProulx immerses the reader in rich sensory detail of a place and time, equally comfortable describing a white pine stand in Michigan and logging camp in Upper Gatineau to a Mi’kmaq village on the Nova Scotia coast or the stately Boston home of Charles Duquet. The foreshadowing of doom for the magnificent forests is cast by the shadow of how settlers treat the Mi’kmaq people. The fate of the forests and the Mi’kmaq are inextricably linked through settler disrespect and a fierce hunger for “more.”

The novel rolls out events in a relentless stream of life and death; no character is safe from the ravages of nature or the notions of that time period. While most of the book flows like a great amoral river—filled with feckless, unheroic and at times miserable characters—there are moments of emotional shoring. They act like exclamation marks for their rarity.

EcologyOfStory“The reader comes to realize that the novel isn’t really about the human characters so much as it is about the forests,” Gus Powell of The National Post concludes of Barkskins. “As [the forests] disappear, the narrative seems to recede in importance, revealing a crucial interdependence between the human and the natural world previously handled almost entirely as subtext. This is especially true in the novel’s closing, where the anger and despair that have characterized the novel shift into an outspoken environmental advocacy.”

I further explore the use of metaphor and other storytelling devices used by Annie Proulx in this strongly symbolic novel in my writing guidebook “Ecology of Story: World as Character.”

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Waterwas released by Inanna Publications (Toronto) in June 2020.