Nina Munteanu Talks About ‘Water Is…’ and ‘A Diary in the Age of Water’ with Dr. Steven Miletto

Nina Munteanu appears on “Teaching, Learning, Leading, K-12” Podcast with Dr. Steven Miletto

I was recently interviewed by Dr. Steven Miletto in Georgia on his podcast “Teaching Learning Leading K12”—Episode 401. We talked about my two recent books on water,Water Is…and A Diary in the Age of Water. The 1-hour interview covered a range of topics from why water makes us feel so good, to the study of limnology, and writing both non-fiction and fiction about water. In the latter, I talked about water as a character in story. We also talked about how characters form in a story and how to keep going when the muse or the joy buries itself.

Jackson Creek, ON (photo and dry-brush rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Nina Munteanu Talks Books, Water and Climate Change on Warren Lawrence’s Morning Show WKNY am Radio Kingston

I recently appeared on Warren Lawrence’s Morning Show on WKNY am Radio Kingston, New York, where we talked about water as a life-giving substance and a force of climate change. We talked, of course, about my recent eco-fiction novel “A Diary in the Age of Water”, which Warren had totally enjoyed and recommended to his listening audience (to my delight!) 

Warren asked me to share my process of writing this particular book as a diary and a work of “mundane science fiction:”

I was writing about both the far and the near future and much of it was based—like Margaret Atwood and her books—on real events and real people. I wanted personal relevance to what was going on, particularly with climate change. I also wanted to achieve a gritty realism of “the mundane” and a diary felt right. Lynna—the diarist—is a reclusive inexpressive character, so I thought a personal diary would help bring out her thoughts and feelings. There’s nothing like eves-dropping to make the mundane exciting. The diary-aspect of the book characterizes it as “mundane science fiction” by presenting an “ordinary” setting for characters to play out. The tension arises from insidious cumulative events and circumstances that slowly grow into something incendiary. The real events are the fuel that incite a slow-burn fictional drama that blurs the reader’s perception of reality and heightens its relevance.

We talked at length about the blur between real events and the fiction of this book and how the diary conspired in that felt blur for the reader. To Warren’s question of what I expected my audience to get from the book, particularly on the importance of water, I responded: 

While A Diary in the Age of Water is a work of fiction, its premise and much of its story are firmly based on real events, people and phenomena. The dramatization of these through four main characters carry the reader into consequence and accountability. Water’s relationship with each character provides four different perspectives on the value of water to humanity—from the personal and practical to the spiritual and existential. For readers with an evidence-based approach to learning about water’s importance, the diarist provides interesting facts on water in each of her entries in the form of epigraphs (mostly from Robert Wetzel’s Limnology). Things like: watershed, hypolimnion, aquifer, thalweg, clapotis gaufre, and petrichor, to name a few. 

Regarding whether Canadians see water, deforestation, pollution, or climate change differently than Americans, I responded:

My first response to that is no, we’re all North Americans. If there is a noticeable divergence, it is between North Americans and the rest of the world, based on our shared capitalist worldview and mixed settler and indigenous heritage. But Canadians do share some subtle differences from our southern neighbours. We are a northern people; much of our land lies in the unsettled northern boreal forest. Our population is far more sparse at five people/km2vs. close to 40 people/km2in America. With a majority of our population occupying the most southerly ten percent, Canada has large regions of pristine natural environments. I once entertained a ‘romantic’ metaphoric notion of Canadians resembling the settlers of Winterfell in the Westeros of Game of Thrones; a people more attuned to their land. Canadians profess to place environment high on our list of values and concerns. And yet we share a legacy of appalling forest management, rampant clearcutting of old-growth forest in British Columbia, insufficient federal and provincial water legislation, and environmentally-catastrophic mining practices in the oil tar sands of Alberta, the northern boreal forest of Canada and abroad.

Warren and I also talked about New York state and NYC, particularly to do with climate change, and how NYC fared in the novel (not well, I’m afraid). As example, I read a portion of the book from the diarist’s entry called “Climate Change”:

When I was growing up, we were already feeling the effects of a changing climate. The most obvious change was in the hundred-year floods calculated by engineers; they started to occur every other year. When I was five years old, Houston suffered a devastating flood and the city and surrounding area basically crashed under the wind and rain deluge of Hurricane Harvey. They lost power. Then their sewers backed up. But it didn’t get ugly until they lost their drinking water.

Five years later the Category 3 Hurricane Norma stormed though New York City with a twelve-metre-high wall of water. Manhattan drowned. Subways and car tunnels drowned. Kennedy Airport drowned. Homes drowned. People drowned.

The same storm put Providence, Rhode Island, under twenty feet of water.

A few days ago, Daniel told me that New York City water is still unfit to drink. “New York will be the new Pudong District,” he quipped with churlish humour. All of Florida south of Orlando is already there. “Like they weren’t warned,” he scoffed.

–A Diary in the Age of Water
Pond lilies in Thompson Creek marsh, ON (photo and rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Nina Munteanu Talks about Writing—Passion, Process, and Publication—with Mandy Eve-Barnett

Fantasy / SF writer and interviewer Mandy Eve-Barnett recently interviewed me about my recent eco-novel “A Diary in the Age of Water” and on my writing process and evolution. When did it all begin and what choices did I make along the way? she wanted to know. Here are some of her questions and my answers (embellished here) for your reading pleasure. For the full interview go here:

Mandy: When did you first start writing?

Nina: Not until I was a teenager when I wrote my first complete novel (“Caged-In World”—which later served as a very rough draft for my first and second published novels, Angel of Chaos and “Darwin’s Paradox”). My first published work was a non-fiction article “Environmental Citizenship”, which appeared in Shared Vision Magazinein 1995. I was already a young mother then with a family in Ladner, BC, and working for an environmental consulting firm in Richmond. My first fiction work was a short story entitled Arc of Time, published in a small circulation magazine Armchair Aesthete. That story was later reprinted several times throughout the world, including my short story collection Natural Selection.” Before writing stories, though, I told stories—I shared wild stories of galactic adventure with my older sister; we used to share them late into the night when we were supposed to be sleeping and our parents were snoring in their beds. I also told stories in the form of cartoons. Since I was a small child, I wanted to be a cartoonist and write graphic novels when I grew up. I created and drew several strips with crazy characters on wild adventures, blending my love for drawing with my love for storytelling. I haven’t stopped that form of storytelling and still have a yearning for that form. This is one reason why I’m so delighted with my latest book “A Diary in the Age of Water,” which features some of my limnological sketches, which stand in for the diarist’s sketches:

Pages from “A Diary in the Age of Water” by Nina Munteanu

Mandy: What made you decide on science fiction as a genre?

Nina: That goes back to my love for comics. I wasn’t much of a reader as a kid. While my older brother and sister devoured The Hardy Boys and Nancy Drew series, I secreted myself in the back corner of Williams General store and read Supergirl, Superman and Superboy, Batman, Magnus Robot Fighter and Green Lantern, among others. I was obviously enamored with the fantastic. When I earnestly started to read more than comics, I came across the SF classics: Huxley, Orwell, Heinlein, Clarke, Silverberg and Asimov to name a few. Bradbury sent me over the moon and his “Martian Chronicles” made me cry. I wanted to write like him and move readers like he’d done with me with something that mattered. 

The reason I continue to write in this genre is because of its ability to encompass the creative imagination and application of metaphor to story. Given science fiction’s wide range of possibilities in creating a believable reality of the fantastic, science fiction provides a compelling platform for metaphoric storytelling on a grand scale—the story large. Possibilities for powerful archetypes abound. Where else can you make water an actual character?

My environmental themes and eco-fiction lie in the sub-genre of ‘mundane science fiction.’ This is just another form of speculative fiction. Mundane science fiction focuses on existing technology (no ray guns, warp drives, or time travel). Its premise lies in existing circumstances and events to create a near-future realism. My recent dystopian eco-novel “A Diary in the Age of Water” by Inanna Publicationsfits this description perfectly. Examples by other writers include Margaret Atwood’s “MaddAddam” series, Paolo Bacigalupi’s “The Windup Girl” and Kim Stanley Robinson’s “The Ministry for the Future.”  

Mandy: Was the ecological aspect of your stories a gradual realization or your primary objective?

Nina: My primary objective was always to tell a compelling and meaningful story and hopefully to move readers in some way—like Ray Bradbury and other writers had with me. The ecological aspects slid in unannounced like a shadow character. It made sense: the environment and how we treat it (and ourselves by extension) has always been something important to me since I was a child. Both my parents were connected to Nature. My father took us on camping trips and picnics in the country; my mother was an amateur ecologist and botanist. From quite young I’ve been an environmental activist; chasing after people who littered, promoting recycling, participating in environmental protests. So, while I was writing science fiction, it was also eco-fiction. When the brand became more known, I realized that this was the kind of fiction I was writing most of the time. So, in some ways, I’ve come full circle with my quest as a youth: to tell impactful stories about the environment—whether this is here on Earth or on some planet in the outer systems—which make people think and feel and question. 

Mandy: Can you tell us a little about your newest book “A Diary in the Age of Water”, how you came up with the concept, and your writing process for it?

Nina: The book follows the climate-induced journey of humanity through four generations of women, each with a unique relationship with water during a time of calamitous change. The book starts and ends in the far future in the dying boreal forest with a blue water being, Kyo, who finds the diary of a limnologist, Lynna, from our near-future Toronto. The diary spans a forty-year period and contains a series of entries; each entry begins with an epigraph—quote from the textbook “Limnology” by Robert Wetzel. During the diarist’s lifetime, all things to do with water are overseen and controlled by the international giant water utility CanadaCorp—with powers to arrest and detain anyone. This is a world in which China owns America and America, in turn, owns Canada. The limnologist witnesses and suffers through severe water taxes and imposed restrictions, dark intrigue through neighbourhood betrayals, corporate spying and espionage, and repression of her scientific freedoms. Some people die. Others disappear.

Inspiration for the novel started with a short story I was invited to write by my publisher in Rome in 2015 about water and politics in Canada.  I had long been thinking of potential ironies in Canada’s water-rich heritage. The premise I wanted to explore was the irony of people in a water-rich nation experiencing water scarcity: living under a government-imposed daily water quota of 5 litres as water bottling and utility companies took it all. I named the story “The Way of Water” (“La natura dell’acqua), about a young woman (Hilda) in near-future Toronto who has run out of water credits for the public wTap; by this time houses no longer have potable water and their water taps have been cemented shut; the only way to get water is through the public wTaps—at great cost. She’s standing two metres from water—in a line of people waiting to use the tap—and dying of thirst. “The Way of Watercaptures a vision that explores the nuances of corporate and government corruption and deceit together with global resource warfare. In this near-future, Canada is mined of all its water by thirsty Chinese and US multinationals—leaving nothing for the Canadians. Rain has not fallen on Canadian soil in years due to advances in geoengineering and weather manipulation that prevent rain clouds from going anywhere north of the Canada-US border. If you’re wondering if this is possible, it’s already happening in China and surrounding countries.

I chose to use a diary in the near-future part of the story to achieve a sense of gritty realism of ‘the mundane.’ The diary-aspect of the book characterizes it as ‘mundane science fiction’ by presenting an ‘ordinary’ setting for characters to play out. The tension arises more from insidious cumulative events and circumstances that slowly grow into something incendiary.

Many of the events and circumstances that the diarist reports on are real events and based on real people. That they serve as premise for the fiction effectively blurs the fiction with non-fiction. Readers have told me that they often couldn’t distinguish the two in the book and this achieved a real urgency for the reader, who both hated and loved the book for it and couldn’t stop turning the pages as a result. 

Hardwood forest backlit by sparkling Otonabee River in spring, ON (photo and rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Nina Munteanu Talks Books, Water and COVID on ConversationsLIVE

I recently had a wonderful discussion on Cyrus Webb’s show ConversationsLIVE on BlogTalkRadio and WYAD Radio in Mississippi.

We talked about curiosity in our world and how fiction connects us with relevance and meaning. We discussed writing eco-fiction, my latest eco-novel and work of mundane science fiction “A Diary in the Age of Water. We also discussed what was involved in combining art with science in mundane science fiction. Cyrus then asked me what it was like to get a book out during COVID. I enjoyed this interview for its refreshing questions. They made me think.

You can listen to the interview through the link below:

https://www.blogtalkradio.com/conversationslive/2021/06/22/author-nina-munteanu-talks-adiaryintheageofwater-on-conversationslive

Pond lilies in Thompson Creek marsh, ON (photo and rendition by Nina Munteanu)

Nina Munteanu Talks Water, Writing, and Weather on ‘All About Canadian Books’

I recently had the pleasure of chatting with Crystal Fletcher on “All About Canadian Books” about my recent clifi dystopian novel “A Diary in the Age of Water.” We covered a number of topics from water’s over 70 anomalous properties–virtually all of them life-giving–to how water seems to inform all aspects of my life, particularly my writing life. Crystal was particularly fascinated with the four generations of women in the book and we talked at length about how these characters were developed and the roles they played in the greater saga.

After bringing up the Toronto Star’s question of me (“What keeps you up at night about climate change”) in which I admitted that I lose sleep over the thought of how my son and his children will fair in this changing world, Crystal admitted that “Your book, Nina, is an eye opener…it freaked me out when I was reading it…and now I’m losing sleep!”

Hardwood forest back lit by glittering Otonabee River, ON (photo and rendition by Nina Munteanu)

Nina Munteanu Talks Water and Writing on Kentucky’s WMST-am Radio

Dan Manley interviews Nina Munteanu on Mid Morning on Main WMST-AM Radio

I was recently interviewed (on June 21) by Dan Manley on Kentucky’s Mid-Morning on Main show on WMST-AM Radio. I’ve visited Kentucky several times before, including the famous Bardstown Road in Louisville, but this time it was a virtual visit.

Dan and I talked about how I became a limnologist and ecologist, about my growing up in a small town and playing in the local forest with my older brother and sister and how we made ‘potions’ out of moss, soil, evening nightshade and water.

We talked about my recent eco-novel “A Diary in the Age of Water” and why I wrote it and its effect on people. We covered the difference between stereotypes and archetypes and how science informs me and my writing. We also explored how life changes us and our writing and how writing, in turn, changes us.

We covered a vast range of water-related topics from the movie “Water World” to the TV show “Bonanza.” We talked about water scarcity and water politics and what Canada was doing and what’s happening in America.

I really enjoyed this interview because Dan asked me some surprising and challenging questions that led us into interesting territory. My interview with him starts about 43 minutes into the show. Go have a listen!

Otonabee River sparkles behind a hardwood forest in spring, ON (photo and dry brush rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Nina Munteanu On The Age of Water: Interview on “Mysterious Goings On Podcast”

Alex Greenwood, host of The Mysterious Goings On Podcast recently interviewed me about my latest novel and work of climate fiction, the dystopia “A Diary in the Age of Water.”

Alex and I discussed water scarcity and climate change as a water phenomenon. I also shared my thoughts on water as a character in the novel, water’s many anomalous properties–all of which promote life and wellness, and why writing a dystopian cautionary tale is an act of optimism.

Listen to the podcast on: Anchor; Spotify; Stitcher; Apple Podcasts; iHeartRadio; YouTube; Podchaser; Listennotes; Audible

Boys exploring by the Otonabee River, ON (photo and dry brush rendition by Nina Munteanu)

Nina Talks About Being a Scientist and a Storytelling Artist on “The Authors Book Club”

Cedar beside swift water of Jackson Creek, ON (photo and rendition by Nina Munteanu)

Fiona Ross with The Authors Book Club talked with limnologist and eco-fiction author Nina Munteanu about her journey as both author and scientist and her latest book A Diary in the Age of Water (Inanna Publications). 

Advice on writing:

“Write with passion. A lot of people say ‘write what you know.’ Those two in some ways are the same thing. You can do a lot of research on things that you don’t know and bring that in [to your writing.] But to know in your soul, in your heart, the thing that’s important that you need to write about is more what I mean by ‘write what you know.’ If you’re passionate about something—a global catastrophe or a personal journey with abuse—if it comes from the heart, it will keep you on track through those rejections and to finish and complete your work. Otherwise you won’t persist and you’ll let someone tell you that it isn’t important, it’s just a hobby.”

On water:

Nina and Fiona discuss the perils of commodifying water and Canada’s role in protecting the freshwater of the world and the boreal zone of Canada.

Nina talks about how she turned her fear of water as a child into a fascination for water and a passion for its protection. “I’m a limnologist, an ecologist. I’ve have been studying it since I was a little kid who was scared of water. I triumphed over that into fascination and made that into a career.” Nina’s non-fiction book Water Is… was published in 2016 as a biography of water and was endorsed by Margaret Atwood in the New York Times ‘Year in Reading.’

Nina talks about some of water’s over 70 anomalous properties and how virtually each is life-giving. She shares how water can teach us to be stewards and protectors of water within an emerging paradigm of gratitude and humbleness.  

On being both scientist and artist:

Nina suggests that: “All great scientists are informed by art. They are creative in some way. [Scientists] bring that creativity, that original thinking and that curiosity, with them into their science. That’s what makes their science great because they are willing to look outward…We try to compartmentalize so we can better understand [art and science] but the irony is that we better understand them by bringing them together and integrating them…”

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Nina Munteanu Talks Water on Sustainably Geeky

I appeared recently on the Sustainably Geeky Podcast Episode 33 “Making a Splash” to talk with host Jennifer Hetzel about all things to do with water, from physics and chemistry to geography and politics. We discussed what a limnologist does (like zoom around lakes in a jet boat and collect water samples, among other things).

Here is their blurb about the episode:

“Water you waiting for? This month we talk with limnologist and cli-fi author Nina Munteanu about the water cycle and how human activity affects it. Nina discusses the importance of water in all its forms, and its affect on global warming.”

Click below to listen:

Jackson Creek in early winter high flow, ON (photo and dry brush rendering by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

Nina Munteanu Talks Water and Writing on Minddog TV, New York

I was recently interviewed by Matt Nappo on Minddog TV in New York, where we talked about the science and magic of water, climate change and how to not become cynical, the process of writing, what scares us and what takes us through it into great storytelling.

Here’s the interview:

Matt Nappo interviews limnologist and clifi author Nina Munteanu on minddog TV
Cattails oversee the snowy plain of the iced-over Trent Canal, ON (photo and dry brush rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.