How Walking in Nature Helps Me Write

wooden bridge westcoast forestI don’t often get writer’s block. I just walk out of it into Nature.

My favourite place to walk is the forest, along a river.

Walking in a forest unclutters my mind and soul. The forest is simple in its natural complexity. Its beauty combs out the tangles of human complexity like a dam dissolving and grounds me back to the simplicity of natural life.

The river trickles in the background as I step through dappled light and inhale the organic scents of the forest. The forest and the river help me re-align and focus—without trying. That’s the magic of it. It’s in the not trying.

I carry a notebook with me to jot down ideas that come to me. They always do. I find writing by hand additionally helps in the creative process.

My favourite park is the little woodland of the Little Rouge River, located off a small road hidden from the sprawling desert of suburbia.

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my old maple leaning over the Little Rouge River

It was spring when I first entered this forest. I inhaled its complex smell, awakening with spring flowers. At my entrance, chipmunks scattered and scolded me for interrupting their calm. I chuckled and thought that I’d seen more within the space of one minute here than I had in a year in the suburb I currently live in. A duff-strewn path led me beneath the pungent smell of pine and cedar. I made my way toward the riverbank where beech and maple leaned over the water. I found a place to write.

When I returned in the fall, the forest was a mix of colour.  Most of the deciduous trees had dropped their leaves in a revealing show of textured grays, gray-browns and blacks. The bare trunks and fractal branches contrasted with the deep greens of the conifers. Rogue trees—like the oak and beech—still claimed their leaves, adding deep russet tones to the varied grays and deep greens of the canopy. The forest was now more open, emerging with ancient magnificence from a soft brown carpet on the ground. The air was fresh with the scent of loam, decaying leaves and saprophyte activity.

LittleRouge-icing shallows

A shallow part of the Little Rouge ices over with the first snowfall in late autumn

I strayed off the path toward the riverbank again. I was looking for the old sugar maple I’d spent time with the previous spring. After several bends in the river, I saw it, leaning precipitously over the river like an old man sharing an intimate story. It had already lost its leaves; they covered the ground in a soft carpet. The old tree literally hugged the bank in a braided network of snaking roots; like a carved figurehead hugs the prow of a great tall ship.

My OldMaple-burl copy

Burl on my maple

Eager to see my old friend up close, I scrambled down the overhanging bank using the old maple’s root “stairway,” then ungracefully dropped onto the cobbles below. Every part of my gnarly old maple tree was splendid. Its shaggy trunk stretched up with typical silhouette of branching-out arms that every Canadian kid drew when they were six. The horizontal roots stretched out in a tangle and stitched the bank together, keeping it intact.

The Little Rouge River calls me to sit and listen to its flowing song—a joyful playful symphony of breaths, chortles and open-throated froth. I sit. And still my breath. I find my whole body relax from the tension of the suburban drive. I am home, sighing with a rhythm I’d forgotten. Re-aligning. Bones with rock. Rock with twig. Twig with root. The animals no longer scold me. They have resumed their natural rhythm, as I merge into scenery. And write…

****

gnarly cedar

gnarly cedar roots

What I do is not new to creative thinkers all over the world and throughout time. I share great company with people who used walking (usually in Nature) as a venue toward creative thinking (and writing). All great walkers.

Aristotle conducted his lectures while walking the grounds of his school in Athens. His followers, who chased him as he walked, were known as the peripatelics (e.g., Greek for meandering). Darwin refined his ideas on natural selection and other topics during his frequent walks along his “thinking path”, a gravel road called Sandwalk Wood near his home in southeast England. Dickens walked for miles each day: “If I could not walk far and fast, I think I should just explode and perish.” Beethoven often took solitary walks. He strolled the Viennese woods for hours, finding inspiration for his works and jotting them down on a notepad that he carried with him. Nietzsche loved his walks in the mountains: “it is only ideas gained from walking that have any worth.” For Wordsworth, the act of walking was one in the same with the act of writing poetry. Both involved rhythm and meter. Henry David Thoreau was known for his great walkabouts. Walking through nature for Thoreau was a pilgrimage without a destination—more discovery and rapture.

YellowBirch-winter

Yellow birch trunk

Stanford researchers demonstrated that walking boosts creative inspiration. They showed that the act of walking significantly increased creativity for 81% of the participants and that the creative ideas generated while walking were not irrelevant or far-fetched, but innovative and practical.

“The answer begins with changes to our chemistry,” writes journalist Ferris Jabr in The New Yorker (2014). “When we go for a walk, the heart pumps faster, circulating more blood and oxgen not just to the muscles but to all the organs—including the brain. Many experiments have shown that after or during exercise, even very mild exertion, people perform better on tests of memory and attention. Walking on a regular basis also promotes new connections between brain cells, staves off the usual withering of brain tissue that comes with age, increases the volume of the hippocampus (a brain region crucial to memory) and elevates levels of molecules that both stimulate the growth of new neurons and transmit messages between them.”

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Nina Munteanu walks the forest

While walking is good for our creativity and general well-being, walking in a park or wilderness is so much better. Researchers in Europe and Japan found that anxiety and depression was significantly reduced in the presence of green space and that it boosted attentiveness, focus and academic performance. Vegetation creates “a halo of improved health.” Dr. Frances Kuo at the University of Illinois demonstrated that just seeing a tree helps cognition and promotes a sense of well-being. While a human-made environment of objects—cars and buildings—requires high-frequency processing in the brain; a landscaped environment allows the observer to relax his or her attention, resulting in reduced muscle tension, lower heart rate, and a generally less stressful physiology.

Finding a favourite tree might be the best thing you do to boost your creativity.

 

References:

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Nina Munteanu by a large willow tree

Cameron, Julia. 1992. “The Artist’s Way”. Penguin Putnam Inc., New York, NY. 222pp.

Deasey, Louise. 2015. “Negative Ions Are Great for Your Health”. 
Body and Soul.

Munteanu, Nina. 2013. The Journal Writer: Finding Your Voice. Pixl Press, Vancouver, BC. 170pp.

Oppezzo, Marily and Daniel L. Schwartz. 2014. “Give Your Ideas Some Legs: The Positive Effect of Walking on Creative Thinking”, Journal of Experimental Psychology: Learning, Memory, and Cognition, Vol. 40, No. 4: 1142-1152.

Wells, Nancy M. 2000. “At Home with Nature: Effects of ‘Greenness’ on Children’s Cognitive Functioning”. Environment and Behavior 32 (6): 775–795.

 

 

nina-2014aaaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s recent book is the bilingual “La natura dell’acqua / The Way of Water” (Mincione Edizioni, Rome). Her latest “Water Is…” is currently an Amazon Bestseller and NY Times ‘year in reading’ choice of Margaret Atwood.

Morphology 2019–Celebrating A New Marsh in Mississauga with Quotes from “Water Is…”

Water Is Life copy

March 22 was World Water Day. As with last year at this same time and place, a brisk wind followed me into the industrial brick building that used to be the Small Arms Inspection Building—now converted into a community arts and culture centre.

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Councillor Jim Tovey and Lieutenant Governor Elizabeth Dowdeswell (photo by John Stewart)

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Plan of the conservation site

I was here to celebrate the late Jim Tovey’s dream of creating a 26-hectare park and marsh on Mississauga’s Lake Ontario shore that will connect the Waterfront Trail with Lake Ontario’s shorefront for the public.

Several dozen photographs that documented the annual and seasonal changes of the developing marsh occupied the spacious hall. The glow of evening sunlight streamed through, touching large photographs that hung from the high ceilings or were mounted on walls. Some photographs spanned over 2 by 3 metres.

Quotes from my books “Water Is…” (Pixl Press, 2016) and upcoming “A Diary in the Age of Water” (Inanna Publications, 2020) were displayed among the photographs.

Photo Julie Knox

Photograph by Julie Knox

I was mesmerized by the spectacular photographic display.

Larger than life photographs caught my attention through light, form and unique perspective. Once caught, I was drawn into their complex narrative. A narrative of morphing shapeshifters, flowing humours and tricksters in the night. Panoramas that stretched over giant muddy holes depicting an evolution of landscape from wet

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Photo by Gabriella Bank

to dry to wet again.

Tree bole, rock and rebar formed bizarre companions in murky pools that harbour life finding itself. Piles of giant boulders shouted their presence to a stormy lake. A frontend loader sat peacefully beneath a glowing sunset. Slopes of wild herbs reached into ponds as if looking for hidden treasure.  Mangled rebar contorted in a frozen ice-dance. A man’s boot tracks cut recursive patterns in the silky mud.

The photographs provided a range of perspectives over the seasons on the early phase of the marsh construction that featured aquatic habitat structures built four metres below the level of Lake Ontario. Councillor Tovey had earlier said of the construction project: “It sort of looks like a Salvador Dali surrealistic sculpture garden…and what an interesting way to really celebrate all of this.”

WaterMeanders2

The Morphology 2019 Photography Exhibit marks the third year of celebrating this morphing natural landscape through the photography of eleven creative photo artists. The opening day of Morphology 2019 was celebrated with a blessing by Cathie Jamieson, Councillor Mississaugas of the Credit First Nation. Lee Tovey spoke as did members of the contributing partners and Mayor Bonnie Crombie of the City of Mississauga.

Water Is Wisdom copy

Construction of the site and marsh began in November 2016 and is ongoing and expected to continue until 2024-2026, when the site will be opened to the public. Starting in 2017, the eleven photographers toured the site to capture the seasonal and annual changes of the developing wetland. I was also invited to tour the site to glimpse a moonscape of dirt and clean rubble as dozers pushed material out to form cells and reclaim marsh habitat from open lake.

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the author and Lee Tovey overlooking one of the marsh cells

In November of 2017, I walked the undulating “moonscape” with Lee Tovey and Zoe Danahy. Rolling berms snaked around pooled and dry depressions that disappeared in the fog. The smell of rain and mud pervaded as we set out in ankle-deep mud toward the snaking berms. I scrambled over rip rap chunks larger than me to glimpse Lake Ontario—its new shoreline re-imagined. Beyond, the lake vanished in a veil of fog. I was told that on a clear day you could see the Toronto Waterfront and the CN Tower. All I could make out was a few ghost trees that marked the nearby eastern shoreline.

Lee took me along a dyke embankment of clean fill made of red brick and cement riprap from various construction sites. “Clean fill” refers to anything like brick, top soil, gravel, and cement that has been tested for possible contaminants, as opposed to plastic, glass, or metals.

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The author with Lee Tovey on riprap berm

Lee pointed left and right of us to depressions (containment cells) where Lake Ontario was being reclaimed for marsh-building. The depression on my left was still full of water; but the one on my right was fairly dry and already populated with anchored logs and shrub plantings to consolidate the wetland and provide refuge for marsh life. I could hear the large pump actively removing lake water at the south end of the evolving wetland. Beyond the high berm of human-sized riprap was the lake, its shoreline now redefined.

Water-travel

As I gazed over the brown monochromatic landscape, I imagined a tapestry of greens in Councillor Jim Tovey’s vision: 26 hectares of future wetlands, forest and meadow and beach spanning the Lake Ontario shoreline from the old Lakeview generating station to the Toronto line at Marie Curtis Park. Part of the Inspiration Lakeview development, the marsh and wetland park have now been named The Jim Tovey Lakeview Conservation Area.

WaterIs magic-photo

Morphology

Morphology was conceived by the late visionary councillor Jim Tovey who envisioned an evolving photography and writing exhibit to follow the progress of the marsh creation project of what is now The Jim Tovey Lakeview Conservation Area. Spearheaded and nurtured by Councillor Tovey, the marsh construction was part of 26 hectares of future wetlands, forest, meadow and beach. The Lakeview Waterfront Connection will span the Lake Ontario shoreline from the old Lakeview generating station to the Toronto line at Marie Curtis Park. Part of the Inspiration Lakeview development, it will restore pedestrian and cyclist access to a previously forbidden section of the waterfront to “connect 9.5 kilometers of shoreline for water’s edge experience for the public,” said Councillor Tovey.

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To celebrate the residential / park development, eleven professional photographers were invited to photograph the marsh construction during its early phases. These images, along with water-inspired narrative provided by limnologist-author Nina Munteanu, were first displayed in an exhibit during a gala event January 14 2018, hosted at the Lakeview water treatment plant. Following Councillor Tovey’s untimely passing, his wife Lee Tovey and others (e.g., TRCA, CVC, Region of Peel) are continuing the project. Morphology was displayed for the public on World Water Day, March of 2018, at the Great Hall in the Mississauga Civic Centre. Its third appearance was at the In Situ Multi Arts Festival in November 2018.

Morphology-Exhibit hall

Morphology Exhibit at the Great Hall, Mississauga Civic Centre

The artist showcase is expected to become an annual event, highlighting the progress of constructed ecosystem. Morphology features works from: Gabriella Bank, Sandor Bank, PJ Bell, Darren Clarke, Julie Knox, Nina Munteanu, Lachlan McVie, Marcelo Leonardo Pazán, Martin Pinker, Annette Seip, Stephen Uhraney and Bob Warren.
https://www.dropbox.com/s/orsich16lbqgamf/MORPHOLOGY_2019.mp4?dl=0

nina-2014aaaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s recent book is the bilingual “La natura dell’acqua / The Way of Water” (Mincione Edizioni, Rome). Her latest “Water Is…” is currently an Amazon Bestseller and NY Times ‘year in reading’ choice of Margaret Atwood.

Surfing Schumann’s Wave and Catching the Ion Spray: Everything in Life is Vibration

water in motionSometime ago, on another writing site that I used to post for, a reader/writer made an interesting comment to my article ” Stoking the Scintillation of Inspiration.” She said, “I feel energized and challenged to see where my mind takes me in the midst of my mommy days.  Often it’s when my four young children are home the ideas long to push through the clutter of multiple voices and feverish activity.

It made me think about what it is in those “repetitive tasks” that stoke our muse and how we as writers can benefit from them. Is it simply God’s ironic sense of humor (e.g., “You’re too busy to do anything about it now, so I will give you a genius moment to ponder….Good luck remembering it!”). Or have we inadvertently caught the universal wave? Einstein once said, “everything in life is vibration.”

We are creatures of rhythm: circadian, diurnal, and seasonal. Let’s face it; our environment—light especially—affects our behavior, psychologically, physiologically and even socially. For instance, mood-altering chemicals generated in the pineal gland in our brain, are partially affected by the light received from our retina. Our world is composed of energy, light, sound and matter, all expressed at different frequencies. Music—which is all frequency—can heal the body, strengthen the mind and unlock the creative spirit. For instance, music with a pulse of about sixty beats per minute can shift consciousness from the beta wave (ordinary consciousness at 14-20 Hz) toward enhanced alertness and general well-being at the alpha range (heightened awareness at 8-13 Hz, and essentially the standing wave in Schumann’s Cavity).

water surgingThe study of cymatics, coined in 1967 by Swiss doctor Hans Jenny from the Greek word kyma (wave), explores how sound affects gases, liquids, plasmas and solids and how vibrations, in the broad sense, generate and influence patterns, shapes and moving processes. When sound travels through non-solids it moves in longitudinal waves called compression waves. In matter, the medium is displaced by sound waves, causing it to oscillate at a frequency relative to the sound, and visible patterns emerge.

Using crystal oscillators and a “tonoscope” to set plates and membranes vibrating, Jenny controlled frequency and amplitude/volume to demonstrate that simple frequencies and songs could rearrange the essential molecular structure of water and other materials.

Jenny was convinced that biological evolution resulted from vibrations in a kind of fractal progression, and that their nature determined the ultimate outcome. He speculated that every cell has its own frequency and that a number of cells with the same frequency create a new frequency, which is harmonious with the original, which in its turn possibly forms an organ that also creates a new frequency in harmony with the two preceding ones. Jenny was saying that the key to understanding how we can heal the body with the help of tones lies in our understanding of how different frequencies influence genes, cells and various structures in the body (think of how you feel when you listen to Mozart’s Divertimento No. 15 vs. when you’re listening to Mick Jagger belt out Ruby Tuesday).

crashing wavesBoldly extending his tonoscope research into voice and language, Jenny discovered that when the vowels of ancient Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for these vowels, while modern languages didn’t generate the same result. This has led spiritual philosophers to ponder if “sacred languages” (including Tibetan and Egyptian) have the power to influence and transform physical reality, to create things through their inherent power, or through the recitation or singing of sacred texts, to heal a person who has gone “out of tune”?…

This is an exceptional concept…

In a controversial movie called “Water”, Rustum Roy, professor at the State University of Pennsylvania and member of the International Academy of Sciences, posited that water has “memory”, based on the structure it takes on as a result of electromagnetic fields and various frequencies to which it is exposed.

ocean wavesI’m a practicing aquatic scientist and I’m compelled to note that the human brain is 75% water; it is not surprising that we can be affected by the shape and form of water itself—and, in turn, may shape water with our minds. This is in itself a startling admission and opens up a myriad of controversial topics, which many scientists find hard to reconcile and refuse to investigate, let alone entertain. And, yes, I am edging into the area of metaphysics, “science fiction”, and “fanciful thinking”. A place populated by heretics who do “questionable science”, those rogue mavericks who dare step outside the realm of traditional science to imagine, to dare pursue a truth using unconventional means.

Here’s my point: water is important to us in ways science can’t even begin to explain. Because science can’t yet explain it, should we abandon the potential and its investigation? All good science was once perceived as magic before it was understood.

Let me take it one step further:

I posit that our entire bodies are sending and receiving vibrations at different frequencies with our environment, other people and other animals around us, inanimate objects, even the seemingly ‘empty’ space. It has permeated our culture more than you may realize, including the metaphors we have seamlessly adopted in our common language: terms like “bad vibes”, “you can feel the tension”, and “you could cut the air in here with a knife”.

shallow oceanIf you think this is all too weird, consider the weirdness of quantum mechanics, which shows us that not only is “solid” matter made up mostly of energy and “empty” space but what makes a solid a chair vs. you sitting on it is the vibration of its energy. Quantum science has demonstrated that light and matter are made of both particles and waves (New Scientist, May 6, 2010) and can exist in two simultaneous states (heard of Schrodinger’s Cat?). Let’s consider, for instance, “entanglement” (quantum non-local connection), the notion that particles can be linked in such a way that changing the quantum state of one instantaneously affects the other, even if they are light years apart. And what does it mean when solid flows, ghost-like, through itself under certain conditions? Or parallel universes are created by splitting realities? (You’ll have to check out my historical fantasy “The Last Summoner” for a unique take on this popular notion).

Nobel prize-winning physicist Richard Feyman says of the paradoxes presented by quantum mechanics, “the ‘paradox’ is only a conflict between reality and your feeling of what reality ought to be.”

So, what does all of this have to do with “writing”, scintillating or otherwise, some of you may be asking… Well, nothing … Everything …

Reference:
Munteanu, Nina. 2016. “Water Is…The Meaning of Water” Pixl Press, Vancouver, BC. 585pp.

 

nina-2014aaaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s recent book is the bilingual “La natura dell’acqua / The Way of Water” (Mincione Edizioni, Rome). Her latest “Water Is…” is currently an Amazon Bestseller and NY Times ‘year in reading’ choice of Margaret Atwood.

Stoking the Scintillation of Inspiration

forest steps“Many of us wish we were more creative,” Julia Cameron, author of The Artist’s Way, shares. “Many of us sense we are more creative, but unable to effectively tap that creativity. Our dreams elude us. Our lives feel somehow flat. Often, we have great ideas, wonderful dreams, but are unable to actualize them for ourselves. Sometimes we have specific creative longings we would love to be able to fulfill … we hunger for what might be called creative living.”

Many of us are, in fact, creatively blocked. How would you know if you were? Jealousy is an excellent clue. Are there creative people you resent? Do you tell yourself, ‘I could do that, if only…’ An old friend of mine used to constantly share that he would “start living and settle down” once he had enough money. It never happened; and he never did—twenty years later. That was sad; because he was waiting for life to begin, when it was already happening—and he was missing it.

forest boardwalkCreative recovery (or discovery) is something you can learn. It is something you can enhance and direct. “As you learn to recognize, nurture, and protect your inner artist,” says Cameron, “you will be able to move beyond pain and creative constriction. You will learn ways to recognize and resolve fear, remove emotional scar tissue, and strengthen your confidence.”

Stoking the creative artist inside you may be as simple as giving your mind the chance to wander—and taking the time to pay attention. Rhythm and regular, repetitive actions play a role in priming the artistic well. Cameron lightheartedly describes how the “s” activities work so well for this: showering, swimming, scrubbing, shaving, steering a car. I can testify to the latter—how many great plot ideas have I cooked up while driving to work! Filmmaker Steven Spielberg claimed that his best ideas came to him while he was driving the freeway. Negotiating through the flow of traffic triggered the artist-brain with images that translated into ideas. “Why do I get my best ideas in the shower?” Einstein was known to have remarked. Scientists tell us that this is because showering is an artist-brain activity.

wood bridge forest-congaree national parkThe magical part in this is to pay attention. Pay attention to your life experiences; don’t ignore them. Sit up in the bus and watch people, play with the images, sounds and smells. Get sensual and let your eyes, ears, nose and limbs delight in the world. It’s amazing how interesting the world becomes once you start paying attention.

Henry Miller tells us to develop interest in your daily life; in people, things, literature, and music: “the world is … simply throbbing with rich treasures, beautiful souls and interesting people. Forget yourself,” he says.

Looking outward as well as inward allows us to explore different angles and facets of the same thing. When we see the same thing through different perspectives we rediscover something new in ourselves. We create interest and connect the world to ourselves.

Julia Cameron shares that “art may seem to spring from pain, but perhaps that is because pain serves to focus our attention onto details (for instance, the excruciatingly beautiful curve of a lost lover’s neck). Art may seem to involve broad strokes, grand schemes, great plans. But it is the attention to detail that stays with us; the singular image is what haunts us and becomes art. Even in the midst of pain, this singular image brings delight. The artist who tells you different is lying.”

Curious child

Brenda Ueland tells us why we should all use our creative power: “Because there is nothing that makes people so generous, joyful, lively, bold and compassionate, so indifferent to fighting and the accumulation of objects and money.”

forest path copyReferences:

Julia Cameron. 2002. “The Artist’s Way”. Tarcher. 272pp.
Nina Munteanu. In Press. “The Journal Writer:  Finding Your Voice”. Pixl Press. 132pp.

 

nina-2014aaaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s recent book is the bilingual “La natura dell’acqua / The Way of Water” (Mincione Edizioni, Rome). Her latest “Water Is…” is currently an Amazon Bestseller and NY Times ‘year in reading’ choice of Margaret Atwood.

AudiobookWorm’s Blog Tour of The Splintered Universe Trilogy: Book 1 “Outer Diverse”

front cover only-web-smaller2Audiobookworm Promotions organized an Audiobook series blog tour from January 8th through to January 28th for Nina Munteanu’s “The Splintered Universe Trilogy,” a science fiction detective adventure, starring the indomitable Galactic Guardian, Rhea Hawke.

“Dawn Harvey breathed incredible life into the lead character, Rhea Hawke–both sarcastic and vulnerable at the same time; a detective with a cynical edge, and sultry voice tinged with wiry sarcasm. The story unfolded through Rhea’s narrative like an old film noir as she unraveled mysteries that led to the greatest one: her own.”–Amazon Review

Book 1, Outer Diverse: January 8-14
Book 2, Inner Diverse: January 15-21
Book 3, Metaverse: January 21-28

The tour with blog sites includes spotlights, reviews, audio excerpts, guest posts, interviews of author, narrator (and character Rhea Hawke!)

The tour starts Jan 8-14 with “Outer Diverse“, Book 1 of the trilogy.

coveri03 copyOuter Diverse is the first book of the Splintered Universe Trilogy, set in and around the Milky Way Galaxy. The first book begins as Galactic Guardian Rhea Hawke intestigates the massacre of an entire religious sect, catapulting her into a treacherous storm of politics, conspiracy and self-discovery. Her quest for justice leads her into the heart of a universal struggle and toward an unbearable truth she’s hidden from herself since she murdered an innocent man.

 

“Outer Diverse and its two sequels in the Splintered Universe are like a cross between Star Wars and Game of Thrones with a sprinkling of detective film noir”–Amazon Review

TOUR SCHEDULE for OUTER DIVERSE

Follow the itinerary for “Outer Diverse“, Book 1 of the trilogy (Jan 8-14):

Jan. 8th:
Assorted Nonsense (Author Interview)

Jan. 9th:
Jazzy Book Reviews (Spotlight + Audio Excerpt, Author Interview, “What Kind of Hero Is Rhea Hawke” article, Giveaway)

Jan. 10th:
Dab of Darkness Book Reviews (Review, Author Interview, “What Kind of Hero is Rhea Hawke?” article, character profile)

Jan. 11th:
Book Addict (Review of Outer Diverse, Spotlight + Audio Excerpt, Author Interview, Giveaway)

Jan. 12th:
The Book Addict’s Reviews (Review of Inner Diverse, Audio Excerpt, Narrator Interview, Rhea’s proverbs)

Jan. 13th:
Smada’s Book Smack (Author Interview, Spotlight + Audio Excerpt, Giveaway)

Jan. 14th:
Chapter Break (Spotlight + Audio Excerpt, Author Interview, “What Kind of Hero Is Rhea Hawke?” article)
Lilly’s Book World (Review, Spotlight + Audio Excerpt)

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“A master of metaphor, Munteanu turns an adventure story into a wonderland of alien rabbit holes… a fascinating and enthralling read.” (Craig Bowlsby, author of Commander’s Log)

“A rollicking science fiction plot with all the trappings…Hawke is a maverick in the wild west tradition…a genetic mystery with lethal powers.” (Lynda Williams, author of Okal Rel series)

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Remaining tour continues with Book 2 (“Inner Diverse“) Jan 15-21 and Book 3 (“Metaverse“) Jan 22-28. Come join us and share your thoughts.

Eco-Artist Roundtable with Frank Horvat on Green Majority Radio

On December 8th on Green Majority Radio, artist and composer Frank Horvat hosted the second Eco-Artist Roundtable featuring visual artist Mark Adair, theatre artist Kevin Matthew Wong, and author Nina Munteanu.

In this hour-long thoughtful and insightful discussion, artists covered a range of topics pertinent to the environment from the role of the artist in raising eco-awareness to activism in art and human rights. Nina also read from her book “Water Is…”

Go have a listen.

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Kevin, Nina, Mark and Frank at the studio

nina-2014aaaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s recent book is the bilingual “La natura dell’acqua / The Way of Water” (Mincione Edizioni, Rome). Her latest “Water Is…” is currently an Amazon Bestseller and NY Times ‘year in reading’ choice of Margaret Atwood.

Write What You Know–Write “From the Inside Out”

winter treesWhen I first heard the writer’s edict “write what you know” I rejoined: but I write science fiction—I write about the unknown. What I still had to learn was that by describing “the other” SF really describes “us”. We explore ourselves through our relationship with the unknown. We do this by ensuring that all our plotlines reflect theme.

Write About What You Know

How many times have you been told to write about what you know? And how many times have you trusted that advice? Well, how interesting is that?!? We think our lives are dull, boring, and mundane. We write – and read – to get away from it, don’t we?

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Well, yes…and no…

In the final analysis, even good “escapist” writing, like some science fiction, despite its alien settings and creatures of imagination, is grounded in the realities of our every-day lives, which form the basis of human nature. Love, ambition, trust, hate, envy, honor, courage. All these are universal human traits which the writer taps into and ultimately writes about.

“In the 19th century, John Keats wrote to a nightingale, an urn, a season. Simple, everyday things that he knew,” say Kim Addonizio and Dorianne Laux in The Writer’s Guide to Creativity. “Walt Whitman described the stars, a live oak, a field. They began with what they knew, what was at hand, what shimmered around them in the ordinary world.”

Writing about what you know isn’t about literal truths; it’s about what you know inside your heart. Write from the inside out. Write about what excites you; what frightens you; what angers you, makes you sad, happy. As SF author Marg Gilks says, “You know more than you think.”

Twisted Truths & Inner Knowledge

Writers can use our own knowledge and experiences in everyday life and translate them into something far from ordinary. You start with universal experiences.

Get Emotional

What excites you; what frightens you; what angers you, makes you sad, happy. These are emotions we all feel. When we give our characters experiences similar to our own, we breathe life into both character and experience and provide the reader an anchor for her heart.

Get Sensational

You know how it feels to have your knees shake with fatigue after a long climb or the hair-raising trepidation of walking into a dark place. Use these sensations to make your writing more sensual with added dimensions of reality.

Get People Around You

My neighbor has a funny way of focusing his gaze slightly off me when he talks, like he can’t look me directly in the eyes. When he approaches my house to deliver the paper, Dennis strides with a lilting gait as he listens to hip-hop on his ipod.

Drawing from what you observe and know of the people around you is one of a writer’s most treasured resources for character description. I always carry a notebook with me no matter where I go, even if it’s only to the grocery store.

The Magic of Storytelling

A writer is like a magician. You play upon what readers all “know” then surprise them with the unexpected.

Unleashing your imagination and letting it soar while grounding yourself in the realities of universal truths is the stuff of which stories are made. This is what most of us mean when we say “write what you know.”

“Unless you are writing about a personal tragedy,” says Tina Morgan of Fiction Factor, “you will have to use your imagination. Use the creativity that drives you to write in the first place. Take those feelings you have every day and amplify them. Make them more intense, more vivid. Before you know it, you will be ‘writing what you know’.”

“Next time you hear ‘write what you know,’ ” says Gilks, “you’ll realize that you know an awful lot about what matters most in a story’s success. It’s waiting only to be shaped by your imagination.”

Write Real

Literary Agent, Rachelle Gardner, provided a great definition of “write what you know” on her blog. Here’s an excerpt:

Most people think “write what you know” means you have to put characters in situations you’re personally familiar with. If you’re a mom with five kids, you should write a mom story. If you’ve fought cancer and won, you should write about that. But in my opinion, that’s not what it means.

Write what you know means write with authenticity about thoughts, feelings, experiences of life. Be honest. Write from a deep place. Don’t write from the surface. Whether you’re writing about parenthood or cancer or anything else… be real.
Rachell Gardner

Don’t reflect what you know from other people or the media… write what you know from your own inner life.

An excerpt of this article appeared in CBC’s Canada Writes.

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