“Lead Children”: The Heaviness of Poland under Communism

I recently discovered the Polish TV series Lead Children on Netflix—and pretty much binge-watched it. This gripping 6-episode series follows young Doctor Jolanta Wadowska-Król (played by Joanna Kulig) as she gradually uncovers and pieces together a mysterious health crisis that affects children living in the district of Szopienice (in the city of Katowice) dominated by a zinc / lead smelter.

Jolanta stands at a Szopienice graveyard filled with children’s graves (“Lead Children”)

While the title gives away the subject matter of the series, episodes still unravel with insidious deliberation. In the first scene (after the flash forward) a young boy faints for no apparent reason, bringing our good doctor to his aid; in another scene Jolanta is wiping her filthy windows of black dust (from the nearby smelter) before visiting a pregnant mother with two anemic children who promptly gives birth to a stillborn child. We then move to a meeting of city officials who are deciding which factory Comrade General Secretary Brezhnev will visit and one official suggests the Szopienice Non-Ferrous Metal Works; the plant, he claims, has had “improvements and so forth,” that allowed it to exceed the plan for the past two months (the plan being Boleslaw Bierut’s Six-Year Plan started in 1950, for aggressively industrializing Poland through unrealistic production). All this sets the stage for a dark tale of treachery and brave but dangerous persistence to reveal the truth that will reach deep into your soul and squeeze until you are breathless.  

Doctor Jolanta Wadowska-Król and her assistant walk through the smelter district in “Lead Children”

When local children begin showing signs of serious illness and developmental problems—high anemia (e.g. haemoglobin less than half normal), headaches, stomach pain, sluggishness, joint pain and muscle weakness, learning problems, hearing loss, irritability, vomiting, internal bleeding and seizures, enamel hypoplasia, blue gums—Jolanta pushes against what looks like a cover-up to investigate the unusual pattern of sicknesses.

Jolanta recognizes the blue-black gum line in the children as a telltale sign of chronic lead toxicity. Known as “Burton’s line”, it is caused by a chemical reaction by a high level of lead in the child’s blood and sulfur-producing bacteria in the mouth. The interaction creates insoluble lead sulfide deposits in the gum tissue, typically near the gum margin. Jolanta links the poisoning to the lead emitted from the smelter in the Targowisko neighbourhood: in the dust, in the water and the ground where people keep their gardens and children play.

Watercolour drawing of the mouth and gums of a woman who worked in a lead-mill. There is saturnine impregnation with a well-marked Burton’s line and a blue stain on the buccal membrane opposite (source: Wikipedia)

The Szopienice Non-Ferrous Metal Works (“Lead Children”)

Jolanta’s efforts to address the problem are met with a concerted resistance from company managers, local officials and authorities, pressured by politics and the need for production over health and welfare of the community. For instance, workers and their families, live in shabby familoks around the smelter; kids play in the dirt, beneath the billowing smoke stacks, exposed to heavy metal-contaminated ash and dust. It gets even more dangerous for Jolanta when the Polish Security Service starts to interfere. As with the Stasi situation in East Germany, citizens are regularly pressganged into denunciating targeted individuals and Jolanta is denunciated by a member of her own staff.

Woman and baby walks in the dust of the smelter as children play in the contaminated dirt (“Lead Children”)

By Episode four, the show becomes heart-breaking as the first of the children dies shortly after returning to Targowisko after a reprieve and recovery from the smelter contamination. Meantime, local Polish Communist Party leader and politburo member Zdzislaw Grudzień pressures the smelter managers to “be the best” by comparing them to a high-producing metal works in Dresden (at the time still in East Germany under the GDR); they respond by removing all the dust-catching filters to increase the draft in the chimneys. Here we also learn that the previous head engineer in charge of stack air quality had been for years using only half the filters of the sieve plates in the pneumatic dust extractor to meet productivity targets.

The smelter with village below (from “Lead Children”)

The film notes that in the 1970s lead levels around the plant exceeded safety limits a thousand fold. Recent research indicates that even though the smelter was shut down in 2008, lead levels around it still exceed the limits set by the WHO.

Lead Poisoning in Children and Adults: where it comes from, what it does, and where it goes

Lead Poisoning in Children (image from Pure Earth)

Lead is a cumulative toxicant that affects multiple body systems; this includes the neurological, hematological, gastrointestinal, cardiovascular and renal systems. According to the WHO, there is no known safe level of lead exposure. Relatively low levels of lead exposure previously considered ‘safe’ are now known to damage children’s health and impair their cognitive development. With even low-level exposure, lead is associated with brain damage, reduced IQ, decreased intelligence, learning difficulties, lower lifetime earnings, increased incidence of heart and kidney disease later in life, and increased tendency for violence.

Young children are particularly vulnerable to lead poisoning, given that they can absorb up to 5 times as much lead as adults from an ingested dose. Children under the age of 5 years are at the greatest risk of suffering lifelong neurological, cognitive and physical damage and even death from lead poisoning. Older children as well as adults suffer severe consequences from prolonged exposure to lead in food, water and the air they breathe; this includes increased risk of cardiovascular death and kidney damage in later life. Children are particularly vulnerable to lead poisoning due to their smaller size and higher rate of lead absorption.

According to the WHO, once lead enters the body, it distributes to organs, including the brain, kidneys, liver and bones. Lead stores in the teeth and bones, where it accumulates over time. Lead stored in bone may release into the blood during pregnancy and expose the fetus.

Lead poisoning is not a thing of the past or restricted to communist nations. According to Pure Earth, lead exposure is responsible for an estimated 3.5 million cardiovascular deaths each year; more than HIV, malaria and tuberculosis combined. A World Bank analysis in 2019 demonstrated that children under five years old worldwide lost 765 million IQ points from lead exposure; about 95% of IQ point loss due to lead exposure were in LMICs. Lead poisoning may also account for 20% of the education gap between high- and low-income countries. 

Major sources of lead contamination include mining & smelting, manufacturing and recycling activities, and lead use in a range of products. These include lead-acid batteries for motor vehicles. Products that may contain lead include pigments, paints, solder, stained glass, lead crystal glassware, ammunition, ceramic glazes, jewelry, toys, some traditional cosmetics, and some traditional medicines. Lead may contaminate drinking water through plumbing systems that contain lead pipes, solders and fittings.

1970s Communist Poland

Inspired by real events from 1970s Upper Silesia during Communist‑era Poland, the TV series Lead Children showcases the atrocities committed in the name of industrial growth and production during that time.

This was a time when the Polish Służba Bezpieczeństwa (SB) or the Security Service of the Ministry of Internal Affairs infiltrated all elements of Polish life—not unlike the Stasi in eastern Germany—to ensure that everyone followed party dogma and the mandate of the Polish United Workers’ Party for industrial productivity. The Security Service of the Communist Polish People’s Republic did their bidding from 1956 to 1990, often enlisting the citizens’ militia. Key aspects of the SB mandate involved political repression and surveillance, infiltration of civil society, persecution of the Catholic Church, suppressing strikes and protests, controlling information, and protecting the state-controlled economy.

Boleslaw Bierut’s Six-Year Plan started in 1950, aggressively industrializing Poland and causing widespread shortages, particularly for meat and dairy. In 1956, when Gomułka came into power, things became somewhat less dangerous, but the shortages continued and in some cases got worse. The period between 1976 and 1989 experienced a maximum in shortages of nearly all products. Under communist rule, Poland was driven by rapid industrial growth, often using low-skilled workers with no consideration for their health and welfare. Criticism or resistance was suicidal. Protests and ensuing riots were violently crushed and suspected leaders hunted down and executed.

(Re)Genesis and the Kurpiowska Forest

Puszcza Białowieska (The White Forest) of the Kurpiowska Forest (photo by OTOP)

Several key scenes of my upcoming eco-fiction thriller (Re)Genesis take place inside the Kurpiowska Forest in central Poland’s Mazovian Lowlands during the communist rule of Poland (specifically from the 1950s to the 1970s). Young Zofia and Piotr Wójcik and their little twins have come to the Puszcza Kurpiowska to work for Zima Performance Elastomers, a chemical plant that makes a mysterious miracle chemical called syprene that is highly volatile, flammable and toxic. Zima compromises the health and safety of its workers under the yoke of productivity. Workers fall ill and are usually replaced within a decade, either leaving due to ill health or dying of complications. In the following scene in 1959, Zofia has invited her older sister to take care of her twins so she can continue working at Zima Performance Elastomers deep inside the Kurpiowska Forest:

Zofia can’t help a smile. Her older sister is more of an intellectual; she isn’t the mothering type and has made it clear that she doesn’t like children. Yet the twins seem to have softened her heart a little, thinks Zofia, who is so grateful that her older sister is here, so she can return to work.

They eat supper quietly together; Piotr is on the evening shift and won’t be home until later at night when Zofia will reheat some bigos and bread for him.

“How’s Piotr? Still losing his hair?” Ewa asks casually, helping herself to more bigos from the pot.

“Not so much now,” says Zofia. She wipes the side of her bowl with some rye bread to catch the rest of her bigos. “He still gets headaches. I give him piołun for them.”  

Ewa frowns and shakes her head. “Does it work?”

Zofia shrugs.

Ewa makes a scoffing sound; she knows that it doesn’t. She leans forward suddenly. “Seriously, you need to do something, Zofia.”

“But what can I do?”

“Zima’s clearly breaking safety rules. The first is not having sufficient signage. Then hiring idiots straight from high school who don’t know what they’re doing and not educating them. You mentioned Janek smoking in the Polyanna Building? Didn’t you say that stuff is flammable?”

“I think so, based on other similar compounds I know about. No one knows what syprene really is.”

“Well, he’ll blow up the plant if he isn’t careful. Good god, sister, you need to report this to the government before it’s more than just some headaches or a bit of hair loss. Before there’s a serious accident. The constitution of ‘52—”

“The constitution! It’s just paper. The Polish United Worker’s Party has its own rules and ways of doing things.” She waves the bread in her hand at her older sister. “Who would I report this to, eh? Have you forgotten what happened when workers demanded better working conditions at the Poznań’s Cegielski Factories in ’56? Nothing can interfere with progress. The government doesn’t care. And let’s not forget the secret police. That Łukasz Zieliński, who’s so chummy with Wozniak, gives me the creeps. I’m sure he’s secret police. He hardly does anything except wander about poking his long nose in everything and making derogatory remarks.”

 “Now who’s the cynic.” Ewa leans back with a crooked smile. The smile turns into a scowl as she acknowledges Zofia’s point. “But you’re probably right about him.” She shakes her head, spoon playing with the stew. “And, you do have to be careful, sister. Something will happen. I can feel it in my bones.”

Unfortunately, so can Zofia. Her older sister is right, she concedes. The whole place is a tinder box and lately emotions have been high with arguments and even fights erupting in the polymer building. It doesn’t help that Piotr doesn’t seem to take the dangers seriously by not wearing protection, just to fit in—

There’s a noise outside.

The women turn, hearing shuffling at the door and men talking in low urgent voices. The door bursts open and two workmen—Vasili and Krzysztof—drag Piotr inside. He is barely conscious and his head lolls as he groans and murmurs through a frothing mouth.

The women rush forward.

“What happened?” Ewa demands.

“There’s been an accident,” Vasili says, glancing at Krzysztof, who normally works the shift with Piotr. “He got splashed when the drum broke, and may have even swallowed some of the stuff. Then he went into convulsions.”

“And you brought him here?” Ewa says, aghast.

“There’s no emergency shower or eye wash there—”

“Don’t come any further into the house!” Ewa orders gruffly. “Strip him naked and throw the clothes outside. Then take him to the shower. And for god’s sake take off your shoes!”

The men jump into action.

Zofia looks on, tongue-tied.

“Well, get in there!” Ewa shouts at Zofia. “Scrub him clean. With soap! Quickly!”

The Kurpiowska Forest near Czarnia, not far from the fictional Zima plant (photo by Polish Tourism)
Kozienice Landscape Park, Massovia, Poland (image by MasovianStyle.com)

Nina Munteanu is an award-winning novelist and short story writer of eco-fiction, science fiction and fantasy. She also has three writing guides out: The Fiction WriterThe Journal Writer; and The Ecology of Writing and teaches fiction writing and technical writing at university and online. Check the Publications page on this site for a summary of what she has out there. Nina teaches writing at the University of Toronto and has been coaching fiction and non-fiction authors for over 20 years. You can find Nina’s short podcasts on writing on YouTube. Check out this site for more author advice from how to write a synopsis to finding your muse and the art and science of writing. Her most recent novel “Gaia’s Revolution” was released in March 2026 by Dragon Moon Press (Calgary).

“Gaia’s Revolution”, Life After Capitalism: The Promise & Spectre of Deep Ecology—Part 2

A fanatical deep-ecologist, Monica Schlange, harnesses two orphans in her bid to reshape humanity and its place in the natural world.

My novel Gaia’s Revolution, Book 1 of The Icaria Trilogy—which released March 10, 2026, by Dragon Moon Press—explores a collapsing capitalist society in Canada through ravages of climate change, water shortages, plague, and a failing technology.

The story begins in Berlin in 2022, with maverick scholar Damien Vogel, a deep ecologist and environmentalist who joined the climate activist group Letzte Generation* to do acts of civil disobedience to bring public awareness to climate offenders. The novel progresses from acts of civil disobedience to genuine eco-terrorism as Damien follows his revolutionary anarchist twin brother Eric to Canada and forms the Gaians, a radical eco-activist group, recruiting fanatic Monica Schlange—herself a sly eco-terrorist. Monica is an unscrupulous deep ecologist, proficient in using sabotage and internet tampering to disrupt and hurt climate offenders. The twin brothers end up on opposite sides of a violent revolution as Monica—guided by her own agenda as an extremist planetary guardian—plays them both.

The Icaria Trilogy by Dragon Moon Press

By 2095 (Book 2 Angel of Chaos and Book 3 Darwin’s Paradox), humanity has fled inside environmental dome cities called Icarias*, chased inside by an unruly environment. Icarians struggle with Darwin’s Disease—a mysterious neurological environmental pandemic. Icaria 5 is one of many enclosed cities within the slowly recovering toxic wasteland of North America, and where the protagonist Julie Crane (daughter of one of the orphans in Gaia’s Revolution) lives and works. Icarias are run by The Circle, a governing body of deep ecologists who call themselves Gaians. The Gaians’ secret is that they are keeping humanity “inside” not to protect humanity from a toxic wasteland but to protect the environment from a toxic humanity.

Ecology vs. Deep Ecology vs. Eco-Terrorism

Snow falls on a Scots Pine forest, ON (photo and rendition by Nina Munteanu)

Ecology: Ecology is the science of relationships. Ecologists study ecosystems (aquatic and terrestrial), how they form, their structure and function, and how they relate to one another within the biosphere. Ecologists look at the relationship of all biota and non-biota, at individuals and communities, how all evolve (succession), at community richness, perturbations and recoveries, and natural enrichment. Ecologists model the flow of energy and cycling of matter over time and space.  

Deep Ecology: Deep ecologists are usually ecologists themselves, who have adopted 

An environmental philosophy and social movement advocating that all living beings have intrinsic value, independent of their utility to human needs. The philosophy promotes a holistic, ecocentric worldview—often termed “ecosophy”—that demands radical, structural changes to human society to prioritize nature’s flourishing. See the Eight Basic Principles of Deep Ecology.

Eco-Terrorism: Both ecologists and deep ecologists may grow cynical, seeing humanity as an existential threat, a virus that impacts the rest of life on Earth and exacerbates hyperobjects like climate change, loss of biodiversity and habitat destruction. This may lead to activism which some with a fanatical and destructive warrior spirit may move toward eco-terrorism such as criminal actions to halt development, and various acts of violence (e.g. arson, destruction of research facilities, threats against individuals).

Ecologists, Deep Ecologists & Eco-Terrorists in The Icaria Trilogy

In Gaia’s Revolution deep ecologist / scholar Damien Vogel and his nihilist revolutionary twin brother Eric Vogel trigger a violent revolution and eventual migration of humanity into the enclosed worlds of Icaria. While Damien follows deep ecology as an intellectual and scholar, believing in the eight basic principles of deep ecology, Eric uses the principles to enact merciless ‘solutions’ through brutal acts of eco-terrorism. Deep ecologist / eco-terrorist Monica Schlange insinuates herself into both brother’s plans to orchestrate her own unique vision of the world. Monica differs from Eric in her sense of humanity; a consummate and ruthless eco-terrorist and subversive, she is bent on entirely destroying the capitalist-technocratic machinery of which Eric is a part—to save the planet at the expense of human domination.

Damien and Christian Isabo meet to discuss recruiting her into their radical group:

Christian says, leaning forward, “She’s a bit of a wild card and possibly a genuine eco-terrorist. For instance, I discovered that she was behind the viral social media fiasco that embarrassed Prime Minister Robinson last year and almost cost him his seat. You know the one—those pictures of him fooling around with the German Chancellor, Magda Zimmermann, who’s married with two kids… Damien. I think that she’s extremely resourceful, stealthy, good at subterfuge and covers her tracks impeccably. Of course, there are definitely anger issues there. But, I also think we can count on her because her motives to help the environment lie on a deep visceral level, tied to her childhood experience and love of Nature.”

Damien studies her image on his phone with a thoughtful frown. He looks up at Christian. “What do we know about her?”

“Well, to begin with, she’s an only child and grew up on one of the last independent dairy farms in Ontario, near Guelph. Her father was strict and encouraged a strong work ethic and love for the natural world. He doted on her but died of a heart attack when she was only thirteen, the year their farm was seized by the Technocrats and converted into a Corporation Farm using scientific agriculture. In fact, their seizure may have precipitated the father’s heart attack. Her mother was assigned as a scullery maid in the farm kitchen; she took to drink then ran off with some truck driver travelling across Canada from Surrey, BC. He didn’t treat the girl well and she ran away before they reached Halifax. She ended up living with her aunt—her father’s sister—in the Beaches. The aunt worked as a librarian at York University and was a fervent member of Extinction Rebellion before it dissolved. She was a real bohemian, a deep ecologist herself, and encouraged the girl.”

While Monica shows the same level of dedication, she betrays a lack of integrity in her less than altruistic motivations and means, thinks Damien. The fact that she’s with Eric [his twin brother and nemesis] proves this. But even that—especially that—can work in their favour. It would seem that, without knowing it, she is already working as an undercover spy for their revolution. He can work with that, Damien thinks. Yes, he can certainly do that. And more. It’s my turn now, brother…

“OK. Set up a meeting,” Damien says. “Let’s get her into the fold.”

Mist over swelling spring stream, ON (photo and rendition by Nina Munteanu)

Leonard Crane—one of the three orphans impacted by the revolution and both rescued and tormented by Monica Schlange—studies ecology under new Gaian rule and is eventually inducted into the prestigious Department of Industrial Ecology (DIE) where he works on subversive ecological theories about Icaria’s inevitable demise and is eventually ostracised from the scientific community for his unpopular work. His legacy echoes throughout Books 2 and 3 of the trilogy.

Books 2 and 3 follow Julie Crane (Leonard’s daughter), a self-taught ecologist. In Angel of Chaos and Darwin’s Paradox, her skills as an amateur ecologist (in a world where ecology is not taught) are tested by the ruthless deep ecologist Gaia, head of The Circle. Gaia denigrates Julie’s ecological pursuits as shallow and ineffectual. When a subordinate of hers asks her if Julie would make a good candidate for The Circle (the governing body of Icaria), Gaia scoffs:

“You mistake a good scientific ecologist with someone who possesses a genuine empathy for deep ecology,” she said. Her eyes sparkled like sapphires. “No one enters our elite cadre without having impeccable qualifications and submitting to many more initiations than she is capable of passing. She may be an ecologist but she is not a deep ecologist. The science of ecology does not ask what kind of society would be the best suited to maintain a particular ecosystem. Our greater concern is with questions aimed at the level of organic wholeness and ‘Earth wisdom’. She knows nothing of these things.”—Gaia, Angel of Chaos

Fog enshrouded marsh in early winter, ON (photo and rendition by Nina Munteanu)

You can order “Gaia’s Revolution” on Amazon. Release date for both ebook and print book was March 10, 2026. Book 2 (Angel of Chaos) and Book 3 (Darwin’s Paradox) of theIcaria Trilogy are already available in both ebook and print form.

References:

Munteanu, Nina. 2026. “Gaia’s Revolution, Part 1 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 369 pp.

Munteanu, Nina. 2010. “Angel of Chaos, Part 2 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 518 pp.

Munteanu, Nina. 2007. “Darwin’s Paradox, Part 3 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 294 pp.

Sessions, George, Bill Devall. 2000. “Deep Ecology: Living as if Nature Mattered.” Gibbs Smith. 267pp.

Skinner, B.F. 1948. “Walden Two” The Macmillan Company, New York. 301pp.

Terminology:

*Deep Ecology: An environmental philosophy and social movement advocating that all living beings have intrinsic value, independent of their utility to human needs. Coined by Arne Næss in 1972, it promotes a holistic, ecocentric worldview—often termed “ecosophy”—that demands radical, structural changes to human society to prioritize nature’s flourishing.

*Icaria: the name of Étienne Cabet’s utopia. Cabet was a French lawyer in Dijon, who published his novel Voyage en Icarie in 1839. The novel was a sort of manifesto-blueprint of utopian socialism, with elements of communism (abolished private property and individual enterprise), influenced by Fourierist and Owenite thinking. Key elements, such as the four-hour work day, are reflected in B.F. Skinner’s Walden Two. Cabet’s novel explores a society in which capitalist production is replaced by workers’ cooperatives with a focus on small communities.

*Letzte Generation: a prominent European climate activist group, founded in 2021, known for its acts of civil disobedience—such as roadblocks, defacing art, and vandalizing structures—to pressure governments on climate action. The term was chosen because they considered themselves to be the last generation before tipping points in the earth’s climate system would be reached. They are mostly active in Germany, Italy, Poland and Canada. In Germany, they have faced accusations of forming a criminal organization, leading to police raids.

Nina Munteanu is an award-winning novelist and short story writer of eco-fiction, science fiction and fantasy. She also has three writing guides out: The Fiction WriterThe Journal Writer; and The Ecology of Writing and teaches fiction writing and technical writing at university and online. Check the Publications page on this site for a summary of what she has out there. Nina teaches writing at the University of Toronto and has been coaching fiction and non-fiction authors for over 20 years. You can find Nina’s short podcasts on writing on YouTube. Check out this site for more author advice from how to write a synopsis to finding your muse and the art and science of writing.

The Icaria Trilogy: The Story Behind the Prequel to the Prequel…


Today my eco-fiction novel Gaia’s Revolution (Book 1 of The Icaria Trilogy) releases through Dragon Moon Press in paperback and ebook form on Amazon (and other book retailers).

Gaia’s Revolution explores a collapsing capitalist society in Canada through ravages of climate change and a failing technology. The story is told through the lives of ambitious twin brothers Eric and Damien Vogel, and the woman who plays them like chess pieces in her gambit to ‘rule the world.’ The novel starts out in Berlin—with a scuffle between police and climate activists of Letzte Generation-then moves to Toronto Canada, where an unlikely revolution is brewing… 

Book 2 (Angel of Chaos) and Book 3 (Darwin’s Paradox of The Icaria Trilogy are already available in bookstores worldwide in both ebook and print form.

The Icaria Trilogy by Dragon Moon Press

This day is special for me in a number of ways. Today is also my dad’s birthday. He passed away a while ago, but I know he is here with me as this is happening. You see, when I was just 15, I’d written my first book, an early version of Angel of Chaos. My dad, who had met and befriended an editor at Doubleday, and proud of my accomplishment, arranged a meeting with me and the editor to look at my book. I put on my highest pumps—I could barely walk in them!—and best outfit and met with the gentleman. He did not take my book for publication but praised my work and gave me some wonderful advice. “Keep writing!” he said. I have carried that meeting and advice to this day and thank my dad for his belief in me as a writer—particularly given that he had been pushing for me to become a teacher or nurse. Four decades later, a more polished version of that same book was published in 2010 by Dragon Moon Press (as Angel of Chaos, the prequel to Darwin’s Paradox, which was published in 2007). 

Birch forest in Ontario (photo and rendition by Nina Munteanu)

The Icaria Trilogy by Dragon Moon Press

Now, with newly written Gaia’s Revolution (the prequel to the prequel) released, Dragon Moon has reissued new covers for the entire trilogy. Here they are! Oh! And look who’s already reading Gaia’s Revolution!

Aliens get to read everything before we do…

Nina Munteanu is an award-winning novelist and short story writer of eco-fiction, science fiction and fantasy. She also has three writing guides out: The Fiction WriterThe Journal Writer; and The Ecology of Writing and teaches fiction writing and technical writing at university and online. Check the Publications page on this site for a summary of what she has out there. Nina teaches writing at the University of Toronto and has been coaching fiction and non-fiction authors for over 20 years. You can find Nina’s short podcasts on writing on YouTube. Check out this site for more author advice from how to write a synopsis to finding your muse and the art and science of writing.

“Gaia’s Revolution”, Life After Capitalism: The Promise & Spectre of Deep Ecology—Part 1

Twin brothers—a brilliant scientist and a gifted engineer—escape the growing racial violence of Berlin, to ‘peaceful’ Canada in a rivalry to control the evolution of the human race.

My novel Gaia’s Revolution, the first of The Icaria Trilogy—releasing March 10, 2026, by Dragon Moon Press—explores a collapsing capitalist society in Canada through ravages of climate change, water shortages, plague, and a failing technology. The story is told through the lives of ambitious twin brothers Eric and Damien Vogel, and the woman who plays them like chess pieces in her gambit to rule the world.

The novel starts on December 13th, 2022, in Berlin, the day several members of the climate activist group Letzte Generation* to which Damien belongs, are raided by police who seize their computers and phones. Damien is a quiet scholar, an introvert and deep ecologist*, devoted to the teachings of Arne Næss and George Sessions, who promoted an environmental philosophy of eight basic principles of deep ecology.  Næss and Sessions advocated that all living beings have intrinsic value, independent of their utility to human needs. Their philosophy has become a movement that promotes a holistic, eco-centric worldview demanding radical, structural changes to human society to prioritize nature’s flourishing.  

Road through a beech tree forest, ON (photo and rendition by Nina Munteanu)

Damien later meets with his extrovert anarchist brother in Treffpunkt, near the university campus, and they argue ideology and revolution. Eric contends that the only way humanity will survive is to adapt to climate change by somehow overthrowing the bourgeois plutocrats through violent revolution: preventing the small ruling class carving out a comfortable life for itself while the rest of the world suffers terrible deprivation. Eric pulls out the worn copy of B.F. Skinner’s Walden Two from his jacket pocket, slaps it on the table and pushes it toward Damien. “That’s the answer, Dame.”

Each brother plans to create a new humanity: Eric’s plan is to control humanity through gene manipulation and behaviour engineering (aka Walden Two); Damien’s plan is to draw on deep ecology and use environmental triggers with biotechnologies to empower humanity with physical/chemical abilities to adapt to climate and its changing environment via transhumanist AI.

Neither addresses the elephant in the room: population. Only a much-reduced population will ensure success for either plan.

To this point, Eric, who is far more cynical and ruthless, thinks Damien naïve and feckless in his deep ecological view:

Damien too easily prescribes to the old leftist shibboleth of Nature being the answer to everything and Market being evil. His deep ecology utopia would spring from an atavistic rejection of modern life, a return to ‘the ancient farm.’ But how that fantasy could be achieved without a drastic population reduction is beyond his brother’s imagination. Damien fetishizes the natural world. Just like he does their mother. The naïve fool is a blind romantic, refusing to see reality right in front of him: that Nature is ultimately cruel, cold, and preoccupied with its own survival. Just like their mother.–Eric Vogel, Gaia’s Revolution

Foggy morning on an Ontario marsh in winter (photo and rendition by Nina Munteanu)

Eight Basic Principles of Deep Ecology*

In 1984, ecologists Arne Næss and George Sessions set out the following Basic Principles of Deep Ecology:

  • The well-being and flourishing of human and nonhuman Life on Earth have value in themselves (synonyms: intrinsic value, inherent value). These values are independent of the usefulness of the non-human world for human purposes.
  • Richness and diversity of life forms contribute to the realization of these values and are also values in themselves.
  • Humans have no right to reduce this richness and diversity except to satisfy vital needs.
  • The flourishing of human life and cultures is compatible with a substantial decrease of the human population. The flourishing of nonhuman life requires such a decrease.
  • Present human interference with the nonhuman world is excessive, and the situation is rapidly worsening.
  • Policies must therefore be changed. These policies affect basic economic, technological, and ideological structures. The resulting state of affairs will be deeply different from the present.
  • The ideological change is mainly that of appreciating life quality (dwelling in situations of inherent value) rather than adhering to an increasingly higher standard of living. There will be a profound awareness of the difference between big and great.
  • Those who subscribe to the foregoing points have an obligation directly or indirectly to try to implement the necessary changes.
Finn Slough old shed, BC (photo by Nina Munteanu)

Eric plans to address the 5th Basic Principle of Deep Ecology—present human interference with the nonhuman world is excessive and the situation is rapidly worsening— by using nefarious means to meet the 4th Basic Principle of Deep Ecology: the flourishing of human life and cultures is compatible with a substantial decrease of the human population and the flourishing of nonhuman life requires such a decrease. With a reduced population, he plans to make the remaining principles (e.g. 6th and 7th) realizable through his behaviour engineering.

But Eric hasn’t accounted for fanatical deep ecologist / eco-terrorist Monica Schlange in his plan… (More on this shapeshifting character in Part 2).

The Icaria Trilogy by Dragon Moon Press

You can pre-order the ebook of Gaia’s Revolution by Dragon Moon Press on Amazon. Release date is March 10, 2026. The print version will release soon after. Book 2 (Angel of Chaos) and Book 3 (Darwin’s Paradox) of theThe Icaria Trilogy are already available in both ebook and print form.

Oak leaves light up a dark pine forest in fall, ON (photo by Nina Munteanu)

References:

Munteanu, Nina. 2026. “Gaia’s Revolution, Part 1 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 369 pp.

Munteanu, Nina. 2010. “Angel of Chaos, Part 2 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 518 pp.

Munteanu, Nina. 2007. “Darwin’s Paradox, Part 3 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 294 pp.

Sessions, George, Bill Devall. 2000. “Deep Ecology: Living as if Nature Mattered.” Gibbs Smith. 267pp.

Skinner, B.F. 1948. “Walden Two” The Macmillan Company, New York. 301pp.

Terminology:

*Deep Ecology: An environmental philosophy and social movement advocating that all living beings have intrinsic value, independent of their utility to human needs. Coined by Arne Næss in 1972, it promotes a holistic, ecocentric worldview—often termed “ecosophy”—that demands radical, structural changes to human society to prioritize nature’s flourishing.

*Letzte Generation: a prominent European climate activist group, founded in 2021, known for its acts of civil disobedience—such as roadblocks, defacing art, and vandalizing structures—to pressure governments on climate action. The term was chosen because they considered themselves to be the last generation before tipping points in the earth’s climate system would be reached. They are mostly active in Germany, Italy, Poland and Canada. In Germany, they have faced accusations of forming a criminal organization, leading to police raids.

Root-covered cedar-pine forest in early winter, ON (photo and rendition by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. For the latest on her books, visit www.ninamunteanu.ca. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

‘The Way of Water’ Translated into German and Published in Nova Magazin für spekulative Literatur

My short story “The Way of Water” was recently translated into German (“Der Weg des Wassers”) and published in Nova 37. The issue has illustrations for each story and a beautiful cover. When I got my author’s copy in the mail, I was blown away! It was as though they had tapped my love for mushrooms. Bright orange and floating in a sea of green vegetation, the aerial fungi that hovered over a jungle village resembled giant Micenas.

The Way of Water” follows a young woman (Hilda) in near-future Toronto who has run out of water credits for the public iTap; by this time houses no longer have potable water and their water taps have been cemented shut (as was done in Detroit in 2014); the only way to get water is through the public iTaps—at great cost. She’s standing two metres from water—in a line of people waiting to use the tap—and dying of thirst.

“The Way of Water” captures a vision that explores the nuances of corporate and government corruption and deceit together with global resource warfare. In this near-future, Canada is mined of all its water by thirsty Chinese and US multinationals—leaving nothing for the Canadians. Rain has not fallen on Canadian soil in years due to advances in geoengineering and weather manipulation that prevent rain clouds from going anywhere north of the Canada-US border. If you’re wondering if this is possible, it’s already happening in China and surrounding countries.

I’ve written several articles on how The Way of Water came about. Briefly, it all started with an invitation in 2015 by my publisher in Rome to write about water and politics in Canada. I had long been thinking of potential ironies in Canada’s water-rich heritage. The premise I wanted to explore was the irony of people in a water-rich nation experiencing water scarcity: living under a government-imposed daily water quota of 5 litres as water bottling and utility companies took it all.

Various publications in which my short story “The Way of Water” has appeared

The Way of Water was first published in 2016 as a bilingual print book by Mincione Edizioni (Rome) in Italian (La natura dell’acqua, translated by Fiorella Moscatello), and English along with a recounting of what inspired it: The Story of Water (La storia dell’acqua). To date, The Way of Water has been published and republished eight times throughout the world and translated into Italian and German. Anthologies include, among others, Metastellar something, “Canadian Tales of Climate Change” (Exile Editions) edited by Bruce Meyer, “Future Fiction” Anthology (publisher), and “Climate in Crisis” (Little Blue Marble). I think this success is less a reflection of my writing than the immediacy and importance of the topic covered: growing water scarcity, its commodification, and its politicization.

This latest publication of The Way of Water (Der Weg des Wassers) in Nova 37 represents its eighth publication. Nova Magazin für spekulative Literatur is one of the most respected short story and essay magazines for science fiction in the German-speaking world. Most recently it was called “NOVA Science-Fiction,” and since issue 31 it has been “NOVA – Magazine for Speculative Literature”; the name change reflects the desire to broaden the readership and interest beyond the pure science fiction scene. The magazine’s website is now part of the larger pmachinery.de news feed.

“In a short story in which every word has its weight, Nina Munteanu manages to describe a dystopia with ecological, political, social and economic elements and Hilda’s reactions to her situation with a great intensity. To avoid thirst, Hilda ends up embracing an extreme idea, a last hope linked to water. The Way of Water is a story of the kind you hope is science fiction but you fear is not.”—Massimo Luciani

“In the Way to Water, Nina Munteanu pens her love letter to water, exulting it as a liquid that has semi-magical properties… The Way of Water evokes a sense of awareness about issues of access to water and about the dangers of imbalances in that access.”—Derek Newman-Stille, Speculating Canada

Ice edge on the Otonabee River, ON (photo and rendition by Nina Munteanu)

In her masters thesis published in November 2025 at the University of Graz, Austria, Seyma Yonar uses my short story The Way of Water, along with several others to explore and discuss the importance of eco-literature in establishing ecological awareness and ultimately ecological and sustainable action.

The Way of Water is a strong eco-story that possesses many layers and elements that strengthen its narrative while encouraging readers to engage with its world…The notion what water constitutes the essence of life is the central theme of the story … Munteanu’s knowledge as a scientist enables her to create a convincing scientist protagonist whom she embeds into a powerful fictional story. Water, particularly in this eco-story acts not only as a symbolic entity but also as a body of force…the agency of water is presented as a dynamic, living entity, central to the narrative’s ecological themes.”

“Munteanu’s impactful storytelling highlights her significant contribution to Canadian literature, particularly through her engagement with pressing environmental issues and her commitment to fostering ecological awareness through fiction.”

The Way of Water, in turn, inspired my dystopian novel A Diary in the Age of Water (Inanna Publications, 2020), which chronicles the lives of four generations of women and their relationship to water during a time of severe water restriction and calamitous climate change. The novel features the main character Hilda from The Way of Water and her limnologist mother; A Diary in the Age of Water is essentially the mother’s diary embedded in a larger story. Through a series of entries, the diarist reflects on the subtle though catastrophic occurrences that will eventually lead to humanity’s demise.

Ice pearls forming in Jackson Creek, ON (photo and rendition by Nina Munteanu)

References:

Munteanu, Nina. “The Way of Water” Mincione Edizioni, Rome. 113pp.

Munteanu, Nina. “A Diary in the Age of Water.” Inanna Publications, Toronto, ON. 328pp.

Meyer, Bruce. 2017. “Introduction to “Cli Fi: Canadian Tales of Climate Change

Fi: Anthology #14. Edited by Bruce Meyer. Exile Editions, Toronto.304pp.

Yonar, Seyma. 2025. “Short Texts—Long Term Effects: The Canadian Eco-Story.” Masters Thesis, University of Graz, Austria. 70pp.

Jackson Creek in the fall, ON (photo and rendition by Nina Munteanu)

Nina Munteanu is an award-winning novelist and short story writer of eco-fiction, science fiction and fantasy. She also has three writing guides out: The Fiction WriterThe Journal Writer; and The Ecology of Writing and teaches fiction writing and technical writing at university and online. Check the Publications page on this site for a summary of what she has out there. Nina teaches writing at the University of Toronto and has been coaching fiction and non-fiction authors for over 20 years. You can find Nina’s short podcasts on writing on YouTube. Check out this site for more author advice from how to write a synopsis to finding your muse and the art and science of writing. For more on her work as a limnologist and ecologist, see The Meaning of Water.

“Gaia’s Revolution”, Life after Capitalism: A Canadian Story…

A fanatical deep-ecologist, Monica Schlange, harnesses two orphans in her bid to reshape humanity and its place in the natural world.

My upcoming book Gaia’s Revolution (Book 1 of The Icaria Trilogy by Dragon Moon Press) explores a collapsing capitalist society in Canada through ravages of climate change and a failing technology. The story is told through the lives of ambitious twin brothers Eric—a gifted engineer—and Damien Vogel—a brilliant scientist and deep ecologist*—and the woman who plays them like chess pieces in her gambit to ‘rule the world.’

The brothers meet at Treffpunkt, a café near Humboldt University in Berlin, nursing Kellerbiers over a late lunch of Einsbein mit Sauerkraut. They argue ideology and reform. Canada represents an ideal canvas for revolution, argues Eric. Damien is puzzled by this. To him Canada represents a quietly reposed nation of polite intellectuals who accept a healthy multicultural society and whose practical leaders are connected with their people. Not a restive rabble ripe for change.

As if reading his brother’s mind, Eric replies:

“Because it’s a huge nation with a lot of space and few people,” Eric argues. “Did you know that Canada holds on average only 4 people per square kilometer? Germany stuffs 240 people in the same area. And China, which is virtually the same size as Canada, holds 153 people per square kilometer.” He picks up Walden Two and waves it at Damien. “Canada is a perfect place to start these [Walden Two colonies called Icarias*]. And, with global warming, we could settle in the boreal.” He then slides the book back in his pocket and leans back, eyes sparkling with purpose. “But the real reason to start a revolution there is because, like you, Canadians are naïve. Even their leaders. And this is because, unlike the rest of the world, they are still asleep…

“Climate is not our enemy, Dame; it’s our friend. Climate is our fierce archangel of change. And let’s not forget that ‘crisis is opportunity…” … He grins, self-pleased, like a wolf in a hen house. Then he practically snarls out, “We must first destroy before we can create. We must be unruly like climate. We must be relentless like climate. We must ride that wave before we can become the wave, Bruder. And then by being that wave, we change the world.”  

Pine cedar forest in Ontario (photo and rendition by Nina Munteanu)

The brothers escape the growing racial violence of Berlin, to ‘peaceful’ Canada in a rivalry to control the evolution of the human race. Years later, Eric Vogel, who has created a niche for himself in the technocratic government*, sits in the Canadian prime minister’s office and imagines what a post-capitalist world will look like and how his twin brother Damien—left behind in Germany—would disagree with his vision:

Damien too easily prescribes to the old leftist shibboleth of Nature being the answer to everything and Market being evil. His deep ecology utopia would spring from an atavistic rejection of modern life, a return to ‘the ancient farm.’ But how that fantasy could be achieved without a drastic population reduction is beyond his brother’s imagination. Damien fetishizes the natural world. Just like he does their mother. The naïve fool is a blind romantic, refusing to see reality right in front of him: that Nature is ultimately cruel, cold, and preoccupied with its own survival. Just like their mother.

First snow in an Ontario marsh (photo and rendition by Nina Munteanu)

Each brother plans to create a new humanity: one to control through gene manipulation and behaviour engineering; the other to empower through biotechnology and transhumanist AI. The warring brothers end up in Canada and set off a violent revolution that destroys the Canadian technocratic government and whose weapons ultimately risk the survival of humanity. Deep ecologist Monica Schlange snares the brothers in her gambit to reshape humanity and its place in the natural world. Three orphaned children, caught in the web of intrigue and violence, will ultimately determine the direction of humanity by introducing the first veemelds (people who can communicate with machines), a new environmental disease (Darwin), and a new set of rules neither brother envisioned.

The Icaria Trilogy by Nina Munteanu

You can pre-order the ebook of Gaia’s Revolution on Amazon. Release date is March 10, 2026. The print version will release soon after. Book 2 (Angel of Chaos) and Book 3 (Darwin’s Paradox) of The Icaria Trilogy are already available in both ebook and print form.

Birch trees in a winter marsh, ON (photo and rendition by Nina Munteanu)

References:

Munteanu, Nina. 2026. “Gaia’s Revolution, Part 1 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 369 pp.

Munteanu, Nina. 2010. “Angel of Chaos, Part 2 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 518 pp.

Munteanu, Nina. 2007. “Darwin’s Paradox, Part 3 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 294 pp.

Sessions, George, Bill Devall. 2000. “Deep Ecology: Living as if Nature Mattered.” Gibbs Smith. 267pp.

Skinner, B.F. 1948. “Walden Two” The Macmillan Company, New York. 301pp.

Jackson Creek in the fall, ON (photo and rendition by Nina Munteanu)

Terminology:

*Deep Ecology: An environmental philosophy and social movement advocating that all living beings have intrinsic value, independent of their utility to human needs. Coined by Arne Naess in 1972, it promotes a holistic, ecocentric worldview—often termed “ecosophy”—that demands radical, structural changes to human society to prioritize nature’s flourishing.

*Icaria: the name of Étienne Cabet’s utopia. Cabet was a French lawyer in Dijon, who published his novel Voyage en Icarie in 1839. The novel was a sort of manifesto-blueprint of utopian socialism, with elements of communism (abolished private property and individual enterprise), influenced by Fourierist and Owenite thinking. Key elements, such as the four-hour work day, are reflected in B.F. Skinner’s Walden Two. The novel explores a society in which capitalist production is replaced by workers’ cooperatives with a focus on small communities.

*Technocracy: A form of government in which the decision-maker(s) are selected based on their expertise in a given area; any portion of a bureaucracy run by technologists. Technocracies control society or industry through an elite of technical experts. The term was initially used to signify the application of the scientific method to solving social problems.

Nina Munteanu is an award-winning novelist and short story writer of eco-fiction, science fiction and fantasy. She also has three writing guides out: The Fiction WriterThe Journal Writer; and The Ecology of Writing and teaches fiction writing and technical writing at university and online. Check the Publications page on this site for a summary of what she has out there. Nina teaches writing at the University of Toronto and has been coaching fiction and non-fiction authors for over 20 years. You can find Nina’s short podcasts on writing on YouTube. Check out this site for more author advice from how to write a synopsis to finding your muse and the art and science of writing.

“Gaia’s Revolution”, Life After Capitalism: Will the Environment—And We Along With It—Survive?…

“Bourgeois society stands at the crossroads, either transition to socialism or regression into barbarism.”—Rosa Luxemburg, 1915

I wrote my first novel in 1969 when I was fifteen. Caged in World was a hundred-page speculative story about a world that had moved “inside” to escape the ravages of a post climate-change environment. It would later become Book 2 of The Icaria Trilogy. I was already disillusioned with my world. I saw how corporations and governments and society in general—individuals around me—‘othered’ the environment by either treating it with disrespect and apathy or outright ignoring it in a kind of torpor of obliviousness. As though it didn’t exist.

I remember being chastised by a school teacher for thinking globally about what was happening to the planet at our hands: worldwide deforestation (e.g., clearcutting the old-growth forests of Canada), infilling saltwater and freshwater marshes, massive use of pesticides and fertilizers, contamination of lakes, unregulated mining and toxic pollution, and ultimately climate change. Stick to local concerns, he advised me; recycling and such.

I remember wondering if I was just being weird. That my odd sensibility for the planet-entire was just a nina-thing. I prayed that I was not alone and it wasn’t just a nina-thing.

(Photo: Nina Munteanu, Salk Institute, California)

For a description of how the books of the trilogy came to be (for instance, they were published in backward order!) see my article entitled “Nina Munteanu Reflects on Her Eco-Fiction Journey at Orchard Park Secondary School”.

Throughout high school and university, I read scientific papers, news articles and books on revolution. I became a student of climate change long before the term entered the zeitgeist. I studied industrial capitalism and its roots in neoliberalism and colonialism. I noted how the post-war expansion of capitalism shifted from Fordist mass production to flexible automation, technology and AI. I saw the rise of multinational corporations, income inequality, and the commodification of everything—from water to human beings (Foucault’s homo economicus).

I pursued a university degree in ecology and limnology to study and help protect the environment and educate industry and their governments in the process. I became an expert on water. See my book Water Is…The Meaning of Water, which celebrates water from twelve perspectives (and got a shout out from Margaret Atwood!).

I soon concluded that a hegemony that follows the economic system of late capitalism inevitably commodifies and ‘others’ with ruthless purpose. Once something (or someone) is commodified, they are given a finite value and purpose outside their own existence. They become an object, a symbol to use and trade. They become a resource to manipulate, exchange, and dispose of with impunity. And through this surrender to utility, they become ‘othered.’ The consumer. The trees of the forest. Water. Homo sacer*. Each has a role to play in the late capitalist narrative of digital abundance and physical scarcity.

Capitalism hasn’t been kind to the environment. Economic pundits and sociologists insist that Capitalism is devolving. But what will replace it? Cloud capital? Technofeudalism? Something else?

Deep Ecology* & Gaia’s Revolution

The Icaria Trilogy (Dragon Moon Press)

My three Icaria novels—starting with Gaia’s Revolution, (the first of The Icaria Trilogy, releasing March 10, 2026, by Dragon Moon Press)—chronicle the collapse of a capitalist society in Canada as climate change, water shortages, habitat destruction, plague and a failing technology devastate the Canadian population.

Gaia’s Revolution (Book 1 of The Icaria Trilogy) explores a transition in Canada from semi-socialized capitalist system to a technocratic* meritocracy of technologists and scientists. Triggered by catastrophic environmental and sociological tipping points and following violent revolution, a dictatorship of deep ecologists* called Gaians seize power. By the end of the book, enclosed cities called Icarias* now populate North America. Separated from their environment, humans now live inside domes protecting them from a hostile and toxic environment.

In truth, the deep ecologists are keeping people “inside” not to protect humanity from a toxic wasteland but to protect the environment from a toxic humanity.

How realistic is this vision? Well, it is science fiction, after all, and though it takes liberties with its narrative, it is science-based and ultimately draws on precedent. As Margaret Atwood so astutely attested of her cautionary SF book The Handmaid’s Tale: “I didn’t put in anything that we haven’t already done, we’re not already doing, we’re seriously trying to do, coupled with trends that are already in progress.”

Science fiction is itself powerful metaphor; it is the fiction of political and social allegory or satire and makes astute social commentary about a world and civilization: how it has come to be, how it works—or doesn’t—and how it may evolve.

So, it is visionary and predictive? I prefer to think as Ray Bradbury:

“The function of science fiction is not only to predict the future, but to prevent it.”–Ray Bradbury

Jackson Creek in winter, ON (photo and rendition by Nina Munteanu)

References:

Angus, Ian. 1012. “The Spectre of 21st Century Barbarism.” Climate & Capitalism, August 20, 2012.

Atwood, Margaret. 2004. “The Handmaid’s Tale and Oryx and Crake ‘In Context'”. PMLA119 (3): 513–517.

Atwood, Margaret. 2018. “Margaret Atwood on How She Came to Write The Handmaid’s Tale”Literary Hub. April 25, 2018.

Bradbury, Ray. 1991. “Yestermorrow: Obvious Answers to Impossible Futures” and “Beyond 1984: The People Machines” by Ray Bradbury, dated 1982, Page 155, Joshua Odell Editions: Capra Press, Santa Barbara, California.

Foucault, Michel. 2010. “The Birth of Biopolitics (Naissance de la biopolitique): Lectures at the Collège de France, 1978-1979.” Picador. 368pp.

Luxemburg, Rosa. 1915. “The Junius Pamphlet: The Crisis in the German Democracy”, Marxist.org.

Munteanu, Nina. 2026. “Gaia’s Revolution, Part 1 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 369 pp.

Munteanu, Nina. 2010. “Angel of Chaos, Part 2 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 518 pp.

Munteanu, Nina. 2007. “Darwin’s Paradox, Part 3 of Icaria Trilogy.” Dragon Moon Press, Calgary, AB. 294 pp.

Neuman, Sally. 2006. “‘Just a Backlash’: Margaret Atwood, Feminism, and The Handmaid’s Tale“. University of Toronto Quarterly75 (3): 857–868.

Sessions, George, Bill Devall. 2000. “Deep Ecology: Living as if Nature Mattered.” Gibbs Smith. 267pp.

Skinner, B.F. 1948. “Walden Two” The Macmillan Company, New York. 301pp.

Streeck, Wolfgang. 2014. “How Will Capitalism End?” New Left Review 2 (87): 47p.

Terminology:

*Deep Ecology: An environmental philosophy and social movement advocating that all living beings have intrinsic value, independent of their utility to human needs. Coined by Arne Næss in 1972, it promotes a holistic, ecocentric worldview—often termed “ecosophy”—that demands radical, structural changes to human society to prioritize nature’s flourishing.

*Homo sacer: a figure from Roman law denoting a person excluded from society who is outside human law (can be killed) and divine law (cannot be sacrificed). The term represents “bare life”: stripped of political rights, legal protection, and social value. Philosopher Giorgo Agamben popularized the term to describe individuals excluded from the political community, such as refugees, stateless persons, or camp detainees. The term illustrates the power of a sovereign in deciding which lives are worthy of protection and which are not.

*Icaria: the name of Étienne Cabet’s utopia. Cabet was a French lawyer in Dijon, who published his novel Voyage en Icarie in 1839. The novel was a sort of manifesto-blueprint of utopian socialism, with elements of communism (abolished private property and individual enterprise), influenced by Fourierist and Owenite thinking. Key elements, such as the four-hour work day, are reflected in B.F. Skinner’s Walden Two. Cabet’s novel explores a society in which capitalist production is replaced by workers’ cooperatives with a focus on small communities.

*Letzte Generation: a prominent European climate activist group, founded in 2021, known for its acts of civil disobedience—such as roadblocks, defacing art, and vandalizing structures—to pressure governments on climate action. The term was chosen because they considered themselves to be the last generation before tipping points in the earth’s climate system would be reached. They are mostly active in Germany, Italy, Poland and Canada. In Germany, they have faced accusations of forming a criminal organization, leading to police raids.

*Technocracy: A form of government in which the decision-maker(s) are selected based on their expertise in a given area; any portion of a bureaucracy run by technologists. Technocracies control society or industry through an elite of technical experts. The term was initially used to signify the application of the scientific method to solving social problems.

Nina Munteanu is an award-winning novelist and short story writer of eco-fiction, science fiction and fantasy. She also has three writing guides out: The Fiction WriterThe Journal Writer; and The Ecology of Writing and teaches fiction writing and technical writing at university and online. Check the Publications page on this site for a summary of what she has out there. Nina teaches writing at the University of Toronto and has been coaching fiction and non-fiction authors for over 20 years. You can find Nina’s short podcasts on writing on YouTube. Check out this site for more author advice from how to write a synopsis to finding your muse and the art and science of writing.

My Drive Across Canada: Part 3—The Prairies

I emerged from the Lake of the Woods boreal forest into Manitoba’s true flatlands as I neared Winnipeg. Though, the eastern part of Manitoba was similar to the boreal hills of Ontario, it soon leveled out into flat stretches of prairie grasslands, and expansive fields of various crops including bright yellow fields of blooming canola.

Canola field in Saskatchewan (photo by Nina Munteanu)

It was early July and I’d caught it at its peak in flowering. Bright waves of yellow continued from Manitoba into Saskatchewan, where canola seemed to take over the land. At times all I saw was lemon yellow all the way to the horizon in all directions. Canola accounts for the largest area of land dedicated to any single crop in Saskatchewan. I’m told that there are over 22 million acres of canola growing in that province.

Train lumbers across a horizon of canola, west of Winnipeg, Manitoba (photo by Nina Munteanu)

Canola is a member of the crucifer family; it is a cool season crop that grows particularly well on the prairies, where cool nights and hot days allow it to develop its unique fatty acid profile. The name Canola was registered as a trademark in Canada in 1978. The name is essentially an acronym for CANadian Oil Low Acid. Prior to canola oil, most of the oil Canadians used for food purposes was imported. The canola plant was developed by two Canadian prairie plant scientists, Dr. Baldur Stefansson and Dr. Keith Downey, who bred rapeseed populations to develop a crop that would meet consumer demand for a healthy, edible oil product. Harvested seeds are crushed to produce canola oil, with the remainder used to create a high-protein meal for livestock and human consumption. Canola is kind of cool, given its versatile use from cooking oil pant-based protein, biofuel, animal feed to possibly even clothing!

Bridge across the Assiniboine River for the Trans Canada Highway

Before reaching Winnipeg, I crossed the Red River at Selkirk. This large river floods almost every  spring, covering large areas of flat land with muddy water. I touched on the Red River in an article I wrote about the impact of current agricultural practices on river dynamics and eventual flooding in the Niverville Citizen.

Nina Munteanu talks about watersheds in the Niverville Citizen

After passing through Winnipeg, near Portage La Prairie, Manitoba, I crossed the iconic Assiniboine River, as it flows from Saskatchewan and parallels the Trans Canada Highway as it flows east to Winnipeg to join the Red River.

Train crossing the Trans Canada Highway in Saskatchewan (photo by Nina Munteanu)

Driving through the prairies on the Trans Canada Highway, I often had to stop for a train crossing or slow down as a slow farm vehicle cut across my path on the highway. Here, the Trans Canada was just another country road and I was competing with tractors, farm vehicles and, in some cases, horse and wagon.

I made good time, driving the straight roads along flat and gently rolling landscapes sculpted by wind and water. This was big sky country, and I recalled that this was all a giant shallow and warm inland sea in prehistoric times.

Depiction of the prehistoric inland sea in Canada

Called the Western Interior Seaway, this Cretaceous inland sea stretched from the Arctic Ocean down to the Gulf of Mexico, connecting the two oceans and separating the continent into eastern (Appalachia) and western (Laramidia) landmasses and covering what is now most of Manitoba, Saskatchewan and part of Alberta. Existing from about 100 to 66 million years ago, this shallow marine sea supported a rich and diverse marine life, including the shell-crushing durophagous Ptychodus mortoni, apparently 10 metres long. I thought all this as I raced across a giant dry ocean of grass waving in the wind. I imagined myself a crab scuttling along the ocean floor beneath 760 m of water as giant sharks, 13-metre long mosasaurs and other exotic creatures swam leisurely above me. Is that why I found myself speeding along the highway and crossing into Saskatchewan before I knew it?

Sodium sulphate deposits of salt mine near Chaplin Lake, Saskatchewan (photo by NIna Munteanu)

Near the village of Chaplin, Saskatchewan, I stumbled on a moonscape of white chalk-like hills. This was the sodium sulphate mine on the northern shore of Chaplin Lake, a salt lake that is a major stop over for migratory birds that feed on its brine shrimp. I discovered that the lake formed in the late Pleistocene when glaciers shaped the landscape and deposited salts and other minerals into the soil and bedrock. As the glaciers receded in the late Pleistocene, meltwater channels dried and left isolated depressions filled with meltwater and groundwater rich in dissolved salts from underlying glacial deposits. Hot, dry summers and persistent winds common in the Saskatchewan prairies increased evaporation and concentrated salts, leading to crystalline sodium sulphate deposits, which created the salt lake. The salt mine started in 1947 and today is one of the largest producers of anhydrous sodium sulphate in North America with production capability of 285,000 tons per year.

Map showing Chaplin Lake
Salt deposits on the side of the road, near Chaplin, Sask (photo by NIna Munteanu)
Flat sage-grasslands plain under a darkening sky, near Piapot, Saskatchewan (photo by NIna Munteanu)

I continued through the Great Plains, west toward Alberta, across a rolling grassland mingled with sage. Along the stretch from Chaplin Lake past Swift Current through Piapot, the terrain grew distinctly dry and chaparral-like. I spotted various types of sage everywhere.  

I saw two types of native sage: left is Artemisia frigida; right is Artemisia ludoviciana (photos by NIna Munteanu)

Three types of native sage live in the grasslands of Saskatchewan: Pasture Sage or Prairie Sagewort (Artemisia frigida), Prairie Sage (Artemisia ludoviciana), and Silver Sagebrush (Artemisia cana). Pasture sage is an ‘increaser’ species; its population grows as rangeland condition deteriorates. It is a good indicator of overgrazing.

I also found ‘frothy’ clusters of pretty tiny white 5-petaled flowers that I finally identified as Prairie Baby’s Breath (Gypsophila paniculata), growing by the roadside and in the grasslands of Saskatchewan. The pretty tiny white 5-petaled flowers It’s a much branched perennial, the inflorescence often giving the plant a dome shape. Foliage is glaucous and plants are glabrous except for small hairs on the calyx. This plant has been designated a noxious weed in Saskatchewan.

Bunches of Gypsophila paniculata in a Saskatchewan grassland (photo by Nina Munteanu)
Close up of Gypsophila paniculata, Sask (photo by Nina Munteanu)

Then, in no time, I crossed the border and was approaching Medicine Hat in Alberta. But that’s Part 4 of this journey.

Rolling prairie hills near Medicine Hat, AB (photo by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit  www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

My Drive Across Canada: Part 2—Boreal Forest

The second leg of my drive west from Peterborough, took me past Thunder Bay, northwest from Lake Superior and into the heart of the boreal forest. Named after Boreas, the Greek god of the Northwind, the boreal forest is also called taiga (a Russian word from Yakut origin that means “untraversable forest”). Canada’s boreal forest is considered the largest intact forest on Earth, with around three million square kilometres still undisturbed by roads, cities and industrial development.

Canaada’s Boreal Forest

The boreal forest is the largest forest region in Ontario, covering two thirds of the province—some 50 million hectares—from the Great Lakes-St. Lawrence forest to the Hudson Bay Lowlands. 

I drove the Trans-Canada Highway (Hwy 17) through mixed coniferous forest, wetlands and marsh. The highway generally marks the boundary or transition zone between true Boreal Forest and the Great Lakes-St. Lawrence Forest, both dominated by coniferous trees.

Marshy river and spruce forest, north of Wawa, ON (photo by Nina Munteanu)

I stopped at English River overnight and the following morning woke to the echoing calls of two loons on the lake. I left at dawn with a peach sky behind me and a dark charcoal sky ahead of me. Soon the dark clouds unburdened themselves and the rain fell in a deluge as I continued west, barely making out the dense forest through flapping windshield wipers. The forest here was a mix of balsam fir, white and black spruce, white pine, aspen and white birch.

Spruce forest with birch and ground cover of moss and lichen, off Trans-Canada Highway, ON (photo by Nina Munteanu)

When the rain abated to a steady sprinkle, I ventured out to photograph the spruce-moss-lichen forest by the side of the road. I stood in the drizzle and set up my tripod and camera to take my shots, careful not to tread on the reindeer lichen. Reindeer lichen is highly susceptible to trampling. Branches break off easily and they take decades to recover. This foliose lichen is a key food source for reindeer and caribou during the winter; it also helps stabilize soil and recycles nutrients.

Spruce-moss-lichen forest off Trans-Canada Highway, ON (photo by Nina Munteanu)
Spruce-moss-lichen forest by Trans-Canada Highway, ON (photo by Nina Munteanu)

I drove into the tiny community of Vermillion Bay on Highway 17, looking forward to stopping in Quacker’s Diner for a hearty breakfast as advertised by a fetchy sign on the road. Alas, the place had closed long ago, according to the lady at the Moose Creek Trading Co., and hadn’t been replaced. And she couldn’t suggest anything else in the village. Disappointed, I felt I was truly in the middle of nowhere…

Sign for Nowhere, ON (photo by Nina Munteanu)

Then, a ways down the main road, I spotted the sign: “Nowhere Craft Chocolate & Coffee Roastery” and felt like I’d entered a dream-state where the north was run by hipsters.

Benny reaches Nowhere in Ontario, Vermillion Bay (photo by Nina Munteanu)

It was a husband and wife team who ran this wonderful craft bean-to-bar chocolate making and coffee roasting enterprise.

Filling my dark roast coffee order (photo by Nina Munteanu)

No sooner had I started to feel like I was back in trendy southern Ontario, when I met one of the locals, Simon, who worked in the bush and was patiently waiting for some dark roasts to take back to his buddies. We got to chatting and he shared some colourful stories about ‘the bush’ and folks who live in it, reminding me where I really was.

Coffee in hand, Simon stands next to his ATV with cooler, ready to return to ‘the bush’ with coffee (photo by Nina Munteanu)

When I mentioned the experience to a friend, she made the astute comment: “It is somehow satisfying to think of loggers and trappers and campers emerging out of the forests to go have a great cup of coffee and a hunk of chocolate. Why does that seem totally normal for Canada?”

Coffees from Nowhere
Chocolates from Nowhere

The Nowhere craft chocolate I bought—dark chocolate infused with ginger and Colombian coffee—was the best chocolate I’ve tasted this side of Switzerland. I bought some dark blends of Nowhere Coffee and continued my journey, happy despite no breakfast.

Black Spruce Forest

The black spruce (Picea mariana) dominates much of Canada’s boreal forests, frequently occurring in the Canadian Shield ecoregion where it forms extensive stands with groundcover of various mosses and reindeer lichen. Which of the two groundcover types depends on soil conditions and gaps in the forest from disturbance or fire.

Black spruce forest with moss and lichen ground cover, east of Dryden, ON (photo by Nina Munteanu)

The black spruce tree thrives in acidic peatlands, bogs and poorly drained mineral soils in wet, cold environments, but also grows in drier soils. It is particularly common on histosols (soils with peat and muck) on the Canadian Shield. Fires play a significant role in its regeneration as it replaces pioneer species such as white birch and tamarack after a fire, and grows with lichen and moss.

Marshland with black spruce, boreal forest north of Wawa, ON (photo by Nina Munteanu)

Mosses & Lichen Groundcover of Spruce-Dominated Forest

Both mosses and lichen (particularly reindeer lichen) help cool the forest by regulating evaporation and soil temperature; they can also fix nitrogen from the air, providing this key nutrient to an often nitrogen-limited ecosystem.

Spruce forest with feathermoss ground cover, ON (photo by Nina Munteanu)

This spruce-moss woodland is typified by fairly dense closed canopy of black spruce (Picea mariana), along with white spruce (Picea glauca), balsam fir (Abies balsamea), paper birch (Betula papyrifera) and trembling aspen (Populus tremuloides); this association creates a fairly shaded environment on the forest floor, inviting groundcover of various mosses such as feathermosses and Sphagnum that thrive in stable moist, shaded conditions.

Various mosses that typify the spruce-moss woodland in the boreal forest: A. Ostrich Plume Moss (photo by iNaturist); B. Red-Stemmed Feathermoss (photo by Ohio Moss and Lichen Association); C. Glittering Feathermoss; and D. Haircap moss with sundew (photographs by Nina Munteanu)

Common mosses in the spruce-dominated forest include Knight’s Plume Moss (Ptilium crista-castrensis), Red-Stemmed Feathermoss (Pleurozium schreberi), Glittering Feathermoss (Hylocomium splendens), and various species of Sphagnum. Knight’s Plume Moss and Sphagnum are key carbon cyclers in the poorly drained acidic boreal forest, contributing significantly to net primary productivity. They decompose slowly, leading to substantial organic matter accumulation.  Sphagnum in particular influences soil organic matter and carbon consumption during wildfires. Due to their ability to retain water, their acidity and resistance to decay, Sphagnum plays a crucial role in both the development and long-term persistence of peatlands where black spruce likes to live.

Various species of Sphagnum: A. Sphagnum squarrosum; B.Sphagnum papillosum; C. Sphagnum magellanicum; and D. Sphagnum papillosum (photos by Nina Munteanu)
Gray Reindeer Lichen (Cladonia rangiferina) colonizing granite outcrop in Catchacoma Forest, ON (photo by Nina Munteanu)

Spruce-lichen woodlands are characterized by an open canopy of black spruce trees, often with jack pine (Pinus banksiana) and white birch (Betula papyrifera) and a ground layer of mostly lichens, particularly fruticose species such as Cladonia rangiferina, C. mitis and C. stellaris.  This association is typically found on well-drained, often drier soils and may experience more extreme temperature fluctuations than spruce-moss associations. Through their release of acids that break down rock and organic matter, fruticose lichens contribute to soil formation.

Close up of a similar reindeer lichen species, Cladonia uncialis with Bristly Haircap Moss, on Catch Rock, ON (photo by Nina Munteanu)

A dense Cladonia mat also creates a microclimate that helps retain moisture. Lichen may also inhibit spruce regeneration, maintaining the open, park-like nature of lichen woodlands through the release of allelochemicals, such as usnic acid, that inhibit growth of plants and other lichen. Spruce-lichen woodlands may represent a stage in forest succession moving toward a closed-crown forest and may result from fire and insect disturbances that create openings in the forest canopy.

Spruce forest, showing reindeer lichen ground cover in foreground closest to the highway and moss ground cover upslope, ON (photo by Nina Munteanu)

This is what I observed where I’d stopped the car by the side of the road; closer to the disturbance of the open road, reindeer lichens—likely Cladonia rangiferina, C. mitis and C. stellaris—formed a thick continuous mat on the ground, which was fairly open with young spruce growing here and there. Further up the slope, where the canopy became more closed with mature trees, the mosses dominated the ground.

Boreal Wetlands & Kabenung Lake

Wetland north of Wawa, ON (photo by Nina Munteanu)

On my drive through the boreal forest north of Wawa, I encountered extensive wetlands—mostly marshes, bogs and fens, forming winding networks of water habitats. These water features are key to the environment’s water regulation, excellent carbon stores and provide habitat for many species. Boreal wetlands are seasonally or permanently waterlogged (up to 2 metres deep) with plant life adapted to wet conditions, including trees, shrubs, grasses, moss and lichen. Organic wetlands (peatlands or muskegs) such as bogs and fens accrue deep organic deposits. Mineral wetlands (marshes, swamps and open water) have shallow organic deposits; these open water systems have nutrient-rich soils.

Kabenung Lake, ON (photo by Nina Munteanu)

I stopped at Kabenung Lake, considered a prime fishing lake, supporting diverse populations that include Northern Pike, Whitefish, Bass, Walleye, Brook Trout, Lake Trout, and Perch. Judging by the map, I had only a small view of the large convoluted 16 km long lake from the highway. The angler’s bathymetric map suggests a maximum depth of fifteen metres near the lake’s centre.

Kabenung Lake, north of Wawa, ON (photo by Nina Munteanu)

Before my journey west took me out of Ontario (and the boreal forest) into Manitoba’s flat prairie, I continued on the Canadian Shield across rugged terrain dominated by conifer trees with ancient Archean rock outcrops of granite and gneiss revealed in rock cuts on the highway. I reached Kenora, a charming old town with character architecture and a vibrant downtown. The town is located in the Lake of the Woods area, near the transition to the Great Lakes-St. Lawrence Forest to the south and the Aspen Parkland to the west. I saw lots of spruce, fir and pine alongside birch, maple and poplar. Lake of the Woods is a huge lake about 4349 km2 with over 14,000 islands with a highly convoluted shoreline and serves as an active hub for fishing, recreation and sightseeing.

Lake of the Woods Brewing Company, Kenora, ON (photo by Nina Munteanu)

In Kenora, I made a short stop at the craft brewery Lake of the Woods Brewing Company, bought some Sneaky Peach Pale Ale to take with me, and continued west to the Manitoba border.

Nina with her Sneaky Peach Ale, Kenora, ON

On my way, I had to stop the car to let a red fox cross the road. It looked like it owned the road, just sashaying across in a confident trot and smiling at me…Yes, smiling!

Benny on a road in the boreal forest, east of Kenora, ON (photo by Nina Munteanu)

References:

Houle, Gilles and Louise Fillon. 2003. “The effects of lichens on white spruce seedling establishment and juvenile growth in a spruce-lichen woodland of subarctic Québec.” Ecoscience 10(1): 80-84.

Payette, Serge, Najat Bhiry, Ann Delwaide and Martin Simard. 2000. “Origin of the lichen woodland at its southern range limit in eastern Canada: the catastrophic impact of insect defoliators and fire on the spruce-moss forest.” Canadian J. of Forest Res. 20(2).

Rydin, Håkan, Urban Gunnarsson, and Sebastian Sunberg. 2006. “The Role of Sphagnum in Peatland Development and Persistence.” In: Boreal Peatland Ecology, Ecological Studies 188, R. K. Wieder and D. H. Vitt (eds) Springer-Verlag Berlin Heidelberg, pp 47-65.

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit  www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press(Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.

My Drive Across Canada: Part 1—Lake Superior

It was time to go back out west for me. So, I packed up my car Benny with my precious treasures—including all my plants—and drove west from Peterborough, Ontario (where I’d been living for a decade). My destination was Vancouver, BC, where my son and sister and good friends live.

Stone Beach, Lake Superior, ON (photo by Nina Munteanu)

I looked forward to the drive through the boreal forest of the Canadian Shield—spectacular country of mostly black spruce forest, rugged billion-year old rocks and ancient inland seas. Because I’m a limnologist and ecologist, I particularly looked forward to driving along the northern shores of Lake Superior. Distinguished by iconic terraced cobble shores, vast sand beaches, steep gnarly cliffs and brooding headlands, Lake Superior was certain to be a highlight of my trip. I anticipated experiencing this Great Lake with the giddy excitement of a child.

Water-carved sandstone and granite / rhyolite boulders form shore of Stone Beach, ON (photo by Nina Munteanu)

Sandy Katherine Bay, Lake Superior, ON (photo by Nina Munteanu)
Contour and trail map of Lake Superior

I got my first glimpses of this massive lake at Sault Saint Marie, a charming town on the southeastern shore of Lake Superior and the location of the lake’s outlet, St. Marys River. My first stop for a more immersive experience of the lake was Batchawana Bay, part of Pancake Bay Provincial Park, where I explored the mostly sand coast and shore forest. I’m told that the name Batchawana comes from the Ojibwe word Badjiwanung that means “water that bubbles up”, referring to the bubbling current at Sand Point.

Benny, laden with my plants, parks beside Batchawana Beach of Lake Superior, ON (photo by Nina Munteanu)

Batchewana Bay is not only a main access point to several trails of the Lake Superior Water Trail; it also serves as a popular place for boaters and kayak paddlers to launch their craft for water adventure. The cold water and high wind fetch often make for treacherous boating. The Lake Superior Watershed Conservancy put up a sign at Batchewana Bay warning paddlers about dangerous and wily currents, including rip currents and channel currents and effects of offshore winds, accompanied by sudden surges.

Chippewa Falls, ON (photo by Nina Munteanu)

From Batchawana Bay, I continued north along the lake’s eastern shore, past Chippewa Falls, formed on 2.7 billion year old pink granite bedrock, covered by a later basalt flow; here, the Harmony River tumbles some 6 metres before emptying into Lake Superior.

I found access points including Stone Beach, Alona Bay, Agawa Bay, and Katherine Bay, variously dominated by pebbled shores with rocky granite outcrops and finely sculpted sandstone—all overseen by windswept pine, cedar and spruce. This part of the lake lies in the Great Lakes-St. Lawrence Forest area, dominated by mixed forest of fir, spruce, cedar and paper birch.

Sorted cobble shore with scupted rocky bluffs of granite / rhyolite and black spruce, Alona Bay, Lake Superior, ON (photo by Nina Munteanu)
Rugged coastline of Alona Bay showing terraces of water-worn cobbles and granite / rhyolite bluffs, Lake Superior, ON (photo by Nina Munteanu)

Along the cobble shores of Alona Bay, I met a trio of rock hounds, looking for distinct Lake Superior agate, quite fetchy with its rich red, orange and yellow colours. I was told that the colours are caused by the oxidation of iron that leached from rocks. Fascinated by their varied colours and rounded shapes, I fell into a hypnotic meditation, picking up pebbles, rubbing them wet to reveal their bright colours and examining them close up.

Local rock hounds collecting choice pebbles at Alona Bay, Lake Superior (photo by Nina Munteanu)

Rusavskia elegans along with Aspicillia cinerea and Lecidea sp. cover granite boulder, Alona Bay, Lake Superior, ON (photo by Nina Munteanu)

On the pink granite in Alona Bay, I found some brilliant lichen, which I confirmed was Elegant Starburst Lichen (Rusavskia elegans formerly Xanthoria elagans)—documented by other lichenologists as common on Lake Superior’s granite shores. I also saw patches of Rock Disk Lichen (Lecidella stigmatea).

Lake Superior northern shore near Rossport; top left: Encrusted Saxifrage tucked into granite crack; top right: Sunburst Lichen carpets granite boulder; bottom cobbled beach (photos by Nina Munteanu)
Shoreline of terraced cobbles in Alona Bay, Lake Superior, ON (photo by Nina Munteanu)
Boulder-strewn shore of Lake Superior at Agawa Bay, ON (photo by Nina Munteanu)

Agawa Bay and surrounding high points provide magnificent views of the Lake Superior shoreline and surrounding country. The high rising hills are easily one of the most rugged and beautiful in Ontario. The area is underlain mostly by over two billion year old granitic rocks of igneous origin that form part of a large batholitic mass formed in the Algoman period of Precambrian time.

Trail to Agawa Rock, Lake Superior, ON

It’s a short hike (0.8 km) through the woods on a trail that leads to the Agawa Rock Pictographs, an amazing collection of Aboriginal pictographs that sends one’s senses soaring with imagination. Beautiful representations of real and mythical animals fill the granite canvas;, one is Mishipeshu, the Great Lynx. This mythical creature is a water dwelling dragon-like animal that also resembles a lynx with horns and a back tail covered in scales. Mishipeshu is believed to cause rough and dangerous water conditions claiming numerous victims.

Great Lynx pictograph, Agawa Rock, Lake Superior

The trail it itself a highlight, takes you up a steep rock-hewn staircase, with steep cliff faces looming overhead, and along rocky pathways. The pictographs are viewed from a rock ledge below the 15-story high cliff that faces Lake Superior.

Two views of the rock-hewn staircase of the Agawa Rock trail, Lake Superior, ON
Rugged shoreline of Agawa Bay with birchleaf spirea in foreground, Lake Superior, ON (photo by Nina Munteanu)

My second night stop was Wawa, on the edge of the boreal forest of the Canadian Shield, known for its giant ugly goose sculptures. The name Wawa comes from the Ojibwe word wewe for “wild goose.” The town, which resembles a modern-day version of an old pioneer town included the colourful Young’s General Store, where you could purchase anything from moccasins and fishing tackle to homemade fudge and ice cream.

Left: Young’s General Store in Wawa; Right: (in)famous goose statue (photos by Nina Munteanu)

From Wawa, I drove west along the most northerly shores of Lake Superior, stopping at access points including Schreiber Beach, Cavers and Rossport. I found this stretch of Lake Superior’s northern coast from Terrace Bay to Nipigon particularly enchanting. Here I found several access points off the road that drew me like Alice into wondrous boreal landscapes, offering windows to an ancient time before humans walked the earth.

Near Schreiber, I stopped on the road to explore deep pink smooth granite outcrops covered in foliose Cumberland Rock Shield Lichen (Xanthoparmelia cumberlandia) and cushions of fruticose Reindeer Lichen (Cladonia spp.) where shallow soil pockets had grown. 

Granite outcrop with Xanthoparmelia cumberlandia and Cladonia spp. off Trans Canada Highway on shore of Lake Superior, near Schreiber, ON. (photo by Nina Munteanu)

The Lake Superior shoreline at Rossport consists mostly of exposed primordial granite, worn smooth by wave action. The granite here is mostly pink feldspar, quartz, and black mica. According to E.G. Pye, this rock is called porphyritic granite, an igneous rock that crystalized from a natural melt, or magma.

Though it lies in the boreal forest (typified by black spruce), the northern shoreline of Lake Superior in fact also supports species more characteristic of the Great Lakes-St. Lawrence Forest (e.g. white spruce, white cedar, red maple, paper birch). The northern shoreline of Lake Superior is therefore considered a transition zone between these two types of forest ecosystems.

Saxifrage flowers bloom in the cracks and corners of granite / gneiss rock, Lake Superior near Rossport, ON (photo by Nina Munteanu)

Nestled in the rocky cracks and crevices of Lake Superior’s wild rocky shores, I discovered several cold-loving plants that normally grow in high alpine areas of the Arctic. Botanists refer to them as “Arctic-alpine disjunct plants,” separated from their usual arctic-alpine habitat and regarded as possible relicts of the last glaciation. Typically, such plants grow much farther north; but these plants have adapted to the unique cold micro-environment of Lake Superior’s northern shores. Examples include encrusted saxifrage (Saxifraga paniculata), black crowberry (Empetrum nigrum), bilberry (Vaccinium uliginosum), arctic fir clubmoss (Huperzia selago), elegant groundsel (Packera indecora), and the carnivorous English sundew (Drosera anglica).

Rhizocarpon geographicum and Lecidea sp. on granite rocks at Katherine Bay, Lake Superior, ON (photo by Nina Munteanu)
Lecidella stigmata on granite rock, Lake Superior, ON (photo by Nina Munteanu)

I met old friends on the lake’s wild shores, lichens that made their homes on the water-smoothed rock surfaces and gnarly rock cliffs and boulders. Random patches of the crustose Yellow Map Lichen (Rhizocarpon geographicum), rosettes of the foliose Cumberland Rock Shield Lichen (Xanthoparmelia cumberlandia) and Tile Lichen (Lecidea sp.)—all lichens I’d encountered on my studied Catch Rock, a granite outcrop in the Catchacoma old-growth hemlock forest near Gooderham.

Rhizocarpon geographicum and Xanthoparmelia cumberlandia on granite outcrop, near Schrieber off Lake Superior, ON (photo by Nina Munteanu)

Circular patches of bright tangerine-orange Elegant Starburst Lichen (Rusavskia elegans formerly Xanthoria elegans) graced many of the rocky surfaces. I particularly noted them on the exposed granite slabs of Schreiber Beach and Rossport, often accompanied by Peppered Rock-Shield Lichen (Xanthoparmelia conspersa) and grey Cinder Lichen (Aspicillia cinerea).

Rusavskia elegans and Aspicillia cinerea, Lichen colonizing granite near Rossport on Lake Superior, ON (photo by Nina Munteanu)
Rusavskia elegans colonizes granite boulders on shore of Lake Superior near Rossport, ON (photo by Nina Munteanu)

William Purvis writes that R. elegans is a nitrophile (nitrogen lover) and is common at sites that are regularly fertilized by birds. In other words, they like bird poop. Inuit hunters knew that orange lichen meant small mammals like marmots probably lived nearby (the poop connection again). The orange colour comes from the carotenoid pigment, which acts like sunscreen to protect the lichen from UV radiation. This was the lichen that made it into space in 2005, exposed to the extremes of space (e.g. temperature, radiation and vacuum) for 1.5 years. Most of the samples continued to photosynthesize when they returned to Earth. 

Lichen colonizing granite near Rossport on Lake Superior, ON. A. Rusavskia elegans and Xanthoparmelia conspersa; B. Rusavskia elegans and Aspicillia cinerea (photo by Nina Munteanu)

Limnology & Geology of Lake Superior & Watershed

Morphometric map of Lake Superior (image by World Lake Database)

Lake Superior was formed 10,000 years ago when glacial melt-water filled a billion-year-old volcanic basin. The lake is the size of Austria, covering an area of about 82,100 km3 and making it the largest lake in the world by surface area. Lake Superior holds 10% of the Earth’s surface freshwater—enough to fill the other Great Lakes plus three more Lake Eries, making it the third largest lake in the world by volume. The Ojibwe call the lake gichi-gami (great sea), which so aptly describes this inland sea.

Slabs of granite rocks scatter along the shore of Lake Superior near Rossport, ON (photo by Nina Munteanu)

For a comprehensive summary of Lake Superior’s geologic history and rock formations see E.G. Pye’s 1969 guidebook “Geology and Scenery: North Shore of Lake Superior.”

Lake Superior is considered an oligotrophic lake of low productivity, characterized by cold, deep, nutrient-poor nutrients (particularly phosphorus and nitrogen). Its mean depth is 147 meters with a maximum depth of 406 meters. Fed by 200 rivers, Lake Superior holds 12,100 km3 of freshwater—enough to cover the entire North and South American continents with 30 cm of water. The lake’s volume is sufficiently large that it takes almost two centuries for a drop of water to circulate the lake before leaving through St. Marys River—its only natural outflow at Sault Ste. Marie—which flows into Lake Huron. Lake Superior also experiences seasonal circulation; the lake stratifies into two major temperature layers in summer and winter and undergoes mixing (turnover) twice in spring and fall, making it a dimictic lake.

Because of lack of plankton and turbidity from silt (due to cold waters low in nutrients), the lake is super clear with Secchi disk depths of 20-23 meters observed. Samuel Eddy at the University of Minnesota provided a summary of zooplankton and phytoplankton in the lake.

Macrophytes appeared nonexistent on the wave-washed shallows, though some boulders were covered in periphyton (e.g. attached algae, mostly diatoms). I also noticed some filamentous algae on the shore rocks near Rossport, likely Cladophora and Spirogyra, known to occur in the sheltered waters of the lake.

Granite shore near Rossport with green filamentous algae (photo by Nina Munteanu)

Seiches in lakes (image from University of Michigan)

Because of its size, Lake Superior provides long distances for wind to push water from one end to the other; these distances, called fetches, can exceed 500 km on Lake Superior. As a result, the lake experiences ‘tides’ called seiches—essentially oscillations in water level caused by strong winds and changes in atmospheric pressure. This causes a sloshing effect across the lake (of about a metre), much like a cup of coffee as it’s being carried, and exposes shorelines to dramatic fluctuations in shoreline levels with large waves, which can be as high as 6 m during storms.

Rocky shore off Agawa Bay, Lake Superior, ON (photo by Nina Munteanu)

The rocks of the lake’s northern shore date back to the early history of the earth, during the Precambrian Era (4.5 billion to 540 million years ago) when magma forcing its way to the surface created the intrusive granites of the Canadian Shield. With a watershed rich in minerals such as copper, iron, silver, gold and nickel, the lake lies in long-extinct Mesoproterozoic rift valley (Midcontinent Rift). Over time eroding mountains deposited layers of sediments that compacted to become limestone, dolomite, taconite and shale. As magma injected between layers of sedimentary rock, forming diabase sills, flat-topped mesa formed (particularly in the Thunder Bay area), where amethyst formed in some cavities of the rift. Lava eruptions also formed black basalt, near Michipichoten Island.

During the Wisconsin glaciation 10,000 years ago, ice as high as 2 km covered the region; the ice sheet advance and retreat left gravel, sand, clay and boulder deposits as glacial meltwater gathered in the Superior basin

Although the lake currently freezes over completely every two decades, scientists speculate that by 2040 Lake Superior may remain ice-free due to climate change. Warmer temperatures may also lead to more snow along the shores of the lake.

Rock-strewn Katherine Bay, Lake Superior, ON (photo by Nina Munteanu)

Lake Superior & Watershed Characteristics
ParameterValue
Age10,000 years
Trophic StatusOligotrophic
Visibility (Secchi Depth)8-30 m
Thermal Stratificationdimictic
Length563 km
Breadth257 km
Mean Depth147 m
Maximum Depth406 m
Volume12,100 km3
Lake Surface Area82,100 km2
Watershed Area127,700 km2
Shoreline Length4,385 km
Water Residence / Flushing Rate191 years
Fetch500 km
OutletSt Marys River
Viking cruise ship from Minnesota off sandy shore of Terrace Bay, Lake Superior, ON (photo by Nina Munteanu)

References:

Brandt et. al. 2015. “Viability of the lichen Xanthoria elegans and its symbionts after 18 months of space exposure and simulated Mars conditions on the ISS.” International Journal of Astrobiology.

Purvis, William. 2000. “Lichens.” Smithsonian Institution Press, Washington, D.C. 112pp.

Stone Beach, Lake Superior, ON (photo by Nina Munteanu)

Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” was released by Inanna Publications (Toronto) in June 2020.