Age of Water Podcast: Interview with Candas Jane Dorsey

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Candas Jane Dorsey with a friend

AoW Logo-smallWe are now living in the Age of Water. Water is the new “gold”, with individuals, corporations and countries positioning themselves around this precious resource. Water is changing everything. The Age of Water Podcast covers anything of interest from breaking environmental news to evergreen material. This also includes human interest stories, readings of eco-literature, discussion of film and other media productions of interest.

Join the discussion!

In this episode of Age of Water, we join award-winning Canadian author Candas Jane Dorsey in Calgary, Alberta, where she talks about “Ice and other stories”, teaching at university, what eco-fiction means, and how writers can be “sneaky.”

 

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Candas Jane Dorsey

CanCandas Jane Dorsey is an award-winning Canadian author of novels, short stories, and poetry. She also served as editor / publisher of several literary presses.

Ice by CandasJaneDorseyShe is best known for her science fiction writing including the novels Black Wine and A Paradigm of Earth, and has also published poetry and short stories, including her well-known short-story collection Machine Sex: And Other Stories. Her latest collection of short stories Ice and other Short Stories spans thirty years of writing. Candas teaches writing and communications at MacEwan University. She was founding president of SF Canada and was president of the Writers Guild of Alberta. Candas was awarded the Province of Alberta Centennial Gold Medal award for artistic achievement and community work and the WGA Golden Pen Award for Lifetime Achievement in the Literary Arts.

Feature photo by Peter James

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Nina Munteanu kayaks in Desolation Sound, British Columbia (photo by H. Klassen)

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in May 2020.

 

 

Age of Water Podcast

AoW Logo-smallOn November 22, 2019, co-host Claudiu Murgan and I launched the podcast Age of Water in Toronto, Ontario.

The podcast is devoted to informing and entertaining you with topics about water and the environment. We interview scientists, journalists, writers, academia and innovators who share their knowledge and opinions about the real state of the environment and what committed individuals and groups are doing to make a difference. We talk about the problems and we talk about the solutions.

The format of our podcast is a combination of chat cast and informal interview. We cover anything of interest from breaking environmental news to evergreen material. This also includes human interest stories, readings of eco-literature, discussion of film and other media productions of interest.

AgeOfWater-HomePage

Diary Water cover finalClaudiu suggested doing the podcast during a discussion we had about what we could do to make a difference and to help bring more awareness about the environmental challenges we face in water issues and geopolitics.

We both agreed that the podcast should not only explore the issues but also present solutions and ideas in the ongoing conversation. We wanted to point to ways others could participate by talking to those who were indeed making a difference. So far, we have talked to people about positive initiatives such as 350.org, Drawdown, blue communities, Extinction Rebellion and several others. We’ve talked to homeowners and entrepreneurs with innovative ideas on what individuals can do at home and in their community.

The name of the podcast came from my upcoming book “A Diary in the Age of Water,” a novel that chronicles the lives of four generations of women and their relationship with water during a time of catastrophic change. The book will be launched by Inanna Publications in Toronto in May 2020.

Podcast CO-HOSTS

Guests have come from around the world to join us in monthly interviews on Age of Water. These have included so far: economist and educator David Zetland in Holland (aired Nov 2019); award-winning metaphysical author Rainey Highley in California (aired December 2019); Canadian award-winning author Candas Jane Dorsey in Calgary, Alberta (aired January 2020);  activist/author Kaz LeFave in Toronto (airing February 2020); Finnish award-winning author Emmi Itäranta in the UK (to air in March 2020); and Toronto film educators The Water Brothers (to air in April 2020). We interviewed environmental activist Liz Couture in Richmond Hill, Ontario (airing May 2020); Zen master Ian Prattis in Ottawa (airing June 2020), and we also talked to activist/author Merilyn Ruth Liddel in Calgary, Alberta (airing July 2020), and climate researcher / author Martin Bush in Toronto (airing August 2020). Many more are scheduled to be interviewed. For more information go to www.ageofwater.ca

Podcast MISSION

Water Is-COVER-webIn February 2020, we started a reading series on Age of Water, in which Claudiu or I read from a fiction or non-fiction work that resonated with us, followed by a discussion. The first readings is from my book “Water Is…The Meaning of Water,” a celebration of water, which was selected by Margaret Atwood as her choice reading in the New York Times ‘Year in Reading.’

Let us know if you or someone you know wishes to be interviewed on the show. If you have a work you think merits reading and discussing on the show, please let us know as well. Go to the Age of Water site, join the newsletter and email us.

Feature photo by Peter James

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Nina kayaks Desolation Sound, off the coast of British Columbia (photo by H. Klassen)

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in May 2020.

Reminiscing on 2019…

Diary Water cover finalThis week is a wonderful time to reflect on the past year, 2019. It’s also a good time to be thankful for the things we have: loving family, meaningful friendships, pursuits that fulfill us and a place that nurtures our soul.

It’s been a very good year for my writing…and my soul…

Last year I received a writer’s dream Christmas gift: a signed contract with Inanna Publications to publish my ninth novel: “A Diary in the Age of Water” about four generations of women and their relationship with water during a time of extreme climate change. The book will be released by Inanna in May 2020 with a launch in Toronto on May 26th at Queen Books as part of the Toronto International Festival of Authors. The book is now available on Amazon.ca for pre-order!

Publications   

LBM 2019 ClimateInCrisis2019 saw several of my publications come out. In January 2019 the reprint of my story “The Way of Water” was published by Little Blue Marble Magazine. It will reappear in a print and web anthology devoted to climate fiction called “Little Blue Marble 2019: Climate in Crisis” on December 27, 2019. That will be the sixth time “The Way of Water” has been published!

EcologyOfStoryImpakter Magazine also published my article “How Trees Can Save Us,” an essay on five writers’ perspectives on trees and humanity’s relationship with them.

In June, I published the 3rd guidebook in my Alien Writing Guidebook series—called “The Ecology of Story: Worlds as Character” with Pixl Press in Vancouver. The launch on July 4th at Type Books was well attended with presentations by several local writers and artists.

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Nina Munteanu with The Group of Seven Reimagined

I was commissioned along with twenty other writers to write a piece of flash fiction for a commemorative anthology to the Group of Seven, entitled “The Group of Seven Reimagined,” with Heritage House in Vancouver.

I’d never written flash fiction before and it was both exciting and challenging to write. I was asked to pick an artist’s piece as inspiration for a flash fiction story. The beautiful hardcover book was released October 2019.

October also saw another of my pieces published. I was asked to contribute something to the Immigrant Writer’s Association’s first anthology, entitled “Building Bridges,” about the immigrant’s experience in Canada. While I’m not an immigrant, I did share my parents’ experience who had immigrated to Canada from France. I wrote a piece on the hero’s journey.

 

Age of Water Podcast 

AgeOfWater-HomePage

On November 22, 2019, co-host Claudiu Murgan and I launched the Age of Water podcast.  The podcast covers anything of interest from breaking environmental news to evergreen material on water and the environment. We interview scientists, journalists, writers, academia and innovators who share their knowledge and opinions about the real state of the environment and what committed individuals and groups are doing to make a difference. We talk about the problems and we talk about the solutions.

Appearances & Media / News

On June 22, I traveled to Port McNicoll at Georgian Bay to help give a writing intensive, hosted by publisher Cheryl Antao-Xavier at IOWI. I was also invited to speak at The Word is Wild Literary Festival in October. The event took place in Cardiff, in the Highlands of Ontario. In late October, I traveled with friend and editor Merridy Cox to Vermont to give a presentation on water to the Lewis Creek Association. Entitled “Reflections: The Meaning of Water”, the talk focused on our individual connection with water. I will be reprising this talk at several venues this year.

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Nina Munteanu with a metasequoia in the Beaches (photo by Richard Lautens)

I was also featured in the news a few times. The Toronto Star asked me to answer two questions about climate change and the Vancouver Sun published an Oped of mine entitled “Why Women Will Save the Planet.”

Research & Adventure

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Giant red cedars in Lighthouse Park

In Summer 2019 I travelled to British Columbia to visit friends and family in Vancouver and elsewhere. Following a dream of mine, I travelled with good friend Anne to Port Renfrew on Vancouver Island to see the ancient forests and the west coast. I had wanted to see these old-growth forests for some time since I’d been to Carmanah many years ago. The ancient forests were magnificent and breathtaking and so nourishing for the soul. Recognizing these forests as living cathedrals, I felt a deep reverence. The silent giants rose from wide buttressed bases into the mist like sentinels, piercing the heavens. A complex tangle of beauty instinct whispered in the breeze with the pungent freshness of pine, cedar and fir. Anne and I even had a chance to hug Big Lonely Doug, the second tallest Douglas fir tree in Canada.

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Nina Munteanu stands, dwarfed, by a Douglas fir tree in Lighthouse Park

While in British Columbia, I also visited a small enclave of old-growth forest in the heart of Vancouver at Lighthouse Park (West Vancouver). I went with son Kevin and then again with good friend Margaret. This majestic forest of redcedar, Douglas fir, spruce and hemlock is deeply awesome and humbling. And a real gem for the city.

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Nina Munteanu in Ladner, BC

Then, with just a few days before my flight back to Toronto, I slipped and fell and broke my ankle. I got a “boot” and a cane then hobbled on the plane and went back to work at UofT.

It has been a wonderfully inspirational year for me in writing and teaching. I still actively teach at The University of Toronto in several writing centres and classes throughout the downtown campus. The students are bright and challenging. I also still coach writers to publication and have helped several finish their works in 2019.

 

I hope the beauty of the season has filled your heart with joy. Wishing you a wonderful 2020, filled with grace, good health, and sweet adventure!

 

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in May 2020.

Artist Costi Gurgu Explains his Cover Art for The Splintered Universe Trilogy

Get Rhea-HawkeGOODWhen I first met Costi and Vali Gurgu at the World Fantasy Convention in Montreal several years ago, I had no idea that Costi would end up creating the stunning book covers for The Splintered Universe Trilogy or that his wife, Vali, would serve as the model for the hero of my story, the relentless and steely detective, Rhea Hawke. You can find his cover art and other artworks on Costi’s illustration site.

 

Nina: Hi, Costi. Thanks so much for agreeing to do this interview. 

Costi: Hi, Nina. The pleasure is mine.

 

Nina: You came up with a “Triptych” design for the Splintered Universe Trilogy. What inspired you to come up with it and what do you like about it?

Costi: There is the danger of spoilers in this answer. The fact is that your main character, Rhea, undergoes a certain evolution from a regular human being to… let’s just say something else. And that evolution has three parts, one for each book of the trilogy and it also has a touch of divine. So, the triptych design, so often used for religious paintings, fits like a glove on the entire concept.

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Nina: Your design for Outer Diverse (and designs for the other two covers) carries a powerful image that conjures a portal or gateway into another world (which is what the trilogy is about). The reader is drawn into an infinite landscape, looking in, and Rhea is looking out. Can you tell us a little about how you conceived this compelling design. Is there a meaning behind the symbols and colours you used? 

Costi: To be honest, the initial idea was for the red ring to be a sort of mapping device and a radar combined into one, since Rhea travels great distances in her quest. Then I realized it might as well be a portal device on top of everything else and serve all her travelling needs.

There were two options —either we would look with her outside, to whatever target she had, or look towards her. I thought that it would be more powerful if we could look towards her and see her determined face, see the unflinching resolution in her eyes, while she’s pondering her next move and readying herself to use the device once again. But to look towards her and see her in a confining room of a space ship, or such, would have defeated the purpose. So I needed to have her against the infinite landscape as the backdrop. She is in a continuous journey to discover herself and this journey takes her literally through the infinite spaces of not just one universe.

 

BewareRhea-GOOD copyNina: Yes, I love the metaphoric elements you’ve woven into the design. The image speaks to us on many levels. Do you use music or other devices in your work to evoke your creativity? What other tools did you use to create the stunning covers of Splintered Universe (e.g., animation software, etc.)?

Costi: I’m always listening to music while working. The kind of music varies depending on what I’m working on. If I’m writing for instance, I need instrumental music, without words to influence my own ones. Also, it depends on the kind of feeling and mood I try to generate through my writing or my illustration. Music helps me channel those feelings into the right words or imagery.

Technically speaking, I always start with sketches on paper, which I later scan. I mainly use Adobe Photoshop, but for this illustration I had to use Adobe Illustrator as well. Obviously, the layout and the typography were done in Adobe InDesign.

 

Nina: Your wife, Vali, was the model for Rhea Hawke. I understand you had a great time doing the photo-shoot (p.s., some of the additional shoots can be seen in the Youtube book trailer). I’ve attended several launches and events and both the cover and the model have been extolled. One reader compared Vali to actress Catherine Zeta Jones. How does Vali feel about being somewhat of a celebrity?

Costi: I’m so happy to hear that. You know, I had to decide how to treat her image. I could have gone towards a more glamorous, shiny look, like in a fashion image, or I could just simply keep it more realistic. Despite Vali’s protests, I chose to keep it that way, because I wanted to offer a realistic image of an ex-police officer: a woman who was used to fighting and chasing criminals, rather than taking care of her appearances. Now, to hear that her rougher and tougher image created that kind of reaction gives me a sort of peace and satisfaction.

 

Nina: You and Vali have had rich and varied careers in commercial art, law and writing. You’ve served, for instance, as art director for several high-end magazines including Playboy, and you taught graphic design at the college level. You journeyed from Romania to England and finally to Toronto, Canada. No doubt your law degree helped you in your entrepreneurial pursuits. Did you pursue illustration and design in England?

Costi: Well, three years [after England] saw us going back to Romania; our families expected us to go back to the Bar Association and behave responsibly. But after showing my portfolio around I got a designer job at Playboy Magazine! The Art Director and I launched its first Romanian edition issue a few months later. Three years later I became the Creative Director of MediaPro Group, the largest publishing company in Romania and Vali took on the position of Art Director of Playboy Magazine.

Two years later we came to Canada to pursue a dream. So, yes, I could say that my law degree created the perfect opportunity for me to discover my passion for visual arts. It took me to England and eventually to Canada. Life is funny that way.

 

Nina: Does Vali help you with your work and do you help her with hers?

Costi: We help each other a lot in our work. Because we worked together in our first legal job and after that in our first design job, we have become a team. We have different approaches to the art process and we have different styles. I went deeper into illustration to complement my design skills, while she chose photography to do that.

Even now, for the most important projects we have for our different employers we involve each other not only for need of feedback, but also for need of different ideas and fresh approaches. We basically complement each other.

Not to mention that she’s always my first reader for any piece of fiction I write. She’s the toughest reader I have but in the same time I know she’s also the most sincere one.

 

Nina: Thanks so much, Costi, for joining us. I wish you the best of luck in all your writing and illustration projects. It’s been an honor to work with you.

Costi: Again, my pleasure, Nina.

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In Metaverse, the third and last book of The Splintered Universe Trilogy, Detective Rhea Hawke travels back to Earth, hoping to convince an eccentric mystic to help her defend humanity from an impending Vos attack—only to find herself trapped in a deception that promises to change her and her two worlds forever.

You can listen to a sample recording of Outer Diverse, Inner Diverse, and Metaverse through Audible.

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GIVE AWAY! GIVE AWAY! GIVE AWAY! GIVE AWAY! GIVE AWAY! GIVE AWAY!

Rhea likes to use proverbs as barbs and to unhinge her opponent when she gets nervous or feels trapped. Send me a good proverb for Rhea to use and I will send you a code to obtain a free Audiobook from Audible. Codes are limited, so it will be first come, first serve until we’re out. Send your proverb to Nina Munteanu at: nina.sfgirl[at]gmail.com.

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

 

 

Nina Munteanu Talks about The Splintered Universe with Simon Rose

Author, writer, coach and consultant Simon Rose interviews Nina Munteanu about The Splintered Universe Trilogy, now out in three formats: print, ebook, and audiobook. Listen to a sample from each of the trilogy audiobooks on Audible:

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Here’s Simon’s interview with me:

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In Metaverse, the third and last book of The Splintered Universe Trilogy, Detective Rhea Hawke travels back to Earth, hoping to convince an eccentric mystic to help her defend humanity from an impending Vos attack—only to find herself trapped in a deception that promises to change her and her two worlds forever.

You can listen to a sample recording of Outer Diverse, Inner Diverse, and Metaverse through Audible.

Microsoft Word - trilogy-poster03.docx

GIVE AWAY! GIVE AWAY! GIVE AWAY! GIVE AWAY! GIVE AWAY! GIVE AWAY!

Rhea likes to use proverbs as barbs and to unhinge her opponent when she gets nervous or feels trapped. Send me a good proverb for Rhea to use and I will send you a code to obtain a free Audiobook from Audible. Codes are limited, so it will be first come, first serve until we’re out. Send your proverb to Nina Munteanu at: nina.sfgirl[at]gmail.com.

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

Rhea Hawke Interviewed by Galaxy News

I recently accessed a rare interview by Laura Dob of Galaxy News with Galactic Guardian Detective Rhea Hawke conducted in Neon City on Iota Hor-b sometime in 215 SGT:

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Rhea Hawke (Vali Gurgu)

Laura: Welcome to the studio, Rhea. We’re so pleased that you could take time out of your busy schedule to talk to us.

Rhea: Thank you. Well, my boss told me I had to come and then cleared my schedule.

 

Laura: Well, that was nice of him.

Rhea: (hardly audible) Not really…

 

Laura: (clears throat). You’re an enforcer for the Iota Hor-2 Precinct. Is Neon City where you live—when you’re not out chasing the bad guys in your sentient ship, that is?

Rhea: Yes. I live in the eastside in a flat with my tappin, Jasper. I moved there when I started working for the Galactic Guardians. I’m originally from Earth: Vancouver, Canada.

 

Laura: How does it feel to be the only human in an entirely Eosian Guardian force?

Rhea: Small. Their average height is seven and a half feet. I’m tall for a human female at 6 feet, but I’m still a midget compared to them. Humans generally are small in the galaxy. If you discount the Delenians, Rills and Creons—which most do anyway—we’re pretty much the smallest sentient species in the galaxy.

 

Laura: (laughs uneasily) How did you become the only human Guardian Enforcer?

Rhea: Plain dumb luck, I guess…

 

Laura: (shuffles papers uneasily). You must be one of their youngest Enforcers at just twenty-three years old. Most are in their forties by the time they earn an Enforcer badge. With so much training involved how did you accomplish that feat?

Rhea: I started out young.

 

Laura: So, tell us about your sentient ship. It’s different from the regulation Guardian ships, isn’t it? Why did you choose it—

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Benny, Rhea’s AI ship

Rhea: I didn’t choose Benny. But I’m very happy with him. Benny is a ray class ship, a hybrid of old organic nano-technology that uses brainwaves and new technology that uses kappa particles collected through fuel scoops from gas giants. My ship was built by Tangent Shipping, owned and operated by Fauche ship-builders. As far as I’m concerned, the Fauche are the best ship builders in the galaxy.

 

 

Laura: Tell us a little about the equipment you use in your work? Like that savory coat. You call it a Great Coat, don’t you? Is it standard Galactic Guardian issue?

Rhea: The coat is intelligent, made with thixotropic material, which protects me, alerts me and provides some enhancing features that help me maneuver out of challenging situations.

 

Laura: The standard weapon of the Galactic Guardian is the pocket pistol. But you use something different; I hear that you designed your own non-regulated weapon. Is that it, holstered on your hip? I’ve heard it called a MEC…

Rhea: (pulls out the hand gun). It stands for Magnetic-Electro-Concussion pistol. It’s a wave-generating weapon that’s programmable to specific vibrations and wavelengths unique to the DNA of animate and inanimate things. I can program it to do different things to different things in one sweep. This essentially makes the MEC a discerning weapon with distinguishable endpoints from rendering someone unconscious to a swift kill.

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Rhea (Vali Gurgu) on the hunt in Neon City’s industrial sector

 

 

Laura: As a Galactic Enforcer, you’re known as a loner who drives a non-regulation ship and uses unconventional ways to complete your missions. Some have criticised your methods as unreliable, shoddy—even dangerous. One Galactic Enforcer told me that no one wants to work with you because—

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Rhea Hawke (Vali Gurgu)

Rhea: I didn’t join the force to make friends. I became a Guardian to help make things right. I get the job done. There’s no nice way of getting rid of scum, murderers, and terrorists. People have to decide if they want a safe galaxy or if they want to be politically correct in an unsafe one.

 

Laura: Does that include the Rill rebellion on Omicron 12 where you murdered over a hundred insurgent Rills with that very MEC you’re holding?

Rhea: ‘Talking without thinking is like shooting without aiming’—Old Chinese proverb… It was seventy-seven terrorists I killed.

 

Laura: (after tense pause in which interviewer notes that Rhea has not put away her MEC) Ok… Well… I heard a story from your mother—

Rhea: You spoke to my mother?

 

Laura:that you wanted to be an artist when you were young…

Rhea: ‘Dress the monkey in silk and it is still a monkey.’ Argentinian proverb.

 

Laura: Eh… right… So, what’s your favourite holiday place when you take time off?

Rhea: I don’t take time off. Except for interviews my boss tells me I need to do, that is…

 

Laura: Eh… right… So, what’s your favourite drink—or drug— and favourite place to get it?

Rhea: (finally smiling) Well, I am rather partial to Plock Nectar but my favourite drink is soyka and one of the best places to get it is right here in Neon City. It’s a funky Italian-Scandi café on Elgin Street in The Hive, called The Muddy Pit.

 

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Rhea Hawke (Vali Gurgu) in Neon City on Iota Hor-2

Laura: Thank you, Rhea, for talking to us. I wish you well in your journeys.

Rhea: Thank you, Laura. You too.

 

When Galactic Guardian Rhea Hawke investigates the genocide of an entire spiritual sect, she collides not only with dark intrigue but with her own tarnished past. Her quest for justice catapults Rhea into the heart of a universal struggle across alien landscapes of cruel beauty and toward an unbearable truth she’s hidden from herself since she murdered an innocent man.

 

Get the complete Splintered Universe Trilogy. Available in ALL THREE FORMATS: print, ebook, and audiobook.

audible listen

Microsoft Word - trilogy-poster03.docx

GIVE AWAY! GIVE AWAY! GIVE AWAY! GIVE AWAY! GIVE AWAY! GIVE AWAY!

Rhea likes to use proverbs as barbs and to unhinge her opponent when she gets nervous or feels trapped. Send me a good proverb for Rhea to use and I will send you a code to obtain a free Audiobook from Audible. Codes are limited, so it will be first come, first serve until we’re out. Send your proverb to Nina Munteanu at: nina.sfgirl[at]gmail.com.

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Dockyards of Neon City on Iota Hor-2 (artwork by Sybylla)

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.

 

Nina Munteanu Talks About Writing and Audiobooks

AudiobookPromotions

In a recent interview with Jess at Audiobookworm Promotions, I talked about the process of turning The Splintered Universe Trilogy into three audiobooks and the process of writing in general:

 

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Nina Munteanu

Tell us about the process of turning your book into an audiobook.

The process was magical for me. It was professional and proceeded at a pace that felt productive. All of this was mainly because of the professional relationship I had with the narrator. From audition to each step of quality assurance in ensuring character voice, pronunciations, mood, tempo, etc. the narrator and I were in good communication. The final product shows. I can’t recall how long it took for each audiobook to be created, but it didn’t feel long.

 

How did you select your narrator?

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Dawn Harvey

Dawn Harvey auditioned for my first book along with two other narrators through the audiobook publisher, Iambik. I picked Dawn because her voice resonated with my idea of my main character, Rhea Hawke, a cynical badass detective on a mission to save the world–a world she doesn’t understand. Dawn’s voice carried attitude and sarcasm as well as compassion and kindness. It was exactly what I was looking for in my paradoxical character. Given that the book is told in the first person, the main character voice was critical. Dawn just nailed it. When the second and third books came out, I just HAD to have Dawn do them too—not just for consistency, but because in my mind, Dawn WAS Rhea.

 

How closely did you work with your narrator before and during the recording process? Did you give them any pronunciation tips or special insight into the characters?

We worked closely and well. Dawn took the driver’s seat in it. She was very professional. She sent me sections of audio to check for tone, voice, etc. She created a list of voices (I had at least twenty different alien species she needed to create unique voices for—one with multiple mouths! And another was a kind of “amoeba”—her voices were splendid!) and a list of terms with her pronunciations for me to vet. She had also asked for more information on the characters, which I was able to provide, given I keep a character dossier on all characters I create.

You can listen to samples of her narration of the three audiobooks below:

audible listen

 

Are you an audiobook listener? What about the audiobook format appeals to you?

OuterDiverse-web-1 copyI like to listen to audiobooks in the car, especially when I’m on a long trip. I find it a wonderful way to enjoy a book. It’s very relaxing. When my best friend and I used to do road trips down to California from Vancouver, we took turns reading a novel or nonfiction book out loud as the other drove. It was lots of fun. With audiobooks I can do the same even when I’m the only one in the car!

 

What gets you out of a writing slump? What about a reading slump?

EcologyOfStoryIf I’m in a slump, it’s usually because I can’t figure something out—usually some plot point or character quirk or backstory. What helps me is to put the book I’m working on away and do something else. I know that what I need will come; I just have to let it come on its own terms. The break could even be writing something else, so long as it isn’t my book. Or I could do something else on the book such as edit a certain section or research some element. Other ways I coax my muse back are walks in Nature, reading a good book, visiting the library or a bookstore and cycling. These work really well to take me out of the book and into the muse. When I take my mind out of the direct involvement with the book, I’m letting things outside of me impact me with insight. Invariably that is what happens. I’ll see something or experience something that provides me with a clue or even an epiphany.

 

What advice would you give to aspiring authors?

InnerDiverse-web copyLearn your “voice” and how it’s unique from anyone else. Write from the heart, write something that means something to you, and keep writing. Success in writing results from a passion to share. If you infuse your writing with passion, everything else comes with it: the patience and determination to learn craft, marketing, and the persistence in your pursuit.

 

Do you have any tips for authors going through the process of turning their books into audiobooks?

Know what you’re looking for to represent the “voice” of your book. Know the narrative voice you want for your book and don’t compromise on it. Work respectfully with your narrator: if they are good, they will turn your cherished book into something more than it was. Let it surprise you and delight you. Together, you and your narrator will become more than the sum of the parts. Enjoy the process and don’t rush it.

 

What’s next for you?

MetaverseAUDIO-FINAL2-webI recently finished my latest novel, A Diary in the Age of Water, which was picked up by Inanna Publications in Toronto and will be out in 2020. I recently launched the third book in my “Alien Guidebook” series of writing guides. This one is called The Ecology of Story: World as Character and I’ve had lots of fun with it!

I’m currently at the idea-premise phase of a feature short story commissioned by a magazine in Vancouver. The story, which may involve a branch of ecology called soundscape ecology, explores a world we hope to live in and how we might get there.

 

 

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Nina Munteanu is a Canadian ecologist / limnologist and novelist. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s bilingual “La natura dell’acqua / The Way of Water” was published by Mincione Edizioni in Rome. Her non-fiction book “Water Is…” by Pixl Press (Vancouver) was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. Her novel “A Diary in the Age of Water” will be released by Inanna Publications (Toronto) in 2020.